jan kip, leonard knyff, veduta prospettica di temple newsman house, 1707
TRANSCRIPT
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Jan Kip, Leonard Knyff, Veduta prospettica di Temple Newsman House, 1707
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G. Lambert, Chiswick House, Middlesex, 1742 ca., Chiswick House
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George Lambert, Longford Castle from da sud-est , 1743, coll. governative
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Peter Tillemans, Veduta ideale di Chirk Castle, 1720 ca., National Trust
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Canaletto, Campo San Salvador, coll. PrivataA. Visentini, Campo San Polo da un dipinto di Canaletto, da Prospectus Magni Canali Veneziani, 1742, committente Robert Grenville Harvey
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Canaletto, Il bacino di San Marco dalla piazzetta, National Gallery of Victoria, già Farnboroufh Hall, William Holbech
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S. Scott, Veduta di Westminster con il ponte in costruzione, 1742, Londra Bank of England
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S. Scott, La piazza di Covent Garden, 1748-58, Museum of London
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Canaletto, Il Tamigi visto attraverso un’arcata del ponte di Westminster, 1747, olio su tela, cm. 59x96, Syon House, collezione del Duca di Northumberland
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Canaletto, Veduta della rotonda di Renelagh, 1754, olio su tela, cm. 70,6 x96 76,5, Compton Verney, Warwickshire
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William Marlow, Veduta di Adelphi dalle rive del Tamigi, 1789 c., olio su tela, cm. 104,5 x 165,5, Londra, Department for Transport, Great Minster House, Marsham Street
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Paul Sanby, London Cries, 1759 ca., New Haven, Yale
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Annibale Carracci, Venditore di sterco di polli; venditore di libri e tavolette per putti, 1646 ca., in G. M. Mitelli, Di bologna, l’arti per via…, 1660
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M. Laroon, Venditore di scope, Venditrice di limoni e arance, Cryes of the City of London 1688La lattaia dalla riedizione con stampe di Louis-Philippe Boitard
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P. Sanby, Sulla banchina del Tamigi, New Haven, Yale Center for British Art
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P. Sanby, Una famiglia a Hyde Park, Yale Center for British Art
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Francis Cotes, Ritratto di Paul Sanby, 1761, Londra, Tate
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Una signora che disegna, 1760 ca., New Haven , Yale
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Windsor Caste, 1760 ca,. Londra, collezioni reali
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Paul Sandby, Wenlock Abbey, 1770 ca., acquerello su carta, Londra, Royal Academy of ArtsLa stessa abbazia sarà descritta in Antiquities of England an Wales, di Francis Groses, 1773-87
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Paul Sandby, Roche Abbey, Yorkshire, 1770 ca., acquerello su carta, mm. 300x588, Londra, Royal Academy of Arts
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P. anby, XII views in South-Wales, edito nel 1776
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Arlech Castle, da un disegno di P. Sanby, per The Virtuosi’s Museum, containing select views, in England, Scottald and Ireland, London 1778-82
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Alexander Cozens, Diario romano, 1746, New Haven, Y.C.f.B.A.
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Alesander Cozens, Paesaggi montani, New Haven
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A. Cozens, A New Method…., 1785, tavv. 1, 9
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John Robert Cozens., Veduta della campagna di Mirabella, 1782, acquerello su carta, mm. 250 x 374 Londra, Victoria & Albert Museum (inv. P. 120.1894).
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John Robert Cozens, Castel Sant’Elmo a Napoli, 1790, acquerello su carta, mm. 303 x 451, Londra, British Museum (inv. 1981. 03.28.1)
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J. R. Cozens, Studi della campagna di Mirabella e di Castel Sant’Elmo dai taccuini di Mancheser
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Francis Towne, Veduta di una strada vicino a Arco Oscuro, 1780, mm. 319 x 472, Londra, British Museum (inv. 2.20.1972.U.730).
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Francis Towne, Veduta di alberi a Palazzo Barberini, 1781, mm. 267 x 356, Londra, British Museum (inv. 01.22.1972.U.531).
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A. L. R. Ducros, Arco di Costantino, 1780 ca., Losanna, Musee des Beaux-Arts
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G. Lusieri, Caracalla, 1779-81, coll. privata