ildiko hetesi camouflaged acces black and white. net art, abstract informal, 2008
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Ildiko HetesiCamouflaged Acces Black and White. Net Art, Abstract informal, 2008
« In this line of my work i have been targeting expressions we use all around the world daily when we turn on our computers or go on-line; expressions which we all know, which do not know borders, words we all use without thinking, again and again, until they loose their original contexts and become nothing more than a form. For me playing around with these words exposes their true 21st century quality; they become overused, manipulated signs without meaning. »
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Ildiko HetesiGoing big just easier
2012paper plotted and
handwwoven150 x 150 cm
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Ildiko HetesiThe Bigger is better is what all
women say2012
paper plotted and handwwoven150 x 150 cm
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Axe 2 : l’institution
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Cory Arcangel : The Sharper Image, Miami Museum of Contemporary Art, 2010
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Cory Arcangel : The Sharper Image, Miami Museum of Contemporary Art, 2010
“For my show The Sharper Image at The Museum of Contemporary Art Miami, I changed the font of their website to Comic Sans for the duration of the exhibition. Maybe my best ‘artwork’ ever?!?!?!?”
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Kayle Brandon, Heath Bunting: BorderXing slide Show (2004)
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Kayle Brandon, Heath Bunting : D’Fence Cuts (2002)
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Kayle Brandon, Heath Bunting : D’Fence Cuts (2002)
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Heath Bunting, with Kayle Brandon: BorderXing : Tate Gallery
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Heath Bunting, with Kayle Brandon: BorderXing Guide (2001)
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Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
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Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
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Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
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Hans Haacke : Germania, Pavillon allemand, biennale de Venise, 1993
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Hans Haacke : Germania, Pavillon allemand, biennale de Venise, 1993
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Santiago Sierra : 133 personés remuneradas para tenir su pelo de Rubio, Venecia, Italia, Junio de 2001
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Santiago Sierra : 133 personés remuneradas para tenir su pelo de Rubio, Venecia, Italia, Junio de 2001