introduction · an orchestra is created through the connections of several patches a score controls...
TRANSCRIPT
![Page 1: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/1.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
INTRODUCTION
Juan-Pablo CáceresNetwork Sound and Data Workshop
Center for Computer Research in Music and Acoustics (CCRMA)Stanford University
![Page 2: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/2.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Workshop Overview
https://ccrma.stanford.edu/workshops/nsd2012/
![Page 3: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/3.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
The Vision
“I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.”
Edgard Varèse (1917)
![Page 4: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/4.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Before the Computer
Ada Lovelace during her work with Babbage’s difference engine:
“Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.”
Ada Lovelace (1843)
![Page 5: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/5.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Beginnings of Electronic MusicInıcios de la Musica Electronica
Elisha Gray: “Musical Telegraph” (1876)
Thomas Edison: “Phonogram” (1877)
Valdemar Poulson: “Telegraphone” (1898)
Elisha Gray: “Musical Telegraph” (1876)
Thomas Edison: “Phonogram” (1877)
Valdemar Poulsen: “Telegraphone” (1898)
![Page 6: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/6.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Player pianos (early 20th century)Pianolas (Comienzos del Siglo XX)
![Page 7: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/7.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Ideas of Change
Ferruccio Busoni “Manifesto” (1907)
Luigi Russolo and the Futuristas (1913)
![Page 8: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/8.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
First Instruments
Leon Theremin (1920)
Ondes Martenot (1928)
![Page 9: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/9.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Aleatoric and Concrete Music
John Cage “Imaginary Landscape 1” (1939)
Pierre Schaeffer “Musique Concrète” (1949)
![Page 10: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/10.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Stochastic Music, Multimedia
“Poeme Electronique” 425 speakers and video, Edgard Varese (1958)
Measures 52-60, “Pithoprakta”, Iannis Xenakis (1956)
![Page 11: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/11.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
1964: VCO Synthetizers
Robert Moog VCO Modular Synthesizer
Donald Buchla VCO Modular Synthesizer
![Page 12: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/12.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Computer Music Languages | Milestones
![Page 13: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/13.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
MUSIC I - MUSIC N in Bell Labs
1957: MUSIC I/MUSIC-N family:
Unit Generators (UGens) (atomic and predefined processing blocks)
UGens: Audio Input, Output, and Control Inputs
Examples: Oscillators, Filters, Amps, Envelope Generators
A Patch (instrument) is formed by connecting several UGens
An Orchestra is created through the connections of several Patches
A Score controls an Orchestra
Max MathewsThe Father of Computer Music
Bicycle Built for Two” by Kelly, Lochbaum, and Matthews, 1961
![Page 14: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/14.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
MUSIC I - MUSIC N at Princeton and Stanford
Max Mathews handles a copy of MUSIC IV to John Chowning
![Page 15: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/15.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
MUSIC 10 y SCORE, Stanford AI Lab
Chowning y Andrew Moorer create MUSIC 10 and SCORE
DesignAudio
Very Slow Process
![Page 19: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/19.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Network Music Performance
Def:
“A network music performance (nmp) is a bi-directional, dis-located and multi-modal set of interactions regardless of its synchronicity or asynchrony between participants.”
Alain Renaud
![Page 20: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/20.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Where does it come from?
Elisha Gray: “Musical Telegraph”
Der LindberghflugPaul Hindemith / Kurt Weill / Bertolt Brecht Radio Broadcast +
Listener at Home
1929
1876
![Page 21: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/21.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
John Cage’s “Transistor Radio” Pieces
1950’s
1966 - Public Supply - Neuhaushttp://www.medienkunstnetz.de/works/public-supply-i/audio/2/
© Max Neuhaus
![Page 22: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/22.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
The HubA computer music network band
Late 1970’s
The League of Automatic Music Composers 1978- 1983
![Page 23: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/23.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
1988 - Françoise Legrand - Satellite Symphony: Beethoven and One Woman's Dream http://www.world-orchestral.com/mov/Montreal_final.mov
![Page 24: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/24.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
Digital Networks
1990’sSpeedup of the Internet
Firsts bidirectional, “real-time” music exchanges
Real-time 30 to 0.5 seconds
![Page 25: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/25.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
http://ccrma.stanford.edu/groups/soundwire/
Year 2000
![Page 27: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/27.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
TeleJazz
3500 km30 ms
Banff CentreHumber College
![Page 28: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/28.jpg)
Juan-Pablo Cáceres | CCRMA | Stanford University | [email protected]
TeleJazz - 16 channels | 48kHz | 16 bits
![Page 30: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/30.jpg)
Juan-Pablo Cáceres, Chris Chafe | CCRMA | Stanford University | {jcaceres, cc}@ccrma.stanford.edu
Terry Riley’s In C - Stanford/BeijingApril 2008
![Page 31: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/31.jpg)
Juan-Pablo Cáceres, Chris Chafe | CCRMA | Stanford University | {jcaceres, cc}@ccrma.stanford.edu
![Page 32: INTRODUCTION · An Orchestra is created through the connections of several Patches A Score controls an Orchestra Max Mathews The Father of Computer Music Bicycle Built for Two”](https://reader034.vdocuments.us/reader034/viewer/2022042112/5e8e353dfef7d27592729903/html5/thumbnails/32.jpg)
Juan-Pablo Cáceres, Chris Chafe | CCRMA | Stanford University | {jcaceres, cc}@ccrma.stanford.edu
Credits
History of Computer Music
- Joel Chadabe, “Electric Sound: The Past and Promise of Electronic Music”