Wednesday, April 14, 1965 K.A LEO 0 HAWAll Pa.ge 3

Jazz Man and Public: No Rapport

Anti-Poverty Money Goes Wanting;Gill Cites Attitude ofNeedy Students

***

-Photo by Rodney Fong

Paul Winter20 per cent get the protest

Paul Winter, leader of thesextet that recently performedon campus, pictured the jazzmusician as an artist es-tranged from his public.

Before a full house of stu-dents at the HUB-sponsoredseminar last week, Winterand the members of his sextetdiscussed audience questions.

One student asked why thelack of enthusiasm for jazz inHawaii hadn't prevented thegroup from performing here.

UHIs 'Hip'The lack of enthusiasm for

jazz is a national situation,Winter said. "The Universityof Hawaii is as hip and as re-sponsive" as any university,though it is natural "to becynical about your school,"he said.

"More protest" is reflectedin jazz today, Winter said, andit is an "individual expres-sion." He said perhaps this iswhy it is less communicativethan jazz musicians wouldlike. He said he would be sat-isfied if he could reach eventwenty per cent of his listen-ers, which he called "a prettygood percentage for any art-ist."

Kids Control Musical TasteCiting that over 60 per cent

of American records are pur-chased by children between9 and 13, Winter said it is"frightening that kids of nineand ten control music taste"in this country.

And what makes good jazz?All of Winter's musiciansagreed that it is largely amatter of taste. But Wintersaid that "how much soul" amusician can inject into hisperformance is also impor-tant.

He said he favors "a bal-ance of the intellectual andemotional" in jazz.

Fire and RestraintHe said technique, fire, and

restraint are the necessaryingredients in an artist.

Winter, who prefers concertperformance to club dates be-cause of larger audiences,said his group was disap-pointed because their per-formance was forced to Ken-nedy Theatre by threateningweather. '

"You can't give your all ina closed theatre," he said.

The seminar, which ranover-time because of studentinterest, ended after the moveto the Men's Faculty Loungeand a guitar demonstration bya sextet member.

tude the profs have. Questionthem, dispute their obscurestatements, wake them up be-fore you fall asleep.

Not that the situation isreally critical. The Universityhas many surprisingly dedi-cated men and women on thefaculty. But there will neverbe enough of them and stu-dent complacency just encour-ages faculty complacency.

A little student pressure atthe right points can get a lotdone-Berkeley only knows.

(Continued from page 1)in the issue," Huff said. Hecriticized Acoba for not dis-qualifying his vote.

Both Takamura and Sar-tain, the other presidentialcandidates, and secretary Lea-trice Kimura, running for re-election, disqualified theirvotes after the motion wasreconsidered.

Decisions CloudedWhile Huff held that not all

the senators were motivatedby personal interests, he as-serted that "all too frequent-ly, senators have had outsidecommitments that cloud theirsenate decisions."

He said personally moti-vated behavior in the senateis "against the very princi-ples of democracy and stu-dent government."

said, "A quarter million dol-lars is being paid to studenthelp under various programson campus," and that his pro-gram is very similar.

"We want you to stay inschool and develop. And weneed your talents," he said.

Interested students shouldapply as soon as possible atthe student employment office.

SenatorOpposesDecision

-Photo by Ted Takata

Tom Gillnobody want$ it

First, students should de-mand more. Take advantage ofinstructors who offer their serv-ices (yes, there are some). Andtry approaching the reluctantones too, especially in class, (alltoo often UHers don't take ad-vantage of class discussions).Nominate profs you feel arereally deserving of facultyrecognition and maybe you'llhelp boost prestige of teaching.

Avoid ComplacenceThe whole thing is to avoid

adopting the complacent atti-

Out-of-state students are alsoeligible.

Gill said the median incomein Hawaii is just a little over$6,000 a year.

Make Shame?He attributed the lack of

response to the program to apossible "make shame" atti-tude of students who do notwant to be identified with theanti-poverty program. But he

-Photo by Rodney Fang

strate this attitude at last week's jam session in HemenwayLounge. The group played a concert and conducted a seminarduring their campus visit.

(Continued from page 2)

resigned to the "fact" that thisis what college is after all.

Period of DiscoveryBut college shouldn't and

needn't be just a dreary fouryears spent pursuing a degree.It should and can be a periodof discovery and diversity forthe individual. And it's up tothe student to do somethingabout it, since it doesn't look asif anyone else wants or is in aposition to.

Students-- Jar Complacent Profs

Honolulu airport, would oper-ate at the entrances to hourlylots, with charges being col-lected at exits.

The lots would be open from6:30 a.m. to 10:30 p.rn. Mondaythrough Friday, and from 6:30a.m. to 1:30 p.m. Saturdays.The parking charges wouldalso be imposed during thesummer, though the planwould not be put into effectuntil next year.

Improvements SuggestedThe plan includes suggest-

ed improvements for existingparking areas, includingcrushed coral filling and lev-eling.

The Regents' plan would befinanced by a $650,000 legisla-ture-authorized revenue bondissue, which would be paid offthrough the parking fees. Theplan would then proceed on aself-financing basis.

week.Could Lose Appropriations"If we don't use the work-

study money this semester,we are in danger of losingfuture appropriations," Gillsaid.

Students from families withtwo or three children and an-nual incomes of $6,000 or lesscan qualify immediately for$20-a-week part time jobs.

Regents ProposeNew Parking Plan

The Board of Regents hasfinally come up with a tenta-tive traffic and parking planfor the Manoa campus.

The plan corresponds tonone of the three plans pro-posed by the University ad-ministration, but rather in-corporates features of all threeof them.

The Regents' proposal callsfor existing spaces to be in-creased by 1,000, providingboth reserved and hourlyparking day and night with atotal of 4,250 spaces.

3 Pa.rking AreasUnder this proposal, stu-

dents would be allowed topark (1) at Cooke Field, atthe same rates as the faculty;(2) in a new 1,500-space Quar-ry lot, at $6-$7 semester rates;or (3) in the existing Dolestreet lot, which would be con-verted for parking on a per-hour basis. Cars of dormitoryresidents and freshmen wouldbe allowed only as space wasavailable.

All other upper-campusspace would be held for staff,faculty. and visitors. Facultyand staff fees would be be-tween $18 and $20 per semes-ter, or they may park alongcampus roads at an hourlyrate.

Hourly RatesProposed hourly rates for

authorized vehicles (with a 50cents sticker) would be 5cents; others would have topay 10 cents per hour. An au-tomatic ticket gate system,similar to that utilized at the

THE ESSENCE OF JAZZ, the Paul Winter Sextet agrees, is bestdetermined by "how much soul" a musician can inject into hisplaying. Midge Pike, Pat Rebillot, and Frederick Walts demon-

Over $100,000 is availableto UH students in work-studyfunds this semester, and no-body seems to want it, saidThomas P. Gill, Hawaii direc-tor of the federal anti-povertyprogram.

Only five students have ap-plied so far for the on-campusjobs that are offered underthis program, said Gill in aspeech in Crawford Hall last

festival Opens April 22Page 4 KA LEO 0 BAWAll Wednesday, April 14, 1965

if she doesn't give it to yOU .••-get it yourself!

1529 KapiolaniHonolulu', J

, 1GREEN J

GREAT UDRAFT BEER IN

CLUB ANDPRIVATE BJ

zine in 1931-32. He has writtenthree books, "Nine Chains tothe Moon" (1938), "No MoreSecondhand God" (1962), and"Epic of Industrialization"(1962).

The theme of this year'sASUH symposium series is"Revolutionary Aspects of anAge."

He will lecture and conductworkshops in graphic design.

Artist Designer

Gerstner is a versatile artistwhose paintings are in collec-tions throughout the world. Afree-lance designer for indus-tries, he is founder of the Gerst-ner advertising agency in Basle,Switzerland, and is an interna-tional practicing designer.

An active participant in inter-national art conferences, hiswritings are published in Euro-pean and American books andjournals.

R. Buckminster Fuller, de-signer, architect, and author,will speak at the ASUH sym-posium Monday, April 19, at 8p.m. in Spalding 155.

Fuller's topic will be "WorldTrends," related .to the con-troversial issue of urban plan-ning-automation and technol-ogy as they relate to urban af-fairs, their implications for so-ciety, and other aspects of in-dustrial mechanization.

Fuller, a graduate of the U.S.Naval Academy at Annapolis, isthe inventor-discoverer of the"geodesic and tensegrity struc-ture," such as Kaiser Dome anddomes used to house U.S. DEW-line radar installations.

Fuller was the subject of"Time" magazine's cover storyJan. 10, 1964, and is listed in"International Who's Who." Heedited "Convoy" magazine in1918-19, was the editor andpublisher of "Shelter" maga-

APRIL 29Workshop: "Methods and Design" by 'Kar'l Gerstner. 10:30 a.m.,

Pacific Room, Jefferson Hall.Lecture: "Rituals and Repetitions" by Burrill Phillips, 1:10 p.m.,

Orvis Auditorium.Licture: Repeat of April 28 lecture by John Massey. 8 p.m., Hono-

lulu Academy of Arts.Modern Dance Concert: Repeat of April 28 program. 8 p.m., Ken-

nedy Theatre.APRIL 30

Film-Lecture: Takashi Kono: Two Japanese Films, "The Sub-merged Cassiopeia," designed by Hiroshi Manabe, and "White Fes-tival" designed by Akira Uno; Karl Gerstner: "Art in Science: Oscil-lations and Vibrations" designed by Hans Jenny, Swiss physicist,writer, and artist; Murray Turnbull: "The Work of Saul Bass," 8 p.m.,Kennedy Theatre.

MAY 1Workshop: Open Discussion with Karl Gerstner, Takashi Kono,

John" Massey, and Prithwish Neogy. 10:30 a.m., Asia Room, JeffersonHall.

Student Choir and Orchestra Concert: "Instrumental Ensemble'Piece" by Roy Allen; "Four Motets" by Burrill Phillips, UniversitySingers; "A Bucket of Water" by Burrill Phillips and "Canticle ofFreedom" by Aaron Copeland, University Concert Choir; and "Little.Symphony" by Jenny McLeod, University Orchestra. 8 p.m., Kennedy'Theatre.

MAY 2Chamber Concert: Honolulu Little Symphony. "The Fall" and

"The Pomegranate House" (world premiere) by Byongki Hwang,with Hwang playing the kayakeum; "Chamber Concert" by GeorgeBarati; and "Triple Concerto" by Burrill Phillips. 8 p.m., KennedyTheatre.

APRIL 28Lecture: "Eur-Asian Graphic Design: A Comment" by John Mas-

sey. 10:30 a.m., Honolulu Academy of Arts.Modern Dance Concert: "The Forest" by Byongki Hwang, for

dancers with kayakeum accompaniment; "Kaoru and Asako" byDennis Kam, for dancers,' narrator, chorus, and instrumentalists;,1'Grand Card Symphony" by Frederic Lieberman, for dancers, in-strumental ensemble, string quartet, vocal group, tape recorders,and card players; and "Canzona III" by Burrill Phillips, for actors,dancers and instrumental ensemble. 8 p.m., Kennedy Theatre.

en's College of Fine Arts inTokyo, and lecturer at TokyoUniversity of the Arts, hasworked as a free lance designerin graphics, display, interior,and industrial design for thepast ten years.

His works were recently ex-hibited in Milano, Amsterdam,and Hamburg as part of theAlliance Graphique Exhibitions.His experience includes set de-signer and art director for dra-ma, ballet and motion pictures,editorial designer, and displaydesigner for international fairsand exhibitions.

at the National Music Institutein Seoul, Korea. He has per-formed the music for severalmotion pictures filmed in Koreaand was the kayageum soloistof a Korean group invited togive public performances inJapan.

He is the composer of "TheForest," one of the dance-playsto be presented in the ModernDance Concert on April 28 and29.

He will also perform theworld premiere of his own com-p 0 sit ion "The PomegranateHouse," during the chamberconcert on May 2.

UB Staff AlsoAmong other composers whose

works will be featured areArmand Russell and Allen Tru-bitt, both of the UH music de-partment.

Russell's "Antiphony I andII" will have its world premiereperformance on April 25 by theLittle Symphony. Trubitt's"Malihini" will also have itsfirst performance during thischamber concert.

Graphic DesignerKono, professor at the Wom-

competition at the InternationalCongress for Cultural Freedomin Rome in 1962.

His principal compositions in-clude works for instrumentalensemble, orchestra, piano solowith 0 r c h est r a, voice withpiano;" and piano solo.

Own CompositionA pianist, he will play his

own composition, "Per Mauri-cio Rinaldi," on April 25. An-other work, "Musica Nocturna,"will be performed by an ensem-ble on April 27.

Hwang, kayageum performerand composer, is an instructor

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merly taught at Princeton Uni-versity, New Jersey Teachers'College, and the WestminsterChoir College.

His compositions to be per-formed are a quartet for harp-sichord, flute, oboe, and double-bass and a chamber concerto forflute, oboe, clarinet, bassoon,and strings. He will also con-duct the Little Symphony'schamber concert.

Gandini, from Buenos Aires,Argentina, was awarded a Com-mission for the third Pan-American Festival of Music inWashington, D. C. this year. Hewas also awarded first prize in

APRIL 22Exhibition: Eur-Asian Graphics, a collection of design by artists

from Japan, India, Poland and most of .the countries of western Eu-rope. Will continue through May 27, Honolulu Academy of Arts.

Exhibit: "Visual Design," Part I of the annual student show.Basic and advanced work on visual communication. Through May 1,8 a.m, to 5 p.m., George Hall Gallery.

APRIL 23Lecture: "Design in a World Corporation" by John Massey. 8 p.m.,

Orvis Auditorium.APRIL 24

Workshop: "The Graphic Design Process in Japan" by TakashiKono. 10:30 a.m., Kamehameha Room, Jefferson Hall.

Lecture: "Concerning Art Today: Principal Questions and Princi-pal Answers," by Karl Gerstner. Includes slides and a film, "Auto-Vision." 8 p.m., Orvis Auditorium.

APRIL 25Chamber Concert: Honolulu Little Symphony. "Antiphony I and

II" by Armand Russell (world premiere); "Per Mauricio Rinaldi" byGerardo Gandini, with Gandini at the piano; "Malihini" by Allen Tru-bitt (world premiere); "Variations for Kayakeum and Orchestra" byHoe Kap Chung, featuring kayakeum player Byongki Hwang; and"Soleriana Concertante" by Burrill Phillips. 8 p.rn., Kennedy Theatre.

APRIL 26Lecture: "Problems of Graphic Design in Japan Today" by Taka-

shi Kono. 2 p.rn., Orvis Auditorium.Student Solo and Ensemble Concert: "Music for Brass" by Elmer

Kudo; "Ensemble Piece" by David Liang; "String Trio" by JennyMcLeod; "Piano Sonata" by Keith Payne; "III Holderlin Lieder" byDouglas McGilvra; and "Ensemble II" by Dennis Kam. 8 p.m., OrvisAuditorium.

APRIL 27Exhibit: "Great Ideas of Western Man," an exhibition of adver-

tising design from Container Corporation of America, and "TheGraphic Work of John Massey." Thorough May 16, 9 a.m. to 5 p.m.,Jefferson Hall Gallery.

Workshop: "Design in Business: Container Corporation of Amer-ica" by John Massey. 10:30 a.m., Pacific Room, Jefferson HalL

Solo and Ensemble Concert: "Quartet for Harpsichord, Flute,Oboe, and Doublebass" by George Barati; "Five Pieces for Clarinetand Piano" by Allen Trubitt; "Musica Noctura" by Gerardo Gandini;"Impromptu on 'Kemyon-cho'" by Byongki Hwang; and "StringQuartet Number Two" by Burrill Phillips. 8 p.m., Orvis Auditorium.

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tival include a string quartet,a dance-play, a chamber con-certo, and choral numbers.

Phillips will also give a musiclecture on April 29.

Barati, conductor and musicdirector of the Honolulu Sym-phony Orchestra since 1950, hastraveled to all parts of theworld as a guest conductor. Aformer cellist with the Buda-pest and San Francisco Sym-phonies, he was the founder-conductor of the Barati Cham-ber Orchestra of San Francisco.

EducatorAlso an educator, Barati for-

Art and Music Program Schedule

sor of music, is sponsored bythe music and art departmentsand the East-West Center In-stitute of Advanced Projects.

Assisting are the UH Instituteof American Studies, the Hono-lulu Academy of Arts, and theASUH.

Giving credit to Hawaii'speople for the outstanding suc-cess of the festival, Miss Kerrsaid, "Hawaii's people, uniquein their understanding, knowl-edge and skills, have assisted inbuilding this festival into a cul-tural event which stands alongin the United States in its dedi-cation to East-West exchangeof contemporary creative arts."

"Within the framework ofthe festival's original purpose,"Miss Kerr said, "significant andfar-reaching new dimensionshave been added."

Student ExchangeA student-composer exchange

between Asian and Americanmusic schools was begun in1963. Last year a modern danceprogram was added, and thisyear the festival will includeconcerts by the Honolulu LittleSymphony.

Guest artists will be U.S.composers Burrill Phillips andGeorge Barati, Byongki Hwangof Korea, and Gerardo J. Gan-dini of Argentina. Other guestsare graphic designers TakashiKana of Japan and Karl Gerst-ner of Switzerland.

Phillips, a former student andteacher at the Eastman Schoolof Music, was until recently amember of the faculty at theUniversity of Illinois. He hasreceived two Guggenheim Fel-lowships and was a Fulbrightlecturer at the University ofBarcelona, Spain, in 1960-61.

His compositions include solosonatas, chamber ensembles,concertos, symphonic music,and music for large orchestraand chorus.

World PremiereHis "Soleriana Concertante"

for chamber ensemble will haveits world premiere on April 25.Other compositions for this fes-

TICKETSTickets for all festival events

will be available beginningApril 19 at Kennedy Theatre.The box office will be openfrom 9 a.m, to 4 p.m, No phonereservations will be taken.• •

JADE EASt-

lIi------1I

The annual Festival of Musicand Art of this Century, whichhas grown into an event of rec-ognized importance in musiccenters throughout the main-land, opens on April 22.

Guest artists this year arecoming from Korea, Japan,Swizerland, Argentina, and theU.S. mainland.

Sixteen events will be pre-sented in the ll-day festival.Included will be student soloand ensemble concerts, a stu-dent choir and orchestra con-cert, music lectures and demon-strations, two modern danceconcerts, a student art exhibit,graphic design lectures, and amajor exhibition of interna-tional graphic design.

Directed by KerrThe f est i val, directed by

Marian Kerr, associate profes-

Marian Kerrdimensions in East-West exchange

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Wednesday, April 14, 1965 KA LEO 0 HAWAll Page 5

-Photo

CHOREOGRAPHER CARL Wolz rehearses with Marian Kudo, Diane Matsuura, and Karen Nomura for ''TheForest." This is one of the productions for the Modern Dance Concert to be presented during the festival.

Students Have Major RoleIn Music and Art Festival

Student musicians and artistswill play a prominent role inthe Festival of Music and Artof this Century, which beginson April 22.

UH student composers arehurrying to finish their com-positions for the student soloand ensemble concert on April26.

Ink Still Wet"The ink is usually still wet

on the scores the f est i valopens," Marian Kerr, festivalchairman said.

The young composers areElmer Kudo, Den n i s Kam,David Liang, Jenny McLeod,Keith Payne, and Douglas Mc-Gilvra. Kudo, Kam, and Liangare UH students.

Miss McLeod, a graduate ofthe University of Wellington,New Zealand, is now studyingat the Par i s Conservatoire.Payne and McGilvra are stu-dents at the Oberlin CollegeConservatory of Music. Theywill not attend the festival, butwill be represented by theirmusic..

New ComposerKudo's "Music for Brass" will

have its premiere performance.A senior in music education,Kudo is a trumpet player andhas just recently become inter-ested in composing.

Some of his compositions havebeen played in student recitals,but this is his first public per-formance.

"Ensemble Piece" by Liang,who is from Taiwan, will have

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its first performance in theUnited States.

Liang studied Chinese musicwith his father, Tsai-ping Li-ang, a prominent musician inChina. He later studied violinand composition.

He and six other young com-in Taiwan formed an or-

ganization specializing in com-posing "contemporary musicwith a Chinese spirit."

"Just as Americans who writemodern music based on jazz,we write music using a Chinesetheme," Liang said.

New Wave"We call our group 'The

Waves,' taken from an old poemthat says the 'old wave pushedthe new wave.' The wholeworld of music is behind us,pushing," he said.

Kam's work is a seven-move-ment effort titled "Ensemble

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II." It will have its first per-formance in the festival.

Kam studied for three yearsat the Oberlin Conservatory ofMusic in Ohio and one year atthe Mozarteum Academie inSalzberg, Austria, before re-

to Hawaii as an East-

Following the Honolulu per-formances, the students' com-positions will be performed ata similar festival at Oberlin.The compositions will also besent to the University of Well-ington.

Student ExchangeThis is the third year for the

student-composer exchange be-tween Asian and Americanmusic schools. Schools repre-sented in previous years in-clude Tokyo University of theArts, Julliard School of Mu-sic, and the University ofWashington.

Actors, DancersStudent actors and dancers

will be featured in the ModernDance Concert to be presentedon April 28 and 29.

Carl Wolz, a graduate assist-ant in music, is the choreogra-pher for the dance-play, "TheForest." Several UH coeds willbe featured dancers.

Wolz also did the choreog-raphy for another play, BurrillPhillips' "Canzona III." A stu-dent instrumental ensemblewill also participate.

University Theatre G r 0 u pmembers will be cast in "Kaoruand Asako," written by Kam.

Card CuesAnother graduate student in

music, Fredric Lieberman, isthe composer of "Grand Card

Dance Symphony." For thisproduction, performers willtake their cues from a deck ofplaying cards.

Lieberman says all will notbe chaos. "The dance and music,though determined by someelement of chaos will not beWholly spontaneous in perform-ance, but will have been pre-determined and rehearsed so asto achieve the maximum ef-fect," he said.

A concert by the UniversitySingers, University Chorus, andUniversity Orchestra will begiven on May 1. Norman D.Rian, is director of the Singersand Chorus, both stu den tgroups. The orchestra, directedby Jerome Landsman, is madeup of both students and faculty.

Art ExhibitStudents will also be featur-

ed in an art exhibit on "VisualDesign" which begins on April22 in the George Hall Gallery.

This is Part I of the annualstudent show and will featurethe works from both basic andadvanced design students, andfrom students in directed work.

Di1Jerent ExhibitKenneth Kingery, professor

of art and coordinator of theexhibition, said a series of newproblems have been developedfor the design courses whichwill result in an exhibitionwhich "will be different than inpast years."

One of these is design basedon system, with no deviationfrom the system. The works aredone in a scientific, mathemat-ical way. Some of the designsmove into the realm of "op" art,where there are optical ambi-guities. Some of the works arein three dimensions with mov-ing parts.

For another problem, studentswere given a list of ten of theworld's greatest scientists andasked to do a visual biographyattempting to express the scien-tific contribution of the person.The size of the completed de-sign in some cases reflects the"size" of the contribution, Kin-gery said.

Page 6 KA LEO 0 HAWAll Wednesday, April 14, 1965

'Science Offers OnlyNegative Evidence,1

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Control Inadequacies"The only answer comes when

we find ourselves capable ofcontrolling our inadequacies,"he said. But this is impossible"as long as we remain enslavedinstead of being able to tran-scend good or bad, right orwrong, love or hate."

"Until one is able to tran-scend these," Rev. Tamayosesaid, "one can never find him-self in harmony with theworld."

Using a flower as an example,he said, "a flower is above allthese things, fear, envy, love,hate. She has none of these, butshe fulfills her mission in life."

According to Buddhism, onlyby attaining the state of Nir-vana, the perfect spiritual con-dition, can a man "maintain hiscomplete calm." Thus does manfind the meaning in his life,Rev. Tarnayose said.

An Outside GoalFourth, atheists must have a

committment, "a goal outsideourselves, a committment to allmankind." There must be theability to feel emotion: "Fromthis blessing of being a humanbeing comes this capacity forlove."

Atheists must be willing totake risks: "You cannot takethe easy road." Lastly, one muststrive for self-acceptance. "Wemust be able to look into amirror and say, All right, may-be I do this wrong, or I am badin this way or that. But I amstill as good as I can be; basi-cally, I am good. We must beable to say that we are good!"

"I have come to the conclu-sion that Buddhism's answer toman's problems is to find har-mony and peace within one'sself, as well as with the worldone lives in," Rev. Tamayose,minister at Higashi Hongwanji,said.

(Continued from page 1)

Whatever program a stu-dent takes, the report said,the fees charged are only atoken support to the Univer-sity budget.

Furthermore, the reportfound it impracticable to re-vise present lab fees to reflect

, the cost of each course.

Fair Single Fee"Since there is so little dif-

ference between lab fees nowcollected from undergraduateand graduate students, wemay work for a single feewhich makes no distinctionbetween the two categories.A single fee for both would befair," the report said.

In making its study the com-mittee tried to insure that stu-dents would continue to makethe same proportionate con-tribution to University costs.

"We expect neither to profitnor lose by the establishmentof a standard fee," the reportsaid.

-Photo by Rodney Fong

Rev. Fred Tamayoseharmony in transcendation

-Photo by Rodney Fong

Albert Bernatowiczis the search valid?

Pain of LifeThomas Jefferson, G e 0 r g e

Washington, Abraham Lincoln-almost all the great men inAmerican history, in soc i a Ideeds were either agnostics,humanists, or atheists, Mrs.Murray said. They were able toface the truth about the pain oflife.

Six ThingsThere are six things atheists

strive for, she said. First, "allpersons must rid themselves ofirrational ideas." Self-interestis comparable to humanism: "ifyou want freedom and civilrights for yourself, you must bewilling to fight for rights foreveryone."

Second, atheists strive for"self-direction." They must beable to direct their own lives.Third, they must have toler-ance. "You must be able to tol-erate the right of the other per-son to be wrong." There is "aneed to be flexible, both in indi-vidual and national thinking."

represents a "vast intellectual-ism."

"What has an atheist to offerto ordinary living?" Mrs. Mur-ray asked. The atheist philoso-phy is "I am involved in man-kind," she said, reciting JohnDonne's "No Man is an Island."

"Atheism is wedded to socialaction," she said. "You will findmore atheists involved in socialreforms than any other reli-gion." .

Other people are afraid toface life's injustice and anguish,she said. That's why atheistsare in the forefront of most so-cial action.

"Science has nothing to offerman's search for meaning ex-cept negative evidence," saidAlbert J. Bernatowicz.

Bernatowicz was the firstspeaker at the "What Have Youto Offer Man's Sea r c h forMeaning" panel discussion heldApril 7 in George 226. The dis-cussion was held as a part ofthe Buddha Day ObservanceWeek sponsored by the Rain-bow Young Buddhist Associa-tion.

Madalyn Murray and theRev. Fred Tamayose completedthe panel. Each speaker had 10minutes to explain what his be-lief could offer man's search formeaning.

-Photo by Rodney Fong

Madalyn Murraystrive for the Six

No SupportThere is no visible, concrete

support for belief in a "super-natural, humanoid being, call itwhat you will," Bernatowicz,chairman of the science depart-ment, continued. "On the otherhand, there is no evidenceagainst that belief."

Life has meaning when manunderstands what he didn't un-derstand before, Bernatowiczsaid. The scientist uses laws andtheories to figure out mentalpictures to convey meaning:"Science produces an under-

standing kind of meaning, bas-ed on laws and theories," hesaid.

Is It Valid?But consider the question of

man's search for meaning, Ber-natowicz asked. "Is it a validquestion?"

"A question implies that thereis an answer. Ii you cannot findan acceptable an s w e r, howwould you word the question?"If there is no answer, then, bydefinition, there can be no ques-tion, he said.

B e sid e s, he asked, "howwould I recognize the answer ifI found it?" The question "maysimply represent man's feelingof insecurity."

"Maybe there is no questionthere to be answered in the firstplace," he said.

Vast Intellectualism"Buddhist philosophy is one

that has had tremendous appealto me for a long time," Mrs.Murray, the atheist, said. "It