24

PH

OTO

BY

NA

ME

HE

REALL AMERICAN

stoRy By Regina Cole PHotos By gReg PRemRu

bIN tHIs MAssACHusEtts HousE, LAyERs of HIstoRy ARE oN dIsPLAy.

Built as a summer residence in 1830 on Boston’s north shore, the house has a wide center hall. oPPosite: Bear lies on cool Bricks in the addition’s traditional entry.

b

25

PH

OTO

BY

NA

ME

HE

RE

26

hall. When Wendy and her family arrived in 1993, the central block was one room deep, with the kitchen and dining room off to one side. Ten years later, the Hodgsons added on, following an old-house tradition of “telescoping” additions that step to the side of the main block. The addition—a new kitchen and family room with master suite above—connects to a new garage/barn by way of a mudroom entry. The house today is 50 percent larger, but its neoclassical façade is ageless.

“We are almost positive that the house originally faced the other way,” says Wendy, who is an interior designer at Carpenter & MacNeille, a design–build firm in Essex, Massachusetts. “Long before our time, we’ve been told, what is now the back door was the front door. Given the level of detail of the two doors, that makes sense. And what is now a rear sunroom has the propor-tions of a large entry porch.”

The wide center hall runs between the front and back

recalls Wendy LeStage Hodgson, “but when we saw this house, we fell in love with it, and that was that.” The Federal-style farmhouse is just a few miles inland, set in the gentle fields of a North Shore community in Mas-sachusetts. The symmetrical core of the house, about 2,500 square feet, was built in 1830, with a wide center

WE WANtEd to LIvE By tHE sEA,b

27

ILLU

STR

ATIO

NS

BY

RO

B L

EA

NN

A

doors. Large enough to function as a room, the hall holds the library and part of the collection of antique furniture Wendy and her husband inherited. She lined its walls with traditional grasscloth above the wainscot.

“This was originally a seasonal house,” Wendy says. “In fact, in the late 19th century, it was the summer home of an American Impressionist artist who painted all around this area.”

Big entry porches and center halls open at both ends are not typical in New England; they point to a house meant for warm weather and visitors. The wide center hall seems related to the dogtrot, a covered passageway open at both ends that lent its name to a house type popular in the southeastern United States. Dogtrot or breezeway cabins provided natural cooling.

Old rooms include a Federal parlor and, across the hall, a “country Federal” room with a simple fireplace mantel and trim. The historical flows into the tradi-

It was traditional to cover upholstered furniture with muslin or cotton duck slipcovers in summertime.decoratIng

leFt: At some point in history, the front And bAck fAçAdes were switched; A wide hAll runs through the center of the mAin house. Below: the sitting AreA of the new kitchen/dining/fAmily room feAtures A hAndsomely pAneled fireplAce wAll. over the mAntel, A rurAl idyll pAinted by vermont Artist briAn sweetlAnd feAtures cows.

The WingBack ChairWhile the wing chair’s form is instantly recognizable, it has evolved over the centuries from classic 18th-century chippendale styling through colonial revival, art deco, ’40s modern, and contemporary interpretations.

18tHcentUrY

1930sconteMPorarY

1920s

1940s

28

CO

UR

TESY

OF

BU

CK

S C

OU

NTY

SO

AP

STO

NE

tional; Chippendale furniture, grasscloth walls, and gently worn oriental rugs are part of a familiar New England sensibility and an understated decorating approach.

The newer section of the house has its own generous entry, which is a less formal way into the house. The entry opens to a mudroom, then to the large new kitchen, with its dining and seat-ing areas.

“I wanted a paneled entry hall,” Wendy says about the new space, which, like the original entry hall, is paved in bricks. She patterned her garden room, or mudroom, on a room from an Eng-lish manor house that she saw in an old book.

For the additions and renovations, “We reused parts of the house whenever we could,” Wendy says. The soapstone sink that now holds flowers in the garden room, for instance, was once the house’s kitchen sink.

As the latest steward of this evolving old house, Wendy Hodgson has combined old and new to make a comfortable and beautiful home.

HoW to sEAL ANd MAINtAIN soAPstoNE

Soapstone is non-porous, so it’s stain-resistant and doesn’t retain bacteria, and it

is impervious to heat and acids. Its dark, charcoal-gray color and patina will come from exposure to oil, grease, and water. Most people prefer to oil the stone to keep oxidation consistent. When your soapstone is installed, apply mineral oil twice a week for three weeks, tapering off to once a month, then three times a year. Use clean, dry rags to apply the oil (a foam paintbrush is good in corners); about half an hour later, remove the excess with a clean rag. After a year or two, you may choose to stop regular oiling, instead just touching up in wet areas.

leFt: the new gArden room is bAsed on one in An old english mAnor house; the soApstone sink wAs once the kitchen sink. riGht: A librAry is built into the center hAll.

29

A trAditionAl new englAnd dry-lAid stone wAll rings A pAtio thAt hAs A view of the pAint-

erly surroundings.

30

CaPTuRe THe KiTCHen looK the starring element of the new kitchen is the large center island finished in green milk paint.

1. KITCHEN FURNITURE Quiet, traditional cabinetwork blends into the walls, while a table-like island and several antique pieces help the room merge with the old house.

2. NO CABINETS A timeless style comes from the lack of overhead cabinets in the kitchen. It works for “unfitted” kitchens that can look Colonial or European, and it allows more wall expanse for windows.

3. A PANTRY China and cookware aren’t stored in kitchen cabinets, but instead beautifully displayed in a new pantry that looks original.

2

3

1

inSPiRaTionIt can come from

anywhere! Wendy Hodgson loved an old glass jar she’d

had for years—and picked up the color for the arresting island.

1

moRe DeTailSOpen shelves in the work area provide

practical storage for everyday items; the

apron-front farmhouse sink echoes old-style

basins.

➥➥want to visit THE NORTH SHORE?

32

North Shore, MassachusettsVisitors to Boston often head south to Cape Cod, but there’s year-round attraction to the North Shore with its art and maritime heritage.

THE OTHER CAPE Gloucester, Essex, Manchester-by-the-Sea, and Rock-port make up Cape Ann, where the topography resembles Maine more than Cape Cod.

ART HISTORY Wendy Hodgson’s old house was once owned by an American Impressionist who was inspired by the rocky coast, sand beaches, tidal estuaries, farm fields, and old settlements in this historic part of New England. From

the Luminist Fitz Henry Lane to Edward Hopper and Emile Gruppe, artists have flocked to the region—and still do. Visit galleries and art museums like the Marblehead Arts Association (marbleheadarts.org), located in the 18th-century King Hooper Mansion, or the Cape Ann Museum (capeannmuseum.org). For a more hands-on approach, take a plein-air painting class at the Rocky Neck Art Colony (rocky neckartcolony.org).

MARITIME HERITAGE In towns up and down the coast, the sea is a central character. A few ways to experience coastal life: Stroll around the work-ing Gloucester harbor (maritime gloucester.org), climb aboard a replica cargo ship at the Sa-lem Maritime site (nps.gov/sama), or go whale watchingon an excursionfrom Gloucester or Newburyport.

n e w b u r y p o r t

i p s w i c h

s A l e m

r o c k p o r t

e ss e x

g lo u c e s t e r

A favorite of plein-air painters

America’s oldest seaport

Old shipbuilding town known for antiques stores

Historic districts and museums

Retains many 17th-century homes and a meetinghouse green

Sea captains’ manses and wildlife refuges

WHaT To eaTNorth Shore towns now have great cuisine year-round, but in the summer you’ll want to try an “in the rough” place: steamed lobster or fried clams—and a bib.

GO VISIT

WHeRe To STaYThis is not the land of cookie-cutter hotels and chain restaurants. In Sa-lem, the Hawthorne (hawthornehotel.com) is a boutique hotel with 89 guest accommodations, great Colonial Re-vival ambiance, and two on-site restau-rants. Rockport’s Emerson Inn by the Sea (emersoninn bythesea.com), a “baby grand” his-toric hotel, is truly a throwback to more genteel times. All North Shore towns have excellent bed-and-breakfast inns.

PH

OTO

BY

PIC

TUR

E P

AR

TNE

RS/

FOTO

LIA

.CO

M; M

AP

BY

ME

GA

N H

ILLM

AN

12

BO

TTO

M: P

HO

TO B

Y JO

EY

CIA

RA

MIT

AR

O/G

OO

D M

OR

NIN

G G

LOU

CE

STE

R

HOUSE MUSEUMSIf a beach day gets rained out, head for a house tour. Many of the house museums date to the 18th century. But then there’s castle hill in Ip-swich (thetrustees.org), a 59-room Stuart-style mansion designed for the Crane family (of plumbing fame) by David Adler in 1924, with grounds by the Olmsted Brothers and a spectacular site near Crane Beach. beauport in Glouces-ter (historicnewengland.org), built by groundbreaking in-terior decorator Henry Davis Sleeper between 1907 and 1934, is a unique place that helped propel the 20th- century Colonial Revival. Be sure to see the samuel mcintyre historic district in Salem for spectacular Feder-als. That city’s peabody es-sex museum (pem.org) owns 24 historic structures and gardens you can visit, too.

the 1782 peirce–nichols house in sAlem wAs designed And built by sAmuel mcintire.

GO VISIT