impressionism "all that is solid melts into air" (marx and engels, communist manifesto,...
TRANSCRIPT
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Impressionism
"All that is solid melts into air" (Marx and Engels, Communist
Manifesto, 1848)
"Capture your Moments" (Kodak ad, 1888)
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IMPRESSIONISM – Paris, the 1870s
WHAT WAS SO “MODERN” ABOUT IT?
How can it have been avant-garde when it is so easy to like, not at all “shocking”?
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(left) Pierre-Auguste Renoir, Portrait of Claude Monet. 1875, o/c, Musée d'Orsay, Paris (right) Claude Monet. Self-Portrait. 1886, o/c, private collection, Paris(center) Edouard Manet, Portrait of Monet, 1880, india ink on paper, Musée Marmottan
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(left) Johann Wolfgang von Goethe (1749–1832) Color Theory, 1805-1829(center) Michel-Eugène Chevreul, color wheel, c.1860
1888—First Kodak Camera
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Claude Monet: Northern Coast of France (La Manche, or English Channel),
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James Whistler (American expatriate in London) - Harmony in Blue and Silver, Trouville, 1865
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James Whistler, Nocturne in Black and Gold: The Falling Rocket, 1875Oil on wood, 23 3/4 x 18 3/8 in. (60.3 x 46.6 cm) Detroit Institute of Arts
http://blogs.princeton.edu/wri152-3/rpower/archives/001951.html Information re. 1877 slander suit against John Ruskin
“I have seen, and heard, much of cockney impudence before now; but never expected a coxcomb to ask two hundred guineas for flinging a pot of paint in the public’s face”
- Ruskin, 1877 review
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Gustave Courbet, Low tide, Trouville, 1865
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Eugène Boudin (French, 1824-1898), (top) Vacationers on the Beach at Trouville, 1864;(bottom) Boudin,. The Beach at Deauville, 1863, oil on canvas
Painting out of doors: “en plein air”
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(top) Claude Monet, The Beach at St-Address, 1867Bottom) Boudin, View of Portrieux,1865
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Precursor painters – sources of Impressionism
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John Constable (English), The Haywain, 1821
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Constable, Cloud Study, 1822, Oil on paper laid on board,12 x 19 1/4 inchesCourtauld Institute Galleries, London
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Joseph Mallord William Turner (English, 1775-1851), Rain, Steam & Speed: The Great Western Railroad, exhibited in 1844 at the Royal Academy, London, oil on canvas. Romantic landscape painter studied by Claude Monet in London in1870 (in refuge from the Franco-Prussian war.
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Théodore Rousseau (French, 1812-1867) Forest of Fontainebleau, Morning, 1850“Barbison School”
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Eugene Delacroix (French), (top) Tiger Hunt, 1854
(bottom) Odalisque, 1855. Oil on wood, and photographic studyORIENTALISM
“Delacroix, an alchemist of color, miraculous, profound, mysterious, sensual, awesome: explosive color and subdued color, a penetrating harmony. The gestures of man and animal. The scowl of the beast, the snufflings of animality.” Baudelaire
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(left) Jean-Auguste-Dominique Ingres, Madame Leblanc 1823 Oil on canvas. Metropolitan MA, New York City;
Eugène Delacroix. Self Portrait. c.1837. oïl on canvas. Louvre, Paris
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Claude Monet, Luncheon on the Grass, 1866
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(left) Claude Monet, Dejeuner sur l’herbe (Luncheon on the Grass), 1866, Oil on canvas. Edouard Manet, Dejeuner sur l’herbe, 1863
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Claude Monet, La Grenouillere 1869, oil on canvas 75x100cmMetropolitan Museum of Art, NY
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Claude Monet, La Grenouillère, 1869 Auguste Renoir, La Grenouillère ("The Frog Pond") 1869
Painted side by side at Bougival on the Seine river
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• Monet, The Thames at Westminster, 1871, Oil on canvas, 47 x 72.5 cm (18 1/2 x 28 1/2"), National Gallery, London
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First Impressionist Exhibition 15 April 1874: “Exhibition of the Société Anonyme of Painters, Sculptors, and Printmakers”
(left) Nadar (Gaspard-Felix Tournachon) (1820-1910) Nadar¹s Studio at 35 Boulevard des Capucines’ (right) Claude Monet, Boulevard des Capucines, 1873 (31 1/4 x 23 1/4")
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Claude Monet, Impression, Sunrise 1873
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Monet, Railroad Bridge at Argenteuil, 1874Anonymous, photo of the Argenteuil Railway Bridge, c. 1895
The Impressionist Eye is, in short, the most advanced eye in human evolution
Jules Laforgue
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Monet, The Gare Saint-Lazare, 1877, National Gallery, London
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Monet, The Stroll, Camille Monet and Her Son Jean (Woman with a Parasol) 1875 Oil on canvas (39 3/8 x 31 7/8 in.) National Gallery of Art, Washington, DC
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Monet, Camille on Her Deathbed, 1879 oil on canvas 90 x 68 cm Musee d'Orsay, Paris
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Monet, Rock Arch West of Etretat (The Manneport), 1883, Oil on canvas (25 3/4 x 32 in.) Metropolitan Museum of Art, New York
Compare to photograph of Etretat cliff
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Monet's home and garden at Giverny(below right) Studio constructed for the Nympheas (Water lilies) Series
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Monet, Water Lilies (The Clouds) 1903 Oil on canvas (29 3/8 x 41 7/16 in.) Private collection
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Monet, Haystack, Winter Effect, 1890
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Monet, Rouen Cathedral, the West Portal, Dull Weather dated 1894, painted 1892Oil on canvas 39 3/8 x 25 5/8 in. (100 x 65 cm) Musee d'Orsay, Paris
http://www.learn.columbia.edu/monet/swf/ Click for information about Monet’s Rouen Cathedral series, 1892-4
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Monet, Rouen Cathedral, the West Portal and Saint-Romain Tower, Full Sunlight, Harmony in Blue and Gold, dated 1894, painted 1893, Oil on canvas, 42 1/8 x 28 3/4 in. Musee d'Orsay, Paris
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(left) photoportrait of Pierre-Auguste Renoir Frédéric Bazille, Portrait of Pierre-Auguste Renoir
1867, Oil on canvas, (37 x 32 1/3 in); Musee d'Orsay, Paris
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Claude Monet, La Grenouillère, 1869 Auguste Renoir, La Grenouillère ("The Frog Pond") 1869
Painted side by side at Bougival on the Seine river
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Renoir, The Dance at the Moulin de La Galette (Montmartre), 1876
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Renoir, Luncheon of the Boating Party, 1881
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Madame Charpentier and Her Children Paul and Georgette 1878, Metropolitan Museum
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Renoir, Torso of a Woman in Sunlight, 1876 Fragonard, Bathers, 1756.
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Berthe Morisot, Self Portrait, 1885; Manet, Portrait of Berthe Morisot, 1872
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Berthe Morisot (left) and daughter, Julie Manet (right)
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Morisot, The Artist's Sister and Mother, Shown at the Salon of 1870, the last Salon of the Second Empire Retouched by Manet
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Morisot, Trocadero, 1872Manet, 1867 Paris World’s Fair, Trocadero
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Morisot, The Cradle (sister Edma and child), 1872, o/c (Morisot married in 1874)Exhibited in the First Impressionist exhibition
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Morisot, The Wet Nurse Angèle Feeding Julie Manet, 1880. Private collection
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MARY CASSATT (American, 1844-1926)
Edgar Degas, Mary Cassatt at the Louvre with Sister, 1879 and Portrait of Mary Cassatt, c. 1884
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Mary Stevenson Cassatt, Offering the Panal to the Bullfighter, 1873
Oil on canvas, 39 5/8 x 33 1/2 in. Signed, dated, and inscribed lower right: Mary S. Cassatt./Seville./1873.
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Renoir, The Loge, 1874 Mary Cassatt, The Loge,
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Mary Cassatt, Woman and Child Driving, o/c, 1881, Philadelphia
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Mary Cassatt (American Impressionist) In the Omnibus, drypoint and aquatint in colors, series of 10, 1890-91
Suzuki Harunobu, (Japanese Ukiyo-e printmaker) 1724-1770) Women and Child, woodblock print, c.1750
Ukiyo-e prints were key source for modernist 2-D pictures in form but also in content.
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Mary Cassatt, The Bath, 1891
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Women's Building, Sophie Hayden, architect World's Columbian Exhibition of 1893 in Chicago Cassatt’s Modern Woman mural: 12’- 58’ – lost
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Young Women Picking Fruit of Knowledge and Science, 1892 Women’s Building, Chicago Worlds Fair