jj 05_abex-european post war

7/30/2019 JJ 05_Abex-European Post War

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Art in New York

Abstract Expressionism


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Arshile Gorky, The Liver Is the Cocks Comb, 1944, Oil on canvas, 6 X 8 2.


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Jackson Pollock, She-Wolf, 1943.


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Jackson Pollock, Guardians of the Secret, 1943, Oil on canvas, 48 X 75".


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Jackson Pollock, Shimmering Substance, 1945, Oil on canvas, 30 X 24 .


6/91

David Alfaro Siqueiros, Self-Portrait, 1945, Pyroxylin on masonite.


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Thomas Hart Benton, A Social History of Missouri, 1935-37, tempera on

canvas, Missouri State Capitol, Jefferson City.
http://go2.wordpress.com/?id=725X1342&site=showmepics.wordpress.com&url=http://www.flickr.com/photos/djlinedancer/2205765113/&sref=http://showmepics.wordpress.com/2008/01/19/thomas-hart-benton-mural/


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Thomas Hart Benton,A Social

History of Missouri.
http://go2.wordpress.com/?id=725X1342&site=showmepics.wordpress.com&url=http://www.flickr.com/photos/djlinedancer/2205765113/&sref=http://showmepics.wordpress.com/2008/01/19/thomas-hart-benton-mural/


9/91

Thomas Hart Benton,A Social History of Missouri.


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Thomas Hart Benton,A Social History of Missouri.


11/91

Jackson Pollock, One (Number 31), 1950.


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Jackson Pollock, Autumn Rhythm (No. 30, 1950) 1950, Oil on canvas,

8' 9" X 17' 3", Metropolitan Museum of Art.


13/91

Jackson Pollock, Lavender Mist (No. 1, 1950), 1950, oil,

enamel paint, etc. on canvas, 7' 3" X 9' 11".


14/91

Jackson Pollock at Workin his studio at East Hampton, Long Island

(Photograph by Hans Namuth), 1950.


15/91

Jackson Pollock at Work (by Namuth) 1950.


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Jackson Pollock at Work(Lee Krasner in the back), 1950.


19/91

Vogue Magazine, 1951


20/91

Jackson Pollock, Easter and the Totem, 1953, Oil on canvas.


21/91

Willem de Kooning,

Woman I, 1951-52, Oil on

canvas, 75 X 58".


22/91

Willem de Kooning, Woman, 1950s.


23/91

Mark Rothko, Four Darks on Red, 1958.


24/91

Mark Rothko, Red on Red, 1950s.


25/91

Mark Rothko, Orange and

Tan, 1954, Oil on canvas,

6' 9" X 5' 3".


26/91

Mark Rothko, Rust on Blue /No. 61, 1953, Oil on canvas,

9' 6 X 7' 7".


27/91

Mark Rothko, Houston Chapel, 1971.


28/91

Barnett Newman, Vir Heroicus Sublimis, 1950-51, Oil on

canvas, 7' 11 3/8" x 17' 9 , MoMA, NY.


29/91

Barnett Newman, Onement I, 1948.


30/91

Barnett Newman.


31/91

Franz Kline, Mahoning, 1956, Oil on canvas, 6' 8" X 8' 4".


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Franz Kline, Meryon, 1961.


33/91

Robert Motherwell, Elegy to the Spanish Republic, 1953.


34/91

Morris Louis, Veil, Synthetic Polymer on canvas, 1958-59.


35/91

Helen Frankenthaler, Mountains and Sea, 1952, Oil on canvas, collection of the

artist Mark di Suvero, Hankchampion, 1960, 73" X 12' 6" X 8' 9".


36/91

Mark di Suvero, Hankchampion, 1960, 73" X 12 6" X 8 9.


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Isamu Noguchi, Pyramid, Sun and Cube / sunken garden,

Beinecke Library, Yale University, 1960-64.


39/91

Josef Albers, Homage to the Square: Apparition, 1959, Oil on masonite, 24" X 24".


40/91

Frank Stella, Die Fahne

Hoch!, 1959, enamel on

canvas, 10' 1 " X 6' 1".


41/91

Frank Stella, Ophir, 1960-61, copper and oil paint

on shaped canvas, 9' X 7'

(irregular).


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Art in New York

European Postwar


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Jean Fautrier, The Jewess, 1943.


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Jean Fautrier, Head of a Hostage, 1944.


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Jean Dubuffet, Will to Power, 1946.


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Jean Dubuffet, Le Metafisyx, August 1950. Oil on canvas, 45 5/8 X 35 .


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Jean Dubuffet, Childbirth (LAccouchement), from the Marionettes of the

Town and the Country series, 1944. Oil on canvas, 39 3/8 X 31 3/4.


48/91

Alberto Giacometti, Man Pointing, 1947. Bronze, 70 X 40 3/4.


49/91

Alberto Giacometti, The Invisible Object(Hands Holding a Void),

1934-35, bronze, 51 high, MoMA, NY.


50/91


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Alberto Burri, Composition, 1953, Oil, gold paint on burlap and canvas.


52/91

Alberto Burri, Grande Rosso P 18, 1964.


53/91

Alberto Burri, Sacchi (sack), c. 1954, Mixed media on canvas.


54/91

Lucio Fontana, Spatial Concept, Iron, 1950.


55/91

Lucio Fontana, Spatial Concept, 1960.


56/91

Guy Debord and Asger Jorn, International Situationism, 1959.


57/91

Asger Jorn, Modifications, 1962.


58/91

Giuseppe Pinot-Gallizio, Industrial Painting, 1958.


59/91

Joseph Beuys,Action in University of Aachen, 1964.


60/91

Joseph Beuys, How to Explain Paintings to a Dead Hare, 1965.


61/91

Joseph Beuys, The Pack, 1969.


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Joseph Beuys, Fat Chair, 1964.


63/91

Joseph Beuys, Coyote, I Like America and America Likes Me, 1974, one-

week performance/ action sculpture in Ren Block Gallery, New York.


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Yves Klein, Single Day Newspaper- (Nov. 27, 1960), The Painter

of Space Hurls Himself into the Void, 1960.


66/91

Yves Klein,Anthropometries of the Blue Period, 1960, Performance, Paris, March

9 1960, at Galerie Internationale dArt Contemporain.


67/91

Yves Klein,Anthropometries of the Blue Period, 1960.


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Yves Klein,Anthropometries of the Blue Period, 1960 Performance,

9 March 1960, at Galerie Internationale dArt Contemporain, Paris.


69/91

Yves Klein,Anthropometries of the Blue Period, 1960 Performance, 9 March 1960, at

Galerie Internationale dArt Contemporain, Paris.


70/91

Yves Klein, fromAnthropometries of

the Blue Period,Ant 74, 1960.


71/91

Yves Klein, fromAnthropometries of the Blue

Period, 1960.


72/91

Yves Klein, fromAnthropometries of the Blue

Period, 1960.


73/91

Yves Klein, Untitled Blue Monochrome (IKB), 1959. Dry

pigment in synthetic resin on paper, 8 X 7 1/8.


74/91

Yves Klein, Requiem, Blue Monochrome, sponge relief, 1960.


75/91

Yves Klein, Le Vide, Iris Clert Gallery, 1958.


76/91

Yves Klein,Zone of Immaterial Pictorial Sensibility, Paris, 26 January, 1962.


77/91

Yves Klein, F31, 1961, fire paintings done

with torch flame.


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Reconstruction of Yves Klein's Sculpture Arostatique: 1001 Blue Balloons released

on the Paris Centre Pompidou Piazza, on Sunday January 21st, at 3PM, 2007.


80/91

Arman, Le Plein (Full Up), 1960.


81/91

Arman, Le Plein (Full Up), detail, 1960.


82/91

Arman,Accumulations, Poubelle Mnagre, (Household Trash), 1960.


83/91

Piero Manzoni, Living Sculpture, 1961.


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Piero Manzoni,Achrome, fiberglass on board, 1962.


86/91

Manzoni, Merde dArtiste (Artists Shit), 1961.


87/91


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Francis Bacon, Three Studies for figures at the Base of a Crucifixion, 1944,

Oil on board support, triptych, each panel 37 X 29.


89/91

Francisc Bacon, Study After Velazquezs Portrait of Pope Innocent X,

1953. Oil on canvas, 5 X 3 10 .


90/91

Francis Bacon, Self-Portrait,1969. Oil on canvas, 14 X 12.


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jj 05_abex-european post war

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