jazz, swing, and bebop: american music! - gentrain.org music 2012.pdf · •guitar replaces banjo;...
TRANSCRIPT
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Jazz, Swing, and Bebop:
American Music!
Dr. Alan Haffa
Please Silence or Mute Cell
Phones
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Origins
• F. Scott Fitzgerald: labeled
1920s and 1930s “the Jazz Age”
• Secular and religious
• African American
• European Classical
• American Folk
• Radio and Recording Industry
arise at same time
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Improvisation
• Jazz is an improvisatory art
• Follows a musical structure based
on repeated series of chords
• Variation of primary melody
• Each performance is a new work
• Transform and recreate traditional
materials
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Chronology of Styles
• New Orleans Style 1910s and 1920s
• Louis Armstrong
• Chicago Style 1920s and 1930s
• Guitar replaces banjo; Base string replaces
Tuba
• Faster Rhythm
• Swing 1930s and 1940s
• Faster; Bennie Goodman or Count Basie
• Strong Rhythm
• Bebop 1940s and 1950s
• Charlie Parker, Dizzy Gillespie
• More complex syncopation
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Hot Jazz or Dixieland
• Originated in New Orleans
• Combines brass band sounds with
French quadrilles and Ragtime
Blues
• Best Example: “When the Saints
Come Marching In”
• Trumpet establishes the melody;
other instruments improvise
around it
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Louis Armstrong (1901-
1971)
• Performance Art: “Satchmo” was one
of the best showman; Singer and
Trumpet
• Joe “King” Oliver Creole Jazz Band in
Chicago, 1922
• “Heebie Jeebies” and Hot Five:
http://www.youtube.com/watch?v=ksmGt2U
-xTE
• Scat Singing
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Billie Holliday (1915-59)
• Nickname: “Lady Day”
• Manipulates phrasing and tempo
of vocals like a jazz instrument
• Blues as a variation on Jazz
• “Fine and Mellow”:
http://www.youtube.com/watch?v=ZtgUbJN8oPE
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Swing and the 30s
• Economic Crisis—desire for
more optimistic and dreamy
music
• Big Bands
• Smooth, Swinging Music
• Dance
• Duke Ellington was a leader of
this new sound
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Big Bands and Swing
• Bigger bands with a larger sound
• Faster beat
• Great for dancing
• More White bands
• Louis Prima, “Sing, Sing, Sing” 1937
• Benny Goodman, Carnegie Hall,
1938
• http://www.youtube.com/watch?v=HPNbCbZb32
Y
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Duke Ellington (1899-
1974)
• The Cotton Club in Harlem
• Models of success in Black America
• Triadic harmony expanded
• Larger range of tonal color
• Muted brass, slides and growls
• “Mood Indigo”
• http://www.youtube.com/watch?v=x02lJ023tJ4&feature=r
elated
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Postwar Music: Bebop
• Jazz was listened to by troops
during war
• After, a new music emerges
partly as a result of greater
freedoms for Black Americans
• Gives expression to frustration
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Bebop
• More improvisation
• Greater chordal range
• Less focused on dance
• Explores Moods
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Charlie Parker “Bird”
(1920-1955)
• Saxophonist
• Credited with creating Bebop
• “Hothouse” 1952
• http://www.youtube.com/watch?v=rFFfoLhxgmI
• Music of Freedom
• Asymmetrical melodies
• Opens and closes with a flourish
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“Dizzy” Gillespie (1917-
1993)
• Trumpet
• Along with Parker, helped to
develop bebop
• Scat singing
• “Salt Peanuts”
• “A Night in Tunisia”
• http://www.youtube.com/watch?v=NSau8dhpWqw
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Summary
• Jazz Music is a quintessential American
form of Music
• Artistic innovation
• Expression of Freedom
• Represents the full range of America’s
ethnic diversity
• Helped America stay optimistic through
Depression and War as Swing
• Gave voice to post-war disillusionment as
Bebop