M

in the art worldi n t h e A r t w o r l d .co m S u m m e r 2 0 1 1

Clifford Ross Harmonium VIII, 2008 © Clifford Ross. Courtesy: Sonnabend Gallery, New Yorkand Clifford Ross Studio.

G E O R G E P L AT T LY N E SJune 9th - September 10th, 2011

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M

12 Clifford Rossat Sonnabend GalleryBy Camille Hong Xin

20 Qin Fengat Ethan Cohen Fine ArtsBy Chiara Di Lello

34 Village • LES •Soho • Tribeca38 Chelsea • MPD42 Uptown • Midtown • 57th Street44 Brooklyn • Williamsburg45 Queens • LIC46 Shanghai

EDITORIAL

LISTINGS36 New York City47 Shanghai47 Beijing

BASICS10 News47 Auctions48 Index

MAPS

MintheArtworld.com

Vol. 14, No. 10, Summer, 2011ISSN 1534-5394

Publisher/ M. Brendon MacInnis • Director/ Mi Jeong Kim• Contributing Writers/Mary Hrbacek/ Camille Hong Xin/Nicolette Ramirez/ Chiara Di Lello/ Andy St. Louis/Jennie Park / Lee Klein / Terry Ward / • Graphic Design AsiaEdition/ Shelly Wang • Web Master/ JasonGoodrow •Copy editor Intern/Claudia Eve Beauchesne

Asia Bureau • Editor/ Vivi Ying HeintheArtworld.com, Room 104, building 2, 91 Tai An Rd Shanghai200052 China. Tel /CH 86.13761300987 /HK 852.95357978email/ vivi@i n t h e A r t w o r l d .comi n t h e A r t w o r l d .com

M is published monthly by intheArtworld.com. All requests forpermission and reprints must be made in writing to:intheArtworld.com 136-20 38th Avenue, 3rd floor, Suite 325Flushing NY 11354. Te l 212 956 0614editor@i n t h e A r t w o r l d .com

A Stylish Gateway to the Lower East Side

151 East Houston Street, Lower East Side, NY tel 212-777-0012 www.hoteleasthouston.com

Starting this season, you have probably noticed theubiquious M art maps appearing everywhere in

New York — Downtown, Uptown, Chelsea. Totalling45,000 bi-monthly copies and distributed to the city’smajor art districts and top hotels, they’re hard to miss.

As the original M magazine has evolved over theyears, from a local art guide into a highly regardedart journal with increasing international content,gallery owners and art patrons have expressed theneed for a simple guide that visitors can pick up ingalleries and hotels and walk around with, take noteson, stick in their pocket.

Indeed, this was the premise of M from its inceptionin 1998, when we were the first art publication toherald the importance of what was then an emergingart district called Chelsea.

Our listings policy is simple: We print the name (notjust the reference number) of important galleries andart institutions directly on our easy-to-use neighborhoodart map for free. For our member galleries, in additionto the map placement, we provide complete listings inprint and on our easy to remember website:i n t heA rtworld.com

There is no charge for galleries to list online with M,but to maintain quality listings, membership is byinvitation only.

But of course you don’t have to be a gallery ownerto access of the most up-to-date gallery listings ever.Have a great summer season.

i n t heArtwor ld .com 9

News

Chelsea Art Walk Sponsored by M

M/ in the Art world also called the M magazinehas launchedaseriesofbi-monthlyartmapscoveringthe important art districts ofNewYork.Thefirstmap“MLowerEastSide”was introduced lastsummer—nowcalledsimply“MDowntown”—and it is already thelargestandmostwidelydistributedartmapfor thisrapidly growingart community that includes theLowerEastSide, theEastVillage,SohoandTribeca.Thismapwas followed by a second, “MChelsea”,which includes theDesignDistrictand theWestVillage.Thethirdmap,“MUptown”,includestheUpperEastSide,theUpperWestSide,Midtownand57thStreet.

On the Move

ThePaceWildenstein hasmoved to534W25thSt inChelsea (the former location of Bortolami Gallery).

TheBortolami Gallery hasmoved from534W25th Stto 520W20thSt inChelsea.

Public Art

The Whaling Wall, a public artwork by 88 year oldartist Knox Martin, premiers as a public mural at334 Grand St, at the corner of Grand and LudlowStreets in the New York’s Lower East Side. Formore information please visit: www.wood-wardgallery.net/knoxmartin-whalingwall.html.

Art Fair

Art Taipei takes place August 26 - 29 at the TaipeiWorld Trade Center, Area A & D. For more infor-mation please visit: www.art-taipei.com. Along withSH Contemporary, and KIAF, which take place later,Art Taipei continues the program “ ART PREMIUM”which encourages a cultural exchange and supportfor Asian Arts by providing exclusive service andinviting VIPs from abroad, among the three art fairs.

KIAF, the Korean International Art Fair, now in its10th year, takes place September 22-26, with a VIPPreviewWednesday September 21 at COEX in Seoul.For more information, please visit www.kiaf.org

SH Contemporary, the Asia Pacific ContemporaryArt Fair, takes place September 8-10, with a VIPPreviewWednesday September 7 at the ShanghaiExhibition Center in Shanghai. For more informa-tion please visit: www.shcontemporary.info

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Rev iew

Clifford RossSonnabend Gallery, New York

By Camille Hong Xin

In Richard Holmes's biography The Age of Won-der, a group of men and women in the late 18thand early 19th centuries, some of whom were mu-sicians or poets, believed the world was full of mir-acles that could be detected if only they lookedharder and experimented more. Eventually their dis-coveries and inventions gave birth to the RomanticAge of Science. Once again we are on the brinkof an age like this, when art and science are closelyinterwoven. The process of art-making has becomejust as innovative and fascinating as the art itself.This is the case with artist and inventor CliffordRoss’s work.

In this photography show, Landscape to Imagination,Ross obsessively deconstructs and reconstructs hismountain photographs, producing a remarkableseries of work that merges technical innovationand fine art in the spirit of The Age of Wonder. Hebreaks the boundary between these two normallyseparate vocations, bringing scientific inspirationinto his art, and a poetic sensibility into his in-vention. In 2001, when he was not satisfied withphotographs that he took of Mount Sopris in Col-orado with a 4x5 view camera, he began exper-imenting. For the next ten years, along with histeam, Ross invented a high resolution R1 camerasystem that uses military aerial film and a uniquedigital post-production technology, an R2 high-res-olution 360 degree digital video array, and i3Cyclorama. It is with his R1 camera system andre-programmed animation software that Rosscreated the work in this show.

The exhibition traces Ross’s creative process, start-ing from an extremely high resolution large scalephotograph, Mountain XIII, as the original imagefor his digitally manipulated collages, MountainRedux. This abstract work serves as the technicalbase for and conceptual interpretation of the ex-hibition’s centerpiece, an animated short video in-stallation, Harmonium Mountain, with an originalscore by the composer Philip Glass. The short filmwas an official selection of the Tribeca Film Festi-val this year. In a manner of speaking, Ross’s workbegins with a realistic meditation, emerges as anabstract musical, and progresses to a visualcarnival.

12 i n t heArtwor ld .com 13i n t heArtwor ld .com

Clifford Ross Harmonium Mountain I, 2008 © Clifford Ross. Archival Pigment Print. Courtesy: Sonnabend Gallery, New Yorkand Clifford Ross Studio

“Once again we are on the brink of an age likethis, when art and science are closely interwoven.The process of art-making has become just asinnovative and fascinating as the art itself.”

14 i n t heArtwor ld .com 15i n t heArtwor ld .com

Clifford Ross Mountain XIII, 2006 © Clifford Ross. Chromogenic Color Print. Courtesy: Sonnabend Gallery, New Yorkand Clifford Ross Studio

“You not only see the wood grains on barnshingles two miles away, or tiny footpaths in distantmountains, but you also see the gentleness andtransparency of the illuminating mist at the far endof the water.”

16 i n t heArtwor ld .com 17i n t heArtwor ld .com

Clifford Ross Harmonium Mountain (Still image from video animation, 5 minutes 26 seconds), 2010 © Clifford Ross.Courtesy: Sonnabend Gallery, New York and Clifford Ross Studio

Andre Gide is quoted in an interview with DavidSalle, “do not understand me too quickly”. To besure, this probably speaks for most artists. Hencethe viewers are encouraged here to look harderand investigate the process behind Ross’s work.Unlike most photographs, the closer you look atMountain XIII (75 x 130 inches), the clearer thedetails appear. You not only see the wood grainson barn shingles two miles away, or tiny footpathsin distant mountains, but you also see the gentle-ness and transparency of the illuminating mist atthe far end of the water. It took Ross and his teamone year to build the RI camera, but in order torecreate the atmosphere as faithful as what he ex-perienced in the actual mountain, he spent morethan three years laboriously fine-tuning and bal-ancing color, hue and contrast on his fourteenMountain photos. As a result, the hyper-realisticimage captured by the lens and the impression ofthe nature left in the artist’s memory appear as onein the same photograph.

With a background as an abstract painter — eventhough he was obsessed with extreme realism —in 2006 Ross returned to rendering abstract inter-pretations of his emotional and spiritual responseto the landscape. Inspired by the paper negativesof the Taj Mahal by Mid-19th century British pho-tographer John Murray, Ross went on to create aseries of more abstract collages, Mountain Redux,that began with the negative of the mountains.There is something soulful in a paper negative. In-deed, back when the camera was first invented,people were afraid that this strange box actuallystole their souls. However, most prints today losethis feeling in the development. When Rossdrained the color from his photograph, it seemsas if this elusive soul finally emerged, and with apoetic truth and newfound emotional force.

The process behind Ross’s works is akin to that ofa master clockmaker taking apart one clock to cre-ate a series of new clocks. Inspired by “the worldin a grain of sand” in William Blake’s poem,

Auguries of Innocence, Ross takes one small sec-tion from the negative of Mountain XIII as his visuallanguage, “harmonium,” and infuses it with richcolors. With these vivid harmoniums he conductsa dazzling concerto of an abstract Mount Soprisagainst the negative of the landscape until it fadesto pure gray. And finally on the last piece, Har-monium Blizzard, he turns the concerto to a cli-mactic symphony. Ross printed this series onhand-made Japanese paper, similar to the 19thcentury handmade paper that Murray used. Theway the ink soaks into the paper reveals a gentleand enduring emotion while the ancient stillnessseizes upon a split moment from the computerizedfast-changing expression. In doing so, Ross com-bines the elements from early photography andEastern ink painting with the most advanced tech-nical innovations of today.

At last, Ross’s video installation Harmonium Moun-tain mobilizes the essentially immobile Mount Sopris.Following the artist’s experimental journey, the shortfilm seems to be as much a narrative story of hiscreative progression as an abstract animation. Thecolorful harmonium panels dance, melt, shape andreshape across the startlingly dark or brightly litnegative of the landscape on the screen. The con-trast is both celebratory and dreamlike. Whilesome artists pursue a theme or subject horizontally,Ross works vertically. Instead of traveling aroundthe world shooting more mountains, he experimentswith only one, utilizing different art forms, means ofexpression, medium and material.

Cezanne did more than sixty paintings of Mont St.Victoire. His relentless exploration in that process,with its emotional balance between abstractionand the real world, are many artists’ touchstones.Ross’s obsession here suggests Cezanne’s influ-ence on his pixilated, broken-apart attempts atpainting Mount Sopris with his own invented mod-ern tools; but even as such, apparently it’s only thebeginning of what this artist plans to do with hismountain. M

“Following the artist’s experimental journey, the shortfilm seems to be as much a narrative story of hiscreative progression as an abstract animation.”

i n t heArtwor ld .com20 i n t heArtwor ld .com 21

Rev iew

Qin FengEthan Cohen Fine Arts , New York

By Chiara Di Lello

This show, Desire Landscape, presents the workof Chinese abstract painter Qin Feng in a series

replete with nuanced forms and powerful expres-sions. The exhibition includes works on canvas aswell as paper, mixed media compositions, and onelarge piece consisting of over two dozen paintedfans. The artist’s thorough engagement with bothtraditional Chinese and abstract expressionist art isevident throughout these works.

Feng often focuses on rearranging the composi-tional elements of a traditional scroll painting. Inthe largest canvas here, a series of delicatelypainted plateaus at the top of the canvas dropaway as if into a canyon or basin, while the bot-tom edge is covered in calligraphic writing that isso layered and gestural as to suggest Chinesecharacters and Arabic letters. These elements arepushed to the edge, while the center of the canvasis dominated by a thick, sinuous black line thatwas apparently painted with a mop. The choice ofpainting utensil, and the use of ink together withpaint, calls attention to the relationship betweenwriting and painting, a relationship explored inseveral pieces in the show.

Qin Feng Desire Landscape (installation view of exhibition), 2011.Courtesy: Ethan Cohen Fine Arts , New York

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Another trio of works on paper presents intriguinginteractions between “classical” and contempo-rary brushwork. Here a tranquil stretch of water isinterrupted by a thick expressionist ink line; andcragged mountains are literally upended andhang down from the top of the paper, above asingle circular brushstroke. The circular brushstrokeis significant as a sign of Feng’s engagement withZen philosophy. Painting circles in ink is a form ofZen meditative practice, which the artist puts to adifferent purpose in this work. His circle encloseswhat appears to be a stretch of water, rendered intraditional brush strokes, suggesting an interrup-tion of tradition; but it is unclear whether this is anintentional effort. In seeking enlightenment, Zenpractitioners seek to transcend attachment to, ordesire for, the material world. One wonders thenwhether the title, Desire Landscapes, represents acatalogue of what obstacles remain, or an effortto turn the tables and focus on those desires,thereby flying in the face of Zen philosophy. Ten-sion and attachment are present in multiple formshere; the series of painted fans serving as a me-morial to the artist’s father, suggest nostalgia, but

their repeating forms also hints at the obsessivenature of memorial. The small, frenetic strokes thatadorn the fans seem somewhat confined as com-pared to the larger wall-sized works, in which theartist’s brush strokes have freer rein to let loose hisenergy.

The emotional possibilities in Feng’s brushworkremind the viewer of this artist’s relationship topostmodern painting, in addition to his clear con-nection to classical Chinese painting. The wide,dark brushstrokes call to mind Franz Kline, whilethe use of alternative media, including coffee, teaand alcohol, recalls the transgressive use of thesematerials by Andy Warhol. Desire Landscapedoes not stop at reference, however; these worksactively enrich postmodern technique and createintriguing links among the artists of Feng’s post-

Qin Feng Desire Landscape, 2009. Acrylic, tea, coffee, mixed media on canvas. 88 x 240 inchesCourtesy: Ethan Cohen Fine Arts , New York

modern lineage. One has to wonder how the useof a mop as a painting implement adds to our con-ception of “action painting.” We stop to considerwhat cultural context is at work when using deli-cate washes made from tea. A personality beginsto take shape behind the works, one that is bothplayful and contemplative, questioning every as-pect of the work and the idea of the artist.

Amid these dialogues, Feng’s work seems overallto be seeking a space to inhabit, as evidencedby the vistas expanding across his canvases andhis stretching of calligraphy to the point of ab-straction, in order to make room for new modes of

expression. In two of his circular canvases Fengcovers the composition with small circles of lac-quer arranged in a strict coordinate grid, as if tosuggest a mapping of the new territories and vis-tas entered by his work, plotting the exact coor-dinates among all of its referents in order to comedown from the high vantage points of these de-sire(d) landscapes and truly inhabit them. M

“Painting circles in ink is a form of Zen meditativepractice, which the artist puts to a different purposein this work.”

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Village / LESAnastasia PhotoNick Zinner, photo May 4 thru Jun 4166 Orchard St, 10002212 677 9725 info@anastasia-photo.comwww.anastasia-photo.com Tue-Sat 11-7

ChinaSquareAlex Guofeng Cao: “My All-Stars”, photography, ongoing102 Allen St, 10002212-255-8886 info@chinasquareny.comwww.chinasquareny.com Tue-Sat 12-6; Thu 12-8

Christopher Henry GalleryOLEK "Knitting is for Pus****", sculpture multimedia per-formance Sep 9 thru May 29; Karin Schaefer "Mind's Eye",painting Apr 28 thru May 28; Matt & Mark Enger , paintingsculpture Jun 2 thru Jul 1127 Elizabeth St, 10002, 212 2446004www.christopherhenrygallery.com Tue-Sat 10-6

Lehmann Maupin201 Chrystie St, 10002212 254 0054 info@lehmannmaupin.comwww.lehmannmaupin.com Tue-Sat 10-6

The New Museum of Contemporary Art235 Bowery, 10002212 219 1222 info@newmuseum.orgwww.newmuseum.org Wed-Sun 12-6; Fri-Sat 7-9

NY Studio GalleryYuliyaLanina"BirdsandBees",paintingsculptureApr14thruMay14154 Stanton St, 10002212.627.3276 info@nystudiogallery.comwww.nystudiogallery.com Thu-Sat 12-6; or by appt.

The Pen and Brush, Inc.16 E. 10th St., 10003212.475.3669 info@penandbrush.orgwww.penandbrush.org Thu-Fri 4-7; Sat & Sun 1-5

Feature IncNaoto Nakagawa "Earth Wave paintings", painting Apr 13 thruMay 15; group exhibition "i am not monogamous, i heart po-etry ", painting sculpture Jun 23 thru Aug 5; Isabella Kirkland"Nova Paintings", painting May 18 thru Jun 18131 Allen St, 10009212.675.7772 featureinc@featureinc.comWed -Sat 12-6, Sat 1-6

Umbrella Arts - Fahey Bodell317 E 9, 10003212.505.7196 info@umbrellaarts.comwww.umbrellaarts.com Thu-Sat 1-6; by appt

White Box Bowery329 Broome St, 10002212.714.2347 operations@whiteboxny.orgwww.whiteboxny.org Wed-Sun 11-7

Woodward GallerySybil Gibson "Family Collection", painting Mar 26 thru May 21;UR New York "Eye of the Beholder", painting Mar 27 thru Jun30; "20 in 11", painting multimedia May 28 thru Jul 2133 Eldridge Street, 10002212.966.3411 art@woodwardgallery.netwww.woodwardgallery.net Tue-Sat 11-6; Sun 12-5

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Chelsea532 Gallery / Thomas JaeckelRobert Kunec "In The Name Of", Apr 28 thru May 26; MarcyBrafman "Pearlescent", painting May 31 thru Jun 27532 W 25, 10011917.701.3338 info@532gallery.comwww.532gallery.com Tue-Fri 11-6; Sat 1-5

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Andrea Rosen525 W 24, 10011212.627.6000 l.mackall@rosengallery.comwww.andrearosengallery.com Tue–Sat 10–6

Bertrand Delacroix GalleryRon Agam , Apr 26 thru May 28535 West 25th Street, 10001212-226-2262 newyork@axelle.comwww.axelle.com Tue-Sat 10:30-6:30

Betty Cuningham Gallery541 W 25, 10001212.242.2772 info@bettycuninghamgallery.comwww.bettycuninghamgallery.com Tue–Sat 10-6

Ceres547 West 27th Street, Suite #201, 1000212.947.6100 art@ceresgallery.orgwww.ceresgallery.org Tue-Sat 12-6; Thu until 8

Cheim & Read547 W 25, 10001212.242.7727 gallery@cheimread.comwww.cheimread.com Tue-Sat 10-6

CW Gallery547 W 27, 10001 212.242.4215Tue–Sat 10-6

DC MooreGeorge Tooker (1920-2011) "Memorial Exhibition" , Jun 9 thruAug 5; Mary Frank "Transformations: Wood Sculpture, 1957-1967, and Recent Photographs", May 5 thru Jun 4; JacobLawrence "Builders", May 5 thru Jun 4535 W 22 St, 2nd floor, NY 10011212 247 2111 info@dcmooregallery.comwww.dcmooregallery.com Tue-Sat 10-6

Andrew Edlin Gallery134 10th Ave, 10011212.206.9723 ae@edlingallery.comwww.edlingallery.com Tue-Sat 11-6

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SohoArtists Space Gallery38 Greene, 3rd fl, 10013212.226.3970 info@artistsspace.orgwww.artistsspace.org Tue, Thu, Fri 12-6; Wed 12-8; Sat 12-5

Axelle Fine ArtsFabienne Delacroix , paintings. Apr 30 thruMay472 West Broadway, 10012212 226 2262 www.axelle.com

Peter Blum SoHoRichardGardner, Bob Axel, DavidMonderer, R.WayneParsons ,May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron,John Custodio , Jun 7 thru Jul 299 Wooster St, 10012212 343 0441 soho@peterblumgallery.comwww.peterblumgallery.com Tue-Fri 10-6; Sat 11-6

Brooke AlexanderWooster, 2nd fl, 10012212.925.4338 info@baeditions.comwww.baeditions.com Tue–Sat 10–6

Ethan Cohen Fine Arts14 Jay St, 10013212.625.1250 info@ecfa.comwww.ecfa.com Tue-Sat 11-6

The Drawing Center35 Wooster, 10013212.219.2166 info@drawingcenter.orgwww.drawingcenter.org Tue–Fri 10– 6; Sat 11–6

Eli Klein Fine Art462 West Broadway, 10012212 255 4388www.elikleinfineart.com

OK Harris Works of Art383 West Broadway, 10012212.431.3600www.okharris.com Tue–Sat 10–6

Ronald Feldman Fine Arts31 Mercer Street, 10013212-226-3232 info@feldmangallery.comwww.feldmangallery.com Tue-Sat 10-6; Mon. by appt.

Soho Photo GalleryRichardGardner, Bob Axel, DavidMonderer, R.WayneParsons ,May 3 thru Jun 4; Butch Cordora, Aviva Baharav, Peter Agron,John Custodio , Jun 7 thru Jul 215 White Street, 10013212-226-8571 info@sohophoto.comwww.sohophoto.com Wed-Sun 1-6

Staley-Wise Gallery560 Broadway, 3rd fl, 10012212.966.6223 photo@staleywise.comwww.staleywise.com Tue–Sat 11–5

Ward-Nasse GalleryOngoing salon exhibition with 200 works on the walls 1000works in the racks. The Gallery that give artists a chance andthe public a choice178 Prince, 10012 212.925.6951www.wardnasse.org

High Line Gallery511 W 20, at the High Line, 10011212.645.2355 / 203.858.0059 Hours vary; by appt

Kips Gallery511 W 25, 10001212.242.4215 kips@kipsgallery.comwww.kipsgallery.com Tue–Sat 11–6

Kathryn Markel Fine Arts529 W 20, 6th fl,10011212.366.5368 markel@markelfinearts.comwww.markelfinearts.com Tue-Fri 10-6; Sat 11-6

Lehmann Maupin Gallery540 West 26th Street, 10001212 255 2923 info@lehmannmaupin.comwww.lehmannmaupin.com Tue-Sat 10-6

Matthew Marks Gallery522 W 22, 10011212.243.0200 info@matthewmarks.comwww.matthewmarks.com Tue–Sat 11–6

Mike Weiss GalleryYigal Ozeri: “Garden of the Gods”, Painting, May 6 thru Jun 1520 W 24, 10011212.691.6899 info@mikeweissgallery.comwww.mikeweissgallery.com Tue-Sat 10-6

Messineo & WymanRobert Stivers "Craving the Seamstress" , Apr 14 thru May 21;511 West 25th Street Suite 504, 10001212-414-0827 memessineo@aol.comwww.messineowyman.com Wed-Sat 12-5; by appt

Metro Pictures Gallery519 W 24, 10011212.206.7100 gallery@metropicturesgallery.comwww.metropicturesgallery.com Tue-Sat 10-6

Robert Miller Gallery524 W 26, 10001212.366.4774 rmg@robertmillergaller.comwww.robertmillergallery.com Tue–Sat 10–6

Mixed Greens531 W 26, 1st fl, 10001212 331 8888 info@mixedgreens.comwww.mixedgreens.com

Nancy Hoffman Gallery520 West 27th Street, 10001212 966 6676 info@nancyhoffmangallery

nancyhoffmangallery.com Tue-Sat 10-6

Ricco / MarescaPlease call gallery for schedule529 W 20, 3rd fl, 10011212.627.4819 info@riccomaresca.comwww.riccomaresca.com Tue–Sat 11–6

CFM Gallery

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MidtownAsia Society725 Park Ave at 70th, 10021212.288.6400 info@asiasociety.orgwww.asiasociety.org Tue-Sun 11-6; Fri 11-9

Forum Gallery730 Fifth Ave, suite 201, 10019212.355.4545 jason@fountaingallery.comwww.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5

Fountain Gallery702 Ninth Ave, 10019212.262.2756www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5

Galerie St. Etienne3024 W 57, 8th fl, 10019212.245.6734 gallery@gseart.comwww.gseart.com Tue-Fri 11-5

The Gabarron Foundation, Carriage HouseCenter for the Arts149 E 38, 10016212.573.6968 x10 info@gabarron.orgwww.gabarronfoundation.org By appointment only

Howard Greenberg Gallery41 E 57, 14th fl, 10022212.334.0010 info@howardgreenberg.comwww.howardgreenberg.com

Nohra Haime GalleryAntonio Seguí "A Retrospective Exhibition 1966-2010", paint-ing Apr 27 thru Jun 10730 Fifth Avenue, 10019212.888.3550 gallery@nohrahaimegallery.comwww.nohrahaimegallery.com Tue-Sat 10-6

Bill Hodges GalleryErica Schreiner, "Dessert & Disorders", video photo Jun 2thru end of July224 W 57, 10019212.333.2640 info@billhodgesgallery.comwww.billhodgesgallery.com Tue-Fri 10:30-6; Sat 12:30-5:30

Jadite GalleriesPeter A. Gish: “Spiritual Places”; Julio Borges: “Cuban Paint-ings”; Martha Zamora: “Paintings”, May 5 thru May 28413 W 50, 10019 212.315.2740 jaditeart@aol.comgallery@nohrahaimegallery.comwww.jadite.com Tue-Sat 12-6

The Museum of Modern Art (MoMA)11 W 53, 10019212.708.9400 info@moma.org www.moma.orgSat-Mon, Wed-Thu 10:30-5:30; Fri 10:30-8www.newartcenter.net Tue-Sat 1-6

Michael Rosenfeld Gallery24 W 57, 7th fl, 10019212.247.0082 info@michaelrosenfeldart.comwww.michaelrosenfeldart.com Tue-Sat 10-6

Throckmorton Fine Art, Inc.Valdir Cruz, “RAIZES BONITAS”, Apr 21 thru Jn 4145 E 57, 3rd, 10022212.223.1059 kraige@throckmorton-nyc.comwww.throckmorton-nyc.com Tue-Sat 10-6

30 i n t heArtwor ld .com

UptownAmericas Society680 Park Ave at 68, 10065212.249.8950 ivillanueva@as-coa.orgwww.as.americas-society.org Wed–Sat 12–6

Nathan A. Bernstein & Co., Ltd.21 East 65th Street, 2nd Floor, 10065212.288.8970 info@nathanbernsteinart.comwww.nathanbernsteinart.comMon-Fri 10-6; Sat. by appt.

Chin a Institute125 E 65th St, 10065212.744.8181 info@chinainstitute.orgwww.chinainstitute.org Sun-Sat 10-5; Tue & Thu 5-8

The Frick Collection1 E 70, 10021212.288.0700 info@frick.orgwww.frick.org Tue-Sat 10-6; Sun 11-5

Gagosian Madison Avenue980 Madison at 76, 10021212.744.2313 newyork@gagosian.comwww.gagosian.com Tue-Sat 10-6

Guggenheim Museum1071 Fifth Ave at 89th, 10128212.423.3500 visitorinfo@guggenheim.orgwww.guggenheim.org Sat–Wed 10–5:45; Fri 10–8

Irena Hochman Fine Art LtdEmin, Grotjahn, Hirst, Judd, Katz, Maloney, Myslowski,Picasso, Ryman, Warhol1100 Madison Avenue, 10028212.772.2227 ny@irenahochman.comHrs by appoinment only

The Jewish MuseumCuture and Continuity: The Jewish Journey”, ongoing1109 Fifth Ave at 92nd, 10028212.423.3200 info@thejm.orgwww.thejewishmuseum.orgSun, Mon, Wed, Thu 11–5:45, Tue 11–8

Metropolitan Museum of ArtFifth Ave at 82nd, 10028212.879.5500 www.metmuseum.orgTue–Thu & Sun 9:30–5:30; Fri–Sat 9:30–9:00

Van de Weghe Fine Art1018 Madison Avenue, 3rd fl, 10075212 744 1900 info@vdwny.comwww.vdwny.com Mon–Fri 10–6

The National Academy Museum1083 Fifth Avenue, @ 89th Street, 10128212.369.4880 press@nationalacademy.orgwww.nationalacademy.org Wed-Thu 12-5; Fri- Sun 11-6

Whitney Museum of American Art945 Madison Ave at 75th, 10021212.570.3676 info@whitney.orgwww.whitney.org Wed, Thu, Sat, Sun 11–6, Fri 1–9

i n t heArtwor ld .comin t heArtwor ld .com32 33

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LIC / QueensReis StudiosGroup "LaGCC Alumni at The Experimental Space", paint-ing sculpture multimedia installation May 14 thru May 22;Jaclyn Santos "Art Talk - Reality after Reality TV", paintingMay 18 thru May 18; Group "Open Studios", painting sculp-ture multimedia installation video photo May 21 thruMay 2243-01 22nd St., 11101718-784-5577 info@reisstudios.comwww.reisstudios.com Mon-Sun 12:30-6

M55 Art44-02 23rd Street, ground floor, 11101718.729.2988 info@m55art.orgwww.m55art.org Wed-Sat 12-6; by appt

P.S.1 Contemporary Art Center22-25 Jackson Ave, LIC 11101718.784.2084 mail@ps1.orgwww.ps1.org Thu-Mon 12-6

QCC Art Gallery222-05, 56th Ave, 11364718.631.6396 QCCArtGallery@qcc.cuny.eduwww.qccartgallery.org Tue-Fri 10-5; Sat-Sun 12-5

Socrates Sculpture ParkBroadway @ Vernon Blvd, LIC 11106718.956.1819 info@socratessculpturepark.orgwww.socratessculpturepark.org

EastRiver

9th

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12th

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21st

21st11th

22nd

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44th Ave

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LONG ISLAND CITY

QUEENS

L.I.C.

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43rd Ave

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VernonBlvd

5th

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Van Dam

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46th Rd

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Williamsburg / BrooklynArt 101, Inc.101 Grand Street, 11211718.302.2242 info@art101brooklyn.comwww.art101brooklyn.com Fri-Sun 1-6; by appt

Brooklyn Museum of Art200 Eastern Parkway, 11238718638.5000 information@brooklynmuseum.orgwww.brooklynmuseum.org Wed-Sun 10-5; Sat-Sun 11-6

Causey Contemporary92 Wythe Ave., 11211718.218.8939 info@chicontemporaryfineart.comwww.causeycontemporary.com Wed-Sat 11-7; 12-6 pmSunday, 9-5 pm Monday

Parker's Box193 Grand St, 11211718.388.2882 info@parkersbox.comwww.parkersbox.com Fri-Mon 1-7

Pierogi177 N 9th St718.599.2144 info@pierogi2000.comwww.pierogi2000.com Thu-Mon 12–6

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Williamsburg Art & Historical Center (WAH)35 Broadway, 11211718.486.6012 wahcenter@earthlink.netwww.wahcenter.net Sat-Sun 12-6

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International - ShanghaiContrasts Gallery181 Middle Jingxi Rd, Shanghai 20002+86.21.6323.1989www.contrastsgallery.com

MOCA ShanghaiPlease call for schedulePeople’s Park, 231 Nanjing West Road, Shanghai 200003+86.21.6321.9900 info@shanghartgallery.comwww.mocashanghai.org Mon-Sun 10-6; Wed 10-10

1918 ArtSPACE ShanghaiPlease call gallery for scheduleNo,78 Changping Rd, Jing’An District, Shanghai 200041+86.21.5228.6776 info@1918artspace.comwww.1918artspace.comNo,78 Changping Rd, Jing’An District

Elisabeth de BrabantHung Liu, “Concession”, May 20 thru end of JulyNo. 299 Fuxing West Road near Huashan Road, 200031+86-021-6466-7428 www.elisabethdebrabant.comTue-Fri 10-6:30; Sat, Sun 1:30 - 6:30 PM

M97 GalleryPlease contact gallery for current programmingNo. 97 Moganshan Rd. 2nd floor, 200060+86-021-6266-1597 info@gallery97.comwww.m97gallery.com

ifa galleryPlease contact gallery for current programming621 Changde Road, (near Wuding Road), 200040+862162560835 contact@ifa-gallery.comwww.ifa-gallery.com Tue-Sun 10-7; by appointment

International - BeijingPekin Fine ArtsNo. 241 Cao Chang Di Village, Cui Ge Zhuang, ChaoyangDistrict, Beijing 100105+8610.5127.3220www.pekinfinearts.com Wed-Sun 10-6

Chambers Fine Art- BeijingPhotogtary with “3 Shadows”, works from the photographygroup active during the 1990’s in Beijing’s East Village district,Apr 17 thruMay 29Red No. 1-D, Cao Chang Di Village,Chaoyang District, Beijing 100015+8610.5127.3298 bj@chambersfineart.comwww.chambersfineart.com Tue-Sun 10-6

Red Gate GalleryLevels 1 & 4, Dongbianmen WatchtowerChongwenmen, Beijing 100600+8610.6525.1005www.redgategallery.com Sun-Sat 10-5

AuctionsChristie’s20 Rockefeller Plaza, 5th fl, New York, NY 10020T 212.636.2000 F 212.636.4928www.christies.com

Doyle New York175 E 87, New York, NY 10128T 212.427.2730 F 212.369.0892www.doylenewyork.com

Phillips de Pury & Co.450 W 15, New York, NY 10011T 212.940.1200 www.phillipsdepury.com

Sotheby’s1334 York Ave, New York, NY 10021T 212.606.2000 F 212.606.7833www.sothebys.com

Leslie Hindman Auctioneers1338 West Lake St, Chicago, IL 60607T 312.280.1212www.lesliehindman.com

Bonhams & Butterfields San Francisco220 San Bruno Ave, San Francisco, CA 94103T 415 861 7500 F 415 861 8951www.bonhams.com

M

The New York Art World ®.comwith national & international correspondence November 2008 $5. U.S.

Marietta Hoferer K, 2006, strapping tape and pencil on paper. Courtesy: Galerie Mourlot,New York, Los Angeles

M

in the art worldt h e n e w y o r k a r t w o r l d .com Ap r i l 2 0 1 0

Studio visit with Chuck Close. From left: Guy Reziciner (camera), Dinorah Delfin, M. Brendon Macinnis and Chuck Close.Photo by Björn Ressle, 2010. Courtesy: Björn Ressle Art Projects, New York

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Front Cover (Not For Sale)Art Reviews (Not For Sale)with Editorial Images (Not For Sale)

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Ken Johnson, The New York Times

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intheArtworld.com

39Index

Mike Weiss Gallery 37Mixed Greens 37MOCA Shanghai 47MoMA 40NNY Studio Gallery 35Nancy Hoffman Gallery 37The National Academy Museum40The New Museum 35OOK Harris Works of Art 36PP.S.1 Contemporary Art Center 45Parker's Box 44Pekin Fine Arts 47The Pen and Brush, Inc. 35Peter Blum SoHo 36Phillips de Pury & Co 47Pierogi 44QQCC Art Gallery 45RRed Gate Gallery 47Reis Studios 45Ricco / Maresca 37Robert Miller Gallery 37Michael Rosenfeld Gallery 40SSocrates Sculpture Park 45Soho Photo Gallery 36Sotheby’s 47Staley-Wise Gallery 36TThe Drawing Center 36Throckmorton Fine Art, Inc. 40UUmbrella Arts - Fahey Bodell 35VVan de Weghe Fine Art 40WWAH 44Ward Nasse Gallery 36White Box Bowery 35Whitney Museum of American Art40Woodward Gallery 35

1918 ArtSPACE Shanghai 47532 Gallery / Thomas Jaeckel 37AACA Galleries 37Brooke Alexander 36Americas Society 40Anastasia Photo 35Andrea Rosen 37Andrew Edlin Gallery 37Art 101 44Artists Space Gallery 36Asia Society 40Axelle Fine Arts 36BNathan A. Bernstein & Co., Ltd.40Bertrand Delacroix Gallery 37Betty Cuningham Gallery 37The Boiler 44Bonhams & Butterfields San Fran-cisco 47Brooklyn Museum of Art 44CCausey Contemporary 44Ceres 37Chambers Fine Art- Beijing 47Cheim & Read 37China Institute 40China Square 35Christie’s 47Christopher Henry Gallery 35Ethan Cohen Fine Arts 36Contrasts Gallery 47CW Gallery 37DDC Moore 37Doyle New York 47EEli Klein Fine Art 36Elisabeth de Brabant 47FFeature Inc 35Ronald Feldman Fine Arts 36Fountain Gallery 40The Frick Collection 40GThe Gabarron Foundation, Car-riage House Center for the Arts 40Gagosian Gallery 37, 40Galerie St. Etienne 40Gladstone Gallery 37Howard Greenberg Gallery 40Guggenheim Museum 40HNohra Haime Gallery 40High Line Gallery 37Irena Hochman Fine Art Ltd 40Bill Hodges Gallery 40Iifa 47JJadite Galleries 40The Jewish Museum 40KKathryn Markel Fine Arts 37Kips Gallery 37LLehmann Maupin 35Lehmann Maupin Gallery 37Leslie Hindman Auctioneers 47MM55 Art 45M97 Gallery 47Matthew Marks Gallery 37Messineo & Wyman 37Metro Pictures Gallery 37Metropolitan Museum of Art 40