in this weelt's issue: sanctuary founder ends an era

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11.06/£4.25 In this weelt's issue: Sanctuary founder ends an era; MT¥ unveils awards winners. Plus: the charts in fuil

KEITH URBAN Love, Pain & the whole crazy thing

> 10 million album sales.

> Multi platinum sales and eleven No.l singles in the US. Canada and Australia.

> 20045 US4 x platinum seller"Be Here"hit No.3 on the Bill boa rd 200. > 2005's-OK album"Days Go By'sold SOk units. > Critically acdaimed in the US. Canada. UK. Germanyy^® and Australia as one of the musiç industryS best performers. His Alive in 05 ( and 06 ) Tour mark^MS /

his first completely sold-out headline afena tou^^ffi > this accomplished singer-songwrifer and multi- JjK instrumentalist is one of the mosf consistent and

exciting talents not simply in country music. but in Jgpi the music world as a whole.

} "Love. Pain and the whole crazy thing" will first simultaneous release with the US. jpS||iy|£ > This album is a multi textured work. whichJjrban'C co produced with longtime collaborator Dahh Huff,,^^^

is already being lauded as the most amlpitious^, V Jjê* accomplished and intimate album m Orb^p^ jfcMy* already impressive career.

> The first single from the album. Once In Alifèiitpe was the highest US chart debuï|jver. sétling the stage for whaf is sure to be another critical-and y commercial album successJnîgtëH

Reieased lîfh November On CD and download.

Featuring the Radio 2 B-listed single 'Onte In A Lifetime' Digital deluxe version also available

www.keifh urban.co.uk

11.11.06 Beirut Justin Timberlake Terra Naomi Tenacious D Paolo Nutini

M CMP ^Co-founder Rod Smallwood départs indie after 30 years to set up management company

Sanctuary: end of an era roup CtO Frank Itsgreat, hosays. Ilovemanag- willbeinthatarea'hcadds.while he is sad to see ing Maiden and they are doing stressing tliat he haa no plans to

Maiden, the band he discovered in nyinl^ ^ Pa mLtng hôtraœm^nyî^ lLfyi^^ônw"aLPrrtICdUo;

Muse light up MTV awards

highliglit of what was a stunning live lîne-up, with the biggest light

Schoolkidsget the message Industrystrikesablowto illégal file-sharing, as National Music Week gets its message across to I3m children p5 In The City: spécial reports Industry reaction from the Manchester event; the highlightacts;Sony BMG boss stuns audience in keynote speech p6 The rise of the supermarkets In the aftemiath of Wamer's spat with Tesco, MW analyses the impact of the supermarketsqueeze on music p7 For the latest news as it happons, !og on îo Wimmww

[■M

3 'It was an impressive performance low on bullshit, high on straightforward honesty1 - Editorial, pl2

\^mmm

CMP

To read ail the news as it happens each day, log on to musicweek.com

Your guide to the latest news from the music industry

Win an N91 in MW contest

Group). Cath Lovesey (Channel 4), Krissi Murison (NME), Hannah Neaves (Universal), Sarah Pearson (Wasted Youth PR) and Mary Ann Slim (Stage Tltree). ® Kodime has launched STARtxt

iw report from the Institute For Public Policy Re: --":" for copyriglit laws to the digital âge, including the provisioi for a "private right to copy"

@ Billy Bragg is to , = MusicTank panel on how the mi itten for industry can better embrace thi digital âge. Olher confirmed spf

teaming up with 01 Ittooilv phones - by nominating the first 10 tracks they would load onto their N91, along v, 50 words explaining why. An N91 phone - which is available this new 8GB édition - will be wc each of the five readers who su the best sélection of tr; the best explanation. To enter, re IwantniyN91@niusicweelccom. • the first weekly winner of the OCC's new Fantasy Music Manager is to be announced today (Monday). Some 80 readers have signed up for Music Weeks Mini League, which is sponsored by Hit 40 UK. Show Live from Brighton Dome for the first time, with headliner Beyoncé, this coming Sunday. The singer will appear alongside Nelly Furtado, Ail Saints, Girls Aloud and McFly. • Companies including TuneTribe, MCPS-PRS Alliance, Napster and SUBtv were among the exhibitors at the inaugural Aim Music Connected digital trade fair, which took place last Wednesday at London's Novotel ® NME.com is to open news desks on the East and West coasts of America to provide 24-hour news to its international audience. • Xfm's Wi of gigs sold > week, with the Brixton Academy show selling out in only six minutes. ~ " ' the big winnere at the _rdsat London's Grosvenor week, taking home the dassic songwritcr and best act in the world today awards. • Classic FM has secured a six- month £900,000 deal with Sky for the inclusion of a Sky TV Guide ' • REM, Patti Smith, The Stooges and Van Halen are among the artists competing to be inducted into the 2007 Rock 'N' Roll Hall • RCA act Lil' Chris has topped the inaugural My Schools chart pS • Culture Secretary Tessa Jowell launched a national music programme Thursday to help social behaviour. • The nominees for 1 Women Of TTie Year Awards shortlist comprises Dolly Clew (EMI), Rachel Evers (Atlantic), Louise Kovacs (Academy Music

labels to build their own DIY direct- offering. • The Nobel Peace Pnze Committee has announced the line-up for the annual Nobel Peace Prize Concert on December II in Norway, including Yusuf Islam, Lionel Richie and Hakim, ® Popworld is to re-enter the magazine market in April with the launch of Popworld Pulp. > Radio One has nnounced SJM Concerts as the event producer for its live event Radio One's Big Weekend.

EMI tops the publishershares © EMI Music Publishing has thrown down the gauntlet in the battle for number one publisher, outperforming Universal Publishing and the cornpany Universal plans to take over, BMG Publishing, combined in quarter three. EMI took 26.5% of the combined singles and albums market in the UK in the third quarter, compared to B.1% for BMG and 13.0% for Universal. a Universal Music Publishing has formally submitted a detailed application to the EC to take over BMG Music Publishing. @ The OCC has confirmed that proposed changes to the singles chart will take effect from Januarv I As a i resuit ail digital downloads will be eligiblefoFa chart position, whether'

Harvcy Coldsmith bccame the 15th roclplant of the Music Industry Trusts' award last week, when lie was handed the trophy by Who vocallst Roger Oaltrey at London's Crosvenor Houm Hôtel. Some £230,000 was ralsed on tho nlght for the two charltles which the event

• The Government says it is still considering the possibility of acting on the issue of Low Value Consignaient Relief, under which Jersey mail-order businesses can sell CDs under the value of £18 into the UK without paying VAX ® Fopp opened four new stores last week, in Bury St Edmunds, Coventry,

imchiefexi Wenham and Music Week editor Martin TalboL • Former BP1 chairman John Fmin has died, pI3 m MTV Networks UK & Ireland Ha président and managing director of music and comedy, effective from January X 2007. » Mark Wilson, manager of the Size ed. The 29-

î five-fold 0 in pre-tax profits, despite a smali dip in turnover. For the year ending August 312006, group revenue fell from £133.6m to £13L9m, but pre- tax profit rose from £L0m to £53m. The group's publishing division benefited from the success of acts such as Gnarls Barkley and Will Young. • Indépendant distribution company InterCroove, which speciahsed in electronic music for labels including Datapunk and Finger Lickin', has gone

Brand in switch to Radio Two « Russell Brand is moving from ôMusic to Radio Two, after he helped give the BBC digital sti

to the newly-created position of head commercial director of the Big City network. He will remain managing director of Sheffield's Hallam FM and Magic FM. ® Emma Bunton has been confirmed to record the officiai BBC Children In Need single, a cover of Sixties classic Downtown. m Jono Coleman is to leave BBC London 94.9 to retum to his native Australia. • Long-serving Radio Wave manager Roy Lynch has been appointed programme director as the station's management team is reorganised. • Long-time Gap Band producer and songwriter Rudy Taylor has died of a heart attack in Bâton Rouge, © Domino Recoi Colleen Maloney from Bi new director of communications. • Xfm London breakfast show DJ Lauren Laverne is to host a new programme, broadeast across the entire Xfm network, to coïncide witl an Xfm compilation CD release. • !K7 Records has appointed form A&R label manager lan Bennett as UK marketing manager.

its

upports - the Brils Scliool and Nonloff-Rohhins Music Thorapy. Goldsmlth used his ncceptimcG speech to Issue a w.u nlng to the llvc Industry that crocplug corporatlsntlon eould dnmayo its long-torm prospocts. "it's ail about tho inonoy and uot about créative thoiiflht," lie sald.

EMI lands Dean Martin deal ® EMI Music ha worldwide exclusive partnership with the Dean Martin Trust to act as agent for licensing Martin's name and ® Live Nation has been given regulatory clearance to complété the $350m (£183m) takeover of House of Blues, the US chain of blues clubs and amphithéâtres. • XL Recordings is to launch an imprint. Abeano Music, run by music journalistand DJ Imran Ahmed. • The Academy Music Group has acquired a venue in Oxford. |i4 O CORRECTION: David Guetta Vs The Egg's Love Don't Let Me Go (Walking Away) was nationally promoted to radio by Size Nine and regionally by Intermedia, and not as i the Plugging & PR feature of

News

vs is edited by Paul Williams Marty Bandier announced last week that he is to leave EMI in the spring after 17 years at the company

Deparling EMI boss

ponders new venture

) Marty link-up with his current bosses as he weighs up new opportunities following his résignation. "It's one of the alternatives " says Bandier, who ended weeks of spéculation last week by announc- ing to colleagues he would be leaving EMI next April after 17 years. "We've talked about a potential sort of joint venture to make acquisitions in the music publish-

imÈ

hings time to flesh out,' he adds. EMI Group itself is not com- menting on the possibility of any publisher, although, if it did hap-

We've talked about a potential joint venture, but these things take

on spéculation or any of that. There are opportunities out there with the usual players and the usual suspects and even unusual However, he does not rule out the prospect of competing against EMI Music Publishing in the near future, indicating that he will not be subject to any non-compete clauses once the six months is up. It is understood, though, that he will not be able to poach artists or staff. "Six months from now I could compete with EMI, though that might seem strange," he says. Under Bandier, EMI Music Publishing has become firmly established as the world's biggest music publisher, with latest annual revenues for the period ending Mardi 31 2006 standing at £419.6m and operating profit £lOS.4m, although '

Sft^ "Ail of my MDs and key

was not a greal deal of sbock and

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MTV's triple-cast reflects

viewer interactivity

r > TV on in over the past year," h they're "Ifs about looking at

THEPLAYLIST MUSIC

As the Zodiac changes hands, Academy Group awaits buyout green light

New Academy for Oxford

cssssstts;

sa—s

has put Cari A CC spokesmau says initial reaction to the merger has corne "fa who^edAeve™^ ^^TXrwSdÎ 4-- studlnt pj

général public isn't really familiar mote gigs there with his company future of AMG itself, u with the comptes or the efifect it TCT Music, which is now looking takeover target for ac

Specialist music school mooted for 2008

In rda*aLS; , wnue me rau says could be harraful for

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Yellow Hair (Island) Ex-Girlfriend 3. Mr Skillz & (Mercury) HJs Crazy Girls - I Knov/ You Like Me 4. Trinity Stonc - Ayo (Brightside)

Industry strikes blow against illégal file-sharing, as éducation initiative reaches I3m schoolchildren

National Music Week

gets message across

National Music Week organisers are confident that the inaugural schools event bas succeeded in ils aim to strike a blow for online and physical piracy among kids. The initiative, a collaboration between the BPI, retailers associ- ation Era and the Government- sponsored Music Manifeste, was intended to proraote a greater understanding of the workings of the traditional music industry to schoolchildren. And Era chairman and HMV UK and Ireland managing director Steve Knott believes that it has gone a long way towards achiev- ing this goal. "The kids have leamed that if they are offered a pirate copy or they are illegally file-sharing that that isn't the way to do ithe says. 'It might have created aware- Dt therf

d Nati .1 Music

The kids have leamed that illégal file-sharing isn't the way to do it Steve Knott, Era/HNIV generated by the initiative. Under the My Music banner, ail partici- pating schoolchildren received a voucher that they could redeem in record shops for one of 10 CD singles or an équivalent download. The Officiai Chart Company then collated the sales to create the first-ever schools chart, which was topped by RCA act Lil' Chris, with figures show- ing that digital accounted for only

stolen. If this wonderful industiy is to continue and flourish then it must be legitimate.' In this, he was supported by Liz Brown, head of music at the Rutlish Boys School in Merton, who organised a week's lessons "Copyright was one of the lesson plans. It showed how important it îs to protect the industry that they [schoolchildren] want to be part of," she says. 'It was naivety on their part. They think they are getting a free track. They didn't understand the price to pay." Knott is also encouraged by strong sales of physical product

14.9% of rédemptions. "It has been veiy encouraging to see a discernible demand for physical CD singles, which suggests this doesrit have to be a lost génération as far as singles sales are concemed, if, as an industry, n the right way," chairman Peler Jamieson says the initiative has encouraged addi- tional sales. The retailers I have spoken to have said that a large percentage of coupons redeemed were accompanied by other pur-

Both Jamieson and Knott dedared themselves highly satis- s of the initia- m schoo! children in 2,000 schools. However, they agree that this should serve as a launchpad for the future. This was a good start. Next year we need to get more schools, to have more schools prepared up front," says Jamieson. "It has been quite straightforward to marshal the retailers and labels. It has been less easy to get complété understanding from more than 2,000 schools. But a number of schools have partici- pated really well, a number partic- ipated after a fashion and some schools forgot that it was on. But we were expecting that." And Jamieson called on record labels to expand on their involve- ment next year. 'Record labels can continue with the programme, see it as an opportunity to help devel- rd put n Ul'Chris; top ofOCC's ne ward," he says. ts for-

JAMES MORRISOM bowling foi soup

«mt®* R0SR,0OYGabr,eu

Pre-release gig tickets, tickets to sold-out gigs and FREE SMS alerts for the latest ticket releases as soon as they go on sale. It's free to join and you don't need to own a Nokia phone to be a member. Visit ticketrush.co.uk The Mobile Ticketing Service

Sony BMG chainnan Ged Doherty illustrâtes a vision for his business in a chai^ing indi^try

The record label mode) is out of date'

By Martin Talbot Sony BMG's new chairman and CEO Ged Doherty used In The City to spell out his vision for his Compa- ny and the music industry - while also sending out a warning about theyearsahead. In conversation with former BMG chairman/CEO and his former colleague at hoth BMG and Sony in the US Richard Griffiths, Doherty said internai Sony BMG UK projections indicated that, by 2010, the value of the CD market could be halved. While digital sales are expccted to improve by 25%, this still meant that overall value will have fallen by 30% in terms of revenues. Talking after the session, Doherty added, "These are, obvi-

I twi

ne

are conjecture. But the signs are very dear that the value of the market is dedining. This year the value is looking to be do\vn by 10%, and important is that \ve re-examine the way we do our business. We can't rely on the way that CD sales have been in the past." "Part of what we have to do as a company is invest in A&R, reinvent ourselves," he told the 1TC audience. "and take a long, hard look at

Doherty insisted that the record company mode! had now become outmoded; to illustrate his con- tention, he screened the video to Download This Song by MC Lars - a song which indicts the record company model as more than 20 years out of date. Doherty said he had shown it to his entire company recently. They thought I had gone completely fucking mad," he says. "But the truth is we are ninning our businesses like it was 1S82; we are running a business model that is so out of date it's not true." Doherty argued that labels' efforts to broaden their model and

artist-related revenues was not a "landgrab", but recognised the need for more trust between labels "Wlten I was a young manager, when I signed my first deal with CBS 25 years ago, the artist con- tract was 150 pages long," he recalls. "The first three pages were what you were going to get and the other 147 were how the company was going to steal it back front you. As a resuit of contracts like that, and the mistrust that has gone on for 50, 60,70 years, you can't change [atti- tudes] overnight" "And I 100% agree we have to give up more of the record company profits, in order to be able to legiti-

malely say, Tt's only fait if we are investing in acts we should be able to get a small piece of that and a small piece of thaC he added. Responding to Grififiths' criti- cism of record labels in continuing to "rip off" artists by only paying them a 4p royalty for a 79p download - under a standard 15% deal - Doherty also recognised the problems with digital royalties, describing the situation as "a timebomb". on the 4p example specifically, Doherty said, "We have an artist recently who sold something like 2m downloads in America. It was only when the royalties started

ning through that 11 the manager up and say, i Know you've sold 2m downloads, but fuck knows where the moneys gone.' This is a ticking timebomb." Doherty said he had only just green-lighted the recraitment of eight more staff in Sony BMG's royalties department in a bid to address the issue. Doherty also suggested that an overhaul of the company's artist contracts could be on the way, following consultation with the légal community. Over the summer, Sony BMG held meetings with 11 of the top 15 légal firms, Doherty revealed, to talk to them about ways of improving the relationship between label and artist. The process resulted in a list of 25 to 30 potential changes to the company's artist contracts, which are being discussed intemally and in consultation with senior execu- tives in New York. The top two complaints were royalty déductions for TV ads and digital royalties. Doherty also gave an unequivo- cal view on DRM, although he stressed that it is a view which is not yet shared at more senior levels within Sony BMG globally. 'My own personal philosophy is that the genie is already out of the bottle, everything that we put out is already out there iree, 24/7 - for us

LA-based artist Terra Naomi (pictured) was a finn highlight on ITC's officiai schedule. Sincc Music Week first featured Naomi last month, the artist - who marie a global splash with live videos she posted on YouTuhc - has signed a publishiug deal with Umvcrsal Music Publishing UK and is cuirently fielding strong label intcresL This year, tire cross section of junior and senior level A&R îrom major and independciit suggested that the UK business was hungry to invest in new talent. Naomi helpcd fortn wha ITC 2006, buoyed by showeases bighlighting up-and-coming talent from Norway, Japan, Canada and Australia. Locally friendly Pires, The Wombats, Newsom Turn, Karima Francis and Flood Of Red were among the otlrer artists to ernerge

ITC continues to

grow down under Just over 2,000 delegates made the trip for In The City in Man- chester last week, for the ISth

The delegate figures represented slight, but continuing. growth on previous years - and increased international presence, focussing on five international showeases covering France, Canada, Aus- tralia, Japan and Norway. In The City co-founder Tony Wilson says the strength of the panellîsts was a major part of this year's event. "For me, the best thmg about In The City is that hundreds of people at the begin- ning of the industry are able to be inspired by listening to Jac Holz- man, ChuckD and GeofîTravis talk about their careers," he says. You dont get that anywhercelse. We are the only conférence that is about the talking-word; policies and ideas in the industry, it's a major part of what we do." Wilson added that the UK

thing was that ail the leading voices had American accents. This year, having Ged Doherty up on stage, Ferdy [Unger Hamilton] and Mike Smith - it was fantastic," Next year will sec In The City broadening its global horizons with the launch of international events in New York and Perth, Australia. Wilson says they are yet to darify the exact shape and focus which each of the events will take. However he believes that, through the three-day event in Perth, will be looking to take advantage of its close proximity to the Pacific rirn and countries like Singapore, India and Japan. régions for tlie music business and Perth's location gives us the perfect opportunity to get to know them and draw on their own industry," he says. "The only challenge we might face is getling the rest of the Australian business from Sydney and Melbourne to make the trip, but I am confident that won't bc a problcm."

© Are supermarkets too powerful? Let us know your thoughts by email: [email protected]

In the aftermath of Tesco's dispute with Warner, Music l/l/ee/< examines how the rising power of the supermarkets, and their low CD prices, are impacting on the music industry

The supermarket squeeze

by Ben Cardew My Chemical Romance and P Diddy's latest albums were being prominently displayed on Tesco's shelves last week, evidence enougb that the contractual dispute belween Warner and the supermarket that had initially barred them was fiilly over. But, while the two sides in this te might have resolved their

Supermarkets' share of the Ul( albums market

vinced many more similar con- frontations are ready to unfold, in what is a high streel trading envi- ronment increasingly charac- terised by falling prices and intense compétition. Although Warner is unwilling to comment on the exact nature of its own dispute with Tesco, which caused My Chemical Romance's The Black Parade and P Diddy's Press Play to be teraporarily absent from the UK's biggest grocer, others are quick to point the fînger at the rôle they are convinced the supermarkets axe playing in mak- ingthe relationshipbetween music suppliées and retailers an ever- "We are nearly at a crisis point," says Vital managing director Peter Thompson. "And we have feit it growing ail year. It was likely as soon as the balance of market share started to drift from the traditional

ket lias been as rapid as it was pre- dictable. Officiai UK Charts Com- pany figures for 2005 put the supermarkets' collective share of

Ormskirk, says the conséquences could be devastating. "We can't compete, as independent retailers. If the supplices can't control the le supermarkets' share of the UK ibums market lias more than trebled over the last nine years

1997 1998 2001 2002 2003 2004 2005

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industry is in meltdownhe says. And if the independent sector suffers, so too does the entire music industry. Peter Thompson explains. "When standard prices drop further down, to £5 or £6, the independent labels and retailers will lose the ability to compete and with that we will lose a lot of what is interesting about the UK music scene," he says. "We have great specialist and independent music retail in the UK, but if non-specialists continue to drop prices we will end up with a very polarised market like some other European counlries. Our strong and varied retailers and labels ara the reason we have such exciting new artiste. It is one of the great strengths of the UK scene and something we believe in strongly." What is more, Thompson con- tends that such price cutting is unnecessary "We don't need to sell records at £7.99.1 think £9.99 is a good price for music and the public will still pay that," he says. "We don't need to have the Tbp 20 chart avail- ableat£799." With Tesco planning an aggressive roll-out of store openings, Asda departmente in 100 of its stores by mid-2007 and both Tesco and Sainsbury's starting to compete seriously on back catalogue, it seems that the situation can only there is a feeling, explains, that "everyone is Ji ing their heads in the sand". Such an approach, he

Thompson

- the first year that supermarkets market by aggressive price cutting don't appear to be able to do any- tactics on the major labels were included in OCC figures as a on groceries, so, too, have specialist thing," he says. «1 don't think any of undear. Certainly, the Ifesco-Wai separate sales category - they record shops felt the impact of the tlie labels can now afford to stand er row has impacted on sales of tne music as we ao ana tneretore tney accounted for just 9.6% of sales. supermarkets otfering chart releas- up to the supermarkets. They are My Chemical Romance album: have a very différent wayofoperat- MeanwhUe, Tesco, which in es for as UtUe as £5. lookingatsalesfigures.Itisgoingto sales figures to Friday, October 27 ing.Itis inévitable that there is now 1995 overtook Sainsbury's to Naturally, the spécialiste have getto the stage wherewe are going show that only 10,282 (15.94%) of a raie for many différent types of become the UKs biggestsupermar- had to retaliale in kind. "Three or tolosemanyindependentstores.lt The Black Parade's 64,494 sales retailers in the marketplace, ket, has grown its share of the four years ago, we had the grocers is not sustainable. The labels have came through supermarkets, corn- including supermarkets and inter- t%of issue is happening m a way and at a bS wïït te'14 at^iX UK^iSf

When prices drop we wi!l Icsealot ofwhat is I don't think any of

the labels can now afford to stand upto the supermarkets Paul Qtiirk.Era

CLASSIC /M présents

Alfie Boe The stunning new ténor

The stunning new tenor's brand new album

Out Now

( I A S SIC /V. www.classicfm.com/alfie

With greater média exposure, crossover classical acts are now part of the mainstream and are set to take advantage of the rise in sales in the run-up to Christmas, writes AnitaAwbi

Classical acts bank

on Christmas cheer As Christmas approaches, the now traditional head Thomas Kaurich. "What's great about the wave of clean-cut, highly-polished st voices of angels are heing prepared for a on the UK's charts. _ ^ Such hyperbole is not, in this case, proffered for stand they can't just focus i And it is undoubtedly the Christmas period

when sales corne alive. Accordingto the UK's Offi- ciai Chart Company (OCC), 46% of total sales of

classical talent is that they a ous artists, but live in the 21st Century," he explains. "They are consumer sawy and under- the likes ofRobbie Williams, Girls Aloud or West- life - but for the growing army from the a so-called "mainstream classical". The rise of acts which slraddle pop, classical, Top 100 classical and rock, even Appalachian folk and traditional Nordic fishing songs - including Yo-Yo Ma and Imani Winds - will take few by surprise, though. In recent years, this area, driven by the

2005 came in December. Throughout the year, the Classical Top 100 (including crossover acts) sold nearly 2.6m units, with almost 1.2m sales in December alone. And, according to BPI figures, of artists such as Charlotte Church, Katherine classical sales as a whole rose from 116,300 ir Jenldns and Josh Groban, has accounted for e increasingly large chunk of Christmas sales. "We are very optimistic about the upcoming Christmas period, especiallywitlr c 2005's week 42 to almost 470,000 in week SI - a increase of304%. The reason for such explosive sales statistics, perhaps, is the fact that this is the time when this cal acts looking really strong at the moment," says target audience - tire over-45s - either buy n Woolworths music buyer Keith Black. "Ifs been a growing market for us and ■ thafs because in recent years the record compa- » have been very clever with marketing and another key to its continuing su putting together good packages for these "Also I think ifs down to the ageing population,

do better at period, because these releases are gift purchases.'

have it bought for them, than at any think other time of the year; the classic gifting market. Innovations in crossover classical A&R are - and this

Tesco

year will be no exception. UCJ head of classics Mark Willdnson acknowl- asjustforkids.Butwe edges the crossover classical arena is "a market classical in the Christmas which needs to be driven by creativity, ideas and collaborations, bringing artists from différent and t buying manager for music Alan similar genres together". He says it is ail about A&R and stretching the boundaries, citing Sting's stint at the top of the classical chart with Songs From The Labyrinth as a prime example. The hunt for new markets is also underlined by Simon Cowell's successful ventures into the sector. His II Divo project, datingback to 2004, is not classical" acts is underlined by the fact that, until only an established UK chart act, but also or

Hunt says, "This genre has brought a lapsed sumer back into the market. The target market for this product - the 35-year-old-plus female - is already in Tesco, so ifs an easy purchase for them to make." :e of such "j very recently, they were either given little plat- form either at retail or média. Today, how- . ever,theyareseenregularlyonTVandon retail racks, with the likes of Katherine Jenkins, Aled Jones and Russell Wat- son established as household names. Such artists are a 21st-century phe- renon, suggests EMI Classics'

the UK's biggest international exports of :cent years. In 2005, the quartet accounted for two of the Top 10 biggest UK-sourced albums of tire year world- ^ %

'*■

with combined sales of 5.5m. Cowell now has hopes for his new project, Angelis, a hand-picked mixed choir of 11- to 14- year-olds, whose album Angelis will be released through Syco on November 6 and backed by a rig- orous TV promo campaign. Cowell says, "We wanted to go into the Char- lotte Church area, which we feel is lacking at the moment. We have found these amazing singers, between 10 and 13 and they've made one of the raost beautiful albums Tve ever heard." UCJ's Wilkinson indicates his department is following a similar path. He says, "We are more active in seeking out new artists, and we are more active with [imprints] Decca and Graraophone. "We are investingin people, we are taking more risks, our network is growing, we are working with more production partners and managers, and ifs still a growth area for us," he adds. "This time last year we did put a group into the marketplace, The Choirboys, and this year we've got Ail Angels, who will appeal to the older âge group and younger people, too." Ail Angels comprise three choirgirls in their mid-teens singing popular classics and who Uni- versal hopes will attract a younger audience with their accessible appearance and young outlook. The concentration of releases around Christ- mas is not without its challenges, however. The increasingly crowded Christmas market is nowhere more problematic than in the classical crossover market. "The whole industry is skewed at Christmas," says Warner Classics général manager Stefan Bown. "We are preparing for it throughout the year. The area [of classical and mainstream classical] is very compétitive in its own quiet way."

The success of many artists in recent years lias created a pop-classical gold-rush, vvith the inévitable knock-on conséquences that has for accessibility to média, retail and, therefore, the With radio - Umited to Classie FM and, if the song is right. Radio Two on occasion - daytime TV has become crucial this year, as well as Parkinson and more creative pitches such as Songs Of Fraise, Heaven & Earth and, even, Elue Peter. Tesco \vill be working closely with UCJ and Sony BMG this festive season to promote Kather- ine Jenldns and Simon CowelTs 11 Divo respec- tively, with in-store appearances and launch packages planned. Tesco's confidence is understandable given past performance. "Last year we sold 242,000 copies of II Divo s album and our market share for them and Katherine Jenldns this year will be around 25%," says Alan Hunt. EMI's Kaurich adds, "In launching a release by one ofthese kinds of artists the set-up is so important, because traditionally there has been so few opportunities for publicity." When it cornes to launching new crossover classical artists in the future, Kaurich says his Compa- ny may plan for a new year or spring launch, leaving the Christmas market for a later leg of the campaign. "It's hard to launch a new artist when you have lots of established acts releasing important works at the same time," he admits. For now, Christmas is the target, though. And few would bet against the latest range of classical crossover CDs being among the biggest gifts of this coming festive season.

Key releases in the

run-up to Christmas

It's hard to launch a new artist when you have lots of established acts releasing important works at the same time Itomas Kaurich,

Alfie Boe Classie FM Présents Alfie Boe (Classie FM/Sony BMG) September 11 The former trainee mechanic sings classics including Nessun Dorma, La Donna é Mobile and Jérusalem. Classie FM airplay started mid-August and continued throughout September, followed by an October Classie FM magazine cover and full-page ads will be running nntil December in Ommophone and HMV Choice magazine. Paul McCartney Ecce Cor Meum (EMI Classics) September 25 Taking between eight to 10 years to complété, this album was originally commissioned by Oxford University's Magdalen Collège for the inauguration of a

new building. It is been in the Classical Chart Top 10 since its release and will continue to be supported by a full press and radio campaign in the run up to

Libéra Angel Voices (EMI Classics) October 23 . This group of

Sarah Brightman Classics-The Best ofSarah Brightman (EMI Classics) October 2 fifthall

and hits, after spending the pasl few years touring abroad and building up an international fan base. This collection eould bring new listeners in, and will receive a full radio, press and télévision promotional campaign to support it

With a festive feel, this release includes versions of Silent Night, Sanctus and I Vow To Thee My Country. A full télévision and radio promo and marketing campaign will build up as the festive season arrives. Classie FM Most Wanted (Classie FM/Sony BMG) October 30 This three-disc boxed set, featuring the most requested classical pièces from the Classie FM Most Wanted programme, has a TV spend of £220,000, with key promotional

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New Sony BMG chairman provides fresh perspective on the industrys ills

Honesty is the best policy

EDITORIAL MARTIN TALBOT

London SE19UV

The record label model is 20 years out of date. DRM is a nonsense when so much music is fi-eely available in the digital world. Accounting for download royalties is a mess which desperately needs sorting out. The declining value of the CD market is a problem, which is teetering on the edge of crisis. These are not new views within the business - but rarely have we heard them expressed by an executive such as the new chairman and CEO of Sony BMG Music UK. Ged Doherty's appearance at In The City last weekend was a breath of fresh air. There will be plenty from certain areas of the corporate music industry who will blanch at his comments. But the vast majority of the managers, independents and artists présent last weekend left wholly impressed. It was an impressive performance low on bullshit, high on straightforward honesty - an expression of sentiments which many may harbour in private, but dare not express in public. As a resuit, it was a priceless adveitisement for Sony BMG, "the artist-friendly major" - and an impressive conférence début for their new UK chairman and CEO. When Doherty was iîrst starting out in

in the early Eighties, Rod Smallwood was already on his way. Now, as Doherty acclimatises himself with life at the top of the corporate pôle, Smallwood is step- ping out of it. Although Smallwood has always preferred the company of his artists than the suits in the City, mixing at Maiden gigs the world over rather than hob nobbing in the City Of London, there will be some who will still associate him with the Sanctuary collapse. That is a shame. Let's be honest - Smallwood has never been one to bear fools gladly. He has always been one to call a shovel a shovel. I, for one, would not like to enter into a negotiation with him. And that's because Smallwood continues to be a man who lives and dies for his artists. His new company, Phantom, will see him return to what he loves most; working with the Maiden, joining them on tour, helping them maintain their new, ele- vated position - on top of the world. Ask Smallwood what made him finally décidé to sever his links with Sanctuary, and his answer cornes without a pause: "I want to look after my boys." The music industry could do with many more exec-

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Rodgers reflects on the good limes As he préparés to speak this weekend at a producers' conférence in London, Nil® Rodgers recalls his Chic days and work with acts such as Diana Ross and David Bowie

Tell us how you first got into record producing. It was ail by accident When Bernard [Edwards] and I had managers it seemed we were always getting represented by people representing us. and tliey didn't get it Tbey were always putting us with producers trying to capture our sound, but tbey never managed that and we got frustrated

name had four letters and four in Roxy. Our concept of Chic anonymity of Kiss and the style of Roxy Music. When Kisstooktheir make-up off, you had no idea what tbey looked like. When we put the suits on we became Chic. Why do you tliink the partnership you and Bernard had was so successful? The reason why Bernard and I were so perfect together was we were polar opposites. I was more of a wild, pop- rock ex-hippy and he was conservative, married with five kids type of guy. Can a producer work with any artist or does there need to he

arranger-producer person. That mi most of the time I feel my ideas ar perfect and right and most of the I think what the next record should sound like, It was almost as perfecta collaboration as working with

unique and every time 1 work with an artist I basically become their partner. When I worl

One of your biggest projects post- Chic was producing David Bowie's Let's Dance album. Wasn't that a case, though, of Bowie just sitting back and letting you do ail the That was the brilliance of our relationship. When David and I first met I had just left Chic and I was hip hop or a punk rock direction or

e the perfect opportunity

who I respected and who respected me, We did the whole album in 19 days - the mixing and everything. Chic were overrun with artists wanting to work with them. Were you having to turn acts away? We probably didn't make the best business décisions or artist décisions, but we were so loyal that if we had made a deal with somebody we would do it We would never not

We had a lot of huge opportunities that we didn't secure because our timing wasn't right in the early days. So who did you have no say "no" to? We were supposed to work with The Rolling Stones. We were supposed to work with Bette Midler and we didn't We were supposed to wnrk with Frank SigatraJ really wanted to do that one, because as a kid I used to dean his aéroplane: my grandmother, her ' boyfriend was the maintenance guy at the airport and he paid me to dean it You and Bernard wrote and produced the Diana album for Diana Ross. One would imagine she wouldn't be the easiest person to Diana Ross, believe it or not, is the closest friend out of ail the artists l've en though she did

walk out one time when we were making the record because Bernard told her in the most gracions way possible she was singing flat He told her, "You were a little under the track." She questioned him what he meant and again he said she was fonder the pitch of the track". "Do you mean l'm flat?" she asked. "Just a little bit" he replied. It wa theatrical, so divaish. We anything about [her storming off], We thought she had just left to go to the toilet. Since Bemard's passing in 1996 you still perform under the Chic name. Why is that? Bernard and 1 recorded a new album in the early Nineties and ever since I to do Chic. It feels ; part of Chic he transforms into a différent person. Are there any acts you still want

Prince is a genius One of the greatest nights of my life is playing an aflershow party with Prince and Ron Wood. He handed me his guitar and he sat down at the piano and we just person who is exciting and I think has a got a raw deal in life is the rapper DMX, who is just exbaordinary to me. I know his story is a sad one - he was bom a crack baby, but DMX completely amazes me, I don't know what we'd do together, but he's Mile Rodgers wa wili be giving the opening address at the Production Magic seminar, organised by the Music Producers' Guild and MusicTank, and staged this Saturday at

Remarkable contribution to the music industry

This Wednesday, t industry will send off in style one of the legends of the business - the former WEA and Polydor chief John Fruin (pictured), who passed away on October 28 aged 76. John FruiiTs cai immédiate post-war days - before 33V3 RPM albums - to the modem era of digital downloads. He was one of a

By any standards, Fruin'scareer was remarkable, starting as a humble office boy at EMI just after the end of World War II. Jack Florey, who joined the company at around the same time, says Fruin was sent to varions outposts before leaving for National Service. Fruin liked the army and enrolled at officer training school before being sent to fight in the Korean War. He rejoined EMI in the a rep. By 1965, he had been pramotcd

ng establish

For me, John Fruin was the greatest record executive the UK produced Steve Jcnkins

It was while hewasatEMI, working with artists such as The Beatles, that Fruin made one of his key décisions which helped shape the modem business He stripped out the dependence of wholesalers, which companies tlien relied on to distribute

) EMI selling records by competitors such as Decca and Pye. "It was very contentions, but also successful," adds Florey.

Fruin moved to new pastures in 1970, taking on the managing director rôle at Polydor. While he was there he astonished colleagues by taking on a caretaking job: running MGM, which entailed a weekly commute to the US. By 1977 Fruin had become boss of WEA and his standing in the industry was affirmed when he became Tragically, hi jobs was eut short when a 1980 World In Action exposé of chart rigging practices fingered WEA as a major culpiit As chairman of the record industry body, Fruin took the brunt of tire finger-pointing. "He was very much a fall guy," says BPI executive chairman Peter Jamieson, who describes Fruin as a mentor. Fruin, who had met Zomba boss Clive Calder while on a trip to South

Africa for EMI in the Sixties, linked up with his long-time friend in the mid- Eighties when he became a consultant at the independent Long-time Jive UK managing director Steve Jenkins says, "For me, John Fruin was the greatest record executive the UK produced. From his work with EMI in the Sixties, his work with Polydor acts such as Slade and The Osmonds and later at WEA with Reetwood Mac, The Eagles and The Pretenders. He also helped take Zomba and Jive from a small company to become the biggest independent in the world." Fruin became chairman of Zomba in 1985, retiring in 1996 to become a consultant again and he remained in that rôle until only a few years ago. Fruin is survived by wife, Jean, and two children, Stephen and Jane. The funeral takes place this Wednesday at

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Datafile

SINGLES Umberone FEDDE LE GRAI UP FOR DETROIT (Data) Europe is the source of ail four number ones thus far scored by the Ministry Of Sound's data label. DutchDJFedde Le Grand joins Data's previous chart-toppers Eric Prydz from France and German acts DJSanimyandTomcraft ARTIST ALBUMS NUMBER ONE GIRLSALOUD THE SOUND OFGIRLS ALOUD - GREATEST HITS (Fascination) Among the last 100 number one albums, the onïy one by a girl group is Sugababes' _ TallerJn More Ways - but Girls Alouds hits set joins the club this week, and is also the first hits set to top the chart - since Eminem's Curtain Call last December. COMPILATIONS NUMBER ONE VARIOUS RADIO l'S LD/E LOUNGE (Sony BMG) On-air promotion helps Radio One's Live lounge to bounce back to the top of the chart, where it debuted a week ago, Thus far, the album lias increased sales every week, selling 31,270-32,286-34,031, for a cumulative total just short of 100,000 in 20 days. _ RADIO A1RPLAY NUMBER ONE RAZ0RL1GHT AMERICA (Mercury) Having seen off the challenge of James Morrison, Razorlight's America tops the airplay chart for the fourth week in a row - although its lead over new runners-up Ail Saints' Rocksteady is slashed to 3.7%.

Girls Aloud score -, number one by Alan Jones The first of a flurry of big-name compilations to be unleashed between now and the end of the year, The Sound Of Girls Aloud: The Greatest Hits has surprisingly little trouble in overhauling Robbie Williams' Rudebox album to eam Girls Aloud their first number one album. The album sold 84,354 copies last week beating the first-week tallies of its predecessors Sound Of The Underground (first week sales of37,077 in 2003), and Chemistry (81,962, 2005) but not What Will The Neighbours Say, which debuted at number six on sales of 85,717 in 2004. Ils passage to the top of the chart was facilitated by a massive 66.4% dip in second-week sales of Robbie Williams' Rudebox album. Rudebox sold 49,476 copies last week - 66.4% down on its first- frame tally of 147.236. Joining Girls Aloud in the top lier, there's a first Top 10 album for Amy Winehouse - in at number three with Back To Black on sales of43,021 - and vétéran rockers The Who, who secure the 15th Top 10 album of their career with Endless Wire, which arrives at number nine on sales of 26,949. The Who first charted in 1965 with My Génération, a little

!t the girls achleve their first nui under 41 years ago, and thus claim theTTtle for longest span of new hit albums (excludnte compilations) by a group, taking _ over from The RollingStSires,' , Meanwhile, vétéran crooner Tony Bennett also increases his span of hit albums to more than 40 years, debuting at number 15 with Duets - An American Classic on sales of 20,595. The album, which reached number three in the US last month, features collaborations with artists such as Sting, Bono, Elton John, George Michael, Diana Krall and Paul McCartney. Bennett first charted a few months before The Who, in May 1965, with the album I Left My Heart In San Francisco, which reached number 13.

Bennett's late number one fan, Frank Sinatra, scored with Duets at the âge of 77 and Duets II when 78. But Bennett, who . turned 80 this year. replaces Sinatra as the oldest artist to have S a Top 20 album. Tlîe succêssôf Bennett's Duets far exceeds his last album, 2004's The Art Of Romance, which debuted and peaked at number 101 and has thus far sold 22,127 copies. On the singles chart, Fedde Le Grand's Put Your Hands Up For despite its sales slipping 26.7% week-on-week to 34,391, while McFlyS Star Girl slumps 1-9 on sales of 12,167. It is their hastiest retreat from number one yet, surpassing even the 1-8 dive of 2005's Fil Be OK.

Bntain's most comprehensive charts service

Week 44

SINGLES Sales versus last week:-9,4% Year to date versus last year +26.3% MARKET SHARES Universal 432% Sony BMG 145% Warner 129% 14.1% 153% ALBUMS Sales versus last week;-5.7% Year to date versus last year -0.3% MARKET SHARES EMI 118% Universal 48.7% Sony BMG 24.0% Other 2.8% COMPILATIONS Sales versus last week:+45% Year to date versus last year -9.7% MARKET SHARES EMI 21,9% Universal 25,7% Sony BMG 323% Ministry 01 Sound 20.1% RADIO AIRPLAY MARKET SHARES Universal 43.6%

CHART SHARE Origin of singles sales (Top 75): UK: 65.3% US; 30.7% Other: 4.0% Origin of albums sales (Top 75): UK; 54.7% US: 40.0% Other 53%

ALBUMS THIS WEEK The Magic Numbers Those The Brokes (EMI); Moby Go: The Best Of Moby (Mule): The Long Blondes Someone To Drive You Home (Rough Trade): Janhroquai High Times (Columbia); Mcfly Motion In The Océan (Island); Paul Weller Hit Parade (Island): We Are Scientists Crap Attack (Virgin) NOVEMBER13 Lucie Silvas The Same Side (Mercury): Depeche Mode The Best Of (Mute); Sugababes Overload.Jhe Singles Collection (Island): Jarvis Jarvis (Rough Trade): David Gilmour On An Island (EMI): George Michael Twenty Five (Aegean): Yusef Islam Yusef Islam (Polydor): Ail Saints Studio 1 (Parlophone); Tenacious D In The Pick Of Oestiny

NOVEMBER 20 Westlife The Love Album (RCA): Oasis Stop The Clocks (Big Brother); Matt Willis Hey Kid (Mercury); Abba Number Ones (Polydor): Crowded House FarewelITo The World (Parlophone); Gloria Estefan The Very Best Of (Sony BMG): Jay-Z Kingdom Corne (Roc-A- Fella); U2 U218 Singles (Mercury); Snoop Dogg Tha Blue Carpet Treatment (Polydor); The Beatles Love (Parlophone) NÔVËMBÊR27 FaithlessTo AH The New Arrivais (Columbia): G4 Act Three (RCA): Il Divo Siempre (RCA): Take That Beautiful World (Polydor) DECEMBER 4 Mary J Blige Greatest Hits (Island): Lil Chris Lil' Chris (RCA)

Bloc Party make their long- awaited retum on Jannary 29 with comeback single The Frayer. The track is lifted from the band's Jacknife Lee-produced sophomore effort, A Weekcnd In The City, which follows on Fehmary 5. Tire Wichita-signed qnartet support the releases with a 20-date UK tour in January and Febniary.

SINGLES THIS WEEK George Michael This Is Not Real Love (RCA): Christina Aguilera Hurt (RCA); Kasabian Shoot The Runner (Columbia); Lucie Silvas Last Year (Mercury); MadonnaJump (Warner Bros): Sugababes Easy (Island): AH Saints Rocksteady (Parlophone): Westlife The Rose (RCA); Alesha Fired Up (Polydor): Fatboy Slim Champion Sound (SW): U2/Green Day The Saints Are Corning (Mercury) NOVEMBER 13 Captain Frontline (EMI): Justin TimberlakeMy Love (RCA); Boy KHI Boy Shoot Me Boy (Mercury): The Flaming Lips It Overtakes Me (Warner Music); Orson Already Over (Mercury); Robbie Williams Lovelight (Chrysalis); Oasis Stop The Clocks EP (Big Brother): Snow Patrol Set The Fire

To The Third Bar (Fiction) NOVEMBER20 Ludacris Money Maker (Mercury); Keane Nothing In My Way (Island): Sandi Thom Lonely Girl (RCA): Faithless Bombs (Columbia); The Feeling Love It When You Call (Island): Jet Bring It On Back (Atlantic): Pink Nobody Knows (RCA): Red Hot Chili Peppers Snow (Warner Music); Lemar Someone Should Tell You (RCA): Take That Patience (Polydor) NOVEMBER 27 The Rapture Wayuh (Mercury): Janet FeaL Khia So Excited (Virgin): The KillersBones (Mercury): Evanescence Lithium (Columbia): Muse The Knights Of Cydonia (Warner Music); The Fratellis Whistie For The Choir (Island): Lupe Rasco 1 Gotcha (Atlantic): The Zutons Its The Little Things We Do (Deltasonics); Fcrgie Fergalicious (Polydor)

Tenacious D

bounce back

Columbia bas double marketing opportunités as Tenacious D return with anewalbum and film TENACIOUS D THE P1CK OF DESTINV (COLUMBIA) Following 2002's 400,000-selling self-titled début, Jack Black and Kyle Gass's Tenacious D pairing is back with a two-pronged film and album launch for their latesl project The Pick Of Destiny. "Ib coïncide with the releases - album on November 13, film on November 24 - Columbia is gearing up for an intensive marketing campaign, which draws on the films promotional value while treating the album as a stand-alone product The film is an excellent marketing tool," says Columbia senior marketing manager Ken Marshall, "but the album is not a soundtrack. We've gone to great lengths to point out it is an album. We are prolecting Tenacious D -

we will be working with them for a year or more on this." Over the past week or so, Tenacious D have been in London to focus on the film, appearing in The Sun, Métro and Esquirc. The band were also interviewed for Jonathan Ross' primetime BBCl chat show, with a musical appearance on the programme pencilled in for December 15. "When they corne back in December it'U be ail about the music. Their December UK tour is now almost sold out. Around that time we'll be putting more focus on the album," Marshall adds. "While the film is a great thing, we've been careful that the existing Tenacious D fans know there's a record coming out and we'll be working that long after the film bas been and gone." There is no doubt the album will be aided by the général release of the film, though, and Columbia has worked out a marketing campaign which will music fans, while also targeting the existing fan base. "In order to target film-goers we are marketing in the cinémas, directly on screen. And we have got promotions with cinéma

groups, targeting ticket buyers," says Marshall. Press adverts will run alongside to raise the movie's profile, while an extensive fan database is providing the basis for blanket mail-shots advertising both the film and album. Tenacious D have released online viral clips which are currently doing the rounds - with online support coming from a fan

:, such as On the radio front, Marshall admits the band is not an obvious radio choice due to most songs' strong language, but with "clean versions" in the can, support has already corne from Radio One, Xfin and Kerrang!

MANAGEMENT: John Silva/Midiele Fleischli PRODUCT MANAGER: Ken Marshall PRESS: Julie Smith TV: Frances Bowdery NATIONAL RADIO: DaveRajan REGIONAL RADIO: Gary Hobson ONLINE: Paula Hartley

Atlantic gets cracking to maintain

Nutini's success into the new year

Since rts release in July, P Nutini's début album These Streets has remained in the Top 20, with its first six weeks of release spent lodged in the Top 10. With Christmas approaching, Atlantic is looking to capitalise on the album's success and keep the hall rolling into the new year. Wrth this in mind, it is planning a carefully-timed third single to follow up previous singles Last Request and Jenny Don't Be Hasty. Atlantic has arranged for Nutini to perform new single November 18, ahead of the track's release on December 4 and immediately preceding a 14-date UK tour running through to Christmas. The tour will culminate with a headline performance at Edinburgh's Hogmanay célébrations on New Year's Eve. The single will also benefit from a strong video by director Jeff Thomas (Ash, Zéro 7, Embrace). The intriguing protno has Nutini performing in front of an urban bungalow, while a fight

in the background. Atlantic marketing manager Stuart Camp says that bis company's main aim is to keep Nutini in Top 20 until the New "Even just to be in the Top 20 surge in sales," says Camp. "The action you get over that period of time is just remarkable." Camp adds that the secret to Nutini's campaign, which has seen the third-generation Italian- Scotsman achieve more than 300,000 retall sales of his début album to date, has been an even

spread across ail platforms of promotion, rather than an emphasis on gimmicks. "We've been picking ont sélective TV," says Camp. "The biggest single effect we've seen so far Iras been from doing a TV spot during tire ad breaks for Dirty real différence then, which sums up who Paolo's audience really is." Beyond Christmas, a fourth single will be released after the Brit Awards, followed by a UK tour in April and festival

Michael Gray Somewhere Beyond (Eye Industries) PAUL 'RADICAL' RUIZ, MIN1STRY OF SOUND RADIO "From the label that has the massive Bodyrox Yeah Yeah doing big things at présent. This new track from Michael is so infectious. In its early stages as a promo, the label is working on a vocal to put over this instrumental, but it totally works even without one. A sure-fîre hit to match his former gems The Weekend and Borderline. Go hunt!" The Sounds Tony The Beat (Korova)

TR, NME UVE EDITOR !"Anyone who caughtThe Sounds' recent London shows was left in little doubt over how ventricle-meltingly hot vocalist

waiting for the dust to settle betbre wrapping her clasps around every teenage heart i: land. Living somewhere betwet Panicl, At The Disco and Kim Wilde, The Sounds are Sweden's current monsters of pop, who've galvanised a huge online fan bas( This single is as good a starting

the

■o worship." Noonday Underground Freedom Flotilla (Setanta) CHRIS MUGAN, THE INDEPENDENT "With a deep voice that brings to mind PP Arnold, Daisy Martey is Britsoul's unsung heroine. Following a four-year hiatus, she has retumed to the sample-based psych-soul project she shares with producer Simon Dine. In the past, Martey has contributed to the Undergrounds finest moments - London and The Light Brigade (theme tune to C4's nursing

Tough Cookie

Founded in 2004 by Andy Wood and Neill Sullivan, Tough Cookie spécialisés in recording content and producing music events for brands, labels and cross-media broadeasters, providing live music and interviews for online syndication. Since its conception, the firm has witnessed a tumaround by

internet portais and record labels in their attitude to the music video. Until very recently the médium was not valued for its commercial potential - viewed only as a promotional tool - but ail that has now changed. "In 2004 it was difficult to persuade people that's where it was )i says Wood Even to get the time for artists to be available was difficult Now the intemet is a key part of the schedule, it's part of an album's lifespan. We saw a real opportunily in filming live music for people in the broadband and mobile industries and for record labels." Knowing broadband subscriptions were set to soar, Tough Cookie's first job was a Tiscali showease, filmed at the

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18 MUSICWEEK 11.1106

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Ail the sales and aicplay charts published in Music Week are also available online every Sunday evening at www.miisicweek.com

Tlie Bee Gees The Studio Albums 1967-1968 (Reprise/Rhino 8122741172) J Longbefore 1 Night Fever and 1 Stayin'Alive, ~be Bee Gees records and this extremely welcome boxed set represents the first stage of an upgrading of their catalogue. It features the iive- pîece band as they tlien were - The Gibb brothers Robin, Barry and Maurice, plus Aussie instrumentalists Vince Melouney and Colin Petersen - on expanded versions of Bee Gees First, Horizontal and Idea. AU albums are presented in sonîcaUy superior mono and stereo remasterings with aplethora of bonus tracks, encompassing démos, alternative lakes, B-sides, singles mutes and previously unreleased recordings, spread across five hours and sL\ CDs. It is noliceable that, at this early stage, it is the melancholy and effective bleat of Robin that dominâtes proceedings, lending a haunting beauty to hits like New York Mining Disaster 1941, World, Massachusetts and IVe Gotta Get A Message To You. The hits are only a small part of this story, however. Aside from The Beatles and The Hollies, no Sixties group was more conscientious about making quality album tracks and B-sides making this a set of sustained quality. Among their flips, for example, both Barker Of The UFO and Sir Geoffrey Saved The World were worthy of being A-sides and even their Coca-Cola vignettes, Another Cold And Windy Day and Sitting In The Meadow, are mini masterpieces. Sarah McLachlan Mirrorball - The Complété Concert (Arista 82876872842) f/SSZi&SSi McLachlan's imrtJr sold more tlian 100,000 copies in the UK, and this beautifully remastcred and expanded version of her classic Mirrorball album - recorded in Porlland on the last date of her 1998 tour - wiU be an essential purchase for many. The graceful Canadian singer-songwriter holds the audience in her thrall for fully two hours as she works her way through an inspiring collection of songs including Adia, Sweet Surrender, Possession and the aehingly beautiful Angel.

Albums □CRASH TOKIO HEAOS, VVERE DANCING Tâpete (CD INDIGO 86S □DEATH BEFORE OISHONOR FRIEMDS FAMILY FOREVER Bridge 9 (CD B9R 061CDX) □ELUVEmE SPIRIT Twffight (CD 784872) □EMPEROR SCATTERED ASHES TAB BOOK CwdJelighl (CD 095357248 X) □ EROS, MEROSISAW THE DEVIL LAST NIGHT Viclory (CD VR 328) □ FOUR LETTER UE LET VOUR BODY TAXE OVER Vktory (CD VR 308) □ CLOW DIVEINTO THE SUN Atone (CD AR 017C0) □ GRAND OPENINGJHE THIS IS NOWHERE TO BE FOUNO Tajx

DANCE QBRINKMANN, THOMAS KLICK/REVOLUTTON Ma* Emst (CD MAXERNSTCO11) □CAPPABLACK FAÇADES ANO SKELETÛNS Soipi (CD SC 42CD) □ CHEZIDEK MASH DEM OOWN GwrfC Altack (CD ALTA 0021) □DIMLITE THIS IS EMBRACING sona □ FUTURE FUNK SQUAD TÛWARDS THE SUN Champion (CD FAULTCD 011) □ JAZZ JU1CE 52N0 STREET Ktxtos (CD FSRCO 014) □ MASTERS AT WORK WEST END REC

□ HALHEIM J0RMUN06AN0 Dark Essence (CD KAR 017CDD) □HARDONS.THE MOST PEOPLE ARE A WASTE OF TIME Household I □ JD K1NG AMERICAN MERCURY Ecstatic Peace (CD ECSFP 007C0) □ KARJALAN SISSIT TANSS1T ON LOPPU NY7 Cyclic Law (CD 17THCYCLE) □ KID CASANOVA HEART AÎTACKS AND SUBWAY MAPS Something In Conslrucbon (CD SICNOTE 019) □UPID DELIVER US FROM EVIL Caslœl (CD COP 047CD) □MAUMAN. MARK BETWŒN THE DEVIL ANO MIDDLE C 8;

□OBITUARY FR02EN AUVE Métal Mind (CD MMPDVO 0095) □ OCTOBERMAN THESE TRAILS ARE OLD AND NEW WKle Whale (CD WW 006) □PAGANI2E EVOLUTION HOUR Candlelight (CD CANDLE145C0) □ PALEHORSE AMONGST THE FLOCK Bridge 9 (CD B9R 079CD) □ PETER AND THE WOLF STORYTELLER Skinny Dog (CD SKINNY17CD) □ QUIET RIOT REHAB DemoStion (CD DEMCO157) □ RED KRAYOLA RED GOLD Drag City (CD DC 327CD)

□ VARIOUS UNDULATION 2 Saw (CD SAW 100:. □ VARIOUS PHARMACY 4 Masif (CD MASIFCD 012) □ VARIOUS MUSIC FOR COCKTAILS PART 6 United (CD UTD 8020) □ VARIOUS THE ART OF CH1LL M1XED BY SYSTEM 7 Plalipus (CD PLATCD150) □ VARIOUS TSHAHAIRIDOIM Groove Attack (CD ALTA 0012) □ VARIOUS FABRIC 31; MARCO CAROIA Fabnc (CD VR 328) □ VOAFOSE VOAFOSE Rephtex (CD CAT182CD) □ZOMBIE NATION BLACK TOYS UKW (CD UKW 05CD) JAZZ □COOUNC. JOYCE REVOLVING DOOR Bloe Note (CD 3445412) □RD BURMAN A B0LLYW00D LE6END Saregama (CD CONF1380645) □ WATES, MATT, SEXTET PLUM LANE Autfo B (CD ABCO 5019) OTHER

□ UNSATISFIED.THE THE WAY TO THE CRUMBS Code 7 (CD ANT12K6O2C0) □ UZI & ARI1TS FREE2ING OUF Ovvn Rec (CD OWNREC 33) □VARIOUS SOFT ROCK BALLADS EMI TV (CD VTDCD 827) □VARIOUS TOM WAITS JUKEBOX Chrome Dreams (CD COCO 5013) □VARIOUS RED ROVER IMMORTAL (CO 600142)

□ KAMA AINA CLUB KAMA A1NA Rumraket (CD RUM 00 □KUNC KLANG THE ESTHETIK OF DESTRUCTION Rock 7 □ MAPS STAR! SOMETHING Ust Space (CD OP 4) □ SHITMAT HANG THE OJ Wrong (CO WNG OUCO) □SLOT THE SWEET BLACK BEAR Stereo Test Kit f"

IGO Y GABRIELA Rubyv.wks (CD RWXCO 37U □ SHERWOOD, ADRIAN BEC0M1NG A CUCHE Real World/Virgin (CD CDRW141) OVARIOUS STUDIO ONE GROUPSSoul Jazz (CD SJRCD151) ~ □VARHÎUS SIOEWAlX UNIVERSITY RIDF A,a"1^ SOUNDTRACK Ss □ JULYAN, DAVID THE PRESTIGE Disney (CD 380 Leram □ VARIOUS TOIALLY JAMES BOND Métro Double URBAN

□VAMOUS BUJt SERIES SAMPlfR Kudos (CD I O VAAIOUS JUKEBOX BUDOHASUubgoUtCD STAUBGOU) 72) □Wimi MAGIC DAi ROSA Ml APIBUS Drag Cilj (CD OC 293CD) ÎOM THE COMMUTER BEL! Maigus Cha Oia

O lOOION, SEAN FSIE'IOLY PIRE Mophons (CD 371M92 LP 37222011

□SOUA STEPS IN TIME Scgartcb (CD SUCARCO 012) Q VARIOUS ITSNICERWHENITS NASIY Nasty(CDMfX023) □ VARIOUS SIRICILY M BEST VOL 35 VP (CD VPCD1769) CATALOGUE & REISSUES □ 1349 «EUHRE CmJtJighl (CD XQAN1009) □ABRASIVE WHEEI5 WHEN TUE HJNKS 00 MARCHING IN Cjplain Oi (CD AHOYDPX 25) □ ASlilP ATTHEWHEEtUVEFROMAUSTIN TEXAS New Wk) (CD NW6111) □ AYSE ummcu TRIO CARNIVAIESQUE Blie Noie (CO □CHEAP TRICK SPECIAL ONE B)g 3 (CD CTU 3Î3-2)

K SUCABABES OVERUMO.mE SINGEES COUimON Utad ICO 17093341 @ TENAClOUS 0III THE PICK OF DESTIHY Cotaba (CO 1RAW999952JKI □ URBAN. KEITN KM, HUN AND THE WHOE CRA2YINING Ange) (CD 3811410) □VARIOUS 2006 RADIO BA11ADS Colt (CO OOnCD 047) H WEBBE, SIMON GRACE Ange) (CD CHANGE 141 m YOUNC, HEU LM AT IHE FTUMORE EAST Repréc ICO 93624442921 ROCK □AORESSOR DEATHREAT ScaooflOf NSa (CO SOM 099C0I □AlEMSOWIRECHSISHBSblCDHDrFOIÈCD» □ ANOMWS,KYlEAMOSLN0N10Ga<ln!3fl(C0BRC0943) □ ANCELS CHOIR VOICES OF ANGE1S Uimi Sipira ION Di □ AZACHAL WCIIKN VALO Affli fci* (CO AV 90) □A2RIEISP11T Cifcutîled Rck (CD TDQN OUCO) P) □ BAO ASTRONAUT TWELVE SMAa STEPS ONE GLANT 0ISAP01NTMENT Fei WrKk Chrt □ BOYOMEGA THEGREYPAINBOV/Siav, □ BRIGmra OUI TO SEA Mme (CO MATCO 041) □ CAMORRA WATCH US SIARIA TREND CAMai Rit (CO RISI □ COtONBHACKETriRSlBU)

□ CONVERGE DEEPER THE WOUND DEATHWiSH (CD DW 01) INTRODUCTION 70 Fuel 2000 (CO 3020615942: U GNAt, ROBERT LIVEISOM ACROSS THE PONO New WsUCD NW 61101 □ CROWBAR LIFESBLDOO FOR THE DOWNTROODEN C.indletghl (CD XQAI. □ E1P BRA1N SALAD SURGEITI Sanctiaiï (CD SM6C0 390] □ FAUEN ANGELS FA1LEN ANGEIS FALIOUI (CO FAllCO 023) □ FARIOW, TAt GUITAR GENIUS ClKvy Red (CO GSCR 0181 n OBH A FRIDCE TOO FAR CapUii OS (CD AHOYCO 2891 i—juon m rniiTuc, luUfAK upiain Ul1 (UU AHUYCO 289) □ GBH FROMHERETO REALITY Captai, DP (CD AHOYCD 291 □ GBH Cl (Y BABYS REVENGE Caplain OS (CD AHOYDPX 186) □ CRAVY YRAIN STRENGIH OF A DREAM Sanduary (CD CMDGD1402) □HANOI ROCKS 6AGK10 THE MYSTERY CITY Eamiark (EP EM 207) □HANOI ROCKS SElf DESTRUCTION BIDES Eanmk (EP EM 208) □ HELHEIM AV NORRON AETT Dart F"™" I™ eao momm

□K1N0, RAIR. WINDSOF CHANGE Sanctov (CD CMÛOD1237) □ KINKS VILLAGE CREN PRESERVATION SOCIETY SaiKtay (CD SMBCD 349]

□ MARtEY, BOB AFRICAN HERBSMAN Sanctaey (CD SMBCD 383;

Albums listed tliis week: 229 /iw 6-X TuH Year to date: 10,437 \jSJl* Singles listed this week; 132 Year to date: 6,575

Records released 13.11.06 □MARSOEN. BERN1E BLUES N SCALES Saactuary (CD CMEOD1193) JMOOOY BLUES AN INTRODUCTION TO R«î 2000 (CD 3020616042) ^HOTORHEAD OVtRKILL Sancluary (CD SMBCO 350) J MUllBi NICOLE C REOEEMER VM (CD 8865692) JOCTAVIA SPERAH WINTER ENCLOSURE Candteliglil (CD XQAN1004) JOPETH MORMINGRISE Candldight (CD XQUAN1002) JOPETH MY ARMS VOUR HEARSE CancDeftjht (CD XQAN 1003) 30PETH ORCHID CandWighl (CD XQAN 1001) □PtNTANCLE BASKET OF LIGHT Sancluary (CD SMBCO 387) □POWELU JANE3 SAILORS AND A G1RI Sopia (CO SEP1A1082) □PRYOR. SNOOKY AH INTRODUCTION TO Fuel 2000 (CO 3020616052) 3 REED. JIMMY AN INTRODUCTION TO Fuel 2000 (CO 3020616032) JRIVEROEEP SOMEONE LIKE ME Fous (CO FOCD 001) □RIZZa CARMEN LOS! ART OF THE IDEE MOMENT RjcI 2000 (CD 3020615002) 3SHALAMAR FRIENDS Sandairy (CO SMBCO 348) □SMALL FACES AUTUMN STONE Sancluary (CO SMBCO 347) JSOFTCELL DEMO NON STOP Sonie Bizarre (CO SBZ 059C0) 3 STEVENS, SUFJAN ENJOY YOUR RABBIT Asthmatic Kdly (CD AKR 03C0) 3STEVEHS, SUFJAN A SUN CAME Asthmatic KHty (CD AKR 009CD) 3 STEWART, MARK LEARN1NG TOCOPE WlTHCCTArARDlCEEfJI Catalogue (CO 3750182) 3TEX BENEKE & MIS ORCHESTRA S WONDERFUL Sepia (CD SEPIA1081) 3THEIMA CARPENTER SEEMS LIKE OLO1IMES Sepia (CD SEPIA 1080) 3TWISTED SISTER A TWISTEO CHRISTMAS Démolition (CO DEMCO159) 3URIAH HEEP DEMONS AND WIZARDS Sancluary (CO SMBCO 372)

IME SCENE USA Cherry Red (CD GSCR 019)

□ VAR10US INSTANT SUN ROCK NROLL Snapper (CO SINTCO 007) QVARIOUS SOULSHAKER VOL 3 Kudos (CO RKX 0017) □ VARIOUS AMAZING GRACE -12 TREASURED HYMNS AND SONGS Authenlic (CO 8204102) NO\'/P

□ WAH WAH COLLECTIVE PATRICK D0Y1I (OST) Coteseum (CO VSO 6775) □ WAYNE, FRANCES MR AND MRS MUSIC Sepia (CO SEPIA 1083) □ WOMACK, BOBBY POET Sancluary (CO SMBCO 391) □ZYKLON OISINTEGRATE CancfcSght (CO XQAN IOU) MUSIC DVD POP/ROCK QBONZO DOC DOO-DAHBANDTKE COMPLETE NUTTtRHISTORYOFCbssicl; □ mm, TOM UNDER REVIEW BM Clm™ Dmms ISIDVD 511) □ CKAMELEONS, THE ASCENSION Scmirçe Pmdafais (ASCENOVO OU □ OENESIS THE DEFINITIVE CRITICAL REVIEW ClassicRodlCRP 2282) □ CREEN DAY UNOER REVIEW dirare DrejmslSIDVD 514) □ WILLIAMS, ROBBIE AND IHROUGHIT AU. Cfiyïals (3798339)

Singles DANCE □ ACOLYTE,™ DRALV10 YOU Duik T.I Dawn (ir OID 005) □ ACE OF STEAM,™ DISCO MAHA CR2 DE" 12C 2045) □ ANCEL, DAVE ROTATION V RKOdinos 02" VRECSUK OU) □ AQUASKY MOVIN THE HYPE TRACK KissBigcr (IT BW 029) □ ARMIN LOVE YOU MORE «nia 0? NEBT 093)

□COUECTORS. WTRAINER EP Comte (12' CON 001EP) □ OEEP EACTOR FRIEND OF MINE FeeEn Music OZ FM 003) QOIRTYOUJAtWFORNMEON loaded (CO IDAO U7C0) □DJCRAD PIANO 99 Riang Trax 02" RISINGIRAX 001) □ DJ HEU. ADS OLN WOIKEN Kiddn 02" KICK 151) □ DSS HOU) ON EP Big UM (12-BARSIN 008) □ EMC POWA B PRESENTS FACEUFT Smpréo 02' SURPRISE 511 □ FOOTPRIHIZ ANCELS Quosh 02'QSH 078) □ FOX N VraiT IN YOOR UKDERWEAR Kilsunc 02" KITSUNE 0301 □ FREESTYLERS IN lOVE WIIH YOU AgiinslTh; Grain ICO ATG 020CDI □FimjREPROPHESIES BLACK MAMBA Bereert (lî- BEZOOI) □ CAISES NQjRAL BIOCF (ftœ.r MIMS « □ BAISER MORAL BLOCK EP MOw «fmt 4!4 □ COTAN PROJECT Ml CONFESSION XL (KT XLT 243) □ CURD, JON U NEED IT BAO M A Wall KT KIUAWATF 21 □ HYDROPONIC SOUND SYSTEM WATCHF0RS0UNDS!iperBro(12'5B061 □ IMEACTTHE VOICE Ba«ic (IT BOOTS 009) □ JUS DOPE MEP ROOTS Sod Heaven 02" SHR OU.

□ MEAT KAT1E FIATHERS Ut 49 (IT LOT 49021)

□ VARIOUS KENNY DOPE MKES SiK» Q2- PNP12002) □ VARIOUS PSP STORY Sussa (7-PNP 70021 □ VAZ, ANDY WAY BACK WHEN Penistenxtlit (12* VA2BIT 012) □ WATSON, VINCE RENAISSANCE Plana E (12' Ft 652881 □ W1UJAMS THE SHIVERING U»e TnangN 02" LTM OOU OTHER □ METHODIST CEOTRE HOW SAfE IS SAFE SEX Invisible Sues (TINV 017) □ SEFA PEACH HEART SUlic Caravan (T VAN 123.7)

□ FORWARD RUSSIA NINETEEN Dante To Tbe Radio (DN DTTR 021001 □ MOJAVE SHJZZLES UKE YOU 4AD (T AD 2615) □ O'DONNEU, DANIU CAN YOU FEU IDE UNERosate (CD R0SC0326) ■ OASIS STOP THE C10CKS EP &g BnXher (CD RKIDSCO 37)

ROCK □ 586 M0NEYISTHE0RUG Tigertrap (T GRRR 8) □ ACTRESS HANDS HALT AN KOOR Ule Is Easy (7" UE 003SI □BASSKN1VES COME ON YOU MOTHERfUCKERS Mighty Alm (CO MTY ■ BOY KIU BOY SHOOT ME DOLÏN Memay (CO 1709308) □ CYANN i BEN VIOROS Era (7" EVER 05SI □DAVIS. GREC DIVORCE SERIES 45 Aebe (TACHE 028) OCLASVECAS GO SOUARE GOIWaistT VVAKS 003S)

□MUMHER WILLOWEEP EP Klein UT KL 08U □ HY FEDERATION KONEY BEE Eye Induslrés (T EYE 029) □NA2CA. PAUL ntRNAa Bulth ConVol (IT SPC 138) □WhlOHE THINGS THAT LOVERS DO Hospital OT NHS U3) Q OUTUNES LIS1ENTDTHEDRUMSPT.1 Sonar Kolieçtiv 02' SK 321) □ PEACHES BOYS JUST WANNA BE HER XL 02" XLT 2541 □ PHABE PLUMBERS WORKSHOP Wang CUtraiik (!2' KLANG110) □OUARION KARASU Grane Altatk (12' OPC 004» □RAPTUREm GET HYSELF MO IT Uiealre Of Blond UT 01 woon □REPEAT REPEAT WHY MUST Sotu (12- SOMA 208) □RHYTHM REPUBUC MOVE YOUR BOOY 2006 SmuV <!2" SIMP12025) " """ERT OWENS THE ENERGY Oisco 45 (IT DISC 002)

□HOLD SIEADY, ™ CHIPS AHOY! Migrant (T VRUK04ISI □HOME VIDEO PEHCUIN THE LOVING HAND Groew AlUtL OT DfN 80015) □LAfARO SPUI nekl (T FIELD 7003) □ MISTYTS BIG ADVENTURE TASHION BLRADE Suuli/ test (ON SBEST 400) QMORNINC AFTER C1RIS,™ SHADOWS EVDLVE tel Bcto (T BBRVS 041S) □ MULES. ™ (VTRE GOOO PEUPLE KartU (DN KART 0150) □ POPPY 4™ JEZEBELSNAZIG1RLS KssOf DeathlT KOO1) □ PRINCESS SPLIT Fidd (T PIEU) 70021 □f ROTEST ™ HERO HEREUCS AND KllLERS Vsgnnl (ON VRUK 43DS) □ SONGS Of CREEN PHEASANY AER1AL OAYS Falcal (CD COTAT 058) □ TOMYBOYTHEGRIOXLICOAXL 249C0) □ UNTITLED MUSIC PROJECT FACSIM1UE HACH (NE Wbite Heat (CO OPE 017CD) ROOTS □ALCAPONt HENNIS THIS (S BUTTER Sumbe (T SS 38) □ HEPTONES, ™ BYRTV Tl NE SuMbe (T PP OU □ LADY SAW Tl£X AND SWEAT Snmte (T SS 351 □MORCAN, DERRICK ORIGINAL SK4 HITS Reggae Retra (T RRREP 7002)

□ SYB1LITS TOO (ATE Code Rfd (DN CODE 060) INC FOR THE SUNSHINE EP WKl End (l? K1DS 0021 URBAN □a-p EVERYTH1NG MUST GO Def Jux (IT DJX132) □ PERCEE P THROWBACK RAP AHACK Slones Thwt (U- STH 2M9I

□ TRIO START TO MOVE EP Kudos (IT DROIT) □ UNTITLED AUDIO POS Anjuu tels 11?" AN) 0701 □ VARIOUS DOM IN ION PART 2 Qoanintine (12- QRNUK 002) □ VARIOUS UW UXXS EP 3 Tidy Trax UE* TlDYTl 03) □VARIOUS 610 LOVE A PEUAS Big Love (IT BLAP 004) □ VARIOUS SOUL CANDI SAMPLER V0LlSoulCandi(12*SC3001)

□TTC PARIS PARIS Big Dada (12' WR 5043816) PTY M ,> TJO , Ht HH1.I □VARIOUS BSIRO BIS VOLl 8sM 02- BJX OOU □VARIOUS ENDANGERED HYERIDS EP mn/i (ir WOHOP U

Various Produced By George Martin (EMl 3754862) 1 Subtitled I "highlights from 50 years of recording", this is a very effeclive single dise distillation of a 2001 six-CD boxed set honouring the quietly-spoken and enormously taiented producer, Whether or not it was planned to tie-in with Martin's induction into the UK Music Hail Of Famé nextweck or the release of The Beatles' Love, it is a timely release, and an excellent one, providing examples of his early work with Peler Sellers, Matt Monro et al; his Merseybeat rosier of Tlie Beatles, CUla Black, Geny & The Pacemakers and Billy J. Kramer and other projects. Life Too, Has Surface Noise..,: The Complété Dandelion Records Singles Collection 1969-1972 (Cherry Red CRCDBOX1) Set up by John ] Peelandhis manager Clive Selwood as a non-profit label for new talent, Dandelion snrvived long enough to unearth some very good acts and was very much one of a kind. This long overdue collection - not quite complété, despite its title, as some tracks were not available for licensing - gives much evidence of both ofthose tacts, and houses tracks by Clifford T. Ward, Stackwaddy, Medicine Head, among others. Also încluded are Goodie Bill Oddie's unique rendition of On Ilka Mor Baht'al, major label reiùgee Gene Vincent's excellent White lightning, several delightfiil titles by the magnificent Bridget St John, and a superb 48-page booklet fiill of information, photographs and press cuttings. Dean Martin Christmas With Dino (Capitol 3689222) Peggy Lee Christmas With Peggy Lee (Capitol 3633762) Thespiritof Christmas past has a nostalgie feel with the re- releascofthese CDs from late, lamented song stylists Martin & Lee. Martin's relaxed style is perfect for favourites such as Let It Snow! Let It Snow! Let It Snow! and Winter Wonderland, and the sélection scores over a 2004 release by including altemate versions and a newly created duet of Baby, Its Cold Outside with Martina McBride. Lee's album finds her gjving a wann, jazzy embrace to Little Dnimmer Boy and The Christmas Song as well as the much less well-known Dorit Forget To Feed The Reindeer and the previously unreleased My Dear

A dance double in the shape of Fedde Le Grand and Bodyrox take the top two spots, while download-only tracks from U2 & Green Day and Ail Saints enter at six and 11

The Officiai UK

MCFIY STAR GIRL m»» 2 C3 FEDDE LE GRAND PUT YOUR HANDS UP FOR DETROIT 3 3 GIRLS ALOUD SOMETHING K1NDA OOOOH 4 1 RAZORLIGHT AMERICA 5 2 MY CHEMICAL ROMANCE WELCOME TO THE BLACK PARADE 6; 5 BEYONCE1RREPLACEABLE i m BODYROX YEAH YEAH UtolnaAMiY 8 i 9 AMY WINEHOUSE REHAB 9:33 AKONSMACKTHAT 10 4 SC1SS0R SISTERSI DONT FEEL UKE OANCIN' U 7 JAMES MORRISON WONDERFUL WORLD w.i- 12 6 BOB SINCLAR & CUTEE B ROCKTHIS PARTY (EVERYBODY DANCE NOW) DtKH 13 8 SNOW PATROL CHASING CARS 14,19 JUSTIN TIMBERLAKE FEAT. Tl LET ME TALK TO YOU PRELUDE/MY LOVE M, 15 25 ROBBIE WILLIAMS LOVELIGHT CNywts 16 i 10 THE KILIERS WHEN YOU WEREYOUNG 17 12 JUSTIN TIMBERLAKE SEXYBACK 18;0 MEAT LOAF FEAT. MARION RAVEN !TS ALL COMING BACK TO ME NOW Mcray 19 21 CASSIE LONG WAY 2 GO MB», SUGABABESEASY Isted

II Tl BOB SINCLAR & CUTEE B ROCK THIS PARTY defecfed 2 i SCISSOR SISTERS 1 DONT FEEL UKE DANCIN" POLYDOR 3 10 FEDDE LE GRAND PUT YOUR HANDS UP FOR DETROIT 4 2 RAZORUGHT AMERICA VERTIGO 5 4 JUSTIN TIMBERLAKE SEXYBACK 6: Û GIRLS ALOUD SOMETHING KINDA OOOOH 7 5 P DIDDY FEAT. NICOLE SCHERZINGER COME TO ME ATLANTIC 8 6 SHAKIRA FEAT. WYCLEF JEAN HIPS DONT UE 9 7 10 0 BEYONCE IRREPLACEABLE n B CAST OF HIGH SCHOOL MUSICAL BREAKING FREE 12 16 NELLY FURTADO FEAT. TIMBALAND PROMISCUOUS GEFFEN 13 o JUSTIN TIMBERLAKE MY LOVE JIVE 14 11 UL CHRIS CHECK1NTT OUI RCA 15 8 PUSSYCAT DOLLS1 DONT NEED A MAN mm 16 9 BEATFREAKZ SUPERFREAK DATA 17 20 MY CHEMICAL ROMANCE WELCOME TO THE BLACK PARADE REPRISE 18 Ô THE KILLERS WHEN YOU WEREYOUNG MERCURY 19 12 ULY ALLEN LDN RÉGAL 20 RE FAITHLESSINSOMNIA

ilpaHBïBm npl FEDDE LE GRAND PUTYOUR HANDS UP FOR DETROIT 2 1 ! GIRÏS ALOUD SOMETHWG KINDA OOl 1 2 RHORUCHT V ER! . 4 ! 6 IBEYOHCE mVINCIBUtACOUSTlC] 5 ^ 5 j SWOW PflTROl CHASING CARS ) | AMY WINEHOUSE REHAB I j SCISSORSISTERSI

12 8J JAMES MOHOSON YOU GIVt ME SOMETHING

2 1 FEDDE LE GRANDE PUT YOUR HANOS UP FOR DETROIT BODYROX FEAT. LUCIANA YEAH YEAH

AMY WINEHOUSE REHAB RAZORLIGHT AMER ù

SIMON WEBBE COMING AROUND AGAIN DEPECHE MODE MARTYR

MEAT LOAF FEAT. MARION RAVEN IT'S AIL COMING BACK TO ME NOW W JAMIROQUAIRUNAWAY £7 P DIDDY FEAT. NICOLE SCHERZINGER COME TO M

JUSTIN TIMBERLAKE SEXYBAC ^ THE GOOD THE BAD & THE QUEEN HERCULEAN

JAMES MORRISON WONDERFUL WORLD TENACIOUS D POD mtt THE GAME FEAT. JUNIOR REID IT'S OKAY

tlio srarm» 1.9re,liieSûii SHAKIRA FEAT. WYCLEF JEAN HIPS DONT LIE

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CAST OF HIGH SCHOOL MUSICAL BREAKING FREL RIHANNA WE RIDE

THE KOOKS OOH LA ^«FTnMBALAND PROMISCUOUS

\^MÊKÊÊÊÊSSi^M

Singles Chart

4 39 TÔT

■Â V •Ml A CHANCE

T^E KME^SJ^N YOUNG HeJOTlfHVMilCOB 41 15 3 1AR TRADESMAN 1565 OUVICOOOô (ARVl 42 BAbtmtN l JflXX.JAKh ME BACK TO YOUR HOUSE 43 0 MOBY FEAT DEBBIE HARRY NEW YORK NEW YORK Mute CDMUTEITI (B 44 29 7 ULY ALLEN LDN «KUICOBÉGUIID 45 69 2 ALESHA KNOCKOOWN 46 THE SUNSHINE UNDERGROUND u' MY1M iU i l'h ' O J."' 1 47 34 7 PAOLO NUTINIJENNY DONT BE HASTY «JaulicAniKWlCIKlEM 48 33 7 PUSSYCAT DOLLSI DONT NEED A MAN ASirn^ 1709094(01 49 39 11 PINKU&URHAND ClFace 82876880802 (ARV) 50 33 JAMIE T IF YOU GOTTHEMONEY ^VSCOTOB 51 31 4 THE ORDINARY BOYS LONELY AT THE TOP 52 62 2 CASS FOX TOUCH ME Mes) EMI/Mtng Hi« iroiffl,) Sta) UitosjI 1712211 Bl) 53 40 13 DAVID GUETTA VSTHE ECG L 1 ■.'! 1 L .l (ILi.., .VAJ fl'-VT ■ 54 / r TAIO CRUZIJUST WANNA KNOW o f- 55 CASSIE ME &U WBwAtOZSlOOdBO 56 42 n THE FEELING NEVER BE LONELY (Tho Fcelinq/Grecn) EMI (Tlie F«6nq) Isia^l/Uni-Isliml 1705007 (01 57 41 CHAMILLIONAIRE FEAT. KRAYZIE BONE RIDIN' Oniwrsal 1705043 (01 58 37 3 EVANESCENCE CALL ME WHEN YOU'RE SOBER (Fortman) Universel (IH/Balsama) M-bi. 82876894152 (ARV) 59 MADONNAJUMPo Wem.BMhe.sm 60 THE YOUNG KNIVES THE DECISION , m i) BMC (Hp lam Knwo Irraptssivt TRAMO42C0 OtNI 61 INFERNAL SELF CQNTROL o £ito) 62 43 1 JAMÉLlAptif'LIHILi. ABOI 1 lOl (Souishoei S Ma) BMG/EHI UwMSuMoiWMii) Ruiopntre CDR6713IB 63 53 20 THE KOOKS SHEMOVES IN HER OWN WAY V^VSOWUB 64 GOSSIP STANDING IN THE WAY UF CONTROL ^ ORKtfdMgsBAOÛPCSCKWlOE) 65 KASABIAN SHOOT THE RUNNER o ^

~66~ MILBURN WHATYOU COULD'VE WON (Elira} a) Froc Constmclion/Uraversal (CarrulL-CjrnalL'Gwn/Rcr/.le-,) lu' 67 TIESTO FEAT. MAXI JAZZ DANCE4LIFE 68 51 ■ THE GOO GOO DOLLS IRIS/STAY WITH YOU WlnMf Srotfert W736C01 (IÎN1

. 69 44 10 LEMAR - I 70 54 12 BEYONCE FEAT JAYZ IL / 71 63 10 MUSE^STARLIGHT K, i,.......L,-.rai; (ispius.! 72 57 14 GNARLS BARKLEY SMILEY FACES 73 22 2 THE RACONTEURS BROKENJOY SOLDIER XLXlSHeCOITOIE)

~W Is TT BEDOUIN SOUNDCLASH WHEN THE NIGHT FEELS MY SUNG^^,^ 75 30 2 THE LONG BLONDES ONCE AND NEVER AGAIN ftpujS Iiûde RlRADSCOl/l (F) ■ si-,. ■ sjlesii i5(ft ■ H-lhesi New Eiitiy ® PUtmsilfOO.OOOl ©StolBOO.OOOl B KighestClmber ® (ad 1401,0001 Ote.ve,.nï6.idmiipsiiM.solv fiEVEP K lOtiElY 56 ==071—S SHtMOVtsimiœ." si«u..Hr" S sffloiimeuœrRCs suiwstsxs ÏÏfS/ SMUtVIMESl SOTWOTIRAœSMANll SmiOIOE-S SSHAITOCOOintlTOliA prauiscwusî? Kir^PHAMDS SliWlS STAHD1NC IN THEWYOf SsAK COUINC 6 ÏÏSl'

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THE KOOKS SHE MOVES IN HER OWN WAY THE FEEUNG NEVER BE LONELY P DIDDY FEAT. NICOLE SCHERZÏNGER COME TO ME DEPECHE MODE MARTYR PINKU&URHAND MEAT LOAF FEAT. MARION RAVEN1TS ALL COMING BACK TO ME NOW SHAKIRA FEAT. WYCLEF JEAN HIPS DONT UE SUGABABES EASY BABYSHAMBLES & FRIENDS JAN1E JONES (STRUMMERVILLE) THE GOOD THE BAD & THE QUEEN HERCULEAN THE GAME FEAT. JUNIOR RE1D IFS 010 TENACIOUS D POD PANIC! AT THE DISCO1 ffiHTE Sir THE KOOKS OOH LA SEAN PAUL FEAT. KEYSHIA COI CASCADA EVERYTIME WE TOUCH RIHANNAWERIDE THE K1LLERS WHEN YOU WEREYOUNG

BODYROX FEAT. LUCIANA YEAH YEAH BEYONCEIRREPLACEABLE GIRLS ALOUD SOMETHING K1NDA OOOOH MY CHEMICAL ROMANCE WELCOME TO THE BLACK PARADE DEPECHE MODE MARTYR BABYSHAMBLES & FRIENDS JANIE JONES (STRUMMERVILLE) SIMON WEBBE COMING AROUNO AGAIN BOB SINCLAR & CUTEE B ROCK THIS PARTY (EVERYBODY DANCE NOW) THE GOOD THE BAD & THE QUEEN HERCULEAN JAMIROQUAIRUNAWAY MEAT LOAF FEAT. MARION RAVEN ITS ALL COMING BACK TOME NOW CASSIE LONG WAY 2 GO P DIDDY FEAT. NICOLE SCHERZÏNGER COME TO ME KLAXONS MAG1CK THE GAME FEAT. JUNIOR REID ITS OK AMY WINEHOUSE REHAB CAST OF HICH SCHOOL MU RIHANNAWERIDE SCISSOR SISTERS I DONT FEEL UKE DANCIN' MOBY FEAT. DEBBIE HARRY NEW YORK NEW YORK KEANE N0TH1NG IN MY WAY THE SUNSHINE UNDERGROUND COMMERCIAL BREAKOOWN SEAN PAUL FEAT. KEYSHIA COLE (WHEN YOU GONNA) G1VE1T UP TQ ME JUSTIN TIMBERLAKE SEXYBACK LIL' CHRIS CHECKJN' 1T OUT

Ail the sales and airplay charts SublispJ in Mnsic Week are also available online every Sunday eveniiu) at www.nmsicweek.com

Albums

Girls Aloud score their first number one album as their Greatest Hits set enters at one, displacing Robbie to two. Meanwhile, Amy Winehouse makes an impact, entering at three mmm1

fïïe Officiai UK

CORILLflZF_H ^ 4 LEDZFPPÊUN " 1 J 4 L ^ ■ T 6 ica j BULCET FOR MY VflLENTINE THE POISON - LIVE AT BRIXTOM 7 PËt SHOP BOYS A LIFE !>N POI 81U 1 THE WHO LIVE AT THE ISLE OF WIGHT FESTIVAL WO

13|ï5TpmK FlOYP/SYD 6ARRETT P1NK FLOYD/SYD BARRETT 14115 I avis PRESLEY ELVIS -THATS THE V^V 1T1S «I U tLVliPI jgj 23 [ ROD STI 16 8 ^Ï0 17 14 1 U2 ZOO "

-UVE AT ROYAL ALBERT ON LIVE AT MONTREUX1980/1974 /-UVE IN SYDNEY 18j 9 [ QUEEN LIVE AT WEMBLEN' STADIUM 19 17 ; THE EAGLES PAREvVELl OLI.R - LIVE FROL'. MELBOURNE

El2 VARIOUS RADIO l'S LIVE LOUNGE bmgtvww) 21 "i1 OST HIGH SCHOOL MUSICAL v«i Osm-y (f; VARIOUS POP PARTY 4 e-vg tvumtv tin 5L VARIOUS NOW THATS WHATICALL NO l'S wi/w^.t^ro 615 VARIOUS THE ANTHEMS 7 6 VARIOUS m DIVAS Sciy SMG Tv/um w 8,4 VARIOUS NOW OANCE 2007 emi V.. .-uu-, C ^ (D 917 VARIOUS DANCÊ MANIA umtvaatw (UJ 10 3 VARIOUS MOTOWN - THE ULT1MATE COLLECTION ur^ rv tu) U| 9 VARIOUS ULTIMATE DIRTY DANCING (OST) RCAtARv. 12110 VARIOUS NOW THATS WHAT I CALL MUSIC! 64 if) 131OÔ 14 D VARIOUS ESSENT1AL R&B - AUTUMN 2006 Scr 'l BUG TVUMTV (ARV) ISj 11 VARIOUS HAROCORE EUPHORIA M.-.vr, 0! Sc^j IU» 16|l2 VARIOUS THE VERY BEST OF BACK TO THE M0V1ES ^|19 VARIOUS THE VERY BEST OF POWER BALLADS S16 VARIOUS WESTWOOD - THE GREATEST - ClASSIC JOINTZ 19115 VARIOUS OISCOKANDI HedK^(U) Àm ctfUKChartsCa^m " ET mjmsmui

1 _t. vWvl n L Ll 1 ' i l lu I 1 l SNOW PATROL EYES OPEN THEKOOKSINSIDE1N/1NS1DE OUT CORINNE BflllEY RflE CORINNE BA1LEY RAE KEANE UNDER THE IRON SI RED MOT CHILI PEPPERS STADIUM ARCADIUM RAZOREICHT RA20RL1GHT KEUY CLARKSON BKEA KAISER CHIEFS EMPLOVMENT PUSSYCAT DOLLS PCD SHAYNE WARD SHAYNE WARD loinncii copi THEKILliRS LÂMSILvVT

r i sairtiui.-yiUiiniH5iiiamjHifto.iP ' 2 T ROBBIE WIliXftMSRUMX ® 7

T" 2 E AMY WINEHOUSE BACK TO BLACK ® ltoll7W,M ~T~ MEAT ÎJDAF BAT OUT OF HELL 3 - THE MONSTERIS LOOSE

MY CHEMICAL ROMANCE THE BLACK PARADE "T T" ROD STEWART STILL THE SAME...GREAT ROCK CLASSICS OF OURÏÏM^ ~T 7 RAZORLIGHT RAZORLIGHT ® 2 "T R SCISS0RSISTERSTA-DAH®2 Babi^^Grech-Marguefdt Pclydcr I70o087 (U) "9" M l THEWHO ENDLESS WIRE Tô" JUSTIN TJMBERLAK UT ^ TEX/LOVESOUNOS® "IT ~ F THE KILLERS nood/Moukfcr Vertigo 1702675 (U) "U i i MADELEINE PEYROUX HALF THE PERFECT WORLD ® Btin R&jfflfefflJCJ 1703279 (Impcrtl ~Û SNOW PATROL EYES OPEN®, ~W 17 JAMES MORRISON UNDISCOVERED ® Ts" J l TONY BENNETT DUETS - AN AMERICAN CLASSIC ® "IT IOASABIAN EMPIRE ® TT ~ LUTHER VANDROSS THE ULTIMATE ® 18" 26 BEYONCE B'DAY Mwbu 8287688122 (ASV) 19" 2 7 AEROSMITH THE VERY BEST OF ^ 1ô" LEMAR THE TRUTH ABOUT LOVE ® ^ ir 17 17 THE KOOKS INSIDE IN/INSIDE OUT ® 3 Hollcf VifSàCDV301«4(E "22" 2 l MICHAEL BAIL ONE VOICE MtMiltm UmMd IV1704602 (Ul ~23 THE FRATELLIS COSTELLO MUSIC ®

24" 2 ~ EVANESCENCE THE OPEN DOOR ftrtnvm WinillB 82876860822IARV) ~25^ 2 II JOHN LEGEND ONCE AGAIN 16" 16 .6 PAOLONUTINI THESE STREETS® "27" J! a KEANE UNDER THE IRON SEA®2®i "28" 21 31 PINKFM NOTDEAD® "19 1 17 CHR1ST1NA AGUILERA BACK TO BASICS ® 1o 24 18 MUSE BLACK HOLES & REVELATIONS IT Jl F LILY ALLEN ALRIGHT, STILL ® Futufeat/Kurslin/CocW.MacHcteVRûYBor Reoal 367028210 "32" 22 F CORINNEBAILEYRAE CORINNE BAILEY RAE ® 2 ®, "33" 2 l UtETONES SATURDAY N1GHT VVR1ST ; "34" GNARLSBARKLEYSTELSEWHERE "35" JL F THE FEELING TWELVE STOPS AND HOME ® "36" JL F MOT LO£ THE VERY BEST OF ® "IT 1_ IHt UKUINAKY BOYS HOW TO GET EVERYTHING YOU EVER MNTED "38" 17 F BRWD THE SOUND OFBREAD ~ ' "

28 MUSICWEEK1UL06

Albums Chart

», m 39 lo À f ̂ ?1<EY R0BINS0N THE DEFINITIVE COLLECTION &TIMELESS

DANIEL O'DONNELL UNÏ1L THE NEXT TIME 41 25 3 P DIDDY PRESS PLAY W 34 10 BOBDYLAN MODERN TIMES 43 31 3 OEACONBLUE SINGLES 44 38 23 rÎhannaÀgirllikeme® Rogors/Sturten/SljrgateyRoleni/Cily/Corkwi/Nob^s oef Jam 9878575 (U) 4b 42 m THEK1LLERSH0TFUSS®4 46 40 50 ROD STEWART THE STORY SO FAR - THE VERY BEST OF ® ®, 47 43 21 NELLYFURTADO LOOSE 48 33 3 ROXETTE ROXETTE HITS 49 4, 25 FEEDERTHE SINGLES® 50 45 60 PUSSYCATDOLLSPCD®!®. 51 44 74 EVANESCENCEFALLEN®3©3

;52 « 24 PANIC! AT THE DISCO A FEVER YOU CANT SWEAT OUT ® 53 35: « LIONEL RICHKCOMING HOME ® 54 M THE HOLLOWAYS SO THIS IS GREAT BRITAIN Unger/Winslanley TVT HOUOLPCDl (V/THE) 55

1: SCISSOR SISTERS SCISSOR SISTERS ® 7 ® 2 SassorShters Polydor 9866058 (U) 56 M THUNDER ROBERT JOHNSON'S TOMBSTONE

57 » 32 JAMES BLUNT BACK TO BEDLAM ®, ® 4 m 58 66 34 PHILCOLLINSHITS®!®! Various Virgin COV 2870 (E) 59 23 3 PATRIZIO BUANNE FOREVER BEGINS TONIGHT 60 © m FRANK SINATRA MY WAY - THE BEST OF ® s © 3 61 80 JACK JOHNSON IN BETWEEN DREAMS ® 4 ® ■ 62 56 MY CHEMICAL ROMANCE THREE CHEERS FOR SWEET REVENGE^ 63 5 SETH LAKEMAN FREEDOM FIELDS 64 72 21 RED HOT CHILI PEPPERS STADIUM ARCADIUM w 65 0 l3 WHO THEN AND NOW 66 65 50 DAVID BOWIE BEST OF BOWIE ® ® 1 67 54 45 FLEETWOOD MAC GREATEST HITS ® a 68 69 54 FAITHLESS FOREVER FAITHLESS - THE GREATEST HITS ® 3 69 © 18 RAY LAMONTAGNE TROUBLE® 70 47 STING SONGS FROM THE LABYRINTH 71 67 21 ELO ALL OVER THE WORLD - THE VERY BEST OF lynne Epie 5201292 (TCH) 72 43 m ROD STEWART THE BEST OF ROD STEWART ® s 73 39 TRIVIUM THE CRUSADE 74 41 3 ROY 01 iiiSON THE VERY BEST OF 75 63 462 QUEEN GREATEST HITS®u p .cr-,3 ,0

PUSS'rCAT OOUS 50 fiAYLAMOfïïAGNEW RQ) (iOT CH1U PF.PPE8S (

nearly 42 years and provides thelr 32iid chart

of 25,950. That album bas sold 238,888 copies improves 82-62

m THE SUNSHINE UNDERGROUND COI jj 4 iBOBSlNCLAR&CUTEtBROCKTHGPARTY(EVERYBODVOAWCSNO1 $ | BflSBVIENT JflXX TAKE ME BACK TO YDUR HOUSE $ | TIESTO FEAT. MflXl JAZZ DANTOUFE 2 | THE RACONTEURS BROKEH BOY SOLCIER 71 © | GOSSIP STANDING IN THE WAY OF COUTROL i j THE COOPE» TEMPLE CLAUSE HOMO SAPIENS

3| ® | THE HOULOWAYS 50 TH1S [S GREAT BRITAIN 3 | 2 | FATBOY SLIM WHY ïïiY HÂ I|@|A1DENRA1N1NHELL 5|® MOGWAIZIDANE - A 2IST CENIORY PORTRAlT-l niT b: ,

i | BOB SINCLAR WESTERN DREAM i | ARCT1C MONKEYS WHATEVER PEOPLE 5AYI I I BASEMENT JAXX CRAZY1TCH RADIO 10| 5 | DANIEL O'DOHNEIiyNTlL THE NEXT TIME

CE THE BLACK PARADE Z | MEAT LOAF BAT 0UT0FHELL3-THE MONSTERIS LOOSE B0| DEFTONES SATURDAY NIGHTWRIST Si 4 MUSE BLACK I

5 AEROSMITH THE VERY BEST OF ICE THREE CHEERS FOR SWEET RE\ ON COUNT VOUR BLESSIN6S lo: 3 I RED HOT CHILI PEI

HT 2 ' 1 i iadelT .E FCA LU ( H i [ .il. m. un NINA SIMONE THE VERY BEST OF ! | DIANA KRALL FROM TH1S MOMENT ON 4: 4 lAMYWINEHOUSE FRANK " 3 | RAY CHARLES/C0UNTBAS1E ORCHESTRA RAY S1NGS BASE SWINGS 5 | MADELEINE PEVROUXCARELESS LOVE 6 | NINA SIMONE S0NGSTOS1NG-THE BEST OF | VARIOUS ARTISTS BEST OF THE BLUES | RAY CHARLES THE DEFINITIVE 10 QI NAT K1NG COLE SO UNFORGETTABLE HITS

L STING SONGS FROM THE LABYRINIH 3; 6 | KATHERINE JENKINSPR MIERi h 3 [KATHERINE JENK1NSLIVING A DREAM I RUSSELL WATSON THE VOICE - THE ULTIMATE COLLECTION 6 ; 10 | KATHERINE JENKINS SECOND NATURE 7; 5 IBRYNTERFELTIITTO MOZART ! | ALFIE BOE CLASSIC FM PRESENTS r®| NETREBKO/OR MARIINSKY/GERG1EV THE RUSS1AN ALBUM ) KARL JENKINS 1 HE ARMED MAC AEIASSFGRPfA

For full specialist chart listings, visit www.niusicweek.com

The Journey Continues,,,

LOREENA MCRENKITT

AN ANCIENT MUSE

». •vw'V."'.' ^

Onu heard, never forgottem the cherished personal discovery ofover

13 million record buyers Worldwide

I.OiUU NA MCKl NNITT AN ANCIENT MUSE

* l'îrsi single "Caravansemi" * ensive prim. nul in and rclail support <• > l'K Kiur dates in spring 2007 < rniii A IcKi'nnitt: Ni^hh- ai il'c Alhambm

TV spécial comingsuon <•

w w w,<jm nia nroad .coin

in this weelt's issue: sanctuary founder ends an era

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