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Illinois State University Illinois State University ISU ReD: Research and eData ISU ReD: Research and eData School of Music Programs Music 4-2-2004 Illinois State University 8th Annual Jazz Festival Illinois State University 8th Annual Jazz Festival School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Recommended Citation School of Music, "Illinois State University 8th Annual Jazz Festival" (2004). School of Music Programs. 2635. https://ir.library.illinoisstate.edu/somp/2635 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected].

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  • Illinois State University Illinois State University

    ISU ReD: Research and eData ISU ReD: Research and eData

    School of Music Programs Music

    4-2-2004

    Illinois State University 8th Annual Jazz Festival Illinois State University 8th Annual Jazz Festival

    School of Music Illinois State University

    Follow this and additional works at: https://ir.library.illinoisstate.edu/somp

    Part of the Music Performance Commons

    Recommended Citation Recommended Citation School of Music, "Illinois State University 8th Annual Jazz Festival" (2004). School of Music Programs. 2635. https://ir.library.illinoisstate.edu/somp/2635

    This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected].

    https://ir.library.illinoisstate.edu/https://ir.library.illinoisstate.edu/somphttps://ir.library.illinoisstate.edu/mhttps://ir.library.illinoisstate.edu/somp?utm_source=ir.library.illinoisstate.edu%2Fsomp%2F2635&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://network.bepress.com/hgg/discipline/1128?utm_source=ir.library.illinoisstate.edu%2Fsomp%2F2635&utm_medium=PDF&utm_campaign=PDFCoverPageshttps://ir.library.illinoisstate.edu/somp/2635?utm_source=ir.library.illinoisstate.edu%2Fsomp%2F2635&utm_medium=PDF&utm_campaign=PDFCoverPagesmailto:[email protected]

  • l lllinois State Llniversit_y . School of Music

    I I I I I I I I I I I

    presents

    Illinois State Universitv 8th Annual Jazz Festival

    Featuring

    · YIIIIHI artist

    BOBBYSHEW With ISi Jazz Ensemble I

    Center for the F erforming Arts April 2 & ,, 2004

    I This is the one- hundred and twent_y fifth program of the 200)-2004 season. I

  • l :00p.m.

    3:05 p.m.

    4:20 p.m.

    6:00 p.m.

    8:25 a.m.

    11 :45 a.m.

    12:10 p.m.

    1:25 p.m.

    6:10 p.m.

    6:35 p.m.

    7:00 p.m.

    7:30p.m.

    8:00 p.m.

    Illinois State University 8th Annual Jazz Festival

    Friday's Schedule at a Glance

    High School and Jr. High big bands Competition begins: CPA Concert Hall

    ISU Jazz Ensemble I and Bobby Shew Open rehearsal : CPA Concert Hall

    Competition Resumes

    Competition Concludes

    Saturday's Schedule at a Glance

    Student competition begins High School big bands: CPA Concert Hall Jr. High Big Bands and Combos: Kemp Recital Hall

    Illinois State University Jazz Ensemble II Tom Marko, Director: CPA Concert Hall

    Masterclass: Yamaha artist Bobby Shew - Trumpet Kemp Recital Hall

    Competition resumes

    Illinois State University Jazz Ensemble I, Tom Marko, Director: CPA Concert Hall

    Awards presentations: CPA Concert Hall

    CPA Concert Hall cleared

    Doors open

    Concert: I. Winner of the day's competition 2. Bobby Shew with ISU Jazz Ensemble I

    I I I I I I I I I

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    Bobby Shew- Trumpet

    I I Born in Albuquerque, New Mexico, Bobby Shew began playing the guitar at the age , eight and switched to the trumpet at ten. By the time he was thirteen he was playing local dances with a number of bands and by fifteen had put together his own group · play at dances, occ;asional concerts and in jazz coffee houses. He spent most of his hiE I I school days playing as many as six nights a week in a dinner club, giving him an ear start to his professional career. He then spent three years as the jazz trumpet soloist : the famed NORAD multi-service band. Shortly after leaving he joined the Tomrr Dorsey Orchestra under the direction of Sam Donahue, which, among other things, ga, I him the chance to perform quite a bit with trumpet legend Charlie Shavers. After his sti: with Tommy Dorsey, Bobby was !lSked to play with Woody Herman's band upon Bi Chase's recommendation. He then spent some time playing for Della Reese and Bude

    I 'I Rich, who's big band had just been formed. Many other similar situations followed ar Bobby played lead trumpet for a number of pop stars. This brought Bobby to live inrL: Vegas where he became prominent in various hotels and casinos. By this time Bobt was widely known for his strong lead playing rather than as a jazz soloist. So late . I 1972 he decided to make a move to the Los Angeles area in order to get re-involved : developing as a jazz player.

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  • Once in Los Angeles, Bobby quickly found what he was looking for, and in the years to come he spent time with the groups of Art Pepper, Bud Shank, Horace Silver Quintet, and Frank Strazzeri-Sam Most, as well as numerous big bands such as Bill Holman, I , Louie Bellson, Toshiko Akiyoshi-Lew Tabackin, Oliver Nelson, Bill Berry, Nat Pierce- 1111) Frank Capp Juggernaut, Ed Shaughnessy, Terry Gibbs, Benny Goodman, Maynard Ferguson, Neal Hefti, Don Menza, and Bob Florence. -In addition to being a sideman, Bobby also became a leader around this time, recording many of his own albums. Several of these received very high accolades from critics and high placement on the airplay charts. One of his albums, Outstanding In His Field was I nominated for a Grammy in 1980, while, Heavy Company was awarded the Jazz.Album 1111) of the Year in 1983. During this time, Bobby also found a great deal of studio work, including TV shows like Hawaii 5-0, Streets Of San Francisco, Bob Newhart, Mary Tyler Moore , Midnight Specials, Don Kirschner Rock Concert, Happy Days, Laverne I And Shirley, and Eight Is Enough. His work on soundtracks includes Grease I and II, • J Rocky I and II, Six-Pack, The Muppet Movie, The Drivers, and Taxi.

    Today, in addition to a busy performing and private teaching schedule, Bobby spends a -considerable amount of time actively involved in the educational system, conducting clinics and master classes at high schools and college campuses all over the world. Bobby has also been active on the Board ofDirectors of the International Trumpet Guild, I and has acted as National Trumpet Chairman for the International Association of Jazz Ill) Educator's for 16 years. He authors numerous articles of educational interest in various trade magazines, all translated into several languages for worldwide distribution. During a period of traveling to New Zealand, Bobby acted as host for a weekly TV show entitled I Just Jazz and has been in numerous artist-in-residence situations virtually all over the ~J world.

    He has even had a few minor acting roles in movies and TV shows. He continues to tour -internationally and to produce and record excellent music. He has released several recent albums for the MAMA Foundation including Playing With Fire (wffom Harrell), Heavyweights (w/Carl Fontana), and Salsa Caliente. In addition, for other labels, Bobby I has released the highly regarded CD recorded with the The Metropole Orchestra, and a ~J double-CD set for Seabreeze Records of Tfie Music of John Harmon, plus many others.

    Bobby has endorsed Yamaha equipment for years and the fact that they have recently I been using him for advertisements is a further indication of his popularity. ~J Bobby Shew never stops using his remarkable insight, sensitivity and creativity to inspire 1 the next generation of jazz players and teachers.

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    Evening Concert Program Saturday April 3, 2004

    8:00PM CPA Concert Hall

    Student competition winners

    Selections to be announced

    Illinois State University Jazz Ensemble I

    Rompe Cabezas Matt Harris

    With Special Guest 5obb_y Shew, Trumpet

    There is No Greater Love Marty Symes & Isham Jones arranged by Matt Harris

    Walkin' Tiptoe Bert Joris

    My Ideal Leo Robin, Richard Whiting & Newell Chase

    arranged by Maria Schneider

    Serengeti Mark Levine arranged by Bob Washut

    Smoke Gets in Your Eyes Jerome Kern & Otto Harbach arranged by Bob Washut

    Ticino Chris Walden

  • Illinois State University Jazz Ensemble II Tom Marko, Director

    Saturday April 3, 2004 11 :~SAM

    Flashback

    Circumvent

    Mood Indigo

    Tribute to Miles

    Lennie Niehaus

    Les Hooper

    Duke Ellington, Irving Mills and Albany Bigard arranged by Mark Taylor

    arranged by Mark Taylor

    ISU Jazz Ensemble II personnel: .

    Saxophones: Robert Rake- Alto Brian Cooley- Alto Chris Brown- Tenor Jason Kaumeyer- Tenor Kyle Brubaker - Baritone

    Trombones: Megan Hunt Matthew Fisher Terry Cole John Garvens.

    · Trumpets: John Hansen

    Jodi Lau Emily Ryan

    Katie Johnson

    Piano: Taehyung Kim Guitar: Colin Fahey

    Bass: Karl Kieser Drums: James Coleman

    I I I I

    Illinois State University Jazz Ensemble I Tom Marko, Director

    Saturday, April 3, 2004 6: 10PM

    I ·1All ofMe 1 11 What's New?

    The End of a Love Affair

    I~ 11 A Lift of the Foot I I

    Seymour Simons & Gerald Marks arranged by Billy Byers

    Johnny Burke & Bob Haggert arranged by Bill Holman

    Edward C. Redding arranged by L. Niehaus

    Alan Baylock

    Illinois State University Jazz Ensemble I:

    I~ I I I

    I saxes: - Roberto Quinones- Alto

    11 Ryan Weisheit- Alto Travis Thacker- Tenor Nick Dodson- Tenor Toby Thomas- Baritone

    ill Trombones: Nick Benson

    Ill Matt Gabriel Kelly Wolf Tom Madia

    II fll II Ill I ll I I I I

    Trumpets: Myles Singleton

    Kyle Berens Dan Hiles

    Jodi Lau Zac Bailey

    Piano: Tim Reed Guitar: Erik Swanson

    Bass: Randy Emert Drums/Percussion:

    Andy Bautista Aaron Kavelman

  • Illinois State University School of Music would like to extend our sincere thanks and appreciation to our sponsors

    for the 8th Annual Jazz Festival.

    .YAMAHA YAMAHA CORPORATION OF AMERICA

    INTER A'l'ION

    : ) \ 1, 1 1, ' 1,1,

    f ~ rn.o-~~~U.N~

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    I Contest Adjudicators

    I Toby Cortright, adjudicator

    I After teaching orchestra for three years in the East Peoria School Districts 86 & 309, : well as teaching bass at Western Illinois University and Bradley University, Toi: Curtright, BA and MM graduate of Western IL, is now working towards his Doctorate•

    '

    Musical Arts in Jazz Studies at the University of Illinois in Champaign-Urban Teaching the jazz bass studio falls under his TA duties at U of I, as well as directing tl reading band and instructing combos. Toby has had the privilege of sharing the stai and studio with numerous jazz greats, including Cecil Bridgewater, Mark Colby, To ·1 Garling, The Four Freshman, Lil' Anthony & The Imperials, Paul McKee, Mike Le Bobby Shew and Paul Wertico. Toby was recently a featured guest artist with tl Bradley University Jazz Ensemble on their European Tour this past summer.

    (I Todd Kelly, adjudicator Dr. Todd Kelly is Assistant Professor of Trumpet and Jazz at Bradley University ·

    /I Peoria, Illinois. Dr. Kelly teaches trumpet, directs the Bradley Jazz Ensembles and Ja; 1• Combos, teaches Jazz Improvisation, Secondary Music Methods, and serves as tl

    advisor for the Music Business program. Under his direction, the jazz program h: shown tremendo_us growth and now includes two big bands, two combos, a year - !or rl Jazz Improvisation sequence, and Jazz Pedagogy clinics three times per semester. TI Bradley Jazz Ensemble has performed with such jazz artists as Mike Vax, Mike Le Matt Wilson, and Allen Vizzutti. During the summer of 2003, the group will perform the Montreux Jazz Festival in Switzerland.

    Kelly received a Bachelor of Music Education degree from the University of Montana, Master of Music degree in Trumpet Performance from the University of Northe1

    I Colorado, and the Doctor of Arts degree in trumpet performance from Ball Sta University. His principal teachers include Lido Vizzutti, Dr. Thomas Cook, Willia Pfund, Paul Everett, and Bill Adam.

    Dr. Kelly currently maintains a busy performing schedule in the Central Illinois area as member of the Todd Kelly Jazz Quintet, Broadway Big Band, Peoria Symphor Orchestra, and as a freelance jazz and classical musician, He is also the musical direct• of the Central Illinois Jazz Orchestra, a big band comprised of twenty of the fine I musicians from the central Illinois area.

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  • Sean Parsons, adjudicator

    Sean Parsons is currently pursuing his Doctorate of Musical Arts in Jazz Studies at the University of Illinois in Champaign-Urbana. There he runs the j~ piano stt1~i? as well as directs one of the jazz ensembles. Sean holds B.M. in Music Compos1~1on from Illinois Wesleyan University and a M .M . in Jazz Studies from DePaul Umvers1ty. Sean also holds the position of Director of Jazz Studies for the Champaig~ School of Mus_ic, teaching private and studio lessons in jazz. He has had the opportunity to perform ~•th jazz greats James Moody, Randy Brecker, and Steve Turre to name a few. Bes1d~s teaching, Sean runs his own lesson and recording studio and is a member of the_ ~us1c Teachers National Association and the Champaign-Urbana Music Teachers Assoc1at1on.

    Randall Reyman, adjudicator

    Randall Reyman is a trumpeter and composer/arranger who is very acti~e in both t~e 11 jazz and classical genres. As a classical performer, he has pe_1formed with the Ilhno1s Symphony Orchestra, Illinois Chamber Orchestra, M1lhkm/Decatur S~mphony ] Orchestra, Brass Ensemble of Illinois, North Texas State Faculty Brass Qumtet, and IJJinois State Faculty Brass Quintet. As a member of the Millikin University Faculty Brass Quintet, he has performed across the country and abroad, working with the likes of Ronald Baron, the Canadian Brass, and the Wisconsin Brass Quintet. 1: As a jazz/commercial trumpeter, Mr. Reyman has performed with a wide variety of performers including Bob Hope, George Bums, Richard Williams, the Platters, ~om~y Dorsey Orchestra, Mills Brothers, Dave Brubeck, Davidd LiebB~anB, Rodb PMiart11°kn: RiFngh1ntg 1·. Brothers Circus, Ice Capades, Decatur Big Band, Broa way 1g an , 1 m acu Y Jazz Sextet, and his own West End Trio.

    As a writer/composer/arranger, Mr. Reyman has published the Jazz Band Builder (Mel 1· Bay), Jazz Duets for Trumpet (Columbia Pictures), Technical Drills for t?e Jazz/Commercial Trumpet Player (Kendor), and several works for Really Good J\4us1c. He has recently recorded a CD of original works for jazz quintet entitled Hard At It and I a CD with his West End Quartet entitled Cool Yule, both available from First Step Records. His writing on music has been published in the Instrumentalist, International Trumpet Guild Journal, and Decatur Magazine.

    I I I I

    I Illinois State University Jazz Faculty

    l ames Boitos, professor of saxophone

    James Boitos holds the Bachelor of Music Degree from Colorado State University, and IMaster's from Northwestern University, where he studied with the legendary D Frederick Hemke. Mr. Boitos is Professor of Music at Illinois State University, where I teaches Saxophone. For more than two and a half decades, his jazz groups we

    l individual and group awards at college jazz festivals throughout the country. Boitos w: a featured soloist at the 5th World Saxophone Congress, London, the 6th Wor. Saxophone Congress, Evanston, and the 7th World Saxophone Congress, Nurembur Mr. Boitos has also free-lanced with Pearl Bailey, Billy Eckstine, Joe Williams, Ci I Calloway, Nancy Wilson, Louie Bellson, and many others. Bill Koehler, professor of double bass

    I Bill Koehler is Professor of Music at Illinois State University where he teaches appfo double bass, string pedagogy, graduate courses in music education including psycholo~

    l of music, and improvisation. Dr. Koehler has performed in England, Belgium, German: Austria, Russia, Belo-Russia, Puerto Rico, and throughout the U.S. He is current Principal Bassist with the Peoria Symphony, and freelance jazz bassist. Bill h: completed a new Solo Bass CD entitled "Glimpse," featuring original compositions · l jazz and world fusion idioms as well as classical pieces for unaccompanied solo bass. Tom Marko, director of instrumental jazz studies

    I Tom Marko is director of Instrumental Jazz Studies at Illinois State University. M Marko earned his undergraduate degree in percussion performance from Washingtc State University in Pullman, WA and his Master of Music degree in Jazz performan,

    l from the University of South Florida in Tampa. This past December, Tom completed f requirements for the Doctor of Arts degree at the University of Northern Colorado whe he will graduate in May of this year. Tom has been a successful freelance musician

    I the Tampa Bay area, Myrtle Beach, SC, Fort Collins/Denver, CO and in Central Illinoi In the summer of 2001, Tom was one of 22 musicians invited from across the U.S. · participate in the Jazz Aspen Snowmass Academy with artistic director Christif McBride.

    I Charles Stokes, music theory coordinator Charles Stokes has been a member of the School of Music faculty since 1974, where l I serves as coordinator of the music theory program. Most recently, he has established ne courses in jazz music theory and jazz-rock aural skills to be part of the requin curriculum for music majors at Illinois State. He has been active through out Illinois as

    l jazz pianist, trombonist, clinician, and adjudicator. In addition to his participation in tl Faculty Jazz ensemble, he has for the last ten years led various faculty and stude ensembles that perform and compose using digital musical instruments.

    I I

  • Illinois State L\niversit_y School of Music

    L\pcoming E_vents

    April 04 CPA 3:00 p.m. Women's Choir

    04 KRH* 7:00 p.m. Illinois State University Percussion Ensemble I 05 KRH 8:00p.m. Graduate Recital, Pawatchai Suwanakangka 06 KRH* 6:00 p.m. Graduate Recital , Lynn Bowes,jlute

    I 06 KRH* 7:30 p.m. Graduate Recital, Erik Swanson, guitar 07 KRH* 7:30 p.m. Graduate Recital, Shelly Monier,jlute

    07 CPA 7:30 p.m. The Marriage of Figaro I 08 KRH 6:00 p.m. Senior Recital, Adebayo Gordon, tenor saxophone

    08 CPA 7:30 p.m. The Marriage of Figaro I 08 CPA 8:00 p.m. Guest Artist Series, Dennis Bubert, bass trombone

    09 CPA 7:30 p.m. The Marriage of Figaro I 10 CPA 7:30 p.m. TI1e Marriage of Figaro

    13 CPA 11 :00 a.m. Convocation Recital I 13 KRH* ·8:00 p.m. Sonneries Quintet 14 KRH* 6:00 p.m. Graduate Recital, Eli vi Varga,j/11te

    I 14 KRH* 7:30 p.m. Graduate Recital, Kristof Kovacs, piano 14 KRH* 9:00 p.m. Senior Recital, Toby TI1omas, alto saxophone

    I 15 KRH* 11:00 a.m. Masterclass, fohn Stevens, tuba/euphonium 15 CPA 8:00 p.m. Brass Night with the Sotto Voce Quartet

    16 CPA 6:00 p.m. Shades of Blue Masterclasses

    I 16 KR!-1* 6:00p.m. Graduate Recital, Jennifer Smith,j/11/e 16 KRH* 7:30 p.m. Senior Recital, Casandra Anderson, oboe

    I 16 KRH* 9:00 p.m. Junior Recital, Ben Stiers, percussion 17 KRH* 12:30 p.m. Senior Recital, Amanda Tunstall, piano

    17 KRH* 3:00 p.m. Honors Convocation & Recital

    17 CPA 8:00 p.m. USAF Shades of Blue Jazz Ensemble & Illinois State University Jazz Ensembles I & II

    I I

    Illinois State University 8th Annual Jazz FestivalRecommended Citation

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