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Based on the p“A

The PraiseCharts Worship Band Series is a uThese arrangements are geared towards a contemedium-sized church orchestra. The core partsThe layout and look was very carefully chosen to Rhythm section: The Rhythm part is for the sectioarrangement. The Lead Sheet is a combination rhythmcues. The Piano, Vocal part includes a full piano part a complete band the pianist would be advised to simpl

Vocals: The vocal arrangement should be sung as S– any exceptions are listed on the score. When the pamethod provides a contemporary sound in an easy-to-

Alternate keys: There is at least one alternate key orchestra a more playable key, or to make the vocal ra

Other notes: Rehearsal numbers are given in the fowant to make impromptu changes during worship. Noare exceptions. When a section is repeated in its entirnotated to facilitate these impromptu changes. Finally

Written with core brass

Written as a section

Written as a section

Bass TrombonBari Sax (doubHorn 1-2 (FrenFlute/Oboe 1-3 Clarinet (doublStrings (Synth)Cello/Bass on b

Parts include Lead Sheet – for worship leader and vocalists Rhythm – more detailed chart for keyboard, guitars Core Worship Band instrumental parts (wr Trumpet 1-2 Trumpet 3 (doublesAlto Sax Tenor Sax 1-2 (douTrombone 1-2

Additional Orchestral parts (these enhanc

praisecharts.com

Christ Alone th The Solid Rock)

usic by Keith Getty and Stuart Townend

Arranged by Dan Galbraith

popular recording from the Hosanna! Music album Alive Forever” featuring Travis Cottrell

nique and growing series of arrangements by some of todemporary “R&B horns” praise band sound while at the sam

s (rhythm, vocals, and brass) may be enhanced with the oto provide a fresh and relaxed, yet professional look for the

on player (pianist, guitarist, or drummer) with all the specific rhythm and vocal chart meant for the vocalists, worship leader, or rhythin “songbook format” for those not comfortable with playing from lify this part in order to "stay out of the way".

SAT (Soprano, Alto, Tenor) with the baritone/basses singing the mart is written in unison, the men should sing it down one octave or-learn fashion.

included to accommodate either a keyboard-based band or a guiange more accessible if necessary.

orm of “1”, “2”, and “3”, providing the easy use of finger signals byormally, “1” is the verse of the song, “2” is the chorus, and “3” is a rety later in the arrangement, it is labeled “1a” or “2a”, etc. All endy, each instrumental part includes lyric cues to aid the player in ke

e/Tuba Percussion (Timpanbles Bass Trombone) ch Horn)

les 3rd Flute) ) - may be played by a synth or by a full string section (Violin/Vio

bottom staff)

ed in the PraiseCharts Worship Band Series

Piano/Vocal – includes written-out piano pas, and drums. Ac. Guitar – modified Rhythm part in approp

ritten as a section):

s Alto Sax) ubles Trombone)

ce the arrangement, but the Worship Band parts may a

A note on brass stylings: For mshould be interpreted with jazz articumind. They have been notated very in this interpretation.

day’s top new arrangers. me time being scalable up to a ther parts in any combination. e player.

ms and chords necessary for the hm player needing more vocal a chord chart. When playing with

melody (soprano) down an octave r it may be done as a solo. This

itar-based band, to give the

y the worship leader who may bridge or other section, but there

dings and repeats are clearly eeping their place.

ni, Bells, Sus. Cymbal, etc)

la on top staff,

art and vocals priate capo keys

also stand alone):

most titles, the brass parts ulations and inflections in carefully to aid the player