jessica rohrer

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Page 1: Jessica rohrer

JESSICA ROHRERInstructor: Amy Poff

Art 21 Project

Page 2: Jessica rohrer

JEFF KOONS

“Large Vase of Flowers” 1991

A lot of Koons’ artwork has a timeless creation to it. This is a good example because a bouquet of flowers is something that I feel always inspires people. I do not feel like he has an exact style of work because his work goes from painting to photographs. He is an all around gifted artist.

Page 3: Jessica rohrer

I was inspired to blow up the flower that stood out to

most to me in the flowers from Koons’ art. That blue

flower was one of the smaller flowers in the vase but

its bright color stood out to me the most, making a

statement. I used oil pastels to create this.

Page 4: Jessica rohrer

UMBERTO BOCCIONI

“Unique Forms of Continuity and Space” 1913

I chose this piece because it is something that is

timeless and similar to work that Koons’ has

previously done. In a lot of his other work he

seemed to like using gold and this is a perfect

example of something I think he would have done.

Page 5: Jessica rohrer

JUDY PFAFF

“Moogie Cha” from “Apple and Oranges” 1986

She has a funny logic kind of style. Looking at her work it is kind of confusing with all of the different things going on. She likes to throw in a bunch of different things to make a masterpiece. For example this one has stripes and polka dots involved and everyone always says they do not go together, but she proved them wrong.

Page 6: Jessica rohrer

I was mainly inspired by the polka dots in her work so

I started off with them. I love the different color

bubbles. I then wanted to add that random funny

feel that Pfaff has to her work. I did this by starting a

checkerboard that doesn’t even match up, the

lines, and the pattern down at the bottom. I wanted

this piece to have that random funny feel about it

that she has with her work.

Page 7: Jessica rohrer

WASSILY KANDINSKY

“Sketch for Composition VII” 1913

I choose this picture because when I first looked at it

I had the same thought in my head, “What is that?” I

felt with this you had to look more into what the

picture is representing and not just see it for a bunch

of things put together.

Page 8: Jessica rohrer

WATON FORD

“Blue Matari” 1998

Ford uses his imagination with animals. The animals

are sometimes in non realistic setting or they some

times are. He looks into the mind of animals and

what they might be thinking.

Page 9: Jessica rohrer

I was inspired to get into the mind of my animals. My

dogs are clearly thinking about something.

Emerald, the one on the left looks like she has

something on her mind. While Lilly is licking her licks

because she is thinking about something yummy.

When I was taking this photo I was trying to get a

picture of Lilly when she sits up on her back legs and

begs, but I really liked how I caught her in the

moment of licking her lips. I felt this shows that

animals do have things on their minds, but you just

have to imagine what they are thinking.

Page 10: Jessica rohrer

GIACOMO BALLA

“Dynamism of a Dog on a Leash” 1912

I felt this represented Ford’s work because of the animal involved. He used a lot of animals in his pieces. This piece can relate because you can try imagine what this dog is thinking why on his walk. He is moving fast so possibly they could be running, or he just has a lot of excitement. This gives me the opportunity to imagine what an animal is thinking just like in Ford’s work.