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Imagining the Post-Fossil City Why is it so difficult to think of new possible worlds? @maartenhajer

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Page 1: Imagining the Post-Fossil City Why is it so difficult to think of new … · Imagining the Post-Fossil City ... Smart City Corporate media bombardment Corporate roadshow Practice

Imagining the Post-Fossil City –

Why is it so difficult to think of new possible worlds?

@maartenhajer

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Imagine, imaginaries, imagination

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‘We shape the world through the stories we tell’

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‘To tell a story, is to act upon the world’

(Sarah Cobb)

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Then why is it so difficult to imagine a post-fossil city?

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First Answer

We are better at pointing out the absurdity of the present than at

narrating viable alternatives

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Yet we fail to actively bring the future into the present

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“Dynamic of capitalism depends on the confidence in fictional

expectations”

Jens Beckert

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Facts Fictions

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Coalition building is about creation of shared imaginaries

Imaginaries emerge in dialogue

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Le Corbusier

Home as ‘machine for living’

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‘Plan Voisin’, 1925

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‘City of Tomorrow’by Norman Bell Geddes(1937)

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World Expo as modern ‘technique of futuring’

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The Politics of Imagination

An uneven battle for the minds?

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Smart City

An example of a corporate imaginary

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‘Living labs’ and Standardization as

corporate techniques of futuring?

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The smart city as digitalised, perfected version of the rational

city?

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Waymo

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The smart city as digitalised, perfected version of the suburban

city?

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Smart City

Corporate media bombardment

Corporate roadshow

Practice of partnership

Academic reification via Horizon 2020 programmes

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Second answer:

Because fossil-based habits are far more embedded than we (want to)

realize

Why is it so difficult to think of new possible worlds?

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People are not persuaded by facts, but enticed by perspective

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Looking for unusual inspiration

Social Science Fiction

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Transmedia World-building

Dan Hassler-Forest

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‘Her’, Spike Jonze (2013)

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‘Fifteen Million Merits’, Black Mirror, episode 2, season 1, Euros Lyn (2011)

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Fictional Futures or Social Science Fiction?

‘Willing suspension of disbelief’ to create new imaginaries

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post-fossil worlds

As emerging across standing practices of governance and media;

As requiring active participation by stakeholders;

Transmedia world-building as a process that resists narrative closure

(Cf. Hassler- Forest 2016:5).

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Post-fossil city

• Need to rethink energy sources

• Need to rethink mobility, shelter, food

• Need to rethink socio-spatial organisation

• Need to rethink modernist categories of thought:

– Man – nature; city – country; thinking – action; work – leisure; …

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A critical task for a critical social science is to co-construct new

imaginaries

Can we use idea of transmediaworld-building?

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Transdiciplinary experimentalism

Two examples

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A Call to Arts

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www.postfossil.city

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Cf. www.postfossil.city

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‘2050 – An Energetic Odyssey’

International Architecture Biennale Rotterdam (IABR), curated by

Maarten Hajer

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Odyssey now available at www.iabr.nl

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Odyssey now available at www.iabr.nl

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Odyssey now available at www.iabr.nl

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Ministers & DGs of 28 EU member states standing around the future

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Conclusion

• Lack of coherent imaginaries of a post-fossil future shows ‘embeddedness’ of carbon culture

• Corporate imaginaries capture academic attention

• ‘Critical’ tradition seems reactive, not pro-active• The university should try and overcome this crisis

of the imagination• A new critical sustainability science should

actively work to create and disseminate new imaginaries, understand them, develop them

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It all starts with the imagination

Critical futuring is about making alternative futures plausible and

attractive

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Thank you for your attention! @FuturesStudioUU