image composition

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Image composition

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Page 1: Image composition

Image composition

Page 2: Image composition

Why do some images look better than others?• The main reason why some images look better than

others is because of their strong composition.

Page 3: Image composition

History of composition• Good composition goes back at least 2000 years ago when Greeks and Romanswere practicing it way before Photography. It can be seen in their architecture.

• Today, composition is still an importantpart of contemporary architecture. One definition for photographic composition is simple: the pleasing selection and arrangement of subjects within the picture area.

Page 4: Image composition

Positions• Some arrangements are made by placingfigures or objects in certain positions. Others are made by choosing a point of view. You can shift your camera very slightly and make quite a change in composition.

• This image has good composition because it leads our eye through the trees and it looks like the small girl has just come from that way. This creates a story in our minds as we make a connotation from the image that we are looking at.

Page 5: Image composition

Simplicity• To take a good photograph, you need to pick a background

that is simple so that the subject you are taking a picture of isn't hidden or isn’t the main focal point. Look for ways to give the centre of interest in your pictures the most visual attention.

Page 6: Image composition

• Choosing the cactus as the main focus point and using the plain sky as the background, the image has been simplified and it has improved the appearance of this photograph because it is one thing that needs to be focused on rather than many different subjects.

• The busy background camouflages the seagull and it takes the main focus point away. If you change your view point slightly, the seagull stands out with visual prominence against the blue sky.

Page 7: Image composition

The Rule of Thirds• You can use the rule of thirds as a guide in the off-centre

placement of your subjects.• Before you take the picture, imagine your picture area divided

into thirds both horizontally and vertically. The intersections of these imaginary lines suggest four options for placing the centre of interest for good composition. The option you select depends upon the subject and how you would like that subject to be presented.

Page 8: Image composition

• The upper-right position for this subject has been picked so that you could see the full shadow and most of the tracks that lead to the seagull.

• The lighthouse seems well placed in the upper right just because the rest of the scene fits nicely into the format.

Page 9: Image composition

• Here's a case where you have subject control. You can have the model pose anywhere along the walkway. The rule of thirds indicates this placement which also gives the model a definite path to follow within the picture area.

• You should always consider the path of moving subjects and, generally, leave space in front of them into which they can move.

Page 10: Image composition

• Here, the jogger looks like she is going to run out of the image as there has been no space left in front of her.

• However, by placing the subject in the lower-left corner, t=it has given the jogger plenty of room to run.

Page 11: Image composition

Lines • Lines also play an important role in composition. This

sculpture has some beautiful lines, but they're obscured by the busy background. To simplify this picture we can move our camera viewpoint in closer to the base of the sculpture.

• Now, we can see the lines again the blue background of the sky which makes it stand out more. The picture on the right is much more dynamic because of the strong diagonal lines.

Page 12: Image composition

Diagonal Lines• Diagonal lines in a photograph look more dynamic.

• You can use diagonals as leading lines to provide a way into the picture. It's a simple and easy path for the eye to follow to the main subject.

Page 13: Image composition

• You can also use repetitive lines to draw viewers' attention to your centre of interest.

• One of the most common and graceful lines used in composition is called the S curve.

Page 14: Image composition

Balance • In the image on the left, the flamingo looks very stiff amd

uncomfortable. This makes the image also uncomfortable to look at. The flamingo has relaxed, and his neck now forms a pleasing S curve against a better background. So, the S curve is an attractive shape to look for when you compose a photograph.

Page 15: Image composition

Geometric shapes• You can use other simple geometric shapes to help your

picture composition. There is a triangular shape between the three nuns. This triangle adds strong visual unity to this picture.

• Notice how many triangles are formed by this couple and their reflections. You can help yourself develop an artistic eye by studying pictures to find the strength of their lines, geometric shapes, and balance.

Page 16: Image composition

• Achieving good balance is another guideline for better picture composition. Notice how the leaves, the window, and the couple all seem to be in the right place. The camera viewpoint and subject placement were all carefully selected to create this well-balanced photograph.

Page 17: Image composition

• Good balance is simply the arrangement of shapes, colours, or areas of light and dark that complement one another so that the photograph looks well-balanced, not lopsided like this. This girl looks like she's going to fall right out of the picture due to lack of visible support.

• Now that the cameras view point has been moved and it has included the much-needed wheel to support our subject. The girl is still off centre, but the picture is balanced.

Page 18: Image composition

Framing• Framing is when you frame the centre of interest with objects

in the foreground. This can give a picture the feeling of depth it needs to make it more than just another snapshot.

Page 19: Image composition

• The Washington Monument on the left is composed in the centre without a frame. The picture on the right has a stronger feeling of depth and tells a more complete story because the photographer chose an appropriate foreground to complement the Washington Monument.

Page 20: Image composition

• The horses and their riders add considerable foreground interest to this scene. The overhanging tree branches complete the frame and add depth to the subject. When you use people for scale and foreground, make sure they look into the picture area.

Page 21: Image composition

Overlapping Elements• The merger of this tree with this mans head is so obvious, you

probably think no one could avoid seeing it before snapping the shutter. Remember: we see things in three dimensions, so it's easier than you might guess to focus our eyes on the principal subject only and not see that background at all.

• You can be sure the camera always sees mergers, so look for plain backgrounds before you pose your subject. In this case the correction was simple because the two settings were only a few feet apart.

Page 22: Image composition

• This is a fun picture, but when we cut people in half or trim their heads or feet, we've committed a border merger. This is often caused by poor alignment of the photographer's eye in the camera viewfinder. To avoid border mergers, line your eye up squarely behind the viewfinder and adjust the picture format to leave a little space around everyone.

Page 23: Image composition

• They can steal attention from your centre of interest. Near mergers are objects or lines that are just too close to the principal subject. In this case the ball and umbrella tip are near mergers.

Page 24: Image composition

• To correct these mergers we use a low angle, and we'll use only one prop for simplicity. Make sure the Frisbee is held far enough away from the woman’s face to avoid another near merger.

Page 25: Image composition

So, what next?• Now, you will consider all of theses points to make your

photograph have good composition which will make it look a lot better. Remember the right things to do!