in search of hero within the genre and beyond · pdf file · 2017-09-08and...
TRANSCRIPT
In Search of the Hero(es) within the Genre and Beyond “A Hero is someone who has given his or her life to something bigger than oneself.”
- Joseph Campbell
The world today has become a confused arena populated with masses having no clue of what is going on around them, and more especially, with them. The enthusiasm and optimism that foregrounded the most part of the 20th century, despite the great wars and mass killings, turned pessimistic in last few decades, and now paranoia dictates us. Our present bearing is so fittingly described by Cooper in the movie Interstellar that “We used to look up at the sky and wonder at our places in the stars. Now we just look down and worry about our places in the dirt.” We used to exalt our lives with the sublime conduct by following examples of people like Gandhi and Buddha. We used to be inspired by the stories of people, real or fictional, displaying extraordinary demeanor against hostile forces. Now, we have turned them into commodities with which we satisfy our fetish devours by owning them. What led humanity to arrive here? The old tales are not working now and new ones are not in the making. A bizarre wasteland surmounts us inhabited by a lot that is passive and disinterested, lacking moral convictions, aspiring to be rescued and purged by someone else for their sins. However, whom they chose to be rescued by, that posits the question. This question consciously or unconsciously has become a part of our day-to-day discourse. Metaphors ranging from the semiotics of avant-garde to pop-culture, from real to surreal, from genres and beyond, wobble around the same question – What sort of hero you want to choose to redeem yourself? But before one can delve into this question, one needs to ask, who and what is a Hero? Joseph Campbell weighs over the concept of hero and elucidates that a hero is someone who makes a journey into an experience that is lacking in life or is not permitted to the members of society. The hero, thus, takes an adventurous journey to have an access to that knowledge and then returns back with some message; hence, a cyclical process of going and returning. If so, can we call each one of us heroes, as Norman Mailer said during Kennedy’s Presidential bid in 1960, “each of us was born to be free, to wander, to have adventure and to grow on the waves of the violent, the perfumed, and the unexpected, had a force which could not be tamed.” If these are the interpretations of being and becoming a hero, then what are the (im)possibilities of academics, theologians, philosophers, and ascetics to become one? One can notice the repetition of journeys that Campbell talks about have been witnessed in the stories ranging from Jesus to Ram to Buddha to Krishna to Beowulf to Ulysses to Robin Hood to Milton’s Satan to even contemporary encashment of “hero-making” and “hero-worshipping” in the likes of Obama to Donald Trump to Vladimir Putin to John Cena to Shahrukh Khan to Batman. It is in the later body of folks where the concept goes awry because by the time one reaches to this end of the string, it becomes hard to
decipher between the hero and the image. And thus, is witnessed the emergence of myth-making of heroes from tribal, local, regional, ethnic, racial, gendered, religious, national and international communities. And it becomes more convoluted and twisted because we are strolling in an age where the stratosphere everywhere is breathing with its own kind of personal and private heroes conflicting with the other. Orrin E. Klapp justly remarks in his article, “The Creation of Popular Superheroes,” which seems to be an astute remark for our times that “an age of mass hero worship is an age of instability,” and it would be rash on our part if we blind eye ourselves to this fact. ‘The best are lacking in all convictions’ as W B Yeats once remarked, ‘and the worst are full of passionate intensity’. Only if one can dare to confront such ‘heroes’ like Bob Dylan emphatically does, “I see through your eyes/And I see through your brain/Like I see through the water/That runs down my drain” (Masters of War). So, what is the solution? Shall the heroes be abandoned? Shall the search be for a Hero rather than heroes? The matter of fact is we are in a mad house and we are all mad as the Cat mentions to Alice in Lewis Carroll’s Alice in Wonderland: ‘How do you know I’m mad?’ said Alice. ‘You must be,’ said the Cat, ‘or you wouldn’t have come here.’ Now, if we can’t abandon the idea of leaving the premises of the madhouse, it is better then to reconstruct the formula of madness afresh. If we can’t bail out of our heroes for a Hero (having whom would again be nightmarish), if we can’t go back to the world where heroes acted as a beacon to overcome our mortal fears, then the need is as Paul Meadows illustrates, to ‘identify the social interaction of the hero in its myriad form: social control, leadership, imitation, propaganda, the social movement, crowd psychology’ (“Some Notes on the Social Psychology of the Hero”). This conference, therefore, aims to bring forth the scholars and researchers to deliberate upon the various concepts and jargons about heroes within the genres and beyond of political, social, cultural, and literary, with hopes to construct and rejuvenate ideas from scratch out of the stale ones. Following are the subthemes (but not limited) that this conference aims to dwell upon:
• Hero or Leader • Hero as Character/Protagonist • Hero/Anti-hero/Villain/Criminal • Hero as Poet/Prophet/Philosopher • Female Hero or Heroine • Hero in Transition • Alternative Hero • Hero as Outcaste/Pariah • Superhero • Artist/Author as a Hero
• Hero with Mask • City/Space as Hero • Genre Heroes • Medium/Technology as Hero • Statesman as Hero • Nation as Hero • Hero as Myth/Hero in Mythology • Hero as Explorer • Hero as Guardian
List of Speakers
Keynote Speaker
Alicia Maree Malone The famous film reporter, host, writer and
self-confessed movie geek. She first gained
notice hosting movie-centric shows and
reviewing films in her native Australia,
before making the leap to Los Angeles in
2011. Since then, Alicia has appeared on
CNN, the Today show, MSNBC, NPR and
many more as a film expert. Currently, she is
a host on FilmStruck, a cinephile subscription
streaming service run by the Criterion Collection and Turner Classic Movies, and she is
the creator and host of the weekly show, Indie Movie Guide on Fandango.
She is the writer of the book Backwards and in Heels about the history of women in
Hollywood.
Alicia has traveled the world to cover the BAFTAs, the Oscars, the Cannes Film Festival,
Toronto Film Festival, Sundance Film Festival, Telluride Film Festival and SXSW. She
is a member of the Broadcast Film Critics Association, and over the years has
interviewed hundreds of movie stars and filmmakers.
Plenary Speakers
Prof. Dr. Ursula Kocher
Professor of General Literary Studies and
Older German Literature in the European
context at the Bergische Universitaet,
Wuppertal, Germany. Prof. Ursula Kocher
studied German, Romance, Rhetoric and
History at the Otto- Friedrich University,
Bamberg as well as Eberhard Karls
Universitaet, Tübingen, Germany. From 1991 to
1999 she was a scholarship fellow at the German Cultural Foundation. In 2000 and 2001,
Kocher was a research associate of the DFG Research project “The Invisibility of the
Imagination in Elizabethan Culture” at the Humboldt-Universität, Berlin, and then until
2006 a scientific assistant at Freie Universität, Berlin. She is pioneer for starting many
Projects with Indian.
From 2008 to 2010 Kocher was the spokesman for the Interdisciplinary Center “Medieval
– Renaissance – Early Modern Period.” Prof Kocher has been awarded the “World lion”
of the BergischeUniversität for special merits for the internationalization of the
university.
Prof. Dr. Peter W. Marx
Peter W. Marx (born 1973 in Limburg an der Lahn) is a
German Theatre and Performance Studies Scholar. He
holds the Chair of Theatre and Media Studies at the
Universität zu Köln, Germany, where he functions also
as the director of Theaterwissenschaftliche Sammlung.
Prof. Marx is recognized for his research
on metropolitan culture at the beginning of the 20th
century as well as on Max Reinhardt with an emphasis
on Cultural Studies. In addition, his work focuses on
contemporary theatre and Shakespeare in performance, particularly on “Hamlet“ as a
figure of cultural mobility.
Dr. Jyoti Sabharwal
She is an Assistant Professor, Department of Germanic
and Romance Studies, University of Delhi, India. Her
expertise lies in German Exile Literature from 1933-
1945, with a special focus on India as a place of exile;
Representations of India in post war novels and shorter
prose, the emergence of migrant writing and questions of
history and memory.
Key Points
Last date for sending abstract of the paper: 31 December 2017
Last date for sending complete paper: 28 January 2018
Send abstract/paper to the conference email id: [email protected]
Selected Presenters will be notified by 10 January 2018
Conference Dates: 23-24 February 2018
Registration Fee: Rs 2,000 (for Research Scholars); Rs 2,500 (for Faculty Members);
and 100 USD (for International delegates)
Format for the Application
i. Full Name:
ii. Sex:
iii. Address (including telephone and email id):
iv. Nationality:
v. Institutional affiliations:
vi. Department:
vii. Academic qualification:
viii. Presently pursuing any course or present occupation/position:
ix. Publications, if there (mention the best three):
x. Specific research area/topic (if any):
xi. Abstract of your presentation in the Conference:
Chief-Patron Patron
Prof. G.C. Tripathi Vice Chancellor
Banaras Hindu University Varanasi – 221005
Prof. S.S. Kaushik Principal
MahilaMahavidyalaya BHU, Varanasi
Organizing Committee
Dr. Amar Singh
Convener
Assistant Professor
Department of English (MMV)
Banaras Hindu University
Varanasi – 221005
Mob. +91- 9454950123
Shipra Tholia
Co-convener & Organizing
Secretary
Assistant Professor
Department of German Studies
Banaras Hindu University
Varanasi – 221005
Mob. +91-9451052207
Dr. Pravin K. Patel
Treasurer
Assistant Professor
Department of English (MMV)
Banaras Hindu University
Varanasi – 221005
Mob. +91-9554796662