juhibansal.com · instrumentation: 2 flutes (second doubling piccolo) 2 oboes 2 clarinets in a 2...
TRANSCRIPT
for orchestra
Juhi Bansal
Perus
al Sco
re
Perus
al Sco
re
Where Shadow Chases Light
Juhi Bansal
Where Shadow Chases Light was comissioned by the Oakland East Bay Symphony with funding
from The James Irvine Foundation. It was first performed by the Oakland East Bay Symphony,
Michael Morgan conducting, on March 28th, 2014.
Duration ca 15 mins.
Perus
al Sco
re
Instrumentation:
2 Flutes (second doubling Piccolo)
2 Oboes
2 Clarinets in A
2 Bassoons
4 Horns in F
3 Trumpets in C
3 Trombones (1&2 playing tenor trombone, 3 playing bass trombone)
1 Tuba
Piano
Harp
Timpani : four drums initially tuned to
Three Percussionists
Strings (all solos are pulled from their respective sections)
Notes on performance:
1) Small-interval glissandi appear in a number of instruments as a melodic decoration (e.g. mm1 - 5, Solo violin I).
These gestures are to be integrated seamlessly and subtly into the expressive vocabulary of each instrument,
and not accented, stressed or drawn out unless specifically indicated.
2) Mm 420 features an unmetered section of music. Each instrument that plays during this section is given a proportionally
notated fragment of music. Instruments should enter one at a time after the conductor's downbeat, play expressively and lyrically
through their given music, and move to the following measure upon the conductor's next beat. Please note that no absolute rhythms
are given - the feel of this passage should be very improvisatory. Players should extrapolate possible rhythms from the spacing
of notes within the measure.
Program Note:
Where Shadow Chases Light is inspired by a fragment of a poem by Rabindranath Tagore. To my mind it conjures an image
of mountains in the aftermath of a storm; swiftly moving clouds creating bright bands of sun and dark shadows that move over huge distances.
This piece takes that inspiration to create expanses of sound - intricate entwining gestures, lyrical melodies, subsuming clouds of harmony
that shift from one section to the next, constantly reimagining the two-note sliding motive which begins the piece in the solo violin.
Score transposition:Please note that while no key signatures appear in the score (due to the the use of ragas, synthetic and other scales in this piece rather than major/minor tonality),
all parts ARE transposed as is typical (this includes Cl. in A and Hrns in F, as well as all instruments transposing at the octave.)
Percussion 1:
Large spring drum / thunder tube
Vibraphone (motor always off)
Suspended Cymbal (may be shared with other percussionists)
Glockenspiel (shared with Percussion 2)
Triangle
Percussion 2:
Suspended Cymbal (may be shared with other percussionists)
Glass wind chimes (shared with Percussion 3)
Glockenspiel (shared with Percussion 1)
Bass Drum
Percussion 3:
Tam-tam
Suspended Cymbal (may be shared with other percussionists)
Glass wind chimes (shared with Percussion 2)
Sizzle Cymbal Perus
al Sco
re
Flute 1
Flute 2
Oboe 1
Oboe 2
Clarinet 1 in A
Clarinet 2 in A
Bassoon 1
Bassoon 2
Horn in F 1, 3
Horn in F 2, 4
Trumpet 1 in C
Trumpet 2 in C
Trumpet 3 in C
Trombone 1
Trombone 2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Harp
Piano
Solo Violin 1
Violin I
Violin II
Viola
Violoncello
Contrabass
ppp ppp
Plaintive q = 96 6
ppp ppp
pppppp
ppp n ppp n ppp n ppp n ppp n
Plaintive q = 96 6
ppp n ppp n ppp n
n f n f n f p
ppp n ppp n ppp n ppp n ppp n
ppp
p ff p ff p f p p f p
ppp n ppp
2 3 4 5 6 7
Transposed Score
(blurred, in the background)
Juhi Bansal
Where Shadow Chases Light
(blurred, in the background) 3 3 3
(blurred, in the background)
3 3 3 3 3 3 3
Spring Drum (shake unevenly, like distant thunder)
Suspended cymbal(bowed)
Glass wind chimes(strum with finger)
l.v.
(glass wind chimes)
Tam Tam
(blurred, in the background)
bisbigliando
(bisbigliando)
D§ C§ B§ / E§ F§ G§ A§
Solo espressivo (slide into lower note imperceptibly,
without a marked rearticulation) 3
each player move individually through these harmonics, unsynchronized with the rest of the sectionla meta
( h )
(la meta)
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
f mp
10
ppp ppp
pppppp
ppp ppp ppp
ppp n
10
ppp n
n f p
ppp n
pp
p ff p p f pp
n
8 9 10 11 12 13 14
Solo espressivo
5 5
3 3 3 3 3
3 3 3 3
3 3 3 3 3 3
3
3 3
3 3 3
To Vib.
To Glock.
Glockenspiel
To Sus. Cym.
(sempre bisbigliando)
G - G#
(trill while sliding)
( h. )
3
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f pp f p f p
a hint faster, q = 11216
f pp f pp f
pp
pp pp f
f pp f pp f p
f
a hint faster, q = 11216
pp (f) pp sub (f) pp sub f
pp pp
sempre pp pp (f) p
(f) pp sub ( f) pp sub f
p
pp (f) pp sub (f) pp sub fp
pp (f) pp sub pp f pp (f) pp subito
pp
V.S.15 16 17 18 19 20 21
3
20
5 5
3 3 3
3
20
Vibraphone (motor always off)(soft mallets) (no trill)
To B.D.
Sus. Cymbals
Solo (1 player)
Solo (2nd player)
tutti
3
Solo (1 player)
Solo (2nd player)
tutti divisi 3 5
tutti divisi
4
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
25
p f f
f
f
p f f
p f f
mf
mf mp
mf n
25
pp mf
f
f
f
f
f
f
f22 23 24 25 26 27 28
3 3
5
3 3
3 3
1.
3.
1.
2.
4.
3 3
3 3
unis.
unis.
divisi
5
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff fff
31 35
ff fff
ff
ff f fff
ff f fff
f ff
f ff
f
f
f
f p
f p
mf n f pp
31 35
ff
f mf n f
p f
f fff
ff f fff
ff fff fff
fffff
ff
ff
fff
ff fff
ff fff29 30 31 32 33 34 35
a2
a2. cuivre
2.
4.
a2. cuivre
C# - C§
Bass Drum
To Tam -Tam (and sus. cymb)
3
3
Db Cb Bb / Eb F§ G§ Ab
3 3 7
unis.
divisi
unis.
6
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
41
f
fff p ffff
fff p ffff
ffff p ffff
ffff p ffff
ff mf
ff mf
ff mf
f pp n pp n
41
fff p fff
pp
mf
fff p fff
sfzp sfzp sfzp sfzp sfzp
sfzp sfzp sfzp sfzp sfzp36 37 38 39 40 41 42
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
C - E
Tam Tam (with drumstick or back of mallets)
Sus cymb. (with stick)
T.T.
S.C.
7
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
43
p p p p
p
p p p p
pp p p
p
p
p
43
p
p
f
p
p
p
p43 44 45 46 47 48 49
3 3 3 3 3 3 3 3 3
To Cym.
Soli
3 3 3
8
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
51 55
p mp mf f
pmp mf f ff
p mp mf f
f
f
f
f
f
f
f
f
51 55
mf
f
p mf
p ff
ff
ff
ff
ff
ff
ff50 51 52 53 54 55 56
3
3 3
3
3 3
(with back of mallets or drumsticks)
Suspended Cymbal
To Tam -Tam
D§ C# Bb / E§ F§ G§ A§
5 5 3 3 3
9
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
59
ff
ff
p
p
p
p
p
p V.S.
p
p n
59
p mf p mf
p
57 58 59 60 61 62 63
G - B§
(with mallet heads)
(with drumsticks)
5 5
divisi
unis.
10
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
65 70
p
p
p
p
p
p
p
p
p
p
65 70
mp pp pp ppp
p p
p p
p
p
p p
p
n p
n p64 65 66 67 68 69 70
5
5
(with mallet heads)
(drumsticks) (with mallet heads)
Tam-tam(with sticks)
5
11
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
molto rit. 74
molto rit. 74
p p
p
p
71 72 73 74 75 76 77
5
5
(drumsticks) (with mallet heads) To Vib.
(with wire brushes)
To Cym.
5
12
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Sus. Cym.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
q. = 60
80
pp
pp
pp
pp
pp
pp
pp
pp
n
n
q. = 60
80
pp
pp n pp
pp n pp
pp n pp
n
n78 79 80 81 82 83 84
Solo, playfully
Vibraphone
(2 solo players)con sord
(2 solo players)con sord.
(2 solo players)con sord.
13
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
87
87
pp
pp
n pp n pp
n pp n pp
n pp n pp
85 86 87 88 89 90 91
Bisbigliando(slow, and uneven)
D§ C§ Bb / E§ F§ G§ Ab
14
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
rit. h = 88
pp
pp
rit. h = 88
ppp pp pp
pp pp
n
n
pp
n pp
92 93 94 95 96 97 98
94
94
slowing down tremolo
E§ - Eb Ab - A§
via sord.
via sord.
(senza sord.)
tutti divisi
via sord.
lightly, (senza sord.)
15
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
102
102
pp pp
pp pp
99 100 101 102 103 104 105
A§ - Ab
C§ - C ,b D§ - Db
16
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
110
pp
pp cresc. poco a poco
pp cresc. poco a poco
pp cresc. poco a poco
pp cresc. poco a poco
pp cresc. poco a poco
110
pp cresc. poco a poco
pp
pp cresc. poco a poco
pp cresc. poco a poco
pp cresc. poco a poco
106 107 108 109 110 111 112
1.
Vibraphone with bow
E§ F# A#D# B§
tutti(senza sord.)
3
tutti(senza sord.)
17
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p mp mp mf
114 118
p mp mp mf
mp cresc.
mp cresc.
mp cresc.
mp cresc.
p cresc poco a pocomp mf mp
114 118
mp
mp cresc.
mp
mp
113 114 115 116 117 118 119
3.
1.
3 3 3 3
18
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf cresc f cresc.
122 126
mf cresc f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
mf mf cresc f f cresc.
f cresc.
122 126
mf f
pp
f cresc.
f cresc.
f cresc.
f cresc.
120 121 122 123 124 125 126
3.
1.
Suspended cymbals(with wire brushes)
3 3 3
(unis.)
19
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff cresc.
133
ff cresc.
ff cresc.
ff cresc.
ff cresc.
ff cresc.
ff
f cresc. ff cresc.
f cresc. ff cresc.
f cresc. ff cresc.
ff cresc.
f cresc.
133
ff
pp pp
ff cresc.
ff cresc.
ff cresc.
ff cresc.
127 128 129 130 131 132 133
3. 1.
3 3 3 3 3
3 3 3 3
3 3 3 3
20
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
Majestic, q = 84
139
fff
fff
fff
fff
fff
ff cresc. fff
fff
fff
fff
fff
fff
ff cresc. fff
ff cresc. fff
mf mf
Majestic, q = 84
139
mf mf
pp mf
fff
fff
fff
fff fff
fff
fff134 135 136 137 138 139 140
3.
a2
a2
To Spring drum
Bass Drum
3
3 3
21
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Sus. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
ffffff
q = 100
rit. 142
fff fff f
fff
fff
fff fff f
fff f
fff fff
fff fff
f
f
fff
fff
fff f
f
f
mf mf n p n
q = 100rit.
142
n mf n
mf mf n
n f n
fff
sfffz dim.
sfffz dim.
sfffz dim.
sfffz dim.
sfffz dim.
sfffz dim.141 142 143 144 145 146 147
3 3 3
3 3
5
5
3 3
3 3 3 3 3 3 3 3 3 3
3 3
3 3 3 3 3 3 3 3 3 3
3 3
3 3
3 3 3 3
3 3
3 3 3 3
3
3
33 3 3 3
B - A ,b A - F#
Spring Drum To Vib. (with med-hard mallets)
Solo espressivo
3 3 3
divisi a 4
divisi a 4
divisi a 4
divisi a 4
Violoncello O
22
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Solo Vla.
Vla.
Vc.
Vc.
Cb.
mp
molto rit. 150
ff f pp
pp
mp
mp
molto rit. 150
n
p n
f
pp
ff f
pp
ff f
pp
pp
pp
pp148 149 150 151 152 153 154
(q = 60) Delicately, h = 69
3
3
Solo
3
Solo, delicately
3
(q = 60) Delicately, h = 69
To Glock.
To W.Ch.
3 5
Solo espressivo 3 3
3
Solo espressivo 5
23
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ppp ppp
157 159
ppp ppp
pp
pp
157 159
pp ppp ppp
155 156 157 158 159 160 161
Solo
3
Solo
3
24
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp f p f p
163
f p f p
p mf p mf p
163
ppp
162 163 164 165 166 167 168
Solo, delicately
3
1.
25
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
f p p
Slightly faster q = 144 (h. = 48)
170
174
p
p p p
p p p
p p
f p p
f p pp
pp
Slightly faster q = 144 (h. = 48)
170
174
p p p
p p p
p
ppp
ppp
f
f
f
f
f
f169 170 171 172 173 174 175
Solo (with Fl. 2)
Solo (with Fl. 1)
Solo
Solo
a2
Vibraphone
Glockenspiel
Glass Wind Chimes
bisbigliando
Cb- C§
(Solo)
5 5
(Solo)
5 5
(gli altri)sul G
tutti (unis.)
tutti
26
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
p p
179
p p
p p p
p p
p
p p
n pp
179
p p p
p p
pp
pp f pp
pp f pp
n
n f
n f
n f176 177 178 179 180 181
Glass wind chimes
5 5
5
27
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
mp f
Imperceptibly speeding up183
187
mp f
p mf
mf f
p mp f
p mp
p f
f
n mf
Imperceptibly speeding up183187
f
pp
mf
f
f pp
f pp
p f
nf
n f
n f182 183 184 185 186 187
a2
Solo
Glass wind chimes
5 5
5 5
28
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
f
f
f
f
f
f
f
f
f
p
f
f
p mf p
p mf p
f
f
f
n
n
n188 189 190 191 192 193
a2 Soli, con sord
a2 Soli, con sord
A -b B
(Vibraphone)
Glockenspiel
Eb F§ Gb Ab Eb - E§
(Solo)
29
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
f ff
194
198
f ff
ff
f ff
f ff
f
f ff
ff
f ff
f ff
f ff
f ff
f ff
f
f
194 198
ff
f ff
ff
ff
ff
f
f ff
f n ff
f n ff
fn ff
194 195 196 197 198 199
q = 160 (h = 80)
Solo
Solo
via sord.
via sord.
Solo
F# - G
q = 160 (h = 80)
(pick up soft mallets)
tutti
(tutti)
30
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
204
ff ff
ff ff
ff
ff ff
ff ff
ff ff
n
204
f
ff
ff
n
n
n200 201 202 203 204 205 206
Solo
Solo
Solo
(soft mallets)
31
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
W.Ch.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
210
ff
ff ff
ff
ff ff
ff
ff ff
210
f
pp mf
207 208 209 210 211 212 213
(Wind Chimes) To Tam-Tam
E§ - Eb
32
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
214 218
fff
f
fff f
ff f
ff f
fff
ff f
ff f
ff f
ff f
mf mf p
214 218
fff f
mf mf
ffff
fff
fff f
fff f
fff f
fff f
fff f214 215 216 217 218 219
Solo (with Cl. 2)
Solo (with Cl. 1)
a2 (senza sord.)
a2 (senza sord.)
(Glockenspiel) To B. D.
Tam-tam
To Siz. Cym.
Solo (with Cl.)
5 3 3 5 3 3
5 3 3 5 3 3
33
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
T.-t.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
f
224
f
p
p
224
f fff f
f fff f
p f fff
p f fff
p220 221 222 223 224 225 226
Solo (with Fl. 2)
Solo (with Fl. 1)
Solo espressivo
3 3 3 3 3 3 3
3
Solo espressivo
3 3
Solo espressivo
3 3 3
Solo espressivo
3
3 3
34
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Glock.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
poco rit.
231
pp
pp
pp n
poco rit.
231
pp
pp
pp
pp
pp
227 228 229 230 231 232 233
lunga
In one h. = 50
lunga
Solo, molto espressivo(use a mixture of molto vibrato and straight tone)
In one h. = 50
Bass Drumsuperball groan (friction roll with thumb or superball)
lunga
3
3 3 3 3lunga
3
3lunga
35
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
235
pp
pp n pp n pp n pp n
235
n pp n
234 235 236 237 238 239 240
5
Siz. Cym.
Improvise, playing with fingers or wire brushes, using gestures such as the following:
36
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
rit. 243
pp
pp
pp n pp n pp n
rit. 243
241 242 243 244 245 246 247
3
3
Solo
37
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
(h. = 40) q = 104
249
253
pp
n
pp n
(h. = 40) q = 104
249
253
ppp ppp
pp mp pp f
pp
248 249 250 251 252 253 254
Solo, molto espressivo(using a mixture of straight tone and molto vibrato.)
Vibraphone very soft mallets
Solo
D§ C# B§ / E§ F# G§ A§
38
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp f pp
rit. a tempo q = 104 rit.
257261
pp
f pp pp f
pp
pp
pp n pp
rit. a tempo q = 104 rit.
257 261
pp
pp pp
n ppn
pp pp
pp pp
255 256 257 258 259 260 261
a tempo q = 104
a tempo q = 104
(superball groan)
To Sus. Cym.
39
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f pp
rit. a tempo q = 104
268
f pp
f f pp
f
f
f
f
f
f
mf
a tempo q = 104rit.
268
p f
mp pp f
f
ff
ff
ff
ff
ff262 263 264 265 266 267 268
Solo (with Fl.2)
Solo (with Fl.1)
a2
a2
(pick up bow)
Full, thick, molto vibrato
Full, thick, molto vibrato
tutti, Full, thick, molto vibrato
tutti, Full, thick, molto vibrato
Full, thick, molto vibrato
40
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
273
pp
pp
ff pp
pp
pp
pp
pp
pp
f pp
ff mp pp
273
ppp
ff mp pp
ff
ff
pp
pp
pp
pp
pp
pp269 270 271 272 273 274 275
Solo
33 3
Solo
4
B - B ,b retune G - F
Vibraphone(with bow)
(Bass Drum)ord. (with mallets)
4 5 3
41
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
277 280
pp f f
f
pp f f
f ppf
pp f
f pp
mf
mf
277 280
f
f
pp
f
f pp
f
f
f
f
f276 277 278 279 280 281 282
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3
(pick up hard mallets)
(with hard mallets)
3 3 3 3 3 3
B§ - Bb
5
(tutti)
42
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
284
p
p
p
p
mf p
p
p mp
p mp
p mp
p mp
p
p
284
p V.S.pp
p
p
p
p
p
p
p283 284 285 286 287 288 289
3 3
3 3
3 3
3 3
3 3
3 3
a2
a2
3
3 3 3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
Bb - Ab
(pick up bow)
(with bow)
3 3
4 5
43
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
p ff
(q = 120)accel.
293
p ff
p ff
p f
pp f
pp
pp
f
f
f
mp
(q = 120)accel.
293
mp
ff
ff
ff
ff
ff
ff290 291 292 293 294 295 296
a tempo q = 104
3
3
a tempo q = 104
(pick up hard mallets)
(Bass Drum)
5 5 5
44
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
ff p
299
pp sub.
ff p
p
ff p p
ff p
ff p
f p
f ppp
f p
f p
p
p
p
mf n
299
mf n
mf
mfpp
p
p
p
p
p
p
p297 298 299 300 301 302 303
move to Piccolo
Solo
3 3
3
3 5
3
5
retune Ab - B§
G - G#
3 3 3 3 5
3 3
45
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
fff
Dramatic! q = 112 305
309
fff
mf fff
mf fff
mf fff
mf fff
p mf ffff
p mf f fff
p mf f fff
p mf f fff
p mfmf f ffffff
mf fff
mf fff
mf fff
mf fff
sfzp ffff
Dramatic! q = 112 305309
p mf f fffsfzp
ffff
sfzp ffff
sfzp ffff
mf
p fffmf
fff
fff
fff
fff
fff304 305 306 307 308 309 310
accel.
3.
1.cuivre 3.
4.
2. cuivre 4.
h
accel.
(hard mallets)
To S. D.
Spring Drum
(Bass Drum) h
(with sticks or back of mallets)
Sus. Cymbals h
G# - G§Bb - B§
O
(non div.)
O
(non div.)
46
Perus
al Sco
re
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
S. D.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff f fff
312 315
fff
fff mf
fff mf
ffffff mf
ffffff mf
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
312 315
fff
fffmf
mf
mf
mf
mf
mf311 312 313 314 315 316 317
Solo
3 3
Solo
Piccolo
3 3
3 3 3 3 3
5 5 5
3 3 3 3
a2
a2
To Vib. (pick up hard mallets)
Vibraphone(blend with Piccolo)
To Tri.
To Siz. Cym.
3 3 3 3 3 3 3 3 3 3
47
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
Siz. Cym.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Solo Vla.
Vla.
Vc.
Vc.
Cb.
f fff
318 322 324
f fff
fff
fff
fff
fff
fff
fff
f ff
f ff
ff
ff
ff
f ff
f ff
ff
ff fff
ff sfzp ffff
318 322 324
sfzp ff
n ppsfzp ffff
n ff fff
ff ffff
pfff
p fff
p fff
p fff
p V.S. fff318 319 320 321 322 323 324
a2
a2
h
Triangle
h
Siz. Cym. and Glass wind chimes
To Sus. Cym.
Sus. Cymbals (with sticks)
h
3
3
3 3
Move individually and at will between these harmonics.
O
(non div.)
Move individually and at will between these harmonics.
jete
3
jete
48
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Tri.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
330
fff
fff
fff
fff
fff
fff
fff
fff
V.S. fff
fff
V.S. fff
fff
fff
fff
sfzp ffff
330
sfzp ffff
sfzp ffff
fff
fff
325 326 327 328 329 330 331
a2
a2
h
To Glock.
h
(with sticks) h
To Siz. Cym.
3 3 3 3 3
3 3 3 3 3
O
3 3 3 3 3
49
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Tri.
B. D.
Sus. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff mf fff
336
fff fff
mf fff fff mf
mf fff mf fff
mf fff mf
mf fff mf
fff mf
fff mf
mf ff
mf ff
mf ff
mf mf
336
fff
mf
p ppp
ff
mf fff
mf fff
mf fff
mf fff
mffff
332 333 334 335 336 337 338
5 5 3
3
3 3 3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3
3 3 3 3 3
Glockenspiel
Siz. Cym. To Tam-Tam
3
50
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
342
fff
V.S.
ff mf
ff mf
ff mf
sfzp ffff
342
fff
f sfzp ffff
fff
mf
p
mf
p
p339 340 341 342 343 344 345
3 3 3
3 3 3
a2
a2
h
h
3 3 3
3 3 3
51
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
(e=e) 348
fff
f fff f
f fff f
f fff f
f fff f
f fff f
f fff f
f fff f
f fff f
f fff f
f fff f
sfzp ffff
(e=e) 348
fff
fff sfzp ffff
fff
fff
fff
346 347 348 349 350 351 352
3 3 3
3 3 3
a2
a2
a2
a2
h
To Tri.
h
3 3 3
3 3 3
52
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
354
fff
fff
fff
fff
fff p
p
fff ff
fff ff
fff
fff
fff
ff
ff
354
ff
ff
fff
fff
fff
fff fff (sempre fff)
fff fff
fff353 354 355 356 357 358 359
3 3
3 3
Triangle
3 3 3 3 3 3
3 3 3 3 3 3
jete
3 3 3 3 3 3
jete
53
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Tri.
B. D.
Siz. Cym.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
360 366
fff
fff
fff
fff
fff
ff
ff
ff
ff
ff
ff
ff
ff
360 366
ff
f
(sempre fff)
sfffz f sfffz f
sfffz f sfffz f
sfffz f sfffz f
sfffz f sfffz f360 361 362 363 364 365 366
3 3
3 3
3 3
3 3
3 3
3 3
3 3 3 3 3 3
3 3 3 3 3 3
To Vib. (hard mallets)
Tam-tam(scrape with coin or back of mallet)
3 3
3
3 3
3
3 3 3 3 3 3
3 3 3 3 3 3
54
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Tri.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
370
V.S.
ff
ff
ff
ff
ff
ff mf ff
ff mf ff
ff mf ff mf
ff mf ff mf
f
370
fff
f
fff
sfffz f sfffz f sfffz f sfffz f fff
sfffz f sfffz f sfffz f sfffz f sfffz f
sfffz f sfffz f sfffz f sfffz f sfffz f
sfffz f sfffz f sfffz f sfffz f sfffz f367 368 369 370 371 372 373
(breathe as necessary)
4 43 3 3 3 3
(breathe as necessary)
4 43 3 3 3 3
3 3
3 3
3 3
3 3
3 3 3 3
3 3 3 3
a2
a2
breathe as necessary
breathe as necessary
breathe as necessary
Vibraphone(hard mallets)
G§ - G#
4 43
4
43
simile
simile
simile
55
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
376
fff
fff
fff
fff
mf ff mf ff mfff
mf ff mf ff mf
ff mf ff mf ff mf ff
ff mf ff mf ff mf
376
374 375 376 377 378 379 380
4 4
4 4
(breathe as necessary)
(breathe as necessary)
(breathe as necessary)
(breathe as necessary)
D§ - D#
C# - C§
4 4
4
4
56
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fffff p ffff
383
fffff p ffff
fffff p ffff
fffff p ffff
fffff pffff
fffff pffff
fffff p ffff
fffff p ffff
fffff p
fffff p
ffff p
fffff p
fffff p
fffff p
ff fffff p
fffff p
fffffff p
fff sfffzp ffff
383
fffff
fffff
sfffzp ffff
fffff
fffff
fffff
fffff
fffff
fffff
fffff381 382 383 384 385 386 387
3 3 3 3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
h.
To Glock.
To Sus. Cym.
(with sticks or back of mallets)
h. (dampen gradually)
To W.Ch.
(E F# G A B C D# E)
G# - G§
divisi a4
divisi a4
divisi a4
divisi
57
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Sus. Cym.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f ffff f
389
f ffff f
f ffff f
f ffff f
f fffff
f fffff
f ffff f
f ffff f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffff p f
f ffffsfffzp
389
f fff f fff
fff sfffzp
fff
fff
p ffff p
p ffff p
f ffff f
f ffff f
f ffff f388 389 390 391 392 393
3 3 3 3 3 3
3 3 3 3 3 3
3 3 33 3 3
3 3 33 3 3
a2
a2
h.
Sus. Cymbals dampen gradually
Glass Wind Chimes
To T.-t.
Tam-tam h.
unis.
div. a4
unis.
unis.
div.
unis.
58
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Sus. Cym.
T.-t.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
ffff f
rit. 394 397
ffff f
ffff f
ffff ff
ffff f
ffff f
ffff f
ffff f
ffff f
ffff
ffff ff
ffff
ffff
ffff
ffff
ffff
ffff
ffff
rit. 394 397
f
ffff
ffff
ff
ffff pp
ffff pp ff
ffff p
ffff p
ffff ff394 395 396 397 398
3 3 3 3 3 3 3
q=104
3 3 3 3 3 3 3
3 3 33
3
3
3 3 33
3
3
cuivre, stopped1.
Solo
3 3 3
q=104
Glockenspiel To Vib. (with bow)
dampen gradually
To B. D.
Glass Wind Chimes
(dampen tam-tam gradually)
unis.
59
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
Sus. Cym.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Solo Vla.
Vla.
Vc.
Cb.
ff
403
ff
ff
f f
ff ff
f
403
n
f ff
399 400 401 402 403 404 405
3 3 3
3.
1.
3
3
3
3 3 3 3 3
3
3 3
5
60
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
Sus. Cym.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Solo Vla.
Vla.
Vc.
Cb.
mf f
407
f p ff
mf
ff p
f
mp n
mf
mp n
407
mf ff
n
ffff mf
mf n
mf n
mf406 407 408 409 410 411 412
3
3 4
Solo
3 3
3 3
1.
a2
3
4 4
7
4 4
3 3
61
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Glock.
Sus. Cym.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
rit.
415
mp
p
f
f
mf p
p n
p n
rit. 415
mp
mp n
mp n
n413 414 415 416 417 418 419
4
1.
a2
4
62
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Sus. Cym.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
(10 seconds) (10 seconds) (10 seconds) (10 seconds) 420 422421 423
p p p p
p p p p
(10 seconds) (10 seconds) (10 seconds) (10 seconds)
420 421 422 423
p
p p
p p p p
p ppp p ppp p ppp p ppp p
420 421 422 423
Vibraphone(with bow)
sempre l.v.
D# - D§
(play as a single quick gesture)
63
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
Sus. Cym.
W.Ch.
Hp.
Pno.
Solo Vln. 1
Vln. I
Solo Vln. II
Vln. II
Vla.
Vc.
Cb.
p pp p
(10 seconds) In time q = 104424
425
430
p
p pp p
p
(10 seconds) In time q = 104424
425
430
ppp ppp
ppp ppp
p pppp
p ppp p
p
pp pp
p
pp pp
p ff pp
424 425 426 427 428 429 430
To Fl.
Bass Drum
Tam-tam
1st four stands only, (divisi by the stand)
Stands 1 and 2:
Stands 3 and 4:
1st four stands only, (divisi by the stand)
Stands 1 and 2:
Stands 3 and 4:
Soli
64
Perus
al Sco
re
Fl. 1
Picc.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp p
436
p
pp p
436
ppp
ppp
p pppp
ppp p
pp
pp
p ff pp
431 432 433 434 435 436 437
Flute
non vibrato, extremely sul pont (imitate tone of harmonics)
non vibrato, extremely sul pont (imitate tone of harmonics)
65
Perus
al Sco
re
Fl. 1
Fl.
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Vib.
B. D.
T.-t.
Hp.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp ppp
pp ppp
pp ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
p f pp
438 439 440 441 442 443 444
C§ - C#
66
Perus
al Sco
re