innerspeaker by tame impala
TRANSCRIPT
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Innerspeaker by Tame Impala
Released in 2010, written by Kevin Parker
This is my favourite album of all-time, by my favourite band of all-time !ll of these
tabs are my own work, and have been thorou"hly #he#ked for a##ura#y and #ompleteness
$very sin"le sound on the album made by the "uitars and synths %and even a bit of bass
too& is here I made sure to in#lude everythin" you hear on the album in this tab
I've been workin" on this for a lon", lon" time, so I hope you en(oy playin" the son"s
and be sure to support Tame Impala in any way possible They more than deserve it)
Tra#klist*
01 It Is +ot eant to e
02 .esire e, .esire /o
0 !lter $"o
0 u#idity
03 4hy 4on't 5ou ake 6p 5our ind7
08 9olitude Is liss
0: ;eremy's 9torm
0 The old !rrow of Time
10 Runway, ?ouses, @ity, @louds
11 I .on't Really ind
To Aui#kly find a son" you are lookin" for, (ust press '@trl B' and type the name of
the son" +ow without further ado
--------------------------------------------------------------------------------------
Tra#k 01
It Is +ot eant to e
--------------------------------------------------------------------------------------
Intro*
/uitar 1*
eC-----------------------------------------------------------------C D
C-------------3---3---3---3---------------------------C D
/C---3---3---3---3---3---3---3---3-------------------------C D
.C-----------------------------------------------------------------C C
!C-----------------------------------------------------------------C C
$C-----------------------------------------------------------------C C C =
eC-----------------------------------------------------------------C C
C-------------3---3---8---8---------------------------C C
/C---3---3---3---3---3---3---3---3-------------------------C C
.C-----------------------------------------------------------------C E
!C-----------------------------------------------------------------C E
$C-----------------------------------------------------------------C E
ass*
/C----------------------12--------------12------------------------------------C
.C--------------------------------12----------13--1--12--10--1--12-10-------C =<
!C-10--------12---1----------------------------------------------------1-12-C
$C----------------------------------------------------------------------------C
/uitar 2*!fter the 2nd repeat, the se#ond "uitar plays this over the topF
the strummin" pattern is in#luded above the tab %. means down and 6 means up&*
. . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . 6 .
eC-------------:--:-:--:-:--:-:---------------3--3-3--3-3--3-3--3-3--3-C
C-------------3--3-3--3-3--3-3------------------------------C
/C-3--3-3--3-3--3-3---3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C =
.C-------------3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C
!C-3--3-3--3-3--3-3-----------------------------------------------------------C
$C----------------------------------------------------------------------------C
Gerse 1*
/uitar 1*
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HI wanted her,
I wanted herH
eC---------C
C---------C
/C---------C =
.C---------C
!C------3--C
$C-3-------C
/uitar 1*
Hut she doesn't like the life that I lead,she doesn't like the life that I leadH
eC-3----3--C
C-3----:--C
/C-3----:--C =
.C-:----:--C
!C-:----3--C
$C-3-------C
/uitar 1*
Hdoesn't like sand stu#k on her feet,
or sittin" around smokin" weed,
I must seem more like a friend in need, and IH
eC-3--3--3-3--3--3--C
C-3--3--3-3--:--:--C
/C-3--3--3-3--:--:--C =8.C-:--:--:-:--:--:--C
!C-:--:--:-:--3--3--C
$C-3--3--3-3--------C
Pre-#horus*
/uitar 1*
Hboast that it is meant to be, but in all hone-H
eC------------------C
C------------------C
/C---------:--:--:--C
.C------3-----------C
!C-3----------------C
$C------------------C
@horus 1*/uitar 1 and 2*
H-sty, I don't have a hope in hell, I'm hap-H
eC------------------------------------------------------C
C-1--1-------1--1-----------0--0--1--1--1--1-1-C
/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C
.C-----3--3-3------3--3-3------2--2----------C
!C-----3--3-3------3--3-3--0--0--2--2----------C
$C------------------------------------------------------C
H-py (ust to wat#h her move, and in all hone-H
eC----------------------------------------------------------C
C-1--1-------1--1-------1--1-------3--3-3-------C
/C-2--2-------2--2-------2--2-------3--3-3-------C
.C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3--C
!C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3--C$C----------------------------------------------------------C
H-sty, I don't have a hope in hell, I'm hap-H
eC------------------------------------------------------C
C-1--1-------1--1-----------0--0--1--1--1--1-1-C
/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C
.C-----3--3-3------3--3-3------2--2----------C
!C-----3--3-3------3--3-3--0--0--2--2----------C
$C------------------------------------------------------C
H-py (ust to wat#h her move, andH
eC---------------------------------------------------------C
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C-1--1-------1--1-------1--1-------1--1-------C
/C-2--2-------2--2-------2--2-------2--2-------C
.C-----3--3-3------3--3-3------3--3-3------3--3-3--C
!C-----3--3-3------3--3-3------3--3-3------3--3-3--C
$C---------------------------------------------------------C
Gerse 2*
/uitar 1*
Hshe doesn't like the friends that I make,
doesn't make friends for friendship's sakeH
eC-3----3--CC-3----:--C
/C-3----:--C =
.C-:----:--C
!C-:----3--C
$C-3-------C
/uitar 2*
! se#ond plays lead Auietly in the ba#k"round like this*
eC--------------------------------------------------------------C
C---------------3-:---:----:b>-:b>-C
.C-:----------------------------:--3-:--------------------------C
!C--------------------------------------------------------------C
$C--------------------------------------------------------------C
/uitar 1*
Hshe (ust "ets boredH
eC----------C
C------3----C
/C----------C
.C------3----C
!C----------C
$C-3---------C
/uitar 1*
Hsittin" by the lake,
her soul won't surfa#e
and her heart won't a#heH
eC-3----3--C
C-3----:--C/C-3----:--C =
.C-:----:--C
!C-:----3--C
$C-3-------C
eC------------------------------------------------------------C
C--------3-----C
.C--------------------------------------:----3--:------------C
!C----------------------------------------:-------------------C
$C------------------------------------------------------------C
Pre-#horus*
/uitar 2*
Hand I boast that it is meant to be, but in all hone-HeC------------------------C
C------------------------C
/C-0----------------------C
.C--------:------3-3-:-3--C
!C------3------3----------C
$C------------------------C
/uitar 1*
eC------------------------C
C------------------------C
/C------:----:----:----:--C
.C------------------------C
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!C------3--3----3----3----C
$C------------------------C
@horus 2*
/uitar 1 and 2*
H-sty, I don't have a hope in hell, I'm hap-H
eC------------------------------------------------------C
C-1--1-------1--1-----------0--0--1--1--1--1-1-C
/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C
.C-----3--3-3------3--3-3------2--2----------C
!C-----3--3-3------3--3-3--0--0--2--2----------C$C------------------------------------------------------C
H-py (ust to wat#h her moveH
eC--------------------------------------------------------------C
C-1--1-------1--1-------1--1-------3--3-3---------C
/C-2--2-------2--2-------2--2-------3--3-3---------C
.C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3-3-3--C
!C-----3--3-3------3--3-3------3--3-3--:--:-:---3--3-3-3--C
$C--------------------------------------------------------------C
9olo*
Jne "uitar plays this pro"ression while the other plays the solo*
/uitar 1*
eC------------------------------------------------------C
C-1--1-------1--1-----------0--0--1--1--1--1-1-C/C-2--2-------2--2-------2--2--0--0--2--2--2--2-2-C
.C-----3--3-3------3--3-3------2--2----------C
!C-----3--3-3------3--3-3--0--0--2--2----------C
$C------------------------------------------------------C
eC--------------------------------------------------------C
C-1--1-------1--1-------3--3-------1--1--1--1-1-C
/C-2--2-------2--2-------3--3-------2--2--2--2-2-C
.C-----3--3-3------3--3-3--:--:--3--3-3----------C
!C-----3--3-3------3--3-3--:--:--3--3-3----------C
$C--------------------------------------------------------C
/uitar 2*
eC----------------------------------------------C
C----------------------------------------------C/C->-D2-----:D3--2E---:D3--2E-------0h2-2--2-C
.C--------------------------------3D-----------C
!C----------------------------------------------C
$C----------------------------------------------C
eC----------------------------------------------C
C----------------------------------------------C
/C-2--2E---E3--2D---E3--2-------------2----C
.C------------------------------3--3D--------C
!C----------------------------------------------C
$C----------------------------------------------C
Pre-#horus*
/uitar 1*
eC-----------------CC-0---------------C
/C-0---------------C
.C-2---------------C
!C-2---------------C
$C-----------------C
/uitar 2*
eC-----------------C
C----------------C
/C-----0h2-1---2---C
.C-2---------------C
!C-----------------C
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$C-----------------C
/uitar 2*
H!nd I thou"ht they #ould #ure his disease, but in all hone-H
eC-----1-----------1---C
C-------------------C
/C-----2------2--------C
.C-----0----0----------C
!C---------------------C
$C---------------------C
@horus *
/uitar 1*
H-sty, he didn't have a hope in hell, now we'llH
eC------------------------------------------------C
C-1----------1---------------0-----1----------C
/C-2----------2----------2-----0-----2----------C
.C------3----------3----------2---------------C
!C------3----------3-----0-----2---------------C
$C------------------------------------------------C
Hnever see him moveH
eC-------------------------------------------------C
C-1----------1----------1----------1----------C
/C-2----------2----------2----------2----------C
.C------3----------3----------3----------3-----C!C------3----------3----------3----------3-----C
$C-------------------------------------------------C
/uitar 2*
! sitar plays one note (ust after the word HhimH
It #an be played on "uitar as well*
eC-------C
C------C
/C-------C
.C-------C
!C-------C
$C-------C
Jutro*
/uitar 1 - there's a #ouple of variations in the outro, whi#h I will tab here*eC-----------------------------------------------------------------C
C-------------3---3---3---3---------------------------C
/C---3---3---3---3---3---3---3---3-------------------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
eC-----------------------------------------------------------------C
C-------------3---3---8---8---------------------------C
/C---3---3---3---3---3---3---3---3-------------------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
eC-----------------------------------------------------------------CC-------------3---3---3---3---------------------------C
/C---3---3---3---3---3---3---3---3-------------------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
eC-------------------------------------------------3---3----------C
C-------------3---3---8---8---------------------------3---C
/C---3---3---3---3---3---3---3---3-------------------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
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eC-----------------------------------------------------------------C
C-------------3---3---3---3---3---3---3---3---3-D----------C
/C---3---3---3---3---3---3---3---3---3---3---3---3--------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
eC-----------------------------------------------------------------C
C-------------3---3---8---8---------------------------C
/C---3---3---3---3---3---3---3---3-------------------------C.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
eC-----------------------------------------------------------------C
C-------------3---3---3---3---------------------------C
/C---3---3---3---3---3---3---3---3-------------------------C
.C-----------------------------------------------------------------C
!C-----------------------------------------------------------------C
$C-----------------------------------------------------------------C
ass
/C----------------------12--------------12------------------------------------C
.C--------------------------------12----------13--1--12--10--1--12-10-------C =:
!C-10--------12---1----------------------------------------------------1-12-C$C----------------------------------------------------------------------------C
/uitar 2*
. . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . . 6 . 6 . 6 . 6 .
eC-------------:--:-:--:-:--:-:---------------3--3-3--3-3--3-3--3-3--3-C
C-------------3--3-3--3-3--3-3------------------------------C
/C-3--3-3--3-3--3-3---3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C =:
.C-------------3--3-3--3-3--3-3---3--3-3--3-3--3-3------------------C
!C-3--3-3--3-3--3-3-----------------------------------------------------------C
$C----------------------------------------------------------------------------C
/uitar 1*
$nd on*
eC------C
C------C/C------C
.C-3-----C
!C-3-----C
$C------C
C E slide up
C D slide down
C . downstroke
C 6 upstroke
C h hammer-on
C p pull-off
C vibratoC L harmoni#
C = ute note
C b end
C pb Pre-bend
C br end release
C pbr Pre-bend release
C brb end release bend
--------------------------------------------------------------------------------------
Tra#k 02
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.esire e, .esire /o
--------------------------------------------------------------------------------------
BuMMy intro part*
/uitar 1* /uitar 2*
eC----------------C----------------C
C---------------C----------------C
/C-3b:------------C----------------C
.C----------------C------12----C
!C----------------C----------------C
$C----------------C----------------C
Gerse*
HBeel it #ome, I-I don't know
?ow lon" it's, "o-o-onna
9tay with me, whoa-oa, I let
.esire be, de-esire "o,
JohH
eC-8--
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H.are I fa#e the real worldH
eC-8--
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eC-------------------------------------------------------------C
C-------------------------------------------------------------C
/C-------------------------------------------------------------C
.C-------------------------------------------------------------C
!C-
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C br end release
C pbr Pre-bend release
C brb end release bend
--------------------------------------------------------------------------------------
Tra#k 0
!lter $"o
--------------------------------------------------------------------------------------
/uitar 1 - Rhythm
/uitar 2 - 9ynthy lead "uitar
Intro*
9ynth*
This is too fast to play on a "uitar %unless you're a really fast player&, and wasn't
intended to be played on a "uitar, but I've in#luded it anyway Try to play it with
le"ato %e" slides, hammer-ons, pull-offs et#&*
eC-13-1-12-------------------------------------------------------------------------C
C----------13-1-12----------------------------------------------------------------C
/C-------------------1-12--------------------------------12------------------------C
.C-------------------------13-1-12--------------12-1-13--------12--1-------------C
!C----------------------------------13-1-12-------------------------13-1-12--C
$C----------------------------------------------------------------------------------C
/uitar 1 - play this pro"ression : times*
eC-------------------------------------------------------------------C
C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =:
.C---------------------------------2--2--2-2-2-C
!C---------------------------------2--2--2-2-2-C
$C-------------------------------------------------------------------C
/uitar 1 - and then play this*
eC-------------------------------------------------------C
C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C
.C---------------------------------C
!C---------------------------------C
$C-------------------------------------------------------C
/uitar 1*
eC-0--0-0--3--3-3------------------------------------------C
C-0--0-0--3--3-3------------------------------------------C
/C-1--1-1--8--8-8--------------------------------3--3-3--3--3-3--C
.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3------------C
!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C
$C-0--0-0--3--3-3------------------------------------------C
/uitar 2 - #omes in on the fourth repeat of the above #hords,
plays throu"hout the entire #hord pro"ression above*
eC-----------------------------C---------3b:r3-------------C
C-3C---3---------------3----3C
/C-----------------------------C-----------------------------C
.C-----------------------------C-----------------------------C!C-----------------------------C-----------------------------C
$C-----------------------------C-----------------------------C
eC-----------------------------C---------3b:r3-------------C
CC---3---------------3----3C
/C-----------------------------C-----------------------------C
.C-----------------------------C-----------------------------C
!C-----------------------------C-----------------------------C
$C-----------------------------C-----------------------------C
eC-----------------------------C---------3b:r3-------------C
C
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/C-----------------------------C-----------------------------C
.C-----------------------------C-----------------------------C
!C-----------------------------C-----------------------------C
$C-----------------------------C-----------------------------C
eC-----------------------------C---------3b:r3---------------C
C3C---3---------------3----h3C
/C-----------------------------C-------------------------------C
.C-----------------------------C-------------------------------C
!C-----------------------------C-------------------------------C
$C-----------------------------C-------------------------------C
eC-----------E3---------------C------------------------------C
C3----3C---3-----3--3---3E:--3E:--3C
/C-----------------------------C-------------------------------C
.C-----------------------------C-------------------------------C
!C-----------------------------C-------------------------------C
$C-----------------------------C-------------------------------C
eC-----------------------------C-----------------------------C
C1C0C
/C-----------------------------C-----------------------------C
.C-----------------------------C-----------------------------C
!C-----------------------------C-----------------------------C
$C-----------------------------C-----------------------------C
Gerse*
/uitar 1*
H9aid the voi#e from afar* '.on't you know it doesn't have to
e so hard7 4aitin" for everyone else a-H
eC--------------------------------------------------2-----------C
C-3---------------------------------3--------------------------C
/C-------------------------------------------------N-----------C =2
.C-3-----------------------------------------------------------C
!C----------------------------------2---------------2-----------C
$C---------------------------------------------------------------C
/uitar 1*
H-round to a"ree, mi"ht take too lon",
i"ht take too lon"'H
4hen it won't be soHeC--------------------------------------2--2--2-2-2-C
C-3--3-3--3--3-3--3-3--3-3--3--3-3--3-3--3--3--3-3---------C
/C--------------------------------N--N--N-N-N-C =
.C-3--3-3--3--3-3--3-3--3-3--3--3-3-------------------C
!C----------------------2-2--2--2--2-2--2--2--2-2-2-C
$C---------------------------------------------------------------C
/uitar 2*
eC----------------------C
C-D1------
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eC-0--0-0--0--0-0--0--0-0--0--0-0----------------------C
C-----------------------------------------C
/C-2--2-2--2--2-2--2--2-2--2--2-2----------------------C
.C---------------------3--3-3--3--3-3--3--3-3--3--3-3--C
!C-0--0-0--0--0-0--0--0-0--0--0-0--3--3-3--3--3-3--3--3-3--3--3-3--C
$C-----------------------------------------------------C
/uitar 2*
eC------------------C
C-----3-8----------C
/C-2---------3-2--C.C------------------C
!C------------------C
$C------------------C
/uitar 1*
H4ell it's true, yes, but you won't "et far tellin" me that youH
eC-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C
C-1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1---------------C
/C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C
.C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C
!C-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C
$C-----------------------------------------------------------------C
/uitar 2*
eC---------------------CC-1--------3----8----C
/C---------------------C
.C---------------------C
!C---------------------C
$C---------------------C
@horus*
/uitar 1*
Hare all you're meant to
e, when the one from my
.ream is sittin" ri"ht ne=t to
e and I don't know what toH
eC-------------------------------------------------------------------C
C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =.C---------------------------------2--2--2-2-2-C
!C---------------------------------2--2--2-2-2-C
$C-------------------------------------------------------------------C
/uitar 1*
HdoH
eC-------------------------------------------------------C
C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C
.C---------------------------------C
!C---------------------------------C
$C-------------------------------------------------------C
/uitar 1*
HJh, alter e"o,/etH
eC-0--0-0--3--3-3------------------------------------------C
C-0--0-0--3--3-3------------------------------------------C
/C-1--1-1--8--8-8--------------------------------3--3-3--3--3-3--C
.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3------------C
!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C
$C-0--0-0--3--3-3------------------------------------------C
Gerse*
/uitar 1*
Hthem to love you, while they may dependin" on your
4ords and wealth, the only one who's really (ud"in"H
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eC--------------------------------------------------2-----------C
C-3---------------------------------3--------------------------C
/C-------------------------------------------------N-----------C =2
.C-3-----------------------------------------------------------C
!C----------------------------------2---------------2-----------C
$C---------------------------------------------------------------C
/uitar 1*
Hyou is yourself, nobody else,
+obody else,
If I #ould part,It wouldn't be soH
eC--------------------------------------2--2--2-2-2-C
C-3--3-3--3--3-3--3-3--3-3--3--3-3--3-3--3--3--3-3---------C
/C--------------------------------N--N--N-N-N-C =3
.C-3--3-3--3--3-3--3-3--3-3--3--3-3-------------------C
!C----------------------2-2--2--2--2-2--2--2--2-2-2-C
$C---------------------------------------------------------------C
/uitar 2*
eC----------------------C
C-D1------
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/uitar 1*
H4ell it's true, yes, but you won't "et far tellin" me that youH
eC-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C
C-1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1--1-1--1---------------C
/C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C
.C-2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2--2-2--2---------------C
!C-0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0--0-0--0---------------C
$C-----------------------------------------------------------------C
/uitar 2*
eC---------------------CC-1--------3----8----C
/C---------------------C
.C---------------------C
!C---------------------C
$C---------------------C
/uitar *
eC---------------------------------C
C--------1-E3-D--1-E-E3---3-E8--C
/C--E3----------------------------C
.C---------------------------------C
!C---------------------------------C
$C---------------------------------C
@horus*/uitar 1*
Hare all you're meant to
e, when the one from my
.ream is sittin" ri"ht ne=t to
e and I don't know what toH
eC-------------------------------------------------------------------C
C-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--0--0--0-0-0-C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--0--0--0-0-0-C =
.C---------------------------------2--2--2-2-2-C
!C---------------------------------2--2--2-2-2-C
$C-------------------------------------------------------------------C
/uitar 1*
HdoH
eC-------------------------------------------------------CC-1--1-1--1--1-1--1-1--1-1--1--1-1--1-1--1-1--1--1-1--C
/C-2--2-2--2--2-2--2-2--2-2--2--2-2--2-2--2-2--2--2-2--C
.C---------------------------------C
!C---------------------------------C
$C-------------------------------------------------------C
/uitar 1*
HJh, alter e"oH
eC-0--0-0--3--3-3------------------------------------------C
C-0--0-0--3--3-3------------------------------------------C
/C-1--1-1--8--8-8----------------------3--3-3--3--3-3--3--3-3--3--3-3--C
.C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3----------------------C
!C-2--2-2--:--:-:--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--3--3-3--C
$C-0--0-0--3--3-3------------------------------------------C
/uitar 1 - end with this #hord*
eC------C
C-3-----C
/C------C
.C-3-----C
!C------C
$C-------C
C E slide up
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C D slide down
C h hammer-on
C p pull-off
C vibrato
C sta##ato %play Aui#kly, then mute&
C L harmoni#
C = ute note
C b end
C pb Pre-bend
C br end release
C pbr Pre-bend releaseC brb end release bend
--------------------------------------------------------------------------------------
Tra#k 0
u#idity
--------------------------------------------------------------------------------------
Gerse*
HI know where you went, but I don't know how you "ot there,
I know where you went, but I don't know how you "ot there,
9ilver ton"ue hill where you talk up what I'd play down,
I would speak up, but I wouldn't know what to sayH
eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--CC-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =
.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
$C-----------------------------------------------------------C
BuMM "uitar riff*
HTo say,
Jh, to sayH
eC----------------------------------------------------C
C----------------------------------------------------C
/C----------------------------------------------------C =
.C-12-12-11----11-------------------------------------C
!C----------1-----12-12-1--11--12--11-12-1-1-1---C
$C-----------------------------------------------12---C
Gerse #hords a"ain*
eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
$C-----------------------------------------------------------C
@horus*
Hu#idity, #ome ba#k to me,
Put all five senses ba#k to where they're meant to be,
Joh, it's hard to tell,
reaks down, there is a will there is aH
eC-:----3--3----:----3--3--------CC-:----:--3----:----:--3--------C
/C-----:--:----3----C
!C->----3--:---->----3--:----3----C
$C-:-------3----:-------3--------C
9hort little "uitar arpe""io*
HwayH
eC---------------------C
C----3------------:---C
/C------3-------:----:-C
.C-3--------3E:--------C
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!C---------------------C
$C---------------------C
Gerse*
H4anderin" around like spare time never knew it,
I mi"ht su#k fiMMle or I mi"ht (ust float awayH
eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =
.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C$C-----------------------------------------------------------C
/uitar solo*
HBloat awayH
eC-:h>p:---3D2E--->D:D3--E3D-0------------------------------:h>p:---C
C----------------------------------3-h:p3-----------------------------C
/C-----------------------------------------:--8-:-:D2-2E8--:-----------C
.C---------------------------------------------------------------------C
!C---------------------------------------------------------------------C
$C---------------------------------------------------------------------C
@horus*
H!nd we'll "o runnin" off toni"ht,
?i"h above, where we won't even need to rea#h the sky, my love,
Joh, there will be a #han"e in the air,+obody will be anybodyH
eC-:----3--3----:----3--3--------C
C-:----:--3----:----:--3--------C
/C-----:--:----3----C
!C->----3--:---->----3--:----3----C
$C-:-------3----:-------3--------C
9hort little "uitar fill*
HelseH
eC-3-E:D3--E3E:---C
C--------------------------------------C
/C--------------------------------------C
.C--------------------------------------C
!C--------------------------------------C$C--------------------------------------C
BuMM "uitar riff*
eC----------------------------------------------------C
C----------------------------------------------------C
/C----------------------------------------------------C =
.C-12-12-11----11-------------------------------------C
!C----------1-----12-12-1--11--12--11-12-1-1-1---C
$C-----------------------------------------------12---C
@horus*
Hu#idity, #ome ba#k to me,
Put all five senses ba#k to where they're meant to be,
Joh, where we'll "o,
Tip toe, tread boldly ri"ht down to theHeC-:----3--3----:----3--3--------C
C-:----:--3----:----:--3--------C
/C-----:--:----3----C
!C->----3--:---->----3--:----3----C
$C-:-------3----:-------3--------C
rid"e*
HlairH
eC---------------------------------C
C---------------------------------C
/C---------------------------------C =2
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.C-----3--:-->------>--:----3----C
!C-----3--:-->------>--:----3----C
$C-2------3--:--2----:--3--------C
eC------C
C------C
/C------C
.C--C
!C------C
$C------C
@raMy outro fuMM "uitar solo It was pretty hard to de#ipher it under all the fuMM,
but this is what I #ould make out*
eC----------------------------------------------------1----12--------------C
C-12-------12--------------------------------------------------------------C
/C-1b18----1b18r1b18---1p1-1---1b18-11--11----11----11-1--------C
.C-------------------------------------------------------------------1--C
!C--------------------------------------------------------------------------C
$C--------------------------------------------------------------------------C
eC--------------------------------------------------------------------------C
C--------------------------------------------------------------------------C
/C--------------------------------------------------------------------------C
.C->->-->-->-->->->--:E>->->->->--:E>->--:E>->------------------------------C
!C--------------------------------------------------------------------------C
$C----------------------------------------------:-:-:-:-:--3E:-:--3E:-:--0--C
Play these #hords underneath the solo*
eC-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
/C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C =
.C-:-:-:-:-:--:-:--:--:--:-:-:-->->->->->-->->-->-->-->->->--C
!C-:-:-:-:-:--:-:--:--:--:-:-:--:-:-:-:-:--:-:--:--:--:-:-:--C
$C-----------------------------------------------------------C
C E slide up
C D slide down
C h hammer-on
C p pull-offC vibrato
C L harmoni#
C = ute note
C b end
C pb Pre-bend
C br end release
C pbr Pre-bend release
C brb end release bend
--------------------------------------------------------------------------------------
Tra#k 03
4hy 4on't 5ou ake 6p 5our ind7
--------------------------------------------------------------------------------------
Intro*
This is the main #hord
pro"ression that #ontinuously
plays throu"hout the entire son"*
eC-3--8-----0--1-----C
C-3--8-----0--1-----C
/C-3--:-----0--2-----C =2
.C-:--
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J##asionally hit the hi"her notes
after playin" the #hords, like this*
eC-3--8-8----0--1-1----C
C-3--8---8--0--1---1--C
/C-3--:------0--2------C
.C-:--
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!C-:---10--12E1-1--------------------1D12-12--C =2
.C->b>3--:-------------------->b>3--10---:-10------------C
!C---------------------------------------
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.C-:--
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eC------------------C
C-10----------10---C
/C------12b1-------C
.C------------------C
!C------------------C
$C------------------C
The main #hords are played very faintly in the ba#k"round a"ain*
/uitar 1*
eC-3--8-----0--1-----C
C-3--8-----0--1-----C/C-3--:-----0--2-----C =<
.C-:--
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eC-----------------------------C
C-----------------------------C
/C-----------------------------C =
.C-----------------------------C
!C-----------------------------C
$C-12-12-12-12-12--1D12-12-12-C
Hno one else around to look at me, so I #anH
eC-----------------------------C
C-----------------------------C
/C-----------------------------C =2.C-----------------------------C
!C-12-12-12-12-12--1D12-12-12-C
$C-----------------------------C
Hlook at my shadow as mu#h as I please, all theH
eC-----------------------------C
C-----------------------------C
/C-----------------------------C =2
.C-----------------------------C
!C-----------------------------C
$C-12-12-12-12-12--1D12-12-12-C
Pre-#horus*
Hki#ks that I #an't #ompare to, makin"H
eC--3--3--3--3-3-3--3-3--3-3--3--CC--3--3--3--3-3-3--3-3--3-3--3--C
/C--8--8--8--8-8-8--8-8--8-8--8--C
.C--:--:--:--:-:-:--:-:--:-:--:--C
!C--:--:--:--:-:-:--:-:--:-:--:--C
$C--3--3--3--3-3-3--3-3--3-3--3--C
Hfriends like you're all suH
eC--8--8--8--8-8--C
C--8--8--8--8-8--C
/C--:--:--:--:-:--C
.C--
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! se#ond "uitar plays this (ust after Hsoul #an breatheH*
eC----------------C
C----------------C
/C-------12--1C
.C--E1-----------C
!C----------------C
$C----------------C
Hnothin" else matters I don't #are what I missH
eC-----------------------------CC-----------------------------C
/C-----------------------------C =2
.C-----------------------------C
!C-12-12-12-12-12--1D12-12-12-C
$C-----------------------------C
H#ompany's okay, solitude is blissH
eC-----------------------------C
C-----------------------------C
/C-----------------------------C =2
.C-----------------------------C
!C-----------------------------C
$C-12-12-12-12-12--1D12-12-12-C
!nother "uitar plays this on the words Hsolitude is blissHeC-----------------------------C
C-----------------------------C
/C-----------------------------C
.C-1-1-1-1-1-1-------C
!C-----------------------------C
$C-----------------------------C
Pre-#horus*
Hthere's a party in my head, andH
eC--3--3--3--3-3-3--3-3--3-3--3--C
C--3--3--3--3-3-3--3-3--3-3--3--C
/C--8--8--8--8-8-8--8-8--8-8--8--C
.C--:--:--:--:-:-:--:-:--:-:--:--C
!C--:--:--:--:-:-:--:-:--:-:--:--C
$C--3--3--3--3-3-3--3-3--3-3--3--C
Hno one is inH
eC--8--8--8--8-8--C
C--8--8--8--8-8--C
/C--:--:--:--:-:--C
.C--
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Pre-solo*
eC-----------------------------C
C-----------------------------C
/C-----------------------------C =
.C-----------------------------C
!C-----------------------------C
$C-12-12-12-12-12--1D12-12-12-C
! se#ond "uitar plays this on the
third repeat of the riff above*eC----------------C
C----------------C
/C-------12--1C
.C--E1-----------C
!C----------------C
$C----------------C
9olo*
eC----------------------------------------------------------------------C
C----------------------------------------------------------------------C
/C-12---12-12---10-12-10----
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eC-->--->--->-->-->-:-----------------C
C-->--->--->-->-->-:--->-->-->->-->--C
/C-10--10--10-10-10--->-->->-->--C
.C-11--11--11-11-11->---:--:--:-:--:--C
!C-11--11--11-11-11->---:--:--:-:--:--C
$C-->--->--->-->-->-:-----------------C
HtodayH
eC-->--->--->-->-->-:-------------------------C
C-->--->--->-->-->-:--->-->-->->--11-11-11--C
/C-10--10--10-10-10--->-->->--11-11-11--C.C-11--11--11-11-11->---:--:--:-:--->-->-->--C
!C-11--11--11-11-11->---:--:--:-:--->-->-->--C
$C-->--->--->-->-->-:-------------------------C
eC-->--->--->-->-->-:-----------------C
C-->--->--->-->-->-:--->-->-->->-->--C
/C-10--10--10-10-10--->-->->-->--C
.C-11--11--11-11-11->---:--:--:-:--:--C
!C-11--11--11-11-11->---:--:--:-:--:--C
$C-->--->--->-->-->-:-----------------C
! se#ond "uitar plays this riff throu"hout
the #hord pro"ression above*
eC----------------------------------------C
C----------------------------------------C/C----------------------------------------C =
.C--------------->-->--11--11--11-11--11--C
!C---------->h11--------------------------C
$C-->-->-->-------------------------------C
Pre-#horus*
H.on't ask me how you're supposed to, '#auseH
. . . . 6 6
eC-3--3--3--3--3---------3------C
C-3--3--3--3---3---------3-----C
/C-8--8--8--8----8---------8----C arpe""iate the last
.C-:--:--:--:-----:-------------C part of the #hord
!C-:--:--:--:------:------------C
$C-3--3--3--3-------3-----------C
Hyou will never #ome #lose to how I feel,
you will never #ome #lose to how I feel,
you will never #ome #lose to how I feel,
you will never #ome #lose to how I feelH
. 6 . 6 . . 6 . . . 6 . 6 . . 6 . .
eC-10-10--10-10--10--10-10--10--
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C pb Pre-bend
C br end release
C pbr Pre-bend release
C brb end release bend
--------------------------------------------------------------------------------------
Tra#k 0:
;eremy's 9torm
--------------------------------------------------------------------------------------
This son" is played in . standard tunin" If you want to sound like the re#orded
version then you must tune down, otherwise it will be two semitones wron" e#ause
this son" uses a lot of open notes and fin"er pi#kin", there's no way of transposin"
this son" to $ standard, so either tune down or play it in a different key
IntroEfin"er-pi#kin" se#tion*
/uitar 1*
dC-:-------------------3-----:-------------------3--C
!C-------3----------3--------------3----------3-----C
BC-------------3h:-----------------------3h:--------C
@C----3-----3-------------------3-----3-------------C
/C-0----------------------0--0----------------------C
.C--------------------------------------------------C
dC--------------------2------------------------2--C
!C-------2----------2--------------2----------2-----C
BC-------------2h-----------------------2h--------C
@C----2-----2-------------------2-----2-------------C
/C-0----------------------0--0----------------------C
.C--------------------------------------------------C
dC-0-----------------------1--------------------C
!C-------1-----------------------1--------------C
BC-------------2-----------------------2--------C
@C----------------------------------------C
/C-----------------------------------------C
.C----------------------------------------------C
dC-1---------------------------------------8--C!C-------1--------------------------8--------C
BC----------------------------
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.C----------------------------------------------C C
C
dC-1---------------------------------------8--C E
!C-------1--------------------------8--------C E
BC----------------------------
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.C----------------------0----C
/uitar 2 %with fuMM&*
dC------------------------------C---------------------------C
!C---3E1--1-------------------C-3E0--0-------------------C
BC------------2-----------2-----C---------1-----------1-----C
@C-----------------2----------C------------2--1--2--------C
/C------------------------------C---------------------------C
.C------------------------------C---------------------------C
dC------------------------------C--------------------C!C---3E1--1-------------------C-3E0--0-------------C
BC------------2-----------2-----C---------1----------C
@C-----------------2----------C------------2-------C
/C------------------------------C--------------------C
.C------------------------------C---------------0----C
Birst rhythm and lead se#tion*
/uitar 1*
dC------------------C
!C------------------C
BC------------------C =<
@C------------------C
/C----:------:------C
.C-0----0-0----0-0--C
/uitar 2*
dC---------------:--C---------------:--C------------------C---------------:--C
!C-------------:----C-------------:----C---------------:--C-------------:----C
BC------------------C------------------C-------------:----C------------------C =2
@C------------------C------------------C------------------C------------------C
/C------------------C------------------C------------------C------------------C
.C------------------C------------------C------------------C------------------C
/uitar 2 makes #raMy sound effe#ts in this se#tion, whi#h are mostly untabbable
/uitar 1*
dC------------------C
!C------------------C
BC------------------C =<
@C------------------C
/C----:------:------C.C-0----0-0----0-0--C
/uitar 1*
dC-----------------------C
!C-----------------------C
BC-----------------------C =
@C---------------3E:--3--C
/C----:------:---:E>--:--C
.C-0----0-0----0---------C
/uitar 2 %with fuMM&*
dC-----------------------C
!C-----------------------C
BC-----------------------C =
@C-----------------------C/C---------------:E>--:--C
.C-----------------------C
/uitar 1*
dC--------------------C
!C--------------------C
BC--------------------C =2
@C---------------3---C
/C----:------:---:-8--C
.C-0----0-0----0------C
/uitar 1*
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dC------------------------------------------C
!C------------------------------------------C
BC------------------------------------------C =2
@C---------------3E:--3----------------3---C
/C----:------:---:E>--:-----:------:---:-8--C
.C-0----0-0----0---------0----0-0----0------C
/uitar 1*
dC------------------C
!C------------------C
BC------------------C =2@C------------------C
/C----:------:------C
.C-0----0-0----0-0--C
ini-"uitar solo*
/uitar 1*
Ouietly in the ba#k"round*
dC------------------C
!C------------------C
BC------------------C =
@C------------------C
/C----:------:------C
.C-0----0-0----0-0--C
/uitar 2*dC---------------:--C---------------:--C------------------C---------------:--C
!C-------------:----C-------------:----C---------------:--C-------------:----C
BC------------------C------------------C-------------:----C------------------C
@C------------------C------------------C------------------C------------------C
/C------------------C------------------C------------------C------------------C
.C------------------C------------------C------------------C------------------C
/uitar 1*
Ouietly in the ba#k"round*
dC------------------C
!C------------------C
BC------------------C =<
@C------------------C
/C----:------:------C
.C-0----0-0----0-0--C
/uitar 2*
dC---------------:--C---------------:--C------------------C---------------:--C
!C-------------:----C-------------:----C---------------:--C-------------:----C
BC------------------C------------------C-------------:----C------------------C =2
@C------------------C------------------C------------------C------------------C
/C------------------C------------------C------------------C------------------C
.C------------------C------------------C------------------C------------------C
/uitar *
dC---------1p12----C------------------C-1p12------------C------------------C
!C------------------C------------------C--------1D12-----C---1b13r1-12----C
BC------------------C------------------C------------------C------------------C
@C------------------C------------------C------------------C------------------C
/C------------------C------------------C------------------C------------------C.C------------------C------------------C------------------C------------------C
dC------------------C------------------C------------------C------------------C
!C------------------C------------------C------------------C------------------C
BC------------------C------------------C------------------C------------------C
@C------------------C-----1D12CC-11---------------C
/C------------------C------------------C------------------C-----12E1-C
.C------------------C------------------C------------------C------------------C
Bin"er-pi#kin" se#tion*
/uitar 1 and 2*
dC-:-------------------3-----:-------------------3--C D
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!C-------3----------3--------------3----------3-----C D
BC-------------3h:-----------------------3h:--------C D
@C----3-----3-------------------3-----3-------------C D
/C-0----------------------0--0----------------------C D
.C--------------------------------------------------C D
C
dC--------------------2------------------------2--C C
!C-------2----------2--------------2----------2-----C C
BC-------------2h-----------------------2h--------C C
@C----2-----2-------------------2-----2-------------C C
/C-0----------------------0--0----------------------C C.C--------------------------------------------------C C
C =2
dC-0-----------------------1--------------------C C
!C-------1-----------------------1--------------C C
BC-------------2-----------------------2--------C C
@C----------------------------------------C C
/C-----------------------------------------C C
.C----------------------------------------------C C
C
dC-1---------------------------------------8--C E
!C-------1--------------------------8--------C E
BC----------------------------
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@C-------------------2--------------2---------C
/C-2--2-----2-----2-----2--2-----2------2-----C
.C--------------------------------------------C
/uitar 2 %#lean&*
dC-0-----------------------C-0-----------------------C
!C----1-------------------C----0-------------------C
BC-------2-----------2-----C-------1-----------1-----C
@C------------2----------C----------2--1--2--------C
/C-------------------------C-------------------------C
.C-------------------------C-------------------------C
dC-0-----------------------C-0-----------------------C
!C----1-------------------C----0-------------------C
BC-------2-----------2-----C-------1--------1-----1--C
@C------------2----------C----------2--------2-----C
/C-------------------------C-------------------------C
.C-------------------------C-------------------------C
/uitar 1*
dC-0---------------------------------------------C
!C-------1--------------------------------------C
BC-------------2------------------------2--------C
@C------------------------2--------------------C
/C---------------------------------------C
.C-----------------------------------------------C
dC-0---------------------------------------------C
!C-------0--------------------------------------C
BC-------------1------------------------1--------C
@C-------------------2-----1-----2---------------C
/C-2--2-----2-----2-----2-----2------2-----2-----C
.C-----------------------------------------------C
dC-0---------------------------------------------C
!C-------1--------------------------------------C
BC-------------2------------------------2--------C
@C------------------------2--------------------C
/C---------------------------------------C
.C-----------------------------------------------C
dC-0-------------------------C
!C-------0-------------------C
BC-------------1-------------C
@C-------------------2-------C
/C-2--2-----2-----2----------C
.C----------------------0----C
/uitar 2 %with fuMM&*
dC------------------------------C---------------------------C
!C---3E1--1-------------------C-3E0--0-------------------C
BC------------2-----------2-----C---------1-----------1-----C
@C-----------------2----------C------------2--1--2--------C
/C------------------------------C---------------------------C
.C------------------------------C---------------------------C
dC------------------------------C---------------------------C
!C---3E1--1-------------------C-3E0--0--------------------C
BC------------2-----------2-----C---------1-----------1-----C
@C-----------------2----------C------------2--1--2--------C
/C------------------------------C---------------------------C
.C------------------------------C------------------------0--C
9e#ond rhythm and lead se#tion*
There are more #raMy sound effe#ts in this se#tion made by "uitar 2
that are untabbable*
/uitar 1*
dC------------------C
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!C------------------C
BC------------------C =<
@C------------------C
/C----:------:------C
.C-0----0-0----0-0--C
/uitar 2*
dC------------------C------------------C------------------C------------------C
!C-12C------------------C------------------C------------------C
BC-1b18C------------------C------------------C------------------C
@C------------------C------------------C------------------C------------------C/C------------------C------------------C------------------C------------------C
.C------------------C------------------C------------------C------------------C
dC------------------------------C------------------C--------------C--------------C
!C------------------------------C------------------C--------------C--------------C
BC--------12-1b18-1b18-1b18C-1b18--12h1-12--C--------------C--------------C
@C-----1-----------------------C------------------C--------------C--------------C
/C------------------------------C------------------C--------------C--------------C
.C-12---------------------------C------------------C--------------C--------------C
/uitar 1*
dC-----------------------C
!C-----------------------C
BC-----------------------C =
@C---------------3E:--3--C/C----:------:---:E>--:--C
.C-0----0-0----0---------C
/uitar 1*
dC--------------------C
!C--------------------C
BC--------------------C =
@C---------------3---C
/C----:------:---:-8--C
.C-0----0-0----0------C
/uitar 1*
dC-:--:-:--:--:-:--:--C
!C-:--:-:--:--:-:--:--C
BC-:--:-:--:--:-:--:--C =@C-:--:-:--:--:-:--:--C
/C-:--:-:--:--:-:--:--C
.C-0--0-0--0--0-0--0--C
/uitar 1*
dC--------------------C
!C--------------------C
BC--------------------C =
@C---------------3---C
/C----:------:---:-8--C
.C-0----0-0----0------C
/uitar 1 and *
dC---------------------C
!C---------------------CBC---------------------C =
@C-3--3-3-:--3-3-3----C
/C-:--:-:->--:-:-:--8--C
.C-0--0-0-0--0-0-0--0--C
/uitar 1 and *
dC-------------C
!C-------------C
BC-------------C =
@C-3--8--3----C
/C-:--
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/uitar 1 and *
$nd on this #hord*
dC-------------C
!C-------------C
BC-------------C
@C-3-----------C
/C-:-----------C
.C-0-----------C
Jutro*/uitar 2*
9li"htly arpe""iate the #hord and "ently
dip your whammy bar a little bit*
dC-:-----------C
!C-:-----------C
BC-:-----------C =
@C-:-----------C
/C-:-----------C
.C-0-----------C
C E slide up
C D slide downC h hammer-on
C p pull-off
C vibrato
C L harmoni#
C = ute note
C b end
C pb Pre-bend
C br end release
C pbr Pre-bend release
C brb end release bend
--------------------------------------------------------------------------------------
Tra#k 0< $=pe#tation
--------------------------------------------------------------------------------------
0*01-0*10Q
/uitar*
eC--3-C
C-3-3-C
/C--3-C =<
.C-3--C
!C----C
$C-----C
0*11-0*20Q
/uitar*eC--3-C
C-3-3-C
/C--3-C =<
.C-3--C
!C----C
$C-----C
0*11-0*20Q
ass*
/C-----C
.C----C =<
!C----C
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$C-----C
0*21-0*1Q
/uitar*
eC---3----3-C
C-3--3-3-3--3-C
/C---3----3-C =
.C-3---3-3---C
!C----------C
$C-------------C
0*21-0*1Q
ass*
/C-------------C
.C----------C =
!C-----------C
$C-------------C
0*1-0*8Q
ass*
/C-3----------C
.C---------3-C =2
!C-----------C
$C------------CH$verythin" you ever told me #ould've been a lie,
we may never have been in loveH
0*:-0*1Q
/uitar*
eC---3----3-C
C-3--3-3-3--3-C
/C---3----3-C =2
.C-3---3-3---C
!C----------C
$C-------------C
0*:-0*1Q
ass*/C-------------C
.C----------C =2
!C-----------C
$C-------------C
0*:-0*1Q
Blan"y 2nd "uitar*
eC----------------------------------------------------------------------------------C
C----------------------------------------------------------------------------------C
/C-------------1b18--12---------------12-----1b18r1-12----12--1b18r1-12--------C
.C-1-12-1p12-----------12--1-12--1----1--------------1-----------------1-12--C
!C----------------------------------------------------------------------------------C
$C----------------------------------------------------------------------------------C
%This "uitar is buried ba#k in the mi= and is hard to make out due to the heavy use
of effe#ts, so this is (ust a rou"h estimation Play it however you like&
0*2-0*8Q
ass*
/C-3-------C
.C------3-C =2
!C--------C
$C---------C
H9tu#k on thinkin" that there is always somethin" to lose,
or a hit from aboveH
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0*:-0*38Q
/uitar*
eC---3----3-C
C-3--3-3-3--3-C
/C---3----3-C =
.C-3---3-3---C
!C----------C
$C-------------C
0*:-0*38Q
ass*/C-------------C
.C----------C =
!C-----------C
$C-------------C
0*:-0*38Q
Blan"y 2nd "uitar*
eC--------------------------------------------------------------------------C
C------------------------------------12--------------------12--------------C
/C----------12--1b18-1-12-1--12-1----1-12-1-12--12-1----1-12-1-12--C
.C----12-1-----------------------------------------------------------------C
!C-1-----------------------------------------------------------------------C
$C--------------------------------------------------------------------------C
eC--------------------------------------------------------------------------CC-12------12-----------------------------------------------12-12E13-12-----C
/C----1-----12----12-1-12----------------E12-------12-1-------------1--C
.C---------------1----------1----------1-----1-12-----------------------C
!C------------------------------1-1-1------------------------------------C
$C--------------------------------------------------------------------------C
HJr a hit from aboveH
0*3:-1*02Q
/uitar*
eC------------------------C
C------------------------C
/C------------------------C
.C------------------------C!C-2-p2--2---2-p2--2--C
$C------------------------C
0*3:-1*02Q
ass*
/C------------------------C
.C------------------------C
!C---------------2-------C
$C-----------------------C
1*02-1*22Q
/uitar*
eC----3--3----3-C
C-3--3-3--3-3--3-3-C/C----3--3----3-C =<
.C-3--3----3--3--C
!C--------------C
$C------------------C
1*02-1*22Q
ass*
/C------------C
.C---------C =18
!C----------C
$C------------C
HI don't need what I'm holdin",
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what I'm holdin" onto,
I wish I knew,
ohhhH
1*12-1*22Q
9ynth*
eC-----------------------------12--------12h1p12--12h1p12--12h1p12--C
C---------------------------------------------------------------------C
/C---------------------------------------------------------------------C
.C------------------:h>E10E12------------------------------------------C
!C---------3h:E->->-:--:E10--C
!C------------------C
$C------------------C
%This is probably the least audible,
most buried ba#k in the mi=, part of
the son", but there's a very barely
audible fuMMed out "uitar that plays
this (ust before the synth bit below
+ot important or ne#essary to playin" theson", but I've in#luded it for the sake
of #ompleteness&
9ynth*
eC--------------------------------------------C
C--------------------------------------------C
/C--------------------------------------------C
.C---------------------------------:h>E10E12--C
!C------------------------3h:E
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and is too hard to play on "uitar, but I've in#luded it anyway&
1*2
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!C-------------C
$C-------------C
%There is a very subtle, barely
noti#eable ba#kwards "uitar that
fades in on ea#h repeat This isn't
essential to playin" the son", but
it is a #ool little thin" you #ould
in#lude and e=a""erate usin" a flan"e
and volume pedal or the volume
swit#h on your "uitar to fade into
the #hord&
2*11-2*28Q
/uitar*
eC-----C
C----3-C
/C----3-C =12
.C-3-3--3-C
!C-3-3---C
$C------C
2*11-2*28Q
ass*
/C--------C
.C--------C =12!C------C
$C-------C
H!nd now I'll es#ape,
I'll never ever have to see a
disappointed fa#e,
no one to please,
every now and then,
it feels likeH
2*28-2*2Q
ass*
/C-----------------------------------------------C
.C----0--1--1---0-1--------1-----3-10-
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eC---3----3-C
C-3--3-3-3--3-C
/C---3----3-C =<
.C-3---3-3---C
!C----------C
$C-------------C
2*2-*02Q
ass*
/C-------------C
.C----------C =<!C-----------C
$C-------------C
HI told myself I wouldn't #are,
no, I wouldn't #are,
but when she said she'd #ome around
I #ombed my hair,
yes, I #he#ked my hairH
*02-*0:Q
/uitar*
eC------------------------C
C------------------------C
/C------------------------C
.C------------------------C!C-2-p2--2---2-p2--2--C
$C------------------------C
*0
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eC---------C
C---------C
/C-------1-C
.C--------C
!C---------C
$C-1-------C
*1
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*-*1Q
9ynth*
eC-0--0--3------3-C
C-1--0--3--3----3-C
/C-2--0--3------3-C =8
.C-2--2----3--3---C
!C-0--2-------3----C
$C----0------------C
*-*1Q
/uitar*
eC-0--0--3------3-C
C-1--0--3--3----3-C
/C-2--0--3------3-C =8
.C-2--2----3--3---C
!C-0--2-------3----C
$C----0------------C
*-*1Q
ass*
/C------------------C
.C----------------3-C =8
!C-0--------------C
$C----0------------CHflu#tuation is makin" me old,
e=pe#tation is takin" its toll,
flu#tuations are a#hin" my soul,
e=pe#tation is takin" its toll,
flu#tuations are a#hin" my soul,
e=pe#tation is takin" its tollH
*1-*1>Q
9ynth*
eC-0--0--3------3-C
C-1--0--3--3----3-C
/C-2--0--3------3-C
.C-2--2----3--3---C
!C-0--2-------3----C$C----0------------C
*1>-*2Q
9ynth*
eC-3----------------C
C-3----------------C
/C-3----------------C
.C-----------------C
!C------------------C
$C------------------C
The son" fades out at this point, and then eventually fades ba#k into this*
J6TRJ*
------
*0-*
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/uitar with flan"e*
eC-----C
C----3-C
/C----3-C =10
.C-3-3--3-C
!C-3-3---C
$C------C
*
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.C-3-3--3-C
!C-3-3---C
$C------C
3*3-3*3
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/C-------------------------------------C =
.C---------------------------------12--C
!C-----
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eC-------------------------------------C-----------------------------------C
C-------------------------------------C-----------------------------------C
/C---------------------------------12--C-----------------------------------C
.C-----
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C-------------C
/C-11-11-->-11-C =<
.C--N--N--N--N-C
!C-12-12-10-12-C
$C-10-10--
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/uitar 1*
eC---------------------------------------------------------------C
C---------------------------------------------------------------C
/C---------------------------------------------------------------C
.C-12-12-12--10--12-12-12--10---12-12-12--10-12--10-12--10---12--C
!C---------------------------------------------------------------C
$C-10-10-10---
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!C-:-:--:-:--:-:----------2-2--2-2--2-2--2-2--2-2--1-1--1-1--1-1--1-1--C
$C-------------------------------------------------------------------------C
eC-----------------------------------------3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--C
C-1-1--1-1--1-1--1-1--------------:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C
/C-2-2--2-2--2-2--2-2--------------:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C
.C-------------3-3--3-3--3-3--3-3--:-:--:-:--:-:--:-:--:-:--:-:--:-:--:-:--C
!C-------------3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--3-3--C
$C---------------------------------------------------------------------------------C
9ynth lead*eC-
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/C-------------------------------------------------------------C D
.C------------
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H!nd don't remind me of home,
Jr I mi"ht noti#e where I amH
eC-------1--------C
C------1-------C
/C------2-------C =2
.C-3-------3-----C
!C-8-------8-----C
$C-------1--------C
HIt's true that some thin"s have toH/uitar fill*
eC-8-8-8-8-------C
C---------------C
/C-----------------C
.C-----------------C
!C-----------------C
$C-----------------C
H#han"eH
/uitar 1*
eC---------------------------------------------------C
C---------------------------------------------------C
/C---------------------------------------------------C
.C-----------8h
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!C-10-1010--10-1010--10-1010--10-1010---C C
$C--
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C---------------------------------------------------C
/C---------------------------------------------------C
.C-----------8h
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eC------1--------C
C-3------------C
/C-3------------C =1:
.C-3----------3--C
!C------1-----8--C
$C----------------C
/uitar solo %#omes in after the above synth "uitar riff& I've labelled them
part 1 and 2 be#ause there is a sli"ht variation between them at the end*
Part 1*
eC--------------------------------------------------------CC--------------------------------------------------------C
/C-
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!C-------------------------10-
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H?uffin", puffin", mar#hin" around like I know how mu#h better it should beH
/uitar 1*
eC-----------------------------------------------------------------C
C-----------------------------------------------------------------C
/C-----------------------------------------------------------------C
.C-----------------------------------------------------------------C
!C----------------->-->-->->->-->--:--:--:-:-:--:------------------C
$C->-->-->->->-->----------------------------------:--:--:-:-:--:--C
/uitar 2*
eC-->----->----:----:----CC-->----11---->----:----C
/C-10----11---->-------->----C
!C-11----->----:---->----C
$C-->---------------:----C
/uitar *
eC---------------------------------------------------C
C---------------------------------------------------C
/C---------------------------------------------------C
.C---------------------------------------------------C
!C-------->E11-->->----->E11-->->----->E11-->->------C
$C-->-->------------->------------->-------------:---C
Pre-#horus*HI know it looks like I disa"ree nine tenths of the timeH
/uitar 1*
eC-------------------------------------------C
C-------------------------------------------C
/C-------------------------------------------C
.C--------------------------------->----1---C
!C-:--:--:-:-:--:------------------:----11---C
$C-----------------3--3--3-3-3--3------------C
/uitar 2*
eC-:----3----:----11----C
C->----3---->----1----C
/C->----8---->----1----C
.C->----:---->----1----C
!C-:----:----:----11----C$C------3---------------C
@horus*
Hut I don't really mind,
but I don't really mind,
but I don't really mind,
but I don't really mindH
eC---------2----2--0--C
C-------------2--0--C
/C---------------1--C =
.C-------------2--C
!C-------2------2--C
$C-2--2---------2--0--C
Gerse 2*H@hildhood puppy is old and "ruff, your mother wants to "ive him awayH
/uitar 1*
eC-----------------------------------------------------------------C
C-----------------------------------------------------------------C
/C-----------------------------------------------------------------C
.C-----------------------------------------------------------------C
!C-:--:--:-:-:--:------------------:--:--:-:-:--:-->-->-->->->-->--C
$C-----------------3--3--3-3-3--3----------------------------------C
/uitar 2*
eC-0----0----0----2----C
C-0----2----0----2----C
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/C-1----2----1--------C
.C-2----2----2--------C
!C-2----0----2--------C
$C-0---------0----2----C
/uitar *
eC---------------------------C
C---------------------------C
/C---------------------------C
.C---------------------------C
!C-:---------:----:E11-D>----C$C------3--------------------C
HPillar of stren"th was lifted off his deathbed, three weeks a"o todayH
/uitar 1*
eC--------------------------------------------------------C
C--------------------------------------------------------C
/C--------------------------------------------------------C
.C---------------------------------------------------->---C
!C-:--:--:-:-:--:------------------:--:--:-:-:--:-:-------C
$C-----------------3--3--3-3-3--3-------------------------C
/uitar 2*
eC-0----0----0----0--2--C
C-0----2----0----0----C
/C-1----2----1----1----C.C-2----2----2----2----C
!C-2----0----2----2--2--C
$C-0---------0----0-----C
/uitar *
eC----------------------------------------C
C----------------------------------------C
/C----------------------------------------C
.C----------------------------------------C
!C-:---------:--:E1--1--1--1--1--1--C
$C------3---------------------------------C
@horus*
Hut I don't really mind,
but I don't really mind,but I don't really mind,
but I don't really mindH
eC---------2----2--0--C
C-------------2--0--C
/C---------------1--C =
.C-------------2--C
!C-------2------2--C
$C-2--2---------2--0--C
9ynth se#tion*
Jbviously this is played on a synth, but I tabbed it for "uitar
;ust keep strummin" or sustainin" these #hords for the len"th that they are played
I won't add any strummin" pattern or anythin" be#ause that's up to you
eC---------------------------------------------------------------------------C
C------------------------------------------------------------C/C-333--C
.C---------------------------------------------------------------------------C
!C---C
$C---------------------------------------------------------------------------C
eC---------------------------------------------------------------------------C
C--------------------
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eC---------------------------------------------------------------------------C
C--------------------