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Impressionism

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Page 1: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Impressionism

Page 2: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Characteristics of Impressionism

Luminosity (emitting or reflecting light) The interaction of light and form

Example: Light reflecting on water Subtlety of tone (different shades of color) Use of complementary colors

Page 3: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Characteristics of Impressionism

From the Romantics, a fascination with nature. From the Realists, use of unbiased objectivity. A response to photography A response to 19th century science

Physics of light Chemistry of paint Laws of optics

Page 4: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude Monet (1840 – 1926)

Pioneer of Impressionism First work of the style called Impression:

Sunrise, done in 1873. Critic called it “only an impression” and

“wallpaper in its embryonic state” Plein-air: Painting outdoors.

Page 5: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude Monet, Impression: Sunrise1873, Oil on canvas

Page 6: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude Monet Haystacks, End of Summer1891, Oil on canvas

Page 7: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting
Page 8: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude MonetRouen Cathedral Series1892 – 1893Oil on canvas

Page 9: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude MonetRouen Cathedral Series1892 – 1893Oil on canvas

Page 10: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Claude MonetWater-Lily Pond, Symphony in Green1899Oil on canvas

Page 11: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Pierre-Auguste Renoir (1841 – 1919)

Render nature with short, brilliant brush strokes

Themes of everyday life (dining, dancing, boating, socializing, etc.)

Spontaneous position of subjects Over 6,000 paintings

Page 12: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Pierre-Auguste Renoir Luncheon of the Boating PartyOil on canvas, 1881

Page 13: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Edgar Degas (1834 – 1917)

Rejected “posed” models Viewpoint is deliberately random Influenced by photography Loved painting dancers & horses

Page 14: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Edgar Degas The False Start1870, Oil on canvas

Page 15: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting
Page 16: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Edgar Degas, The Dancing Class1871 – 72, Oil on wood

Page 17: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Edgar Degas, The Rehearsal1873 – 78, Oil on canvas

Page 18: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Edgar DegasThe Little Dancer1880 – 1881Bronze with net tutu and hair ribbon

Page 19: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Mary Cassatt

Knew and exhibited with Degas and Renoir Likely the lover of Degas

Specialty was mother/daughter scenes Popular artist in America, but she preferred

France because of their views on women

Page 20: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Mary CassattThe Bath1891 – 1892Oil on canvas

Page 21: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting
Page 22: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Henri de Toulouse-Lautrec

Opposite of Cassatt Images of prostitutes, whore houses,

cabaret dancers, etc. Mocked traditional ideas of beauty Stylized figures, almost caricatures

Page 23: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Henri de Toulouse-Lautrec, At The Moulin-Rouge1893 – 1895, Oil on canvas

Page 24: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Auguste Rodin (1840 – 1917)

Parts left unfinished to create contrast between rough and polished texture.

This made the light reflect more realistically “The sculpture of antiquity sought the logic

of the human body; I seek its psychology.”

Page 25: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Auguste Rodin 'The Age Of Bronze'About 1876Bronze

Page 26: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Auguste RodinThe Thinker1902Bronze and marble

Page 27: Impressionism. Characteristics of Impressionism Luminosity (emitting or reflecting light) The interaction of light and form Example: Light reflecting

Auguste RodinThe Kiss1902Bronze and marble