impact - wordpress.com · game changers in the evolution of technology. nowadays, as musicians...

U N P L U G D I G I T A L . I S S U E N 1 3 . A P R - M A Y 2 0 1 6 FREE

Y O U R I N D E P E N D E N T A U T H O R I T Y O N M U S I C A N D G E A R

O

ARTIST fuseboxx

VENUE The Quarry Beer Garden

TECHNIQUE Clarity & Control


UNPLUG DIGITAL . JUNE-JULY 2016 IT’S FREE

TYPECASTPhoto © redrivera

IMPACT

THE FORCE IS STRONG

Clarence Anthony CEO/Managing Editor [email protected]

Andrew G. Contreras Music Editor

Ria Bautista Editor [email protected]

Mike Twain Gear Editor

Technique Clarity & Control Passion Becomes Profession Interview Aural Impact Live: Uprising Wagayway

Festival 2016 Features Gear BPM Urban Tube OTC

In This Issue Artist Fuseboxx: Conquering The

Diverse World of Music Redrum Typecast: The Sweet Sixteen

Tour Venue The Quarry of ROCK! Community The Southern Project: The

Force is Strong in the South

Disclaimer: All rights reserved. No part of this publication or content may be reproduced or used without the written permis-sion of the publisher: C.A. Editorial Consultants. All information contained in this magazine is for information only, and is, as far as we are aware, correct at the time of going to press. The views, ideas, comments, and opinions expressed in this publication are solely of the writers, interviewees, press agencies, and manufacturers and do not represent the views of the editors or the publisher. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies or losses incurred. Readers are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. If you submit material to us, you automatically grant C.A. Editorial Consultants a license to publish your submission in whole or in part in all editions of the magazine, including licensed editions worldwide and in any physical or digital format throughout the world.

Menu The Team

May Cedilla-Villacorta DJ Editor [email protected]

Contributors: Aimax Macoy Alfie Vera Mella Bombee Dueme Cholo Isungga Edelynne Mae Escartin Herb Cabral Isabelle Romualdez Jica Lapena Kat Castro Marc Lester Faraon Mark Verzo Red Rivera Wina Puangco Yogi Pajarillo Advertising Sales: For the Philippines contact: [email protected] International enquiries contact: [email protected] Brought to you by

Cover Story Artist

Technique Interview

mailto:[email protected]

mailto:[email protected]

The Southern Project, or commonly known as TSP, is an independent musical event organizer based in Southern Metro Manila.

Formed in 2011 by Jan Kristian Paulin and Albert Llave, the group wanted to create a kind of musical renaissance in the MuntiParLas area by giving independent acts a medium to express their diverse musical talents.

They believed there are a lot of talented musicians based here that are just waiting to be discovered and heard. Musicians with broad ranges of styles offering something different from the

unplug community


3

by Albert Llave

The Force Is Strong In The South

demi

(s)crabble

The Southern Project

typical bubblegum pop heard on the daily radio. By partnering with several reputable local venues and holding events there, TSP has given these acts a vehicle to have their voices heard. A vehicle to express their artistic endeavors and connect with an eager

listening public. A listening public hungry to have their appetite for great music to be sated. TSP has long aimed to create a viable music scene here in the South. A scene that will allow both artist and the common music lover to interact and share ideas, while fostering a community with one common goal:

to carve a niche in the independent music scene and carry the banner of OPM by showcasing diverse musical creativity from an assortment of talented acts. Some of the eclectic independent bands that got their start from TSP include funk-influenced band, The Hanging Experience, the headbanging metalheads of Humdinger and Return

To Eden, a throwback to ‘90s Pinoy rock. There’s also (S)crabble, whose influences run the gamut from the Doors to ‘90s alternative rock, Army of One, whose groove metal sound is punctuated byold school hooks, rock- jazz fusion band Consolidar and hard-rock torch bearers, Kontra and Demi.

unplug community


4

consolidar

Army of one

The hanging experience

Return to eden

The future for TSP remains bright as ever. As they continue to soldier on, they have discovered other individuals (Ian Delos Santos of Army of One, Johnny Villame of (S)crabble and Arnold Lumbera) sharing the same ideas. Slowly but surely, what used to be a pipe dream is turning into a reality. They have already forged their own community, all that’s left is to continue to nurture it and let it grow. The end.

unplug community

READ IT ONLINE OR DOWNLOAD YOUR FREE COPY AT

http://caeditorial.com/unplug-philippines/

Have you read our previous issues?

https://caeditorial.com/unplug-philippines/

Being in the creative industry in the Philippines is sometimes a struggle, whether it’s in art, film, theater, publishing, and even in music. Somehow everyone is trying to grip as hard as they can in the strings attaching them to fame and recognition in their own industries, especially today that the bigger portion of our society clamors for foreign acts/brands/etc. As we all know, music is one of the biggest part of Filipino culture and entertainment. It is also one of many game changers in the evolution of technology. Nowadays, as musicians continuously adapt in the changing tastes of their listeners, different genres materialized

making it more difficult for others to catch up. Admit it or not, the Philippine music industry is dominated by variety of pop songs popularized by solo artists. Since a very small portion of the listening community are aware of other genres, Abby Clutario (vocalist, keyboardist, and Chapman stick player) of Fuseboxx, admitted that it’s hard to be noticed in the industry especially that their music is very technical. For Clutario and other members of the band, it’s really a blessing that they were given a chance to show what their music is since 2001 up to the present. Fuseboxx is a four-piece prog band composed of Clutario (vocalist/keyboardist/stick player), Eric Tubon (keyboardist), Mico Ong (bassist), and Zach Alcasid (drummer).

unplug artist


6

FUSEBOXX Conquering the diverse world of music

by Edelynne Mae Escarin

Clutario, who was named as the Prog Princess of the Philippines, defined progressive rock music as a blend of individual styles and individual genre of each member of the band to create new music. It is a display of how creative they are by mixing different genres such as classical, jazz, metal, new age, alternative, and rock into a sharp and flawless composition. Being in the industry for 15 years makes them a top search when it comes to progressive music in the country. They were first recognized in their impeccable performance at the 2003 RedHorse Muziklaban where they were awarded as Champion. Since then they have been featured in UK PROG Magazine (September 11, 2013); they have released two (2) independent albums; and they have collaborated with the OPM Legend Noel Cabangon for their first ever Christmas single called “Sa Sabsaban” released in 2014. Aside from those, Fuseboxx is also acknowledging internationally such as at Indonesia, Japan, Singapore, Italy, and the U.S. Looking back in their journey, the band realized that they indeed learned tons of knowledge about the country’s music industry. “It was at Watering Hole in Shangri-la and as for any starting group, we were all nervous. We started with covers, but I think we also jammed our first composition "Switch" on that set.

We were all learning how to engage people to listen and watch us play, without really telling them. We were still discovering if our music or our sound would fit,” Clutario said while remembering their very first performance. Though not everybody likes their kind of music and most of the time other musicians misinterpret them to overplay or compete with them because of the technicality of their songs, they just

continue polishing their pieces and have outstanding performances. “We believe that you don’t have limits in honing your skills. Every rehearsal and every gig is a learning experience and you get to challenge yourself (and your bandmates) in going one step further in terms of being one as a group and being technical at the same time. Also, people easily come up and tell you that your music has "inspired" them to playing their own instrument. I think we get to educate people to listen intelligently by stimulating their senses by playing different styles and melding them into one,” Clutario said. Fuseboxx has always been an advocate of educating people in listening to this kind of music.

unplug artist


7

They are offering workshops to starting musicians (technical or non-technical) to give them background or starting course of what to expect in the real world. They are also teaching aspiring individuals on how to improve their creativity and how to use simple tunes and melodies when jamming with bands. “Fame doesn't equate how good you are. It's an illusion that may or may not help you as a musician. It is temporary and only a few experience it, especially in the kind of music we do. We always have to remember that music is a chance and not a choice,” Clutarion concluded.

unplug artist

FR

EE

2 D

OW

NLO

AD

10,000 Fans can’t be wrong

FRE

E 2 D

OW

NLO

AD

DOWNLOAD YOUR FREE COPY FROM WWW.CAEDITORIAL.COM/AVL-PHILIPPINES

THE DIGITAL MAGAZINE FOR

PRO SOUND & LIGHTS IS NOW ON PHONE & TABLET

We are Filipino progressive band featuring: Abby: Vocals • Keyboards • Chapman Stick Mico: Guitars Eric: Keyboards • Synthesizers Zach: Drums

@fuseboxx

www.facebook.com/groups/fuseboxxnews/

fuseboxxchannel www.fuseboxx.ph


https://www.facebook.com/AVLTIMESPH/?fref=ts

https://www.facebook.com/groups/fuseboxxnews

https://twitter.com/fuseboxx

https://www.instagram.com/fuseboxx/

https://www.youtube.com/user/fuseboxxchannel/feed

http://fuseboxx.ph/

https://www.youtube.com/watch?v=38rhB9AylFA

Somewhere deep in the middle of The South scene, there is a place called Quarry Beer Garden, nestled and humbly situated in an unassuming alley just around a corner after a very popular fast-food joint* facing and even more well-known Mall at Alabang, Zapote road.. Before getting down to business, I’d like to put out a disclaimer first: There is not much to say about the place without sounding either too vague or too biased since I basically work there.

Being in a band and performing at regular gigs every week for different bars each night is the kind of job filled with a lot of prejudice and stereotypical views. It is perceived as a job that is difficult to sustain since we work until late night hours; either that, or as a lazy person’s easy job riddled with under the table dishonesty that’s usually associated with the lengths we are willing go through to entertain our guests. And I know nothing about bands from other places, but I

unplug venue


9

The Quarry Of

ROCK! by Dianne Gotis Llanes

can totally vouch for my own and all the other bands I’ve befriended because of this job. This job, specifically, every Friday night at Quarry. Where the crowd is a mixture of old and young, which doesn’t really matter, since their energy is pretty much always

hyped up about whatever song the band is playing, whatever era or genre it’s from. The place features different bands every night and guests can come on any night they’re free, get beers within the happy hours for a cheaper promo price, so they’ll have extra dough to add an order of awesome Sinuglaw or Squidheads, or why not both! But in all seriousness, what I love the most about Quarry, that sets it apart from all other places I perform at,

Is the fact that they have production nights as well. And this is not coming from someone who wants to advertise and boost the name of the place just because I work there (but of course, I was definitely going for that too). The artists they invite could do the trick even better than I can, bands such as

Slapshock, Itchyworms, Save The Prophet, Manila Under Fire and a whole lot more play there for the said productions. The place also hosts NBA 2K16 tourneys and it even has a separate shack made for darts enthusiasts, which says a lot about how spacious it is. Perfect for production events (think, mosh pits and the like!) and/or even private functions! It's not always wild and crazy, it can also be pretty chill

unplug venue


10

and steady depending on what night you prefer to come. But one thing’s for sure, it's always going to be hella fun! What kind of music-junkie would not pay to see the awesome bands (ahem!). With all that said, being a vocalist for one the bands that play there regularly is both difficult and easy, what with all the sheer amazing talent that should intimidate someone with stage fright like me (highly contradicting, I can hear you say). But then, there’s always room for improvement and what better way to do that than to mingle with fellow musicians and artists and learn from their own experience. It is indeed a breeding ground for aspiring artists and newly formed bands alike...

A place to chill, even for the veteran bands we all idolize. For a job that is always defined with certain typecasts and clichés, it’s rather ironically very vast and full of great connections not only between the performing band for the night and the cheering crowd with their emotionally raw and wild hearts touched by the music, but also between production bands all playing in one night and supporting each other while they rise in the name of Pinoy Music! See you there! Post Script: If you’re not from the South, you can refer to the foot note for the supposed landmarks.. *McDonald’s in front of SM Southmall

unplug venue


11

unplug interview


12

Until I met Randy Maghari, nobody had ever touched me that way. I’d been through so many before him but was never quite satisfied. When I was younger, one of them was so rough that I ended up spending Christmas in the hospital. Later on, another would have me come back over and over again just to do a very basic service. The moment this guy stuck his hands in my mouth, all the hardships seemed worth it. I knew I had finally found “the one.” Being the son of two dentists, it comes as no surprise that

“Doc Randy,” as we, his peers fondly call him, is damn good with his hands. I do not exaggerate by stating that he is gifted with a pair as light as feathers. His version of playing “pretend” during childhood having been at his parents’ clinics, I guess it’s fair to assume that, in a sense, he has been engineered to take care of people’s teeth. Funny though that, like many of his current clientele, I’d known him for quite some time only as the sound engineer/ receptionist/ manager/ janitor, and owner of Pinoy Penguin, a humble band rehearsal studio along Kamias Road, Quezon City, Philippines. Apparently, the beard and the smile that many of the jammers at Penguin (myself, included) thought to be his real identity, turned out to be his alter ego. “I never and still don’t broadcast my being a dentist to keep a low profile,” he humbly acknowledges. “I didn’t want to come off as intimidating. Furthermore, seeing how new faces would treat me not knowing I was the owner of the studio or what I did for a living

was a good way for me to gauge which bands to welcome back,” he adds. Apparently, way back when he was in high school he’d already developed a penchant for the guitar and music, in general, thanks to air guitaring with a tennis racket to bands like Guns N’ Roses, Aerosmith, The Rolling Stones and Metallica, to name a few. Such was his inclination towards music that, on the late Prince, Doc Randy recalls having been so mesmerized by the guitar solo of “Purple Rain” that, rather than watch the sexy GRO (“Guest Relations Officer”)

Text and photos by Andrew G. Contreras

unplug interview


13

gyrating onstage, he closed his eyes in order to appreciate the notes dancing in his head. Allegedly. Even if he turns out to be lying you can’t blame the guy as that transpired long ago, during his adolescent years, when a club called Thunderdome still existed. Alas, that joint is long gone now (or is it?). While he had to set aside playing for a time in order to finish his studies, music never really left his heart. “When I passed the board exams in dentistry, my dad asked me what I wanted as a gift. “Of course, my answer was ‘A GUITAR.’” Despite being armed with both a license to practice dentistry and a brand new axe, Doc Randy would opt to test the corporate terrain, literally, as an agent at a well-known realty company. While his goal was to “try something different” as he was gradually establishing his practice, it only brought him closer to music as it was during this five-month stint that he met his future bandmates. “They were actually employees from the office next door who tapped me to play with them as they needed an additional guitarist.” While, after a short run, they eventually called it quits covering new wave, it was Dave, one of the members of that same band with whom he had formed a friendship, who recruited him for guitar duties later on. They called themselves “Mismo” (formerly “The Niño Mulach Experiment”). Consequent to their having done the rounds in all three – yes, because the scene was and is that “booming” - local gig hot spots, they also had their fair share of band rehearsal studios. Frustrated by the dismal state of the equipment, the idea to put up a studio of his own hit him. He was not sure about what

to call it yet, but, thanks as well to the inspiration he drew from the book, “Rich Dad, Poor Dad” by Robert T. Kiyosaki, he gathered that his “sanity” relied on an endeavor related to his passion. Given that his dental practice was already more or less steady by then, the timing was perfect. Moreover, the technical know-how he had acquired through his activity in a local gear fanatics group called Philmusic would definitely come in handy. “I don’t want to name names. But, the condition of the equipment in practically all of the places in which we would jam was just horrible. Microphones were smelly, amps were ‘basag’ (blown out) – you name it,” states Doc Randy. “The concept was simple, really. I just wanted to put up a jamming place that wasn’t on the brink of falling apart. You know, in which jammers wouldn’t have to be miserable and could actually enjoy.” Believe you me, Doc Randy doesn’t exaggerate by pointing out the sorry state of most of the local jamming studios. It’s so bad that, every time friends and I would checkout new studios, we’d end up singing Earth Wind and Fire’s “After the Love Has Gone” to describe the state of the facilities and musical instruments. Thus, his quest to search for the right place began. Again, like how his corporate break led him to his future bandmate, then to the epiphany to put up a studio, the stars seemed to align for Doc Randy as he searched for the right location to situate his then unnamed passion project. Initially, he’d hoped to locate somewhere along Katipunan, which is near a number of schools. He believed this to be ideal in that he’d have a lot of students as his market.

unplug interview


14

Unfortunately, that plan backfired. Citing that the noise might distract the very same students attempting to study, he was turned down time and again. Undeterred, an ad in Buy and Sell magazine led him to what was formerly an office in a building somewhere along Kamias Road, in Quezon City. “’Pinoy Penguin,’ the name just hit me as I stepped through the door,” recalls Doc Randy animatedly. “It’s funny,” he adds, “because, to begin with, I’m not really fond of penguins. But, the moment the name randomly popped up I knew that was it.” The rest, as the saying goes, is history. Having met the ever so strict and discerning standards of his first ever customer – fellow Philmusic members from a blues band called Colonel Overdrive, word got out that finally, there existed an affordable band rehearsal studio in which musicians could indeed have fun. That’s always worked both ways, Doc Randy admits, as he finds great pleasure in being able to, like during his days at Thunderdome breaking down Prince’s guitar solos, listen to the very bands who jam at Penguin, which he describes as his “sanctuary for sanity.” Hoping to preserve that vibe, though it has become more or less a self-sustaining business, Doc Randy eventually came to a decision to keep his pet a secret. Rather than drowning it with customers, he opted to choose clients based on referrals – to confine the atmosphere to bands of friends whose music in which he believes. Personal purpose already fulfilled, however, his march did not stop there. Convinced that there was so much good music filling the studios of Penguin that wasn’t quite getting the exposure it deserved,

the next step fortuitously became obvious. “I had been mentioning to Ene, vocalist of The Ronnies, regulars at Penguin, that it was such a waste to have so much talent not getting heard and not getting any gigs due to the lack of connections. Under the notion that my conversation with Ene was just small talk, I didn’t really think anything would materialize out of it.” As fate would have it, that information got passed on to common friends, Jugs Jugueta and Kelvin Yu, members of local powerhouse, The Itchyworms, and part owners of Route 196, one of the more popular gig spots in the metro. Kelvin then sent a text message to Doc Randy asking if he wanted to try out hosting a band production one night a month. Thus, on April 07, 2014, “March of the Penguins” took its first step. It was hardly a baby step though, as, unexpectedly, Route 196 was jampacked on a Monday night. “To this very day, I still get goose bumps picturing how, even outside the venue, the place was just filled with people,” reminisces Doc Randy. Same as with the studio, he does not seek any financial remuneration from “March of the Penguins.” The way he sees it, he is just happy to get to hangout with his friends, jam with them every now and then, and, once in a blue moon go onstage with his own band. Despite perpetually having operated on intangible income, July of this year marks “MOTP’s” 29th step. Making being one step shy of thirty more monumental is that, on that same month, the 7th, to be exact, Pinoy Penguin will officially be nine years old. “I’m really excited about that,” Doc Randy confesses. “It would be awesome if bands like

unplug interview


15

customer number one, Colonel Overdrive could make it. Maybe they can even play “Red House,” the first song ever jammed at Penguin.” Because I don’t know them personally, I haven’t really gotten a hold of Colonel Overdrive. Based on the sentiments of the bands I do know, however, I’m sure everyone would be honored to be invited. As a matter of fact, I wouldn’t be surprised if bands even invited themselves given how well Doc Randy has taken care of them all these years. Ean Aguila, of Ang Bandang Shirley and Stomachine, describes Doc Randy as someone who has always taken care of his bands. “He gives us cold water for free, makes sure the sound is good, and is one of the nicest people I know.” For her part, Ene Lagunzad (The Ronnies) delights in how all the bands that play at March of the Penguins “support one another.” “I think it’s because we all have the same home,” she believes. “Penguin is home.” Dan Joseph “Danjo” Galapon, who has marched with Penguin for five years and counting already and plays bass for Sour Cheeks summed it up. Upon my having asked him to share a few words about the good doctor, all he could say was “THANK YOU FOR EXISTING!” That he is loved so much I guess, is a testament to that Doc Randy has done something right. While the longevity of his Penguin and unwavering devotion of his Penguins is a reward, in itself, Doc Randy will not deny being grateful that, since word about his being a dentist got around the studio, he’s seen a significant increase in the number of his patients.

“Apparently, a lot of the musicians who come to Penguin are afraid of dentists,” says Doc Randy almost laughing. “They figure that, since they don’t find me to be scary, entrusting their teeth to me will be less of an ordeal. Now even their families are my patients.” Doc Randy is good with his hands. The secret is out. Beyond his uncanny abilities as a dentist, though, his unique story of serendipity shows that he can touch people not only with those delicate hands but with a heart that bleeds with love for the local indie scene, as well. Well, for one, I know I’m not just speaking for myself in stating that he has definitely touched me – figuratively and literally.

This is a very interesting Rig. According to Brian, It took years of trying different combinations of pedals and different positions in the pedal chain to accomplish his current “sound-output”. There are a lot of unorthodox positions in this rig that you might find interesting. Example: 1. The Wah pedal is almost at the middle of the chain. 2. Two Over-drive pedals are sandwiching the Wah. 3. Phaser pedal is before the first Over-Drive etc. I met Brian Gatmaitan a few years back. He was still in a band

called Hunting Lilac. He was this quiet unassuming man, but nevertheless had a very friendly demeanor. On stage he has an explosive showmanship style and extremely accurate with his guitar playing. Not all guitar players have a very good blend of technical skills and “feel”. Some have all the technical skills but are somewhat mechanical in approach, and some has the “feel” but are just too sloppy. In Brian’s case Accuracy and “feel” always came together. This has been tested again and again. I remember a female host(who doesn’t

unplug technique


16

Rig Owner: Brian Gatmaitan Birth year: November 1974 Current Band: Hey, Moonshine (Soul and Blues Rock) Position: Lead Guitar & Song Writer Former Bands: Who Voodoo (80’s Glam Metal), Former guitarist of Ms. Cynthia Alexander, Baked & Hunting Lilac Interview location: JnR Music Studio Interview by Mike Twain

play the guitar) called Brian’s lead solos as “Bed Room” sounds, a testament that his music transcends to none musicians also. As a guitar player myself I typically have conversations with other musicians. Example being is Jimi Boenhert of Mad love Misery (A grunge band). I recall standing beside him while watching Brian play in Bside Makati (Music Venue) and we both agreed how Brian just killed every note he played. He has the experience and the talent. Eventually I got to know Brian a little better & met his friend and Neighbor. His neighbor told me he would hear Brian play in the wee hours in morning just to perfect his songs. Proving once again that hard work does pay. All that skill and he is a self-taught guitar player. Probably like you (Note: At that time there was no internet yet). During our interview he told me that despite his father being a guitar player also, wasn’t the type who would coach him. Which was the same way he learned how to drive. His father simply gave him the car keys & let him be. A little history as a guitarist. Brian learned to play the guitar around 13 years old. By the time he was in the 7th grade he moved to Japan up to the 9th grade and there discovered rock music. At that time everyone was into New Wave, but he was into bands like Twisted Sister. Eventually he moved on to playing 80’s Glam like Poison and Motley Crew. Back in the Philippines he started playing more Metal bands such as Matallica, Megadeath and Anthrax.

Eventually discovering Guns N’ Roses and Extreme noting Slash and Nuno Bettencourt as one of his early influences. By this time he started his first band called “Do Voodoo” also name of their song in “Hey, Moonshine”, his current band. Eventually through friends and contacts he became Ms. Cynthia Alexander’s Guitarist for about 2 years. He accredits his experience with Ms. Alexander, as his education in song writing and other technics like arrangements, odd timings, Syncopado, sequencing and more. For personal economic reasons Brian left his group & started playing for a variety of Acoustic acts. Not being satisfied in playing “all covers” he decided to create his first underground band “Baked”. By this time he became a full blown song writer which he brought to his next band “Hunting Lilac” where I met him, and eventually “Hey, Moonshine” where he now serves as lead guitar, band leader & song writer. The Rig Styling: Soul - Blues Rock

unplug technique


17

Objectives: 1. To have more control of guitar

character & volume 2. Versatility 3. To be able to adjust sound during

a song (Quicker response time) 4. Consistency 5. Great clear full tone

And maybe, it could help save you time and money. Versus trial and error. What it is important is the sound-

output of the rig. If you have a favorite artist that you would like to model your rig on, the best way to do it is acquire the same gear that have. But I’m assuming they are famous and more likely to have expensive sometimes customized gear that you might not be able to afford. These features might give you an idea on how to accomplish your wanted sound, and maybe learn from some experiences of other artists.

Logic: Guitar (SG Gibson or Fender Telecaster)

Pedal tuner (Pitch Black) Compressor – Sustainer (Boss S3) Phaser (Boss – PS-1) OCD Full tone Version 3 Morley 1 Bad Horsey Cmatmod Signa Drive (Another OD Pedal) Tremolo (Boss TR-3) Analog Delay DOD (FX-90) AMPLIFIER Again, all these things are not “cast in stone” by all means, it is meant for education and research.

unplug technique


18

I spend my time interacting with a lot of different musicians, song writers and Studio technicians. But I noticed

something very different with Recording Technicians who are also musicians. Enter Mr. Inigo Mortel. As a musician myself I have been recording with Banana Rising since 2012 I have referred musicians to try Banana Rising for EP’s, full length albums, demo’s, sound dubbing for commercials and Banana Rising and it has never failed me yet. And again this is not cast in stone. So in this article I have decided to feature and understand the paradigm difference of a recoding tech who is also a very active musician. So for those who want a solid tip to start a home studio here is what beneath the Banana Rising hood:

unplug technique


19

Featuring Inigo Mortel Owner and Technician of Banana Rising Recording Studios Drummer for Gin Rum N’ Truth (Classic Rock and Grunge)

Guitar Player for I-ray (Rhythm Guitars)

Objectives: 1. What is the difference between a

usual musician and musician/recording technician

2. Get tips on the kind of equipment you need if you want to have a home’s set-up that is tried and tested

3. How to get that washy, cut through sound of cymbals that would translate for recording

4. What kind of snare do I need for a Classic Rock/Grunge sound that will translate well for recording

unplug technique


20

Kit: - Yamaha Maple Custom, 10,12,14,16, 22 shells Snares: - 14 x 5.5 inch Ludwig Supraphonic - 14 x 6.5 inch Pearl Hammered Brass - 14 x 5.5 inch Yamaha Oak Custom - 13 x 5 inch Pearl Omar Hakim Signature Snare Cymbals: - 24" Zildjian 70s A Ride - 22" Zildjian K Jazz Ride - 22" Zildjian K Custom Dark Ride - 19" Meinl MB10 crash - 18.5" Sabian Chad Smith Explosion Crash - 18" Turkish Crash - 14" Istanbul Mehmet Regular Hats - 14" Paiste old hats - 10" Wuhan splash Misc. percussion: - Cowbell - Tambourine - Church bell - Egg shaker - Cutlery - Pots and pans

DRUMS STUFF

GUITAR STUFF

Electric guitars: - Gibson Nighthawk Special - Fender '55 reissue CIJ Telecaster - Squier by Fender (Japan) Stratocaster with Fender Custom Shop Fat 50s pickups. - Godin LG P90 - Godin Radiator - Yamaha AES620 Acoustic guitar: - Oscar Schmidt acoustic guitar

Tube Amps: - Fender Bandmaster (60s Blackface) - Laney AOR Pro-Tube Lead 50 - Orange Dual Terror - Fender FAT-1 - Blackstar HT5 Speakers: - Orange 2x12 Cab w/ vintage 60s Jensen P12N's - 1x12 Celestion Vintage 30 Effect pedals: - Barber Direct Drive - Proco Turbo Rat - Catalinbread Supercharged Overdrive (SCOD) - Catalinbread Super Chili Picoso - ZVex Mastotron - Electro Harmonix Little Big Muff Pi - Dunlop Crybaby Fuzz Wah - DOD 490 "Phasor" Phaser - Danelectro Wasabi Delay - Artec EQ/Tuner - Tremulus Lune tremolo clone - Fuzz Factory clone - BYOC chorus - Ross Comp compressor clone

BASS STUFF

Bass: - Teisco KB2 - Ernie Ball Musicman Stingray copy by Fernando

RECORDING STUFF

Preamps/interface: - Focusrite Saffire Pro-40 pre-amp/ interface - Behringer ADA8000 pre-amp/AD converter Microphones: - MXL v67 - Audio Technica 2035

His objectives for creating a studio is “Affordability and Quality” that is why he has restrained himself from charging more than 350 Pesos per hour. He also discourages “bundle” packages (Bundle packages are recording packages that are priced around 3 to 5 thousand for 2 or 3 songs all including mixing… typically) because he doesn’t like to encourage laziness.

He wants musicians to actually practice before recording. Something only a Studio Recording Technician and an active musician will probably think of. The Room itself requires an “isolation room” for the guitar speakers during recording. Here is my discovery. Earlier we were talking about the difference between a musician and a Musician / Recording Technician. Inigo has a different set of equipment he uses for recording drum set up and live drum set.

Some equipment sound like its live counterpart when recorded. According to Inigo he learned this by experience. Since the room in his studio differs from bars and venues, it will have an impact in sound output. For example a good sustain live will not necessarily mean an great sustain inside.

unplug technique


21

- AKG D690 - Audix i5 - Sennheiser e609 - Sennheiser e614 - Samson Q1 Pro - Equation MTD50 DAW/Software: - Reaper Monitoring: - Yorkville YSM1i - ART SLA1 Amp - Yamaha MSP5 - Sennheiser HD280 - Superlux HD660

Here is his Cymbals and snare set up for both live and recording. For Cymbals he prefers “Jazz” Cymbals to give it the dark, Washy sustain even if he actually plays Classic Rock and Grunge. So he uses a thinner but wider cymbals. These cymbals help compensate for the Guitar noise. That way it fills and cuts through the room. For the snare he prefers the Thick Low and Warm tone. Very typical of 60’ to 90’s sound.

He keeps a variety on Snares because most of the time different drummers prefer different snares. All in all it has been very educational prying into the thoughts and paradigms of musicians and recording technicians. So if you plan on recording your stuff.

It is best that you don’t simply bank on you current equipment that you use for live. There are more equipment out there you might want to test, and maybe you will accomplish the sound you want for your record. Another great reason for GAS. =)

unplug technique


22

Food/Drink: Sinigang na Baboy and Beer! Vacation Spots: Anywhere w ith an air-conditioned hotel and Liwliwa Zambales Comics: Hmm. Don’t read them. Probably Archie Comics. Hahaha. Quote: Live fast, don’t die young.

unplug off the crowd


23

QUESTIONS Name: Katrina Castro Nick name: Kat Age: twenty 4ever Gender: Female Location: Philippines Occupation: Programmer Ambition: To play alongside Green Day. Languages Spoken: English, Tagalog FAVES Web Sites: youtube.com, blanktv, facebook.com Movies: Any Marvel Movie, Runaway Bride, and RDJ movies. :D Television Shows: Scandal, House of Cards, Lucifer, Arrow, Flash, Dexter, Master Chef. Songs: A lot… If I name them, it would be 5 pages. Singer/band: Green Day, Blink 182 (old and new), New Found Glory, Justin Bieber.. Actors: Robert Downey Jr., Sam Rockwell, Hugh Jackman. Actresses: Hmm.. Julia Roberts? Books: Harry Potter! Magazines: Pulp, Cosmopolitan etc. Sports/Games: Basketball, Archery, Knife Throwing, Badminton.

Is there a fictional character from a movie, TV show, or a novel you wish existed in real life? I ron Man and Harry Potter. If there's one thing you could change about yourself, what would it be? Hmmm… My Height. I wish to be tall to compensate with my current weight. Hahaha. What did you want to be when you grow up? Astronomer. If you could have any job, what would it be? Astronaut. What super power would you like to have? Mind Reading and healing. Most important thing in life? Food. Are you currently single, married, "taken," or none of the above?Taken. What is your worst habit? Watching and drooling over Robert Downey Jr. What is your best quality? (What you think and what others think) I’m easy to be with. That’s what other think as well. Thing you're most proud of? (An accomplishment of yours) Albums for both Penguin! and Off the Crowd. Who do you want to see in person? Robert Downey Jr. One word to describe your life so far. AWESOME What are your fears? Heights, not being able to meet RDJ in person. Hahaha.



24

OPINIONS Name one thing you would never or rarely get bored of doing. Playing and Listening to music. Do you believe in ghosts? Why or why not? Yes. They’re real, the movie sixth sense says so. If there was one person you could bring back from the dead, who would it be and why? Gene Kelly, would like to meet the guy and have dinner with him. Who is your crush? Secret! Hahaha. Robert Downey Jr. What is your biggest regret? I took things for granted and wasted time of stupid people.

Describe what you feel like waking up on Monday morning. I t’s a typical Monday Morning… Describe your soul mate… Bearded guy with glasses, OC, Handsome and loves me. Describe yourself in 3 sentences? I’m Kat. I’m a bit fat. Once you go with Kat, you will never go back. Worst mistake? Trusting the w rong people. FINISH THIS... I cry because... I ’m slicing onions on a hot day. I laugh because... I probably saw something funny. If the world was going to end tomorrow I would... Find a way to meet Robert Downey Jr. Life is... like a watermelon.



25

What are the things that piss you off most? Hypocrites. ARE YOU MORE (Pick the Closest One) Outgoing or Shy: Outgoing Organized or Disorganized: Disorganized. Serious or Fun-loving: Fun-Loving Optimistic or Pessimistic: Optimistic Studious or Carefree: Carefree Is your style of humor witty, sarcastic, slapstick, silly, crazy or just plain weird? I ’m all of it. Paper or Plastic: Depends… Glasses or Contacts: Glasses. Boxers or Briefs: Boxers? Depends on who’s wearing them… Cats, dogs, other, or all? Hedgehogs Funniest way to get someone's attention? Tell them a compliment out of nowhere. Describe in one word, Friendship is— JT Pandy. Describe in one word, LIFE is— like a Watermelon. Describe your Daily routine? Wake up for work, transfer to the other room to work, eat, vape, watch movies or TV series, chug-chug, then Sleep.

unplug redrum


26

TYPECAST THE SWEET SIXTEEN TOUR

unplug redrum 27

THE S

WEET

SIXT

EEN

TOUR


unplug live 28

Photo © Thal Ruin

WAGAYWAY FESTIVAL 2016

Date: May 22 2016

UPRISING


unplug live 29


https://www.facebook.com/UnplugMagazine/?fref=ts

unplug tube 30


ASYLUM MISERI "Sands Apart"

Vocals - Deda Von Miseria Guitar - Anthony Romasanta

Keys - Ely Pe Benito IV Bass - Miles Ace Andes

Drums - Christian Cruz Garcia

beyerdynamic "TG D35d" BLANKO "PHASIS" [Live]

Ralf Gustke - "Goldbeck 7/4" - Tacocat

Produced by: Lt.Mike Fade Invader Studio 2016

Unless Outwear

FHERROND "Rhezdan" FUSEBOXX "Pagbalik"

Earbender Live! Season 2 In association with Team Sniper Productions and Grafeine Studios. For Earbender Live season 2,

Fherrond performs their song - "Rezdan".

Fuseboxx's carrier single from the 2nd album "Animated".

Directed by: Qi Collective Cinematography: Ogi Sugatan

Graphics & Editing: Van Fernando

https://www.facebook.com/AsylumMiseria/videos/822433961201483/

https://www.youtube.com/watch?feature=player_embedded&v=T8tt8Lr4SLo

https://youtu.be/BPoaYtgSDjo

https://www.facebook.com/fherrond

https://www.youtube.com/watch?v=38rhB9AylFA

unplug tube 31


HOODLUM "Malungkot" HUMDINGER

[Live at Revamp Fairview]

2016 ALBUM

RIA BAUTISTA

Recording Artist, Editor (Unplug Magazine), Business Owner (Tigasouth), Social Media

Consultant (AVSC PRO), Brand Ambassador, Station Manager (www.bootleg-radio.com)

Back-up Vocals/Guitar: Romeo Pascual Back-up Vocals/Guitars: Prayl Bryan Alub

Bass: Carlo Alejandro Drums: Aldrin Bilugan

UPPERCASE "Ere"

Director: Miguel Alomajan DOP: Mike Chua | Editor: Marq Aljo

Saydie is Kat Taylor, Karl Kliatchko, Kurt Corpus, Josh Madrid, and Monx Arguelles.

Vocals – Mark de Leon | Acoustic guitar and electric guitar – Mark de Leon | Lead electric

guitar – Allan Lagat | Bass guitar – Troy Turalba | Keyboards – Jason Alba | Drum machine -

Phil Mark

https://www.youtube.com/watch?v=rXHukzHJmHc

https://soundcloud.com/humdingerofficial/sets/humdinger-2016-album

https://soundcloud.com/ria-panopio-bautista

https://youtu.be/kU-KgjAm16A

https://youtu.be/rAkSlMmedL8

http://uppercaseopm.bandcamp.com/

RRP : P500

Weblink: www.guitarpusher.com/product/acoustic-guitar-feedback-buster-soundhold-cover/

unplug gear

Rubber Soundhole Cover | Reduces feedback


Product Description Brand: Alice Material: Rubber Slides easily into place Reduces feedback in acoustic electric

guitars

http://www.guitarpusher.com/product/acoustic-guitar-feedback-buster-soundhold-cover/

Product Description Available in 6, 7, and 8 strings (prices

vary) Available in many cover style and

colors You can customize and order (will

take 4-6 weeks to arrive)

RRP : P13,500

Weblink: www.guitarpusher.com/product/bareknuckle-juggernaut/

unplug gear

Tightness and attack of a ceramic with the dynamics and musical nature of an Alnico


The Juggernaut humbucker is designed with symmetrically hand-wound twin screw coils and has a unique combination of massive Alnico V and ceramic VIII flankers for its engine in the bridge and a custom size Alnico V in the neck. Bass response is big and focused with lots of weight in the mids for the ultimate in definition through complex extended chord voicings. High end is rich and vocal with all of the articulation and dynamic control that Misha demands for his progressive playing style.

http://www.guitarpusher.com/product/bareknuckle-juggernaut/

Integrated pre amplifiers TG Drum Set PRO assortment: 1 x TG D50d (bass drum, dynamic,

cardioid) 4 x TG D35d (snare drum, dynamic.

supercardioid) 2 x TG I53c (overheads, condenser,

cardioid) 1 x M Bag Drum (durable soft carrying

case)

Weblink: http://europe.beyerdynamic.com/shop/mp/microphones/vocals-and-instruments/

drums/tg-drum-sets.html

unplug gear

beyerdynamic TG Drum Set Professional Microphone Drum Set


The TG Drum Sets offer high-performance drum microphones from the Touring Gear series. Four sets are available—TG Drum Set PRO S and M, such as TG Drum Set PRO L und XL. The sets S and M include a durable soft bag which can be equipped with four TG D35d (toms and snare), two TG I53c (overheads), and one TG D50d (bass drum). Microphone clamps are included. The key features of the TG Drum Set microphones at a glance: "Plug and Play" microphones,

perfect for beginners Easy mounting of tomclips on nearly

every drum rim Naturally sounding condenser

microphones simple and easy micing of the whole

drum kit Microphone clamp

http://europe.beyerdynamic.com/shop/mp/microphones/vocals-and-instruments/drums/tg-drum-sets.html

letting users play in a power trio, jazz trio or other ensemble at the touch of a button. TRIO can be connected to a guitar amp or directly into a mixer for use with a PA system. A headphone jack with level control is also included. An optional DigiTech FS3X footswitch can be connected to the TRIO for hands-free selection of song parts and styles. The TRIO comes with a power supply and its rugged-stage-worthy metal enclosure ensures reliable operation gig after gig.

The TRIO Band Creator Pedal provides the ability to create a band that plays along with the user. The TRIO Band Creator Pedal listens to what is played and automatically generates bass and drum parts that match chord progressions and rhythmic feel. Users simply need to plug a guitar into TRIO, press the footswitch to teach TRIO the chords and rhythm, then press the footswitch again to start playing with a customized personal band. The DigiTech TRIO provides seven musical genres to choose from including Rock, Pop, Country, Alternative Rock, Blues, R&B and Jazz. Up to 12 song styles are available for each genre and the player can select between 4/4 and 3/4 time signatures. TRIO can learn up to three different song parts – for example, verse, chorus and bridge – which can then be recalled on the fly as the song plays back. TRIO offers total control over the virtual band’s performance. In addition to its Genre and Style selector knobs, TRIO’s Bass and Drums controls provide volume adjustment for both instruments and the Tempo knob locks in the groove. The Alt Time button selects an alternate half time or double time setting for each song part. TRIO even provides a selection of built-in effects for your guitar that vary according to the genre selected, Weblink:

www.digitech.com

unplug gear

DigiTech TRIO Band Creator A Band inside a Stompbox


http://digitech.com/en-US

The DOD Gunslinger offers true bypass operation to keep the instrument’s tone pristine when the effect is disengaged and its brushed-metal housing looks as tough as the pedal sounds. RRP: USD 125

The DOD Gunslinger MOSFET Distortion is a pedal that’s locked and loaded for smoking guitar sounds at any setting. The Gunslinger employs a newly-designed MOSFET circuit to deliver a wide range of distortion tones from a touch of overdriven grit to full-bore high-gain saturation. The Gunslinger’s Level and Drive knobs control the overall volume of the pedal and the amount of distortion. High output enables it to push a tube amp over the edge for raw, high-powered overdrive sound and deliver a massive volume boost for high-velocity solos. Even at its highest gain settings, the Gunslinger maintains its touch sensitivity and separation between notes. The pedal’s Low and High controls enable the player to adjust the amount of bass and treble, to achieve the perfect tonal balance with any guitar, amp and rig. The Gunslinger offers a choice of 9 to 18 volt operation, which lets the player choose between normal operation and running the pedal with more headroom for a less compressed, tighter and more open tone.

Weblink: www.digitech.com

unplug gear

DOD Gunslinger MOSFET Distortion DigiTech's Pedal that's aimed for Great Tone


http://digitech.com/en-US

Charges via standard micro USB port 64 volume levels + mute for volume

fine tuning via separate volume + and – buttons

3 bass boost options and effects bypass option available to satisfy different listening preferences

RRP : USD 28

unplug gear

Portable Micro Headphone Amplifier


The FiiO A1 comes in a compact and basic but functional design with the required buttons and ports. Small enough to fit in your palm, the casing is in a dull silver metal finish and about as thick as the average smartphone. Weighing just 20g it will sit comfortably in your pocket when in use. Specifications Up to 70mW output power at 32Ω Only 0.01% THD Over 100dB S/N ratio Internal 160mAh rechargeable Li-poly

battery Less than 15μA standby current; over

13 hours play time No power draw from connected

devices, e.g. smartphone run time is unaffected

Weblink: www.focalprofessional.com/en/

unplug gear

Compact Studio Monitor


The CMS 40 is the most compact monitor of the Focal Professional range. Its size/extended bass frequency ratio ensures excellent versatility. This monitor guarantees ultra-realistic voicing, whilst offering optimum acoustic integration in a small room. Its design permits a listening position from 16" (40cm), even in the least advantageous locations (ex. proximity to reverberating surfaces). The CMS 40 is the perfect tool for post-production and home studios. And even in the biggest and best studios, it proves to be an excellent second monitoring system, allowing one to quickly check how the mix translates onto smaller speakers.

http://www.focalprofessional.com/en/

Weblink: www.ld-systems.com

unplug gear

Dynamic Vocal Microphone with Switch


LD Systems' top vocal microphones. These low-feedback dynamic super cardioid and condenser vocal microphones feature a broad frequency spectrum, low distortion at high sound pressure levels, and shockproof capsule mounting for minimal handling noise. Suitable for all demanding stage applications.

Product type: vocal microphone

Type: dynamic

Frequency response: 50 - 16000Hz

Directivity: hypercardioid

Nominal impedance: 300Ohm(s)

Max. SPL (1% THD @ 1kHz):

134dB

Microphone input: XLR /3-pin, gold plated)

Length: 165mm

Diameter: 52mm

Accessories (included):

case, microphone clip (incl. 3/8" adapter)

Weight: 0.3kg

Features: on/off switch, locking

http://www.ld-systems.com/en/home/?force_sid=a45nomvg81332isno3b7nqnl72

Weblink: www.guitarpusher.com/product/legator-ninja-n8-200-aqua-burst-qm/

unplug gear


Product Description Model: NINJA 200-SE 8-String Body: Mahogany + Maple Top Neck: Mahogany with Satin Finish Fingerboard: Rosewood Frets: 24 Scale: 26 1/2'' Pickup Configuration: Legator

NNH8-SE Alnico Humbucker / Legator NBH8-SE Alnico Humbucker

Electronics: : Vol / Tone / 3 Way Blade Switch

Bridge: Legator S8-E Fixed Bridge Tuners: Legator CR Diecast Tuners Hardware: Black Color: Aqua Burst - Quilted Maple

(AQB-QM) RRP : P26,400

http://www.guitarpusher.com/product/legator-ninja-n8-200-aqua-burst-qm/

Weblink: www.ld-systems.com

unplug gear

Portable Column PA System with Integrated Mixer


The MAUI 11 MIX is a Class D powered vertical array system with plug-and-play convenience, extremely high feedback resistance and 120° horizontal coverage eliminating the need for dedicated monitors. Featuring an integrated mixer and digital processing it provides the perfect all-in-one solution for solo performers, small groups, mobile DJs and corporate applications. Loaded with 2 x 6.5" drivers the system's vented subwoofer and the sealed aluminium column design with eight 3" speakers and single 1" horn tweeter deliver a peak output of 1200 watts. The subwoofer's connector panel includes inputs for microphone, line and hi-Z signals as well as MP3 players or laptops which can be used simultaneously. Individual controls allow for input channel, system and subwoofer level adjustment. The MAUI 11 MIX also features short circuit and over current protection and LD Systems' proprietary LECC DSP which performs limiter, equalizer, compressor and crossover duties for reliable operation and exceptional audio quality. Due to its custom made multi-pin connectors the MAUI 11 MIX is set up in no time requiring neither speaker cables nor stands while the minimum weight and compact dimensions provide easy portability.

http://www.ld-systems.com/

2 local network inputs (mic/line level) with phantom power

Multi-track recording (16 +2) on SD cards (24-bit wav-files)

Auto saving in up to 20 profiles 4-band fully parametric master EQ Send Mix to Network to listen to other

devices or create submixes Outputs for balanced line levels and

headphones Ships with microphone stand adapter

and power-supply For use in recording studios the myMix Studio-Mod with a modified silent cooling system is available. *A myMix system can feature up to 500 audio channels (250 pairs) maximum.

Weblink: www.mymixaudio.com

unplug gear

Impeccable Audio Quality


The myMix personal monitor mixer can be used stand alone, or connected to an Ethernet switch as a system with up to 250 devices. The user can select from all available audio channels in the network and create an individual stereo mix for headphones, in-ear monitors and (powered) speakers. Impeccable audio quality with 24-bit,

48 kHz throughout the system Create a stereo mix using up to 16

from 500* audio channels Intuitive User Interface with

meaningful channel names Volume, Tone Control, Effect Send,

Pan, solo and Mute per channel 7 integrated stereo effects to create

a 3-D sound image Autosave of all chages applied to the

mix, with 20 profiles available.

http://www.mymixaudio.com/

On the output side, one has the choice between a symmetrical XLR jack (DI out) with pre- and post-selection to avoid sound adjustment and cabinet simulations. The 6.3 mm jack can be connected to the amplifier directly. External processors can be fed in via the FX-insert interface – although the integrated saturation simulation should actually be enough in many cases. The stable and noiseless foot pedal can be used to switch between two settings. If the sliding switch is in the bypass position, the BASS POCKET AMP will be taken out of the signal stream completely, along with all settings and simulations. If the MUTE position is chosen, the bass can be tuned noiselessly (Bass Thru is always active) or the instrument can be switched without causing irritating noises. The Palmer BASS POCKET AMP is operated with a 9-volt adapter (PW9V) or a standard 9-volt block battery. Doubling the internal operating current to 18 volts improves the dynamics and performance of the headphone amplifier.

Weblink: www.palmer-germany.com

unplug gear

Palmer BASS POCKET AMP Compact preamp for e-bass

The Palmer BASS POCKET AMP is a multifunctional floor pedal and preamp that will appeal to bassists and is perfect for recording or as a practice amp. It can be used for either active or passive bass. The pedal works perfectly with a power amplifier or a channel strip on a mixer. The compact BASS POCKET AMP is also well suited as a pure headphone amp. The sound formation can be adjusted very effectively, with regulators for bass (center@90 Hz), treble (center@7 kHz), and semi-parametric regulation for mid-range (150 to 8 kHz). Adjustable cabinet modulation enables a selection of three different frequency curves (flat, modern, vintage) and the mode switch lets the user choose between clean, overdrive and fuzz. The input side has jacks for Bass In (reduction is possible for active bass guitars) and Bass Thru (feeds the input signal through). Stereo signals can be fed in via Aux In (mini-jack) and these can be listened to in stereo via the headphone jack (mini-jack).


http://www.palmer-germany.com/

When fully charged and depending on the power consumption of the connected pedals, the power supply will last for four (BATPACK 4000) or eight (BATPACK 8000) hours. Remaining battery life is conveniently displayed on the five-segment LED. The BATPACK is also fully functional while being charged. Devices such as smartphones and tablets can also be charged via the 5-volt (1 A) type-A USB outlet.

The Palmer BATPACK is a portable power pack that works like a power bank and is especially designed for powering effect devices on the pedalboard. Available in two models: BATPACK 4000 (4000 mAh battery capacity) and BATPACK 8000 (8000 mAhbattery capacity). Both power packs are optimized for use with Palmer Pedalbays. But these light-aluminum, full-metal devices also contain twelve mounting openings so that they can be used with other boards. Two insulated 9-volt DC outlets each provide 500 mAh. The long-life 7.4-volt lithium-polymer cells take four hours to charge in the BATBACK 4000 or eight hours in the case of the BATBACK 8000.


unplug gear

Palmer BATPACK Portable power supply



and low cut filtering to prevent rumble the PDI-03 JB delivers consistent, controlled guitar sound with a deep solid bottom end no matter what the sound reinforcement system or location. With its selectable input sensitivity for amplifiers up to 200 watts or line and instrument level equipment the Joe Bonamassa Signature Speaker Simulator also is a versatile studio and home recording tool. preamps and even overdrive or distortion pedals with authentic speaker flavors.

Housed in a compact roadworthy steel enclosure the professional guitar amp DI box features the exclusive JB switch to add that extra thrust for a huge and powerful yet tightly focused tone. The PDI-03 JB simply connects between amplifier and speaker to provide a balanced direct feed to mixing consoles. Two carefully voiced filter stages faithfully replicate the response of classic guitar loudspeakers and cabinets to match the unit's signal to the guitar rig's sound. Eliminating microphones, leakage from adjacent sound sources


unplug gear

Palmer PDI 03 Joe Bonamassa Signature Speaker Simulator



A combined 11 foot long 1/4 guitar

and 1/8 headphone cable Allows headphone signal to travel in

the same cable as a guitar signal Perfect for guitarists/bassists with

n-ear or headphone monitoring Lets guitarists/bassists practice with

no amp and a single cable

TC-Helicon’s custom designed Guitar & Headphone Cable facilitates in-ear monitoring and guitar connection in a single simple plug-and-play experience. You get ample freedom to move while you rock out in practice or performance. This is perfect for guitarists/bassists with in-ear or headphone monitoring – it also lets you practice with a single cable and no amp.

Weblink: www.tc-helicon.com/en/products/guitar-headphone-cable/

unplug gear

11-Feet Guitar and Headphone Cable


http://www.tc-helicon.com/en/products/guitar-headphone-cable/

Q: How did it all begin? (The Djing) Music has always been in me, or should I say, born in me… hehe. I got intrigued with how some mobile jocks in the early 80’s mucked about with vinyl and “blended” two songs as if they were one. Then, I find out that my best friend joined ANZIA 1st Audio Philippines as a pro DJ in 84’. Of course, I got inggit but my schedule as a performing dancer did not permit me to follow right away… but In 1985, time allowed me to audition for ANZIA 1st Audio and got accepted. Q: Tell us about your other hobby (the biking/Papi’s Ride) OK, even as an early DJ in the 80’s, I already was into biking then. All- Terrain Biking then is Mountain Biking today. I would race anything on two-wheels back then and used to commute to and from school, all the way to going


unplug bpm interview 47

Santos Written by May Cedilla-Villacorta

Manolet

“ DJ Papi” Manolet “DJ Papi” Santos is a veteran DJ with a colorful past ----with regards to DJing. With previous residencies at Stargazer to Faces in Makati, he is a well-loved and respected figure in the industry. A big-hearted, makulit and funny guy, you will find him tinkering with bikes at his bike shop Papi’s Ride when he’s not on the decks, and enjoys listening to new OPM, retro and jazz.

So, friends of mine and I in New York, organized this party that we called Manila Nights, which happened every last Friday of the month in a venue called Club Recession – it looked a lot like the old Faces club in Pasay Road. I had a protégé back then, whom I trained from the “top” and I am mega-damn proud of him as he is, today, a top DJ, producer and partner of Bounce DJ School – Aldo Legarda. Aldo and I headed the music of Manila Nights, which became an institution (proud to say) and lasted for 5 years or so… I surely have great memories of those nights. Q: Where did you cut your clubbing teeth? I have no idea… hahahaha! Q: The cheesiest track/s you had to play: A lot… but I struggled the most when I had to drop Gangnam Style… Hahaha



to DJ training in Stargazer Club in Silahis International Hotel, on my bicycle. I did not have a car then, and I needed to get around. It was a lot easier then, due to the fact that there was hardly any traffic. Q: What was your first mixer and decks? First mixer were the classic Stantons. These were industry standards back then. Decks back then were Luxmans with rotary pitch controls, until the Technics SL1200s were introduced with the current slider pitch controls. Q: Your first ever gig was: Hmmm… I could say, my Manila Nights private Pinoy parties in New York during the years 1990 to 1995. I lived in New York from 1989 to 1996. I used to work in the United Nations and would find myself missing and itching to get behind the decks. I found out then that there were a lot of Pinoys that missed the clubbing & music scene of Manila.

”

“ Music has always been in me, or should I say, born in me...

Sandy B Make the World go Round (my “Darna” version) – wait for that riff, that build-up, gets the floor wild, I just love Peak-Hour house;

Satoshi Tomiie– K-Jee – familiarism at its finest, gets heads literally swirling in any floor!

Q: Your DJ heroes and why? The great, late, legendary and Godfather of House, Frankie Knuckles. He started it all. His influence on House Music is unmeasured everywhere. He got me into it, and opened my mind into other House styles. I love Frankie Knuckles music. Too bad he left us early. I did a Frankie Knuckles tribute mix. I will upload that soon in my Mixcloud… RIP Frankie…



Q: How different was DJing then and now? Very different especially, technique-wise. It’s hard to compare though because there are both pluses and minuses of “then & now”… Then – analogue, now – digital. Then, we did it as a job – being a resident DJ. And since it was a job then, there would be no “palakihan ng ulo” type of deals. Today, DJing is very different. For some, its still a job - but for the new, it is a stepping stone to being a “superstar”. It’s OK to be a superstar for as long as he or she, should learn and be schooled wisely by the industry’s veterans. What we are seeing now, are Superstars that have no proper “mentors”—nobody to guide them, teach them etiquette, etc. which leads to showing the bad side of the artist. Did I even make sense? Hahaha Q: What do you think of the current state of dance music these days? Is there anything you want to change? > The current state of dance music is evolving again. From House, to Electro, to EDM, back to House again… With the amount of DJ/Producers jumping on the dance wagon, who knows where the style would lead to… all I know, it keeps on coming back to House. And that’s where I would like it to end. Q: Your top three favorite tracks and why? Pete Heller’s Big Love (Dronez Mix) –

Ultimate Anthem, love the build, love the production, always gets the floor;

unplug bpm interview

GET OUR

APP

YOU CAN

ALSO FIND

OUR FREE

DIGITAL

MAGAZINES

AT

CAEDITORIAL.COM

Q: If you had a time machine, what year or era would you go back to and why? The 90s. Best era for dance music. Vocal House, Club House etc etc… There was so much freedom!! Freedom to express yourself as an artist. Freedom to showcase your style and build. Today, too much commercialism is being played and too much “gaya-gaya” BS! You would be so lucky to find the “deep grooves” being played for the mass audience in nice venues today. Which is why I miss the 90s… Everywhere was HOUSE! Q: Any advice for up-and-coming DJs? Just play from your heart. Try not to copy. Be your own. And, if you want to learn more, there are always the veterans around playing their respective gigs. Try to look up to them. Go visit one of them in their gigs. Listen in and absorb. I’m sure they would not mind new DJs watching and absorbing techniques. I know, I wouldn’t!

http://avltimes.mobapp.at/

https://play.google.com/store/apps/details?id=com.conduit.app_64a36450a7224d31adc226b4080c02a3.app


Lucio Pua, Knoxville, Superman, and Katsy Lee played EDM to the crowd while MCs Ronthug and Victor Pring were on mic control. The crowd was wet, wild, and drunk with tequila!


unplug bpm 51

The town of Lucban celebrates “Buhusan Festival” on Easter Sunday. Locals get their buckets, water guns, hoses and whatever else can hold water that can be thrown on other people on this day. Jose Cuervo Tequila brought about a rave in the town, called the Jose Cuervo “Buhusan Festival” that had a fine lineup of DJs on the roster. Ace Ramos, Marc Marasigan, Ray Salumbides, Kat DJ, Travis Monsod,

QUEZON

Lucban gets wet @ Cuervo

Buhusan Festival 2016


unplug bpm 52

Technicolor neon glow paint and black lights matched with EDM music blasting out loud made the Vibrant Paint & Music Festival a success. Held at the Lanang Business Park last March 12, 2016, in time for celebrating Araw ng Davao festivities. The event featured top local and international DJs playing EDM music while the crowd got blasted with over 3000 liters of neon paint, pyro jets, confetti blasters and fireworks kept them going through the night. Davao locals were treated to the sound of DJs Lera, No Class and Mid along with Davao’s DJ Law, Jin, Torch, Wacky and Jack with MC Victor Pring & X-Factor from Manila.

DAVAO CITY

Vibrant Fest Davao makes it big @ Lanang Business Park

The PUP campus was yet another venue that got wet and painted last March 9, 2016. Water guns, paint and great music were the elements at Drizzle PUP. The party boasted of a solid lineup of performers such as Silent Sanctuary, Franco, and DJs Tom Taus, Ron Poe, Cathy Frey, Patty Tiu, Garuda, and MC DZ. Drizzle PUP was brought about by Neverland Manila, Hydro Manila and Revolution.


unplug bpm 53

MANILA

NXRXH Campus Tour presents Drizz le PUP


unplug bpm 54

The Deep Groove Collective gentlemen are back to regular programming on Tuesday nights starting March 29, 2016. This time at Sessions Bar Don Antonio Drive, you can drop by and have a cold drink or two---even three, while listening to a rotation of DJs playing quality house music.


unplug bpm 55

QUEZON CITY

Deep Groove

Collective goes

to Sessions Bar

unplug urban 56


greatnessComes from unityArmed with pure

determination, TIGASOUTH slow ly became what it was destined to be: the embodiment of southern pride. Our designs reflect brotherhood and camaraderie, qualities that define true southern spirit. We draw strength from our roots: music, art & skate. The cultivation of all these diverse cultures and the absolute solidarity of the south. The TIGASOUTH Store is a testimony to our dedication to our city and belief that progress comes from hard work, perseverance, and resolve. TIGASOUTH is more than a brand; it is southern culture. We are more than shirt merchants; we are purveyors of southern pride.

unplug urban 57


Visit the TIGASOUTH Store: 2nd level, South Station, 1781 Alabang, Muntinlupa City.

unplug urban 58


BIG H

and wheels. Being a newbie in the street skateboarding market does not mean that quality’s for newbies as well. Big H Skate Co. is actually known for their quality goods and quality customer service. Thought of learning skateboarding? Curious about the Big H Eight? Definitely check out their headquarters over at G/F Market! Market!, Taguig. Big H Skate Co. riders and staff man the shop so if you have skateboarding related dilemmas or you just want to hang— everyone’s welcome. You can also hit them up via

This year, Big H Skate Co. finally jumped right into street skateboarding. Big H Skate Co. established the brand in 2013 as a premiere cruiser board and lifestyle brand. However this year, Big H Skate Co. excitingly included a line of street skateboards and released them during the month of May. The new inclusion in the brand’s product line, dubbed as “Eight,” is your standard size 8 skateboard deck. Big H Eight comes in two varieties: Classic and Composite. The team, composed of skateboard enthusiasts and longtime riders, took a lot of things into consideration when they created and designed Big H Eight. Weight, the board’s kicks, truck design, formulation of wheels, visuals, material varieties for the deck—Big H Skate Co. definitely wanted to create something that a skateboarder would like to hit the streets on. Everyone knows how skateboarders are meticulous about their gear, hence the brand creating two varieties for the Big H Eight. More options, more fun—right? Taking pride in creating and designing quality boards at a fair price, Big H Skate Co. did it again with the Big H Eight. Whether one is just starting or already deep into the game, the new Big H Eight is definitely worth a try—there’s nothing to lose. Aside from Big H Eight completes, Big H also offer Eight decks, trucks,

EIGHT

www.facebook.com/ bigHskate/

https://www.facebook.com/bigHskate

unplug urban 59

rivalling headsets with larger drivers at a fraction of the size and weight. The Molotov-5 features braided cables for maximum durability. The permanently attached cables ensure that the Molotov-5 cables can be wound and unwound around the headset without damaging the inner wires, making it easy to take care of and minimising possible damage. This is unlike headsets which use detachable cords, which increase the potential of damaging the headphone and headphone jack as the gamer frequently detaches and reattaches the cable. Armaggeddon’s full range of mobile gaming audio prioritizes creating functional and flexible audio devices which allow for gamers to use them on-the-go and at home. A simple splitter cable is provided so that all their single-jack headsets are compatible with PCs and laptops, ensuring that gamers get maximum mileage out of their purchase.


Molotov - 5 mobilegaming headset

ARMAGGEDDON LAUNCHES THE

Gaming gear brand Armaggeddon has launched the Molotov-5 collapsible gaming headset at the very attractive price of USD29.90/P1399. The Molotov-5 comes in three striking colours; Alpine Allies (Blue), Scarlet Soviets (Red) and Armaggeddon (Yellow), and is lightweight and compact, making it practical for indoor and outdoor use for both PC and mobile gaming. “This headset is the result of Team Armaggeddon’s determination to create a mobile gaming headset that is durable, portable and yet produces powerful audio,” said Ms Wanda Hu, Head of Division, Armaggeddon. “We are confident that gamers will enjoy the experience of using this headset, especially when they are on-the-go.” With the 40mm drivers tuned to their full potential, Armaggeddon promises to deliver full-range audio capable of

Lightweight, compact and durable, at a very attractive price

impact - wordpress.com · game changers in the evolution of technology. nowadays, as musicians...

Documents