indian folk dances

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    The Dandiya dance originated as devotional Garba dances,which were performed in Goddess Durgas honor. This dance

    form is actually the staging of a mock-ght between

    Goddess Durga and ahishasura, the mighty demon-king.

    This dance is also nicknamed !The "word Dance. The sticks

    of the dance represent the sword of Goddess Durga.

    The origin of these dances can be traced back to the life of

    #ord $rishna. Today, %aas is not only an important part of

    &avaratri in Gu'arat but e(tends itself to other festivals

    related to harvest and crops as well.

    Costumes and music

    The women wear traditional dresses such as colorful embroidered choli,ghagraand bandhanidupattas,

    which is the traditional attire, dazzling with mirror work and heavy jewellery. The men wear special

    turbans and kedias, but can range from area to area. The dancers whirl and move their feet and arms in

    a choreographed manner to the tune of the music with a lot of drum beats. The dhol is used as well as

    complementary percussion instruments such as the dholak, tabla, et cectra. the true dance gets

    extremely complicated and energetic. Both of these dances are associated with the time of harvest.

    http://en.wikipedia.org/wiki/Cholihttp://en.wikipedia.org/wiki/Cholihttp://en.wikipedia.org/wiki/Ghagrahttp://en.wikipedia.org/wiki/Bandhanihttp://en.wikipedia.org/wiki/Ghagrahttp://en.wikipedia.org/wiki/Bandhanihttp://en.wikipedia.org/wiki/Choli
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    Ghumura Folk Dance[ Oriya: , Kalahandia : ] is a folk dance ofKalahandi district of the Indian state Orissa.[1] It is classied as folk dance as the

    dress code of Ghumura resemles more like a trial dance, ut there are

    ar!uments aout["] di#erent mudra and dance forms of Ghumura earin! moreresemlance $ith other classical dance forms of India. %rchaeolo!ical e&idence

    'ro&es[(] that there are some ca&e 'aintin! from 'er)historic 'eriod disco&ered

    from Gudahandi of Kalahandi and *o!i +atha of ua'ada district that looks like

    Ghumura, Damru and other attracti&e thin!s. -hese rock art sites elon!s to more

    than /// 0.

    2a&ani 3+arathi: 4 is a !enre of music 'o'ular in +aharashtra.[1] 2a&ani isa comination of traditional son! and dance, $hich 'articularly 'erformed to

    the eats of Dholki, a 'ercussion instrument.

    -raditionally, this !enre of folk dance deals $ith di#erent and &aried su5ect

    matters such as society, reli!ion, 'olitics and romance. -he son!s in 62a&ani6

    are mostly erotic in sentiment and the dialo!ues tend to e 'un!ent in socio)

    'olitical satire.[7] Ori!inally, it $as used as a form of entertainment and

    morale ooster to the tired soldiers. 2a&ani 8on!s, $hich are sun! alon! $ith

    dance, are usually nau!hty and erotic in nature. It is elie&ed their ori!in is in

    the 9rakrit Gathas collected y ala.[(] -he ir!uni 2a&ani 3'hiloso'hical4 and

    the 8hrin!ari 2a&ani 3sensual4 are the t$o ty'es. -he de&otional music of the

    ir!uni cult is 'o'ular all o&er +al$a.

    2a&ani de&elo'ed into t$o distinct 'erformances, namely 9hadachi 2a&ani and

    0aithakichi 2a&ani. -he 2a&ani sun! and enacted in a 'ulic 'erformance

    efore a lar!e audience in a theatrical atmos'here is called 9hadachi 2a&ani.

    %nd, $hen the 2a&ani is sun! in a closed chamer for a 'ri&ate and select

    audience y a !irl sittin! efore the audience, it came to e kno$n as

    0aithakichi 2a&ani.

    Dress)u'[edit]

    -he ladies that 'erform la&ani $ear a lon! sari len!th around ; metres. -hey

    form a un 35uda in indi or amada in marathi4 $ith their hair. -hey $ear

    hea&y 5e$ellery that includes necklace, earin!s, 'ayal, kamar'atta3a elt at

    $aist4,an!les etc. -hey usually 'ut a lar!e indi of dark red colour on their

    forehead. -he sari they $ear is called na&&ari. -he sari is

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    Kolattam is an ancient &illa!e art. -his is mentioned in

    Kanchi'uram as 6hei&aikiyar Kolattam6, $hich 'ro&es its

    anti=uity. -his is 'erformed y $omen only, $ith t$o sticks

    held in each hand, eaten to make a rhythmic sound. 9innal

    Kolattam is danced $ith ro'es $hich the $omen hold in theirhands, the other of $hich are tied to a tall 'ole. tremely attracti&e. %!ain, they unra&el this lace

    re&ersin! the dance ste's. -his is 'erformed for ten days,

    startin! $ith the ne$ moon ni!ht after Dee'a&ali.[?]

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    hera$ dance is 'erformed in +i@oram state of India. -his dance includes

    Four 'eo'le. -hey hold t$o 'airs of amoos across one another on the

    !round. It is most famous dance in +i@oram and a center for attraction

    durin! festi&e occasions in +i@oram. 8imilar dances are found in Far Aast

    and in the 9hili''ines 3kno$n as -iniklin!.4[1]

    hera$ dance in +i@oram is characteri@ed y the use of amoo sta&es

    $hich are ke't in cross and hori@ontal forms on the !round.

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    hhau dance 3Oriya: ,0en!ali:

    4 is a !enre of Indian trial martial

    dance $hich is 'o'ular in the Indian

    states ofOdisha, Eharkhand and

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    8

    .

    -he 8amal'uri folk dance is 'erformed in 0inka and

    8one'ur of 8uarna'ur district durin! the month of

    chaitra. -he male dancer 'aints his are ody $ith

    yello$ and lack stri'es like that of a ti!er andattaches a suitale tail. One or more dancers mo&e

    from house to house and after a cro$d !athers the

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    Folklores ind the 'resent $ith the 'ast and kee' the continuity of ci&ili@ation.

    -he ori!inality of folklores ha&e 'leasantly sur'rised e&en most erudite scholars

    and litterateurs.

    Goa has a uni=ue cultural herita!e, rich and li&ely and it is kno$n for se&eral

    folk festi&als and 'erformances.

    +any castes, su)castes and tries min!led in its social te>ture in Goa6s lon!

    history and this 'resents a $ide di&ersity of folk arts that incarnate its traditions,

    customs, con&ictions and culture.

    Goa has een inhaited y many racial stocks. o other re!ion in India 'erha's

    has had such a $ide &ariety of 'olitical re!imes. -he &arious rules introduced

    their life styles and cultural inuences of $hich, the marks are &i&idly to e seen

    in the races and the rulers, there ha&e een the in comers for trade and

    commerce and the men of the armed forces dra$n from di#erent cultural

    !rou's.

    Durin! the history s'annin! o&er ",/// years of life, Goa has een sha'ed y

    the 0ho5as, 8hilaharas, Bashtrakutas, Kadamas, Ci5ayna!ar rulers, %dilshahi and

    nally the 9ortu!uese. -he chan!in! colours of history ha&e left their multi'le

    and lo&ely shades on the Goan life. %nd folk art has not een an e>ce'tion to it.

    -he traditional folk music and dances ha&e continued uninterru'tedly, $hile the

    inuence of the 9ortu!uese music and dance on the local culture has hel'ed

    e&ol&e ne$ forms. -his ha''y lendin! and co)e>istence of cultural traditions

    !i&es a uni=ue character the music and folk dances of Goa..

    -he di&ersity of these cultural inuences makes Goa distincti&e althou!h it

    shares in a !eneral $ay the culture of the coastal Konkan stri'. %mon! the

    innumerale folk dances and forms encountered in Goa include -al!adi, Go#,

    -onya +el, +ando, Kuni dance, 8u&ari, Dasara$adan, Cirahadra, an'eth,

    Gauda 5a!ar, Banmale, Fu!adi, Ghode +odni, 2am' Dance, +usal Dance, Bomat

    or +ell, +orullem, 0handa', Dhan!ar Dance, Dekhni and Dhalo

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    .

    The )ihu dance *+ssamese , indi is a folk dancefrom the /ndian state of +ssam

    related to the festival of )ihu.

    This 'oyous dance is performed

    by both young men and women,

    and is characteri0ed by brisk

    dance steps,and rapid hand

    movement. Dancers wear

    traditionally colorful +ssamese

    clothing.

    Though the origins of the )ihudance is unknown, the rst

    o1cial endorsement is cited to

    be when +hom king %udra

    "ingha invited )ihu dancers to

    )hangra, folk dance and

    music of the 2un'ab

    *northwestern /ndia and

    northeastern 2akistan and

    the popular music genre that

    emerged from it in the mid-to-

    late 34th century. 5ultivated

    in two separate but

    interactive styles6one

    centred in "outh +sia, the

    other within the "outh +sian

    community of the 7nited

    $ingdom6the newer bhangra

    blends various 8estern

    popular musics with the

    original 2un'abi tradition. /t

    en'oys an immense following

    in "outh +sia and within the

    "outh +sian diaspora