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Image Portfolio 2.

Identifying with God and the Cosmos (“ Gott in Mir,” “Das Aufgehen im All”)

(Most of the book illustrations are from books in Princeton University Library)

Betender Knabe. 300 B.C. Altes Museum, Berlin.

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2. Caspar David Friedrich. Der Wanderer über dem Nebelmeer. 1818. Kunsthalle, Hamburg.

Caspar David Friedrich. “Der Wanderer über dem Nebelmeer.” 1818. Kunsthalle, Hamburg. (Wikimedia Commons).

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Ferdinand Hodler. “Zwiegespräch mit der Natur.” 1884. Kunstmuseum Bern. Depositum der Gottfried Keller-Stiftung. © Gottfried Keller-Stiftung, Winterthur. By kind permission of the museum direction.

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Ferdinand Hodler. “Aufgehen im All.” 1892. (Inv. Nr. 859) Oil on canvas, 159 x 97 cm.. Kunstmuseum Basel. By kind permission of the museum direction.

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Ferdinand Hodler. “Pâtre Suisse aux bras levés.” 1895. Musée d’art et d’histoire, Neuchâtel. By kind permission of the museum direction.

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Max Klinger, “Und doch.” 1898. Etching and aquatint.

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Ferdinand Hodler. “Der Tag.” 1900. Oil on canvas. 160x340. Kunstmuseum Bern. "The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.”

Koloman Moser. “Das Licht.” 1913/14. Oil on canvas. Private collection.

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“Fidus” (Hugo Höppener). Upper left: “Lichtgebet. Zu Gott.” 1892. Upper right: “Lichtgebet. Betender Knabe.” 1905. Lower right: “Lichtgebet.” 1913. Sold as postcard at German Youth Gathering on Hoher Meissner, 1913.

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Fidus. Upper left: “Lichtgebet.” 1922. Upper right: Vignette from Karl Henckell, Gedichte, 1898, p. 82. Lower left: Vignette from Julius Hart, Triumph des Lebens, 1898, p. 54. Lower right: Cover of magazine Körperkultur, IV, June, 1909.

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Fidus. Illustration in journal Simplicissimus, no. 31, p. 8. 1896.

“Ganymede,” illustration in homosexual journal Der Eigene, April 1903, p. 265.

Fidus. Header in magazine Pan, vol. 2, 1896, p. 89.

Paul Maienfisch. Design for stained glass. Deutsche Kunst und Dekoration, VII, May,1903, p.439.

Fidus, “Anbetende,” in Alwine von Keller, Bereitung. Achtundzwanzig Gedichte. (Leipzig: Brandstetter, 1912).

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Paul Bürck. “Empor.” 1900. Watercolor. 51 x 35 cm. Kulturhistorisches Museum Magdeburg Franz Stassen. Cover for Grabowsky,

Sehnsucht, 1900

Franz Stassen. Illustration for Goethe’s “Ganymed,” in his anthology, Die Insel der Glücklichen, Berlin, n.d. [1919], p. 24.

Franz Stassen. “The New Day.” Cover page of May Day Publication, 1904.

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C.V. Cizzarz. Illustration in Helene Voigt-Diederichs, Unterstrom. Gedichte, 1901, p. 76

Karl Hofer, Illustration in Hans Reinhart, Der Tag. Zurich. 1903.

Ludwig Fahrenkrog: “Sonne, Geist des Alls” in his Baldur, 1908, p. 104.

Sascha Schneider. Illustration in Karl May, Im Reich des Silbernen Löwen, vol. 4, 1902.

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Ludwig Fahrenkrog, “Die Heilige Stunde.” 1905 (?). Published in Kurt Engelbrecht, Ludwig Fahrenkrog: Seine Schöpfungen und ihre Bedeutung für unser Volk (Dresden: Verlag der Schönheit, n.d. [1922]). A version sold at auction on 14 Feb. 1992 (Christie’s, London, lot 63) was dated 1911; a painting (75 x 48 cm) in the. Hessische Hausstiftung Kronberg, Schlossmuseum Darmstadt, is dated 1918, as are many reproductions of this popular image.

Sascha Schneider, “O, Ihr Höheren” in Deutsche Kunst und Dekoration, vol. XV, 1904, p. 57.

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Ludwig Habich, “Adorant.” 1912. Ludwig Habich, Figure on memorial to Gottfried Schwab. 1905. Darmstadt.

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Cover of journal Der Lichtfreund, October, 1908.

Alois Kolb. “An die Schönheit.” Dekorative Kunst, IX (1905)

Bernhard Hoetger, “Schreitender Jüngling.” 1910. (Also kown as “Der Tag.”) Stiftung Roselius Museum, Bremen. Photo by Jürgen Howaldt.

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Photograph in magazine Ideale Nacktheit, 1914. Photograph in Hans Suren, Der Mensch und die Sonne, 1925, p. 11.

Ludwig Habich, “Empor.” 1933. (Also known as “Der deutsche Gruss.)

Georg Gelbke, illustration in Lebensreime des Malers Oskar Zwintscher , selected by Ferdinand Grigori, privately published, 1916, p. 3. (Copy in Firestone Library)

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Illustration from Richard-Walther Darré, Neuordnumg unseres Denkens, Goslar, n.d. [1940]

Arno Breker. “Fackelträger” or “Die Partei.” 1939. Formerly in courtyard of Albert Speer’s Reich Chancellery, Berlin.