ij crystal skull

8/11/2019 Ij Crystal Skull

1/211

INDIANA JONES

AND

THE KINGDOM OF THE CRYSTAL SKULL

Screenplay byDavid Koepp

Previous drafts byJeff NathansonFrank DarabontGeorge LucasJeb Stuart

October 2007Final Shooting Script


2/211

EXT DESERT DAY1 *

The Par amount l ogo di ssol ves i nt o a mount ai n i n t he deser t . Butt he mount ai n moves, i t st ar t s t o crumbl e, and t hen - -

- - a pr ai r i e dog pokes i t s head out of t he mount ai nt op. I n t hedi st ance, a CAR ENGI NE whi nes, mi d- 50s r ock n r ol l BLARES, i tget s l ouder , f ast , and t he pr ai r i e dog bol t s f or i t s l i f e.

A car t i r e FLATTENS the pi l e as a 1932 Chevy Roadst er BLASTS pastus, TWO TEENAGE BOYS and TWO PONY- TAI LED GI RLS i nsi de. The ki dsLAUGH and the musi c cr anks as t hey barr el down the r oad, don tcar e wher e t hey r e goi ng, j ust want t o get t her e f ast . *

Up ahead, t her e ar e f our mi l i t ar y vehi cl es, a 51 For d st af f car ,t wo j eeps, and a l ar ge panel t r uck. Ther e are THREE U. S.SOLDI ERS i n the l ead car, TWO MORE i n each of t he j eeps, and aDRI VER f or t he t r uck.

The hot r od pul l s up cl ose behi nd t he convoy, t hen swerves i ntot he passi ng l ane and guns i t , passi ng t he t r uck and j eeps andpul l i ng up even wi t h t he l ead car .

The DRI VER of t he l ead car hi t s t he gas t oo, not about t o l ett hese punks pass hi m - - dr ag r ace!

The car s dr i ve f l at out , nobody backi ng of f . But t hen t he ARMYCOLONEL i n the passenger seat of t he l ead car put s a hand on theDr i ver s arm and gest ur es t o a r oad up ahead - - we go that way.

The mi l i t ary vehi cl es veer t o t he r i ght , of f t he mai n r oad, andt he Guys and Gi r l s i n the Chevy WHOOP i n t r i umph as t hey barr elaway down t he road i n a cl oud of dust , t he wi nner s i n t hi s r ace.

But we f ol l ow t he Ar my convoy, r i si ng up behi nd t hem t o get a l ookat wher e t hey r e headed - - t oward a remote mi l i t ary out post i nt he di st ance. Ver y myster i ous. A l egend:

NEVADA, 1957

EXT MI LI TARY OUTPOST DAY2

The convoy pul l s up t o t wi n guard shacks at t he mai n ent r ance t ot he base, whi ch must l i e over t he r i se ahead of us. The gate i si dent i f i ed onl y by a pl ai n si gn hung on t he bar bed wi r e:

HANGAR 51

THREE MPS st ep f orward; t he SERGEANT si gnal s t he car s t o st op. *


3/211

The Ser geant wal ks up t o t he Sedan and l eans i n. *

M. P. ( SERGEANT) *Sor r y, gent l emen, t hi s whol e ar ea s of fl i mi t s f or weapons t est i ng f or t he nextt went y- f our hour s, t hat i ncl udes al l on-base per sonnel .

The Col onel st eps out of t he f r ont passenger seat of t he t hi r d *car . He s huge, must go t wo- si xt y, al l muscl e. He s ei t her *per pet ual l y sneer i ng or has a l i pl ess smi l e, har d t o t el l whi ch.A r eal son- of - a- bi t ch, good t hi ng he s on our si de.

The MPs snap t o at t ent i on. The Ser geant sal utes t he Col onel , butr emai ns f i r m. The Col onel wal ks up t o the Sergeant . *

M. P. ( SERGEANT) ( cont d)

I m af r ai d t hat goes f or you t oo,Col onel , si r . The Pent agon sent out *r evi sed depl oyment oh- dar k- t hi r t y thi sa. m.

The Col onel smi l es, but doesn t speak. *

The Col onel get s down on one knee. *

- - THE SOLDI ERS l eap out of t he panel t r uck, si l encer s scr ewed *ont o t he ends of t hei r aut omat i c weapons, and bef ore we know i tt hey r e BLASTI NG away at t he out manned and out gunned MPs,

dr oppi ng t hem bef or e t hey get t hei r saf et i es of f .

The Col onel f i ni shes t yi ng hi s shoe, get s up , put s hi s hat back *on and goes back t o t he car . *

The sol di ers st ash t he dead bodi es i n t he guard shack. *

The convoy dr i ves past t he checkpoi nt . *

SOLDI ERS j ump f r om t he back of t he t r uck. The i nvader s snap i nt o *acti on, si l ent l y, t hey ve t r ai ned f or t hi s. Two of t hem sl i p t hehel mets and ar mbands of f t he MPs and put t hem on t hemsel ves. *

A CROWBAR SNAPS the l ock of f t he gat e and t he f ence i s t hrownopen. Wi t h t he f ake MPs now st andi ng guard at t he gate, t heconvoy roar s t hr ough and we r i se up to see - -

- - beyond t he r i se, wher e ther e s a huge ai r pl ane hangar and asmal l er , adj oi ni ng bui l di ng. A l one ai r st r i p l eads r i ght up t ot he hangar and a set of t r ai n t r acks run out of t he ot herbui l di ng and away acr oss t he desert .

2.


4/211


5/211

Mac squi nt s, si zes up t he heavi l y- armed Russi ans. He MUTTERS t o *I ndy, wi t h a Br i t i sh accent . *

MAC *Thi s ai n t gonna be easy. *

A sol di er pushes Mac next t o I ndy. *

I NDY *Not as easy as i t used t o be. *

MAC *We ve been t hrough wor se. *

I NDY *Oh yeah? When? *

MAC *Fl ensbur g. There were t wi ce as many. *

I NDY *We wer e younger . *

MAC *I st i l l am young. *

I ndy manages a smi l e- - he l i kes t hi s guy. He l ooks si deways, at *one of t he Russi an sol di er s, who has a bet t er ed bul l whi p hangi ng *over t he shoul der . I ndy s whi p. *

I NDY *( back t o Mac) We had guns. *

MAC *Det ai l s. *

I NDY *Put your hands down wi l l ya. You r e *embarr assi ng your sel f . *

MAC *

I bet you f i ve hundr ed bucks we get out *of t hi s. *

**

3A.


6/211

The Russi an Col onel ( ANTONI N DOVCHENKO) sedan dr i ves up and comes *t o a st op. Dovchenko st eps up t o them, nose to nose. He s huge. *

MAC *Maybe we shoul d make t hat a *hundr ed. ( make t hat a hundr ed) ( why don t *we make t hat a hundr ed, al r i ght ) *

DOVCHENKO *( t o I ndy) *

You r ecogni ze bui l di ng, yes? *

I ndy l ooks back at t he bui l di ng. Then tur ns back t o Dovchenko. *

I NDY *Dr op dead. *

CRACK! Dovchenko SMACKS I NDY acr oss t he f ace and hi s l egs go outf r om under hi m. *

I NDY ( cont d)I mean drop dead, Comrade. *

DOVCHENKO *DEPSI CUTE EEWY PYKU ZA ENUNON( Hol d hi s *arms behi nd hi s back) *

Dovchenko t akes of f hi s hat , hands i t t o one of t he sol di er s. He *cur l s hi s meat y f i st t o CRACK hi m across t he f ace agai n, but a *

VOI CE st ops hi m.

VOI CE ( O. S. )Prasteete!

The back door of t he sedan t hat j ust ar r i ved a sl ender f i gur e *st eps out , dr essed as a U. S. Ar my sol di er . DR. I RI NA SPALKO i s i nher mi d- t hi r t i es, t al l , pal e, j et bl ack hai r , bangs cut st r ai ghtacr oss. She i s weari ng dark gl asses. She moves wi t h a dancer s *gr ace, a scabbard hangi ng at her si de.

Dovchenko wal ks up t o her, and sal utes. *

SPALKOWher e was he f ound? *

DOVCHENKOI n Mexi co, t hey wer e di ggi ng i n t he di r t . *Looki ng f or t hi s j unk. *

He get s I ndy s sat chel f r om t he t r unk of t he sedan and t ur ns i t *upsi de down, empt i es i t on t he har d gr ound. Pi eces of anci ent *pot t er y and f i gur i nes SHATTER.

4.


7/211

I ndy wi nces. That was seven weeks work. A Spal ko appr oaches:

I NDYYou r e not f r om around her e. Ar e you? *

SPALKOWher e i s i t t hat you woul d i magi ne I am *f r om, Dr . J ones?

She t akes her gl asses of f . *

I NDYThe way you si nk your t eet h i nto t hoseWs, I d say t he East er n Ukrai ne.

SPALKOHi ghest marks.

( she takes of f her gl ove and *hol ds out her hand)

Col onel Doct or I r i na Spal ko.( I ndy doesn t shake)

t hr ee t i mes I have r ecei ved Or der ofLeni n, al so medal of Her o of Soci al i stLabor , and why? Because I know t hi ngs.I know t hem bef ore anyone el se, and whatI do not know, I f i nd out . What I needt o know now - -

She t akes a st ep cl oser t o I ndy and t aps a f i nger l i ght l y on hi s

f orehead.

SPALKO- - i s i n here.

She moves cl ose t o hi m, l ooks deepl y i nt o hi s eyes. Her gaze i si nt ense, di squi et i ng. He st ar es back at her . She s i mpr essed.

SPALKOYou are a har d man t o r ead, Dr . J ones.So we wi l l t r y t hi s. . What s t he *expr essi on? The ol d- f ashi oned way. You *wi l l t el l us. You wi l l hel p us f i nd whatwe seek.

RUSSI AN SOLDI ER *Gat avo t ovar i sch pal kovni k ( I T S READY, *COMRADE COLONEL. ) *

Spal ko moves t owards t he doors. She gi ves t he order . *

SPALKO *Davai ! ( do i t ! ) *

5.


8/211

A SPARK f l i es f r om t he power box, a bi g wheel st ar t s t o t ur n, andt he huge hangar door s st art t o RUMBLE open, spl i t t i ng r i ghtbetween the 5 and t he 1. *

I NT HANGAR 51 DAY4

Hangar 51 i s a massi ve warehouse, an endl ess expanse of cr atesst acked t o t he ei ght y f oot cei l i ngs as f ar as t he eye can see.

Thi s pl ace l ooks f ami l i ar t o us, seems l i ke t he ki nd of pl ace aparanoi d government woul d st ash i t s most secret obj ect s.

I ndy and Mac ar e pr odded i nsi de, at t he end of t he Russi an gunbar r el s. Spal ko gest ur es ar ound. *

5A.


9/211

SPALKO *Thi s warehouse i s wher e you and yourgover nment have hi dden al l your secrets, *yes? *

I NDYI ve never been her e bef or e i n my l i f e. *

She smi l es at hi m - - ni ce t r y, but I don t bel i eve your act .

SPALKOObj ect we seek - - r ect angul ar st oragecont ai ner . Di mensi ons - - t wo met er s byone hal f a meter by 66 cent i met er s. *Cont ent s of box mummi f i ed r emai ns. Thi s *i s no doubt f ami l i ar t o you?

Suddenl y I ndy knows exact l y what she i s t al ki ng about , but he *hesi t at es t o vol unt eer anyt hi ng. *

I NDYWhat makes you t hi nk I have any i dea whatbox you r e tal ki ng about ?

SPALKOBecause t en years ago you were part of *t he team t hat exami ned i t . *

I NDY

Look even i f I knew what you- *

What a sudden SSSSHHHHING!, she dr aws a r api er and l unges f or wardi n a bl i ndi ngl y qui ck f enci ng move, pr essi ng t he t i p of t he bl adeagai nst I ndy s j ugul ar .

I NDY ( cont d) *Wer e t al ki ng about . . . . *

SPALKOYOU WI LL. HELP US. FIND IT!

I ndy l ooks at her col dl y.

I NDYKi l l i ng me s not gonna sol ve your *probl em. *

SPALKO *Not gonna sol ve my probl em You r e *r i ght . *

She BARKS t o the Sol di er s i n Russi an . *

6.


10/211

SPALKO ( cont d) *VAZMI TYE DRUBOVA! ( t ake t he other one) *

6A.


11/211

Two Sol di ers drag Mac acr oss t he pavement , drop hi m and ki ck hi m *over i n t he gr avel , r i ght next t o a t r uck. *

MAC *I t s al l gone pear shaped. *

Spal ko moves f orward put s on her gl asses. Gi ves a si gnal . *

I ndy l ooks on as two sol di er s hol d hi m. *

Dovchenko wal ks over Mac s body and gets i n t he t r uck, he st art s *t he engi ne. *

- - wi t h a ROAR, dr ops t he t r uck i n gear , hi t s t he gas, and begi ns *t o move sl owl y t owar ds Mac s head, as t he sol di er s hol d hi m down - - *

I NDY *Okay, okay! Hey, hey, hey! *

MAC *He sai d okay f or God s sake. Ar e you *goi ng t o l et me up? ( 4F) Okay , okay, he *sai d okay- woul d you l et me up? *

7.


12/211

I NT. HANGAR- DAY *

I NDY f ol l owed by t he whol e gr oup, t hi nks l i ke a wi l d man, l ooki ng *ar ound. Ther e are r ect angul ar st orage cont ai ner s ever ywher e. *

He wal ks i n and st ops, t ur ns t o the gr oup. *

I NDY *( mi nd raci ng)

Al r i ght I need a compass. Compass? *

The Sol di ers l ook at each ot her , conf used.

I NDY ( cont d)You know, nor t h, sout h, east ?

MAC *West . *

I NDY *No? *

They don t seem t o. I ndy s eyes f al l on Dovchenko s gun. . He *wal ks up t o hi m. *

I NDY ( cont d) *I need your bul l et s. *

Dovchenko l aughs. *

DOVCHENKO *Oh- ho- chi t mai - y pa- t r o- neh. ( he want s my *bul l et s) *

Ever yone l aughs. I ndy wal ks up t o Spal ko i n somet hi ng of a r age. *I ndy t ur ns t o t he woman i n charge. *

I NDY *The content s of t hat box are hi ghl y *magnet i zed. I need gunpowder . Do you *want my hel p or not *

She t ur ns, l ooks and - - *

7A.


13/211

MOMENTS LATER,5

- - Dovchenko t wi st s t he t op of f one of t he hand gr enades dumpi ng *t he gunpowder i n I ndy s l ef t hand. *

Spal ko watches hi m, cur i ous and i mpressed. *

I ndy moves t owards t he boxes and cl i mbs t o the t op . Spal ko, Mac *and Dovchenko f ol l ow hi m cur i os. *

SPALKO *What i s t he poi nt ? ( V5D- don t t oy wi t h *me Dr . J ones. What i s t he poi nt of *t hi s?)

I NDYI f i t s st i l l magnet i c, t he met al i n *

t hi s gunpowder shoul d poi nt t he way. *

He reaches t he top of t he boxes and opens hi s hand, l et t i ng the *gunpowder f l i es up i n a cl oud. I n mi d- ai r i t seems to coalesce,dr awn t oget her by an unseen f orce, and when i t l ands on t he f l oori t s i n t he shape of a l i ne, poi nt i ng down one of t he ai sl es. *

Spal ko and the gr oup f ol l ow I ndy. *

SPALKO *Zar i m! ( move) *

PART I I6 *

I ndy wi t h Spal ko, Mac, Dovchenko and t he l arge gr oup of sol di er s *come ar ound a cor ner of boxes i nt o an ai sl e( cul - de- sac ar ea) . *

I ndy gets an i dea and gr abs Dovchenko s hat f r omhi s head. *

I NDY *I n her e. *

Two sol di ers move f orward and come t o bot h si des of I ndy and *begi n pour i ng t he powder f r omt wo gr enades. *

They cont i nue t o move f orward. *

The group comes around anot her cor ner i nto t he mout h of t he *ai sl e, i t s j am- packed wi t h crat es, st acked t o t he cei l i ng. The *sol di er s pour f or a second t i me f r om anot her t wo gr enades. I ndy *comes t o a st op f ol l owi ng t he or i gi nal l i ne, he l et s t he powder *i n t he hat go f r ee. *

8.


14/211

The group l ooks up as t he powder as i t f l i es up i n t he ai r and *t hen comes down i n a l i ne and heads down anot her ai sl e between a *r ow of boxes. I ndy wi t h t he gr oup f ol l ow t he powder and t ur n *i nt o. . . *

Another corner. Agai n Pasha and t he other sol di er pour powder *i nt o t he hat , but t hi s t i me f r om f our gr enades, t hey cont i nue *wal ki ng. *

I ndy cl i mbs up a set of boxes and l et s t he powder f l y f r ee f r om *t he hat . *

I ndy t ur ns t o the gr oup down bel ow, he sees t he shotgun poi nt i ng *at hi m. *

I NDY ( cont d) *Shel l s, gi ve me shot gun shel l s. *

He cl i mbs down and st ar t s t o wal k down t he mi ddl e of t he l arge *ai sl e- *

DOVCHENKO *Nyet , Hvat i t ya emu neveru (No. Enough. *I don t bel i eve hi m. I don t t r ust hi m) *t o Spal ko. *

Spal ko gi ves t he order . *

SPALKO

Gi ve hi m t he shel l s. *

Anot her sol di er moves up next t o I ndy and ej ect s shotgun shel l s. *

The group f ol l ows I ndy t o a r ow of boxes. *

I NDY *Pl i ers . *

*

*

8A.


15/211

One of t he sol di er s hands I ndy a set of pl i er s. The gr oup f ol l ow *I ndy across t o a l ar ge set of boxes. I ndy t hr ows t he hat back t o *Dovchenko. Dovchenko catches i t and put s i t back on. I ndy cl i mbs *t he boxes al l t he way t o t he t op, a f ew of t he sol di er s wi t h *t hei r r i f l es f ol l ow hi m. I ndy t ur ns and l ooks at t he gr oup. *

Spal ko moves cl oser t o t he boxes. I ndy usi ng t he pl i er s opens *t he shel l and pour s t he pel l et s i nt o hi s hand. He dumps t he *pel l et s on t he boxes. *

Spal ko watches as t he pel l et s r ol l down. She l ooks and sees t hat *t he pel l et s are goi ng i nt o t he boxes. She get s more pel l et s and *spr eads t hem across t he bot t om of t he boxes. The pel l et s r each *t he base of t he st ack of crates, r ol l up t he si de of i t , and *di sappear t hr ough t he cr ack. Spal ko watches t hem di sappear , she *l ooks at Dovchenko. He gi ves t he or der s t o br i ng down the boxes. *

DOVCHENKO *

I n Russi an( ever ybody come over. St art *your cars- move qui ckl y) *

I ndy, paci ng, wat ches f or m t he top as t he sol di er s wi t h Dovchenko *begi n t o move the boxes down. The sol di ers t oss asi de several *i dent i cal obl ong wooden cr ates. *

A gr oup of ar my t r ucks pul l i nt o t he ar ea. *

Spal ko gi ves or der s. *

She watches as t he sol di ers cont i nue to move the boxes. Mac *

mut t er s t o hi msel f . *

DOVCHENKO ( cont d) *ETAT ( t hat one) TEPYE ETAT(get t hat *one. TASHI TYE( gr ab I t , pi ck i t up) *

They f i nal l y r each t he box wi t h t he pel l et s. The sol di ers pul l *t he crat e out . The crat e s di mensi ons are as Spal ko descr i ed, *about t he si ze of your aver age cof f i n, but a bi t t hi nner . *

SPALKO *Open i t ! *

One of t he sol di er s wedges a crowbar i nt o the sl ot at t he si de of *t he cr at e and star t s t o pr y t he l i d open. The cr owbar pul l s away *f r om hi s hand and i t get s st uck on t he t op of t he crat e. The *ot her sol di er s al so begi n t o pr y the crat e open. Fi nal l y the *sl at s ar e pul l ed away, t hey r eveal a st ai nl ess st eel t ank. *

The sol di ers l i f t i t and move t owards a vehi cl e. *

The l i ght s st ar t t o move t oward t he box. I ndy wat ches and begi ns *t o cl i mb down. *

8B.


16/211

A dozen l i ght s dangl i ng above swi ng t oward t he cof f i n, dr awn t o *i t . Mac l ooks at t he f l oor , as t he st eel par t s f r om t he br oken *cr at es begi n t o al so move t oward t he cof f i n. *

Spal ko f ol l ows t he cof f i n f r om behi nd a l i ne of sol di er s. *

The ot her s car r y t he cof f i n t o t he open t r uck. The dog t ags f r om *t hei r necks are dr awn t o t he magnet i sm. They are al l st r uggl i ng *wi t h t hei r r i f l es, t r yi ng t o keep t hem f r om bei ng pul l ed away by *t he cof f i n. *

Spal ko moves t o t he box on t he t r uck, she t r i es t o f eel i t wi t h *her hand. Her swar d r i ses t owar ds t he box. Spal ko br i ngs i t down, *she t akes i t of f and hands i t t o Dovchenko. *

I ndy watches f r omt he t op of t he boxes, he heads down and j oi ns *Mac on t he f l oor . *

One of t he sol di er s opens t he l i d, as he does t hi s, hi s gl asses *ar e pul l ed of f hi s f ace and get st uck on t he cover . We cat ch a *gl i mpse of t he st enci l l i ng. I t s obscur ed, but what we can make *out r eads- - *

ROSWELL, N. M. 7- 9- 47 *

Spal ko cl i mbs ont o t he t r uck, l ooki ng i nt o t he gl ass cover i ng, *she opens i t . I nsi de, we see onl y a shape, wr apped i n si l ver y *metal l i c wr appi ng of some ki nd. *

SPALKO *Fanari . ( f l ashl i ght s) *

I ndy i s wat chi ng wi t h Mac, I ndy t r i es t o move cl oser , t he sol di er *car r yi ng hi s whi p st eps i n f r ont of hi m. Hi s r i f l e ai med at I ndy. *

Spal ko gets a kni f e and begi ns t o cut t he bag down the mi ddl e. *

As i t br eaks i t s seal , t her e i s a HI SS and a heavy gas escapes, *swi r l i ng. Spal ko l eans f or war d, br eat hl ess, as at t he end of a *l ong quest . She peel s t he wr appi ng away f r omt he t op por t i on of *t he shape. The i nsi de of t he wr appi ng hol ds t he shape of what i t *

was wr apped around - - a humanoi d head, somewhat el ongat ed *cr ani um, and the sygomat i c arches of an over si zed pai r of eyes. *

SPALKO ( cont d) *MOYO- ZOLOTSE( sunshi ne) *

The Russi an Sol di ers l ean f orward, f asci nat ed and di st r act ed- - *I ndy l ooks at Mac, deci des to sei ze t he di st r act i on as the *sol di er l ooks back. I ndy hi t s hi m and GRABS HI S BULLWHI P, hangi ng *over t he shoul der of t he Russi an guardi ng hi m. He shoul der - bl ocks *t he Russi an, who f al l s back. Spal ko st ands and l ooks at I ndy. *

9.


17/211

The Sol di er ( FRANKLI N) guardi ng Mac spi ns hi s ai m t oward I ndy, *but - -

- - I ndy s bul l whi p CRACKS, t he l ash wr aps around t he Sol di er s *t i p of hi s gun- - *

- - t he f al l en Russi an ( KEVI N) swi ngs his gun ar ound, ai mi ng i t at *I ndy - -

- - I ndy f l i cks hi s wr i st , causi ng t he 2nd Sol di er ( FRANKLI N) t o *f i r e hi s gun, and t he bul l et s - -

- - SLAM I NTO THE RUSSI AN ON THE GROUND, ( Kevi n) ki l l i ng hi m. *

I ndy f l i cks hi s ar m agai n, causi ng Mac s guar d t o l oose t he gun, *Mac cat ches i t - -

- - I ndy bends down and scoops up the dead Russi an s weapon. *

The r emai ni ng Russi an Sol di ers spi n t hei r guns around, but t ool at e - - I ndy i s st andi ng besi de Mac, t hey r e now back to back, *t he ol d f r i ends, bot h ar med, hol di ng t he Russi ans at bay. I ndy *st i l l hol di ng ont o hi s whi p under t he gun. *

I NDYDr op t he guns! *

( ai mi ng at Spal ko)Or Col onel Doct or Spal ko i s dead. *

The Sol di ers st ar t t o l ower t hei r weapons, but t hen somethi ngf unny happens. Dovchenko smi l es. *

And t he Sol di er s rai se t hei r weapons agai n. Puzzl ed, I ndy t ur nsand sees t he l ast t hi ng he ever expect ed - -

The barrel of Macs gun, pointing directly at Indys head.

I NDY ( cont d)Why Mac? Why? *

MAC

What can I say, J onsy, I m a capi t al i st . *And t hey pai d. *

I NDY *Af t er al l t hose year s we spent spying on *t he Reds?! I t hought we were f r i ends *Mac. *

*

10.


18/211

Mac backs away f r omI ndy, movi ng to t he Russi ans si de. *

MAC( shr ugs)

Had bad l uck wi t h t he car ds, mate. *Awf ul . Bloody awf ul . Can t go home *empt y- handed no mor e. *

SPALKONo def i ant l ast wor ds, Dr . J ones?

I NDYI l i ke I ke.

Dovchenko st eps f orward, CLI CKI NG t he sl i de back on hi s aut omat i c *handgun.

DOVCHENKOBut down gun. *

I NDYYou got i t , pal . *

He pi t ches t he aut omat i c weapon f r oma hei ght . *

The gun hi t s t he f l oor and f i r es of f a r ound. The bul l et SLAMSi nt o t he concrete, r i ppi ng r i ght t hr ough - -

- - A RUSSI AN SOLDI ER S RI GHT BOOT, bl owi ng of f t wo of hi s t oes. *

As t he Sol di er SCREAMS, he i nadver t ent l y squeezes t he t r i gger onhi s machi ne gun, sendi ng a spr ay of bul l et s f l yi ng i nt o t he ai r ,TI NGI NG of f t r ucks, CRUNCHI NG i nto cr at es.

I ndy runs out . *

Spal ko SHOUTS at t he nearby Sol di ers. *

SPALKO *Dogr at Yevo. ( go af t er hi m) *

Spal ko cl oses t he gl ass case, t he sol di er t akes hi s gl asses of f *t he cover - Spal ko SLAMS t he l i d of t he cof f i n cl osed . *

One of t he sol di er s cl oses t he weapons carr i er . *

Spal ko get s i n t he dr i ver seat and dr i ves of f *

Spal ko l eaps behi nd t he wheel , hi t s t he gas, and t akes of f wi t h *i t . *

11.


19/211

ATOP THE CRATES,7

I ndy t ur ns and r uns down t he al l ey, l ooki ng f or some means of *escape. The sol di er s ai m t hei r weapons at hi m. The bul l et s mi ss *hi m. Ther e ar e st acks of packi ng crat es i n ever di r ect i on, *di f f er ent hei ght s, di f f er ent gaps bet ween t hem. He comes t o the *end l ooks around, scamper s up ont o the pi l e of cr at es . *

The sol di ers emerge f r om t he al l ey, t hey spot I ndy on t op. They *f i r e, t he t op crat e EXPLODES i n a f usi l l ade of gunf i r e, t hey *bar el y mi ssi ng hi m agai n. *

I ndy cont i nues chasi ng Spal ko, he CRACKS hi s whi p - - *

- - i t wr aps around t he l i ght , and he swi ngs out over t he gap. *

I ndy soar s over t he cr at es, and cat ches up t o t he j eep. *

We, al most . Hi s f eet ar e about t o l and on t he back gat e j ust as *he st art s hi s backwar d swi ng - -

- - t he t i p of t he bul l whi p unr avel s - -

- - and I ndy f al l s backwar ds, CRASHI NG i nt o t he f r ont seat ofanot her j eep, f ol l owi ng t he f i r st one, l andi ng r i ght bet ween t woRussi an Sol di ers. He GROANS i n pai n.

I NDY *Damn, I t hought t hat was cl oser . *

I ndy thr ows an el bow i nt o the f ace of t he Sol di er on hi s r i ghtand a punch i nt o the f ace of t he Sol di er behi nd t he wheel , t heyf al l out opposi t e si des of t he j eep - -

- - and I ndy sl i des behi nd the wheel and ROARS away down the ai sl eof t he warehouse, chasi ng Spal ko. He catches up, gi ves the wheela j er k, and SLAMS her j eep i nt o a pi l e of crat es.

He pushes Spal ko s j eep al l t he way deep i nt o t he boxes, t hey *di sappear s. *

She goes f l yi ng out of t he j eep as i t comes t o a sudden st op.

I ndy l eaps out of hi s own j eep and i nt o Spal ko s, t he onecar r yi ng the box wi t h hi s name on i t .

The sol di ers cat ch up and surr ound t he area. Suddenl y t her e s a *huge expl osi on. The sol di er s get t hr own up i n t he ai r , debr i s i s *f l yi ng ever ywher e. I ndy sl i des out dr i vi ng t he j eep, . He t hr ows *i t i n gear and t akes of f , as Spal ko comes out and sees hi m *l eavi ng. *

12.


20/211

SPALKO *Sl eydui t yi zar i m. ( f ol l ow hi m! ) *

Dovchenko i n the t r uck goes af t er I ndy. *

Spal ko j oi ns t he ot her sol di er s. As she wal ks away, we see: t he *cont ent s of a smashed cr ate hal f - exposed on t he f l oor. Ther e s a *gl owi ng gol d handl e at op a bej ewel l ed box , i t s t he Ar k of t he- - - *

I N I NDY S J EEP,8 *

he races up t o an i nt er sect i on i n t he gi ant war ehouse,Dovechenko s t r uck i s f ol l owi ng hi m. *

He l ooks back. The t r uck i s gai ni ng on hi m. *

I ndy l ooks ahead and f i nds hi msel f now HEAD ON wi t h a sedan. *

Mac i s i n t he sedan, car r yi ng hi s r i f l e. *

I n t he nar r ow ai sl e I ndy has no ot her pl ace t o go- - *

Mac i s get t i ng cl oser . *

MAC *Don t get cl ever Bor i s. No, no, no. You *don t know hi m. *

I ndy l ooks up, and sees t he hangi ng l amps, and t he l at t i cewor k of*

support beams up t her e.

I ndy st ar t s t o cl i mb up and r eaches - - *

- - f or one of t he l amps- *

- - I ndy s body i s yanked out of the jeep with incredible force.He f l i es i nt o the ai r , and beneat h hi m t he br akes and Dr i ver s oft he t wo oncomi ng vehi cl es SCREAM - -

- - and SMASH i nt o I ndy s j eep, f r ont and back, crumpl i ng i t l i kea t i n can and CRACKI NG OPEN t he cr ates t hat were i n t he j eep. *

*

13.


21/211

Mac rolls out of the wreckage, he looks up. *

I ndy i s r unni ng on t he r af t er s, get t i ng away. *

The sol di ers begi n f i r i ng. *

BAM-BAM-BAM!!

I ndy keeps r unni ng as gunshots RI P behi nd hi m. *

Dovchenko get s out of hi s t r uck, and begi ns f i r i ng wi t h hi s gun. *He chases I ndy. *

I ndy runs t o the end of t he r af t er s, he j umps on t he chai ns and *sl i des down. As he get s up, Dovchenko cat ches up t o hi m and *tackl es hi m. . . . . . . *

The bur st t hrough a door . *

As t hey come out t he other si de t hey f al l down i nt o a r oomwi t h *a gl ass dome. *

They f al l on t op and cont i nue t o f i ght . I ndy manages t o punch *Dovchenko, on t he second punch Dovchenko l ooses hi s hat . . *

The gl ass begi ns t o cr ack, i t shat t ers. *

I NT. BUNKER- DAY9 *

Dovchenko and I ndy f al l t hr ough t he gl ass, and l and on a pl at f orm *t hat i s hel d by chai ns. *

They cont i nue f i ght i ng, I ndy i s abl e t o r ol l of f and swi ng by t he *chai ns. Dovchenko gr abs ont o one of t he chai ns. *

13A.


22/211

Dovchenko i s hangi ng by t he chai n. I ndy f l i es i n on anot her chai n *and ki cks Dovchenko. *

Dovchenko goes f l yi ng i nt o t he cont r ol r oom, cr ashi ng t hr ough t he *gl ass wi ndow. *

He l ands har d on a cont r ol panel , a r ed l i ght f l ashes and a *buzzer BUZZES. The cl ock st ar t s t he countdown. *

Dovchenko gets up, pi cks up t he chai n. *

I ndy has dr opped ont o t he deck of a r ai l r oad f l at car , set at t he *end of t he t r ai n t r acks t hat r un away i nt o the di st ance, i nt o an *under gr ound t unnel . Ther e s a j et engi ne cr udel y bol t ed ont o he *deck of t he f l at car . *

Dovchenko t r i es to hi t I ndy wi t h t he chai n. I ndy r ol l s backwar ds *

of f t he pl at f or m. Dovchenko f ol l ows hi m, t r yi ng t o hi t hi m wi t h *t he chai n. I ndy t r i es t o get away, he cl i mbs back ont o the *pl at f or m. *

A set of door s at t he t unnel mouth RUMBLE open. *

The t urbi ne on t he r ocket shi p st ar t s t o spi n. *

Dovchenko gr abs I ndy s r i ght f oot wi t h he chai n and pul l s hi m *down ont o t he st eel gr at e. I ndy t r i es t o get up, Dovchenko *punches hi m. I ndy t r i es agai n, and agai n Dovchenko punches hi m. *I ndy t r i es agai n, Dovchenko t akes t he chai n and wr aps i t around *

I ndy s neck. *

Dovchenko haul s I ndy up by t he chai n. He st art s t o punch I ndy. *

Mac wi t h a gr oup of sol di er s car r yi ng t hei r guns, appr oach f r om *t he end of an access t unnel behi nd t he f l at car . *

I ndy manages t o get hi s l egs ar ound Dovchenko s neck, he st art s *t o choke hi m as har d as he can. Dov i s l oosi ng hi s br eat h. *

I ndy get s hi s r i ght f oot f r ee and ki cks Dovchenko down t o the *ground. I ndy comes down *

The cl ock i s r eachi ng zer o. *

14.


23/211

The sol di ers wi t h Mac are j ust about t o r each t hem *

- - and t he j et engi ne ROARS t o l i f e, sendi ng a bl ast of r i ppl i ngwhi t e f i r e ERUPTI NG out of t he back of t he r ocket sl ed ( becauset hat what t hi s gi zmo i s) , i nci ner at i ng t he Russi an sol di er s. *

Mac recoi l s f r om t he bl ast and t he engi ne f ul l y engages - - boy,does i t engage, SLAMMI NG I ndy and Dovchenko f l yi ng i nto acushi oned bl ast shi el d near t he back of t he r ai l r oad car .

The r ocket sl ed bl ast s away down t he r ai l r oad t r acks so f ast i t sj ust a st r eak of l i ght and ZOOMS i nto t he t unnel . *

I N THE TUNNEL,10 *

l i ght s st r obe by as t he r ocket sl ed pi cks up speed i n t he *undergr ound t unnel . I ndy and Dovchenko are pi nned t o t he r ear *

bl ast shi el d by t he i nt ense t hr ust . *

EXT HANGAR 51 DUSK11 *

As dusk f al l s, we see t he bl ur r y f i r e of t he r ocket sl ed as i t *BLASTS out t he mout h of t he t unnel , movi ng l i ke a shoot i ng st ar *down f i ve mi l es of t r acks, di sappear i ng i nt o the di st ance. *

I NT GUARD SHACK DUSK11A *

An MP wat chi ng t he r ocket , he makes a cal l . *

GUARD *I need t o speak t o the col onel . *

A second l ater, t here s a soni c BOOM.

I NT HANGAR 51 DUSK12

Back i n t he hangar , Russi an Sol di er s ar e pi cki ng up t he cof f i n. *Spal ko SHOUTS t o themi n Russi an, poi nt i ng out t he open hangardoor , go af t er t hem!

SPALKO *Shi vi l yt i es. ( move) Poi dyomt e ( l et s go) *

Mac out of br eat h j oi ns her . The sol di er s l oad t he cof f i n i n t he *j eep. Spal ko get s i n t he dr i ver seat of t he r emai ni ng j eep. Mac *j oi ns her i n t he passenger seat . *

SPALKO ( cont d) *You di d wel l . *

The dri ve of f . *

15.


24/211

EXT ROCKET SLED NI GHT13 *

On t he r ocket sl ed, I ndy and Dovchenko hol d on f or dear l i f e ast he G f or ces wr ap t hei r f aces ar ound t he backs of t hei r skul l s.

The desert l andscape f l ashes by; t hey cover mi l es i n moment s, andas abr upt l y as i t st ar t ed - -

- - t he boost er engi ne shut s down. The r ocket sl ed si l ent l ygl i des t o a hal t at t he end of t he f i ve mi l e st r et ch of r ai l r oadt r acks, comi ng t o a st op wi t h a sof t l i t t l e THUMP i nt o a r ubberbumper at t he end, next t o a smal l shack wi t h l i ght s on.

On the f l at car , I ndy and Dovchenko. I ndy comes t o, he pushes *Dovchenko of f t he f l at car . *

I ndy get s up, hol di ng ont o hi s whi p, he t r i es t o r egai n hi s *

bal ance, he gr abs hi s hat and l ooses hi s f oot i ng, he f al l s of f on *t he ot her si de of t he f l at car . *

I n t he di st ance, I ndy spi es a pl ume of dust f r om t he Russi ancar s, whi ch ar e pur sui ng hi m.

He t akes of f i nt o the di st ance on wobbl y l et s, headed f or a rockyr i se that mi ght pr ovi de some cover .

EXT HANGAR 51 DUSK14

Out si de the f r ont ent r ance t o Hangar 51, anot her t r uck, t hi s one

f ul l of REAL U. S. MARI NES, al er t ed by the noi se of t he r ocketsl ed, SCREECHES t o a hal t . The mari nes l eap out , dr awi ng t hei rweapons, and caut i ousl y appr oach t he ent r ance t o t he hangar .

15A.


25/211

I NT HANGAR 51 DUSK15 *

Spal ko and Mac t ake of f out t he r ear of Hangar 51 j ust bef or e t he *Mari nes ent er .

CUT TO:

EXT DESERT NI GHT16 *

t he j eep and sedan wi t h t he Russi ans i nsi de SKI D t o a hal t next t o *t he rai l road f l at car.

I ndy wat ches f r om behi nd t he hi l l . *

Dovchenko, on t he f l at car , i s j ust comi ng t o. As the Sol di er sf r omt he sedan t end t o hi m, Dovchenko SHOUTS t o the others,gest ur i ng i n t he di r ect i on I ndy r an - - get hi m!

Thr ee Russi ans j ump back i nto t he j eep and t ake of f , f urt her i ntot he deser t .

Dovchenko l i mps i nt o t he sedan and i t t ur ns around, headi ng i n *t he opposi t e di r ect i on, back the way t hey came.

DI SSOLVE TO:

EXT DESERT TOWN DAWN17 *

I ndy spot s a smal l deser t t own on t he hor i zon. He wal ks toward*

i t .

16. 10/12/07


26/211

EXT MAI N STREET DAY18 *

I ndy wal ks i nt o t hi s per f ect l i t t l e Amer i can t own- - - *

- - t he thr ee Russi ans i n t he Amer i can j eep crui se sl owl y ar ound a *cor ner , st i l l sear chi ng f or I ndy. *

I ndy j umps over a f ence i nt o the backyar d of a pr i m house. *

16A. 10/12/07


27/211

EXT BACK YARDS DAY19 *

I ndy pl ows r i ght t hr ough somebody s l aundr y hangi ng on a l i ne,and heads f or t he back door of t he house. *

I NDY *Hel l o! Hel l o! *

I NT SOMEBODY S HOUSE DUSK20

I ndy ent er s and f i nds hi msel f i n a per f ect l i t t l e ki t chen, *appoi nt ed wi t h al l t he l at est appl i ances, i ncl udi ng a heavy- dut yref r i gerat or. *

I NDYHel l o?! Hel l o?! Anybody home?! *

I ndy gr abs t he phone, t he phone l i ne i s broken. *

He hears f ai nt MUSI C f orm t he other r oom.

I NT LI VI NG ROOM DUSK21

I ndy r aces i nt o t he l i vi ng r oom, wher e t he musi c i s l ouder . I t st he t heme f r om t he Howdy Doody Show. A f ami l y (MOM, DAD, and TWOKI DS) i s seat ed wi t h t hei r backs t o hi m, watchi ng Howdy on t hebl ack and whi t e TV set . *

I NDYHey, hey, Russi ans . . . . . ( or on C) I *knocked. You guys got a t el ephone. *

Nobody moves. Nobody answers. They j ust st are at t he scr een.

I NDY ( cont d)Wai t a mi nut e. *

Hey, Dad i sn t a dad at al l and Mom i sn t a mom and i n f act t hesear en t even r eal peopl e! Theyre MANNEQUINS.

BUFFALO BOBWhy, Howdy, haven t you guessed yet ?I t s an imaginary pl ace!

I ndy i s st unned, t r yi ng t o pr ocess what s happeni ng. *

He goes t o the f r ont door and st eps out - - *

*

*

17. 10/12/07


28/211

EXT HOUSE DAY22 *

- and ont o t he f r ont l awn. A MANNEQUI N MI LKMAN i s f r ozen at t he *f r ont wal kway, hol di ng ont o a mi l k crat e. *

I ndy wal ks to t he si dewal k. A FROZEN newspaper boy on a bi cycl e. *

An AI R RAI D SI REN st ar t s t o WAI L. I ndy i s st art l ed he bumps i nt o *t he bi cycl e, t he boy f al l s. *

I ndy tur ns somet hi ng hor r i bl e comi ng t oget her i n hi s mi nd. *

I NDY *Oh, t hat can t be good. *

I NDY l ooks at t he f r ozen ki ds st andi ng around t he I ce Cr eam *Truck. The MANNEQUI N I CE CREAM MAN handi ng out a popsi cl e. *

He tur ns and l ooks at t he *

MANNEQUI N MAI LMAN, del i ver i ng f ake mai l . Acr oss t he st r eet , a *MANNEQUI N PEDESTRI AN i s f r ozen i n st r i de, wal ki ng a FAKE DOG. *

He sees a group of f r ozen women hangi ng t he l aundr y. *

A DEAFENI NG VOI CE bel l ows f r omhi dden l oudspeakers. *

VOI CE *

Al l per sonnel t ake f i nal posi t i ons.*

Countdown t o det onat i on commenci ng at t - *mi nus one mi nute. *

I NDYThat can t be good at all. *

I ndy l ooks down Mai n St r eet . *

Next t o a si gn, t he ki nd t hat shoul d say Wel come t o Mayberr y or *somet hi ng, but t hi s one says - - *

DOOM TOWN *U. S. Ar my Provi ng Gr ound CI VI LI ANS TURN *BACK! *

18. 10/12/07


29/211

EXT EDGE OF TOWN DUSK23

- - t he Russi an Sol di er s ar e wal ki ng down t he st r eet t owar d hi m, *wi t h t hei r guns drawn. *

VOI CE ( O. S. )T- mi nus f or t y- f i ve seconds. *

One of t he Russi ans t ur ns, seei ng, *

There, a f ew hundr ed yards out of t own st ands a metal - f r ame t ower *f est ooned wi t h si r ens and l oudspeakers. Suspended beneat h a *pl at f or m i n t he mi ddl e- - *

- - i s a NUCLEAR BOMB. *

The Russi an s eyes go wi de and he SCREAMS at t he Sol di ers i n t he *j eep. *

SOLDI ER *BOZBPOWANTECB! ZTO- SOMSA! OHA *B3APBETC! ( GET BACK, I T S A BOMB, I T WI LL *EXPLODE! ) *

They hi t t he gas, r ace past I ndy, t he Sol di er l eaps i nsi de, and *t hey ROAR t he hel l out of DoomTown. *

I NDY *SURE, DON T WAI T FOR ME!! *

He r aces a f ew st eps af t er t hem, t hen r eal i zes i t s poi nt l ess. *

VOI CE ( O. S. ) *T- mi nus t hi r t y seconds and count i ng. *

I ndy makes a desper ate deci si on. He t ur ns and r uns, but not out *of t own; I ndy heads back into t he house. *

18A. 10/12/07


30/211

I NT HOUSE DUSK24 *

I ndy bur st s i nt o the same house as bef ore, r aci ng down t hehal l way, dogged by t he cheery Howdy Doody t heme musi c. *

VOI CE ( O. S. )T- mi nus f i f t een seconds and count i ng.

I NT KI TCHEN DUSK25

I ndy runs i nt o the ki t chen and t hr ows open t he ol d- st yl eref r i gerat or.

VOI CE ( O. S. )T- mi nus t en seconds and count i ng.

I ndy yanks ever yt hi ng out of t he f r i dge, shel ves and al l .

VOI CE ( O. S. ) ( cont d)T- mi nus f i ve seconds and count i ng.

I ndy j umps i nt o the f r i dge and SLAMS t he door - -

VOI CE ( O. S. ) ( cont d)Four .

- - but t he door bounces open, cans are bl ocki ng i t - - *

VOI CE ( O. S. ) ( cont d)*

Thr ee. *

- - he cl eans t he r est of t he t hi ngs out - - *

VOI CE ( O. S. ) ( cont d) *Two. *

- - and SLAMS t he door . As i t cl oses a l i t t l e met al pl at e on t he *cor ner of t he door pops i nt o f ocus, i t r eads - - *

VOI CE ( O. S. ) ( cont d) *One. *

- - LEAD-LINED FOR SUPERIOR INSULATION! *

The scr een t urns whi t e. *

19. 10/12/07


31/211

I N THE I NCREDI BLE GLARE,26 *

mannequi ns f l y apar t i n t he bl ast - f ur nace, bodi es i gni t e l i kematchheads, Ki ds ar e swept of f t hei r bi kes, Mai l man andPedest r i an t ur n t o ci nder s i n a spl i t - second, t he Bui ck and i t swavi ng Dr i ver t umbl e down t he st r eet l i ke a f l ami ng t oy.

Wal l s col l apse, houses i mpl ode, r oof s f l y away.

EXT DESERT DUSK27

A mi l e away, t he Russi an Sol di er s ar e dr i vi ng l i ke madmen,get t i ng out of t own at ei ght y mi l es an hour , but i t i sn t f astenough, as a BLASTWAVE OF HEAT AND DEBRI S comes r ocket i ng acr osst he bl ast , t ur ni ng sand t o gl ass.

And i n t he i nst ant bef ore t he bl ast wave consumes t hem, t he l ast

t hi ng t he Russi ans see i s - -

- - a REFRIGERATOR zi ppi ng past t hem, r i di ng t he bl ast wave.

And t hen t he Russi ans are vapor i zed, t hei r j eep mel t i ng i nt o thedesert sand. We are engul f ed by dust .

DI SSOLVE TO:

20. 10/12/07


32/211

EXT DESERT DUSK28 *

A coupl e mi l es f r omDoom Town, t he dust bi l l ows away to reveal a *scor ched, hal f - mel t ed r ef r i ger at or l yi ng i n a pi l e of debr i s. *We hear THUMPI NG f r omwi t hi n, t he l atch gi ves, and t he doorswi ngs up wi t h a heave. I ndy emer ges, unst eady on hi s f eet . Hest aggers t oward us,

A pr ai r i e dog i s wat chi ng hi m *

I NDY *What are you l ooki ng at ? *

I ndy get s up and gr abs hi s whi p f r om t he r ef r i ger at or , he heads *up t he hi l l . *

As he set t l es gazi ng up wi t h horr or and awe at - - *

A HUGE MUSHROOM CLOUD, r i si ng up over t he deser t f l oor. I ndyst ands t her e, si l houet t ed agai nst t he bi l l owi ng, seet hi ng cl oud,and i s i t our i magi nat i on or , wi t h i t s creepy, hol l owed- out eyesocket s, does t hat deadl y cl oud bear a st r ong r esembl ance - -

- - to a human skull?

CUT TO:

21. 10/15/07


33/211

I NT DECONTAMI NATI ON ROOM DAY29 *

I ndy, exhaust ed, i s i n a decont ami nat i on r oom He s surr oundedby FOUR SOLDI ERS i n medi cal gowns and goggl es who are scr ubbi nghi m r oughl y wi t h l ong- handl ed br ushes.

Two shadowy men i n dar k sui t s and ski nny t i es, SMI TH and TAYLOR,st and a shor t di st ance away, r egar di ng hi m suspi ci ousl y. A SMALLMAN wi t h a Gei ger count er waves a metal wand acr oss I ndy s body.There are f ew, i f any, CLI CKS.

A SOLDI ER I N UNI FORM ent ers and hands smi t h a paper . He ent ers *t he r oom. I ndy i s seat ed on a t abl e, Tayl or i s st andi ng on t he *ot her si de. *

SMI THYour st ory appears t o check out . But *

I mst i l l myst i f i ed, Dr . J ones, as towhy you were i n t he Russi an car i n t hef i rst pl ace.

I NDYI t ol d you, I was knocked unconsci ousand ki dnapped f r om a di g i n Mexi co. Iwoke up I was i n t he t r unk of t hat car . *

SMI THAl ong wi t h your good f r i end Geor geMcHal e?

I NDYI had no r eason to bel i eve Mac was a spy.He was MI 6 when I was O. S. S. , we di d *t went y or t hi r t y mi ssi ons t oget her i n *Eur ope and t he Paci f i c, we-

TAYLORDon t wave your war r ecor d i n our f ace,Col onel J ones, we al l ser ved.

I NDY *No ki ddi ng? What si de were you on? *

Smi t h st ar t s t o wal k i n back of I ndy, as Tayl or crosses i n f r ont . *

SMI TH *I don t t hi nk you under st and t he gr avi t y *of your si t uat i on. You ai ded and abet t ed *KGB operat i ves who br oke i nt o a ( he *si t s) secret mi l i t ary i nstal l at i on, i n *t he hear t of t he Uni t ed St at es of *Ameri ca. My count r y. *

21A. 10/17/07


34/211

I NDY *What was i n t hat st eel box t hey t ook? *

TAYLOR ( AS HE LEANS ON THE *TABLE)

You t el l us. You ve seen i t bef ore. *

I NDY *You mean t hat Ai r f orce f i asco i n 47? I *was t ossed i nt o a bus wi t h bl acked out *wi ndows and t went y peopl e I wasn t *al l owed t o speak( t al k) t o- - haul ed out *i n t he mi ddl e of t he ni ght t o the mi ddl e *of nowher e on some ur gent r ecovery *pr oj ect and shown - what? Pi eces of *wr eckage and an i ntensel y magnet i c *shr oud cover i ng- - ( st i l l unsur e what i t *

was) - - mut i l ated r emai ns? None of us *wer e ever y gi ven t he f ul l pi ct ur e and we *wer e t hr eat ened wi t h t r eason i f we ever *t al ked about i t . So you t el l me- - what *was i n the box? *

TAYLOR *Thi s process works best when we ask t he *quest i on, Dr . J ones. *

I NDY *Mummi f i ed r emai ns? *

SMI TH *Our r ecor ds don t i ndi cat e anyt hi ng of *t hat nature was housed t her e. *

TAYLOR *You must be conf used, Dr . J ones. *

SMI TH *t he onl y t hi ng t hat f aci l i t y st or es i s *r epl acement par t s f or B ser i es ai r craf t . *

22.


35/211

The door BANGS open and a t wo- st ar Ar my General bar r el s i nto t he *r oom - - GENERAL ROSS. Ar ound I ndy s age, bi g man, bi g voi ce.

GENERAL ROSSI ndy, t hank God! Don t you know i t s *danger ous t o cl i mb i nt o a r ef r i ger at or ? *Those t hi ngs are deat h t r aps!

Ross i s smi l i ng, he s ki ddi ng. I ndy smi l es back.

I NDYGood t o see you t oo, Bob.

GENERAL ROSS( t o Smi t h and Tayl or)

Rel ax, boys, I can vouch f or Dr . J ones.

I NDY( t o Ross)

What t he hel l s goi ng on? KGB onAmer i can soi l ? Who was that woman? *

TAYLORDescr i be her.

I NDY *Tal l , t hi n, mi d- t hi r t i es. She car r i ed *a swor d of some ki nd - - a r api er , I *t hi nk. Knew how t o use i t , t oo. *

Smi t h and Tayl or exchange a l ook - - t hey recogni ze t hat *descri pt i on. Tayl or st eps out of t he r oom qui ckl y. *

Thr ough a gl ass panel , we see Tayl or , out si de t he r oom, pi ck up a *phone and make a cal l . *

23.


36/211

Ross pr oduces a f i l e f r om hi s br i ef case and f l i ps i t open, *showi ng I ndy a survei l l ance photogr aph of Spal ko. I ndy pi cks up *t he f i l e and l ooks at i t . *

I NDY ( cont d) *Yeah, t hat s her . *

SMI TH( t o I ndy)

You r e sur e she s her e?

I NDYHere and gone. Who i s she?

Smi t h doesn t answer I ndy. But Gener al Ross does. *

GENERAL ROSS

I r i na Spal ko, St al i n s f ai r - hai red gi r l . *Hi s f avor i t e sci ent i st, i f you can cal lpsychi c resear ch sci ence.

Smi t h st eps i n, t r yi ng t o end t hi s conver sat i on. I ndy l ooks *t hr ough t he f i l e. *

SMI THGeneral Ross.

GENERAL ROSSShe s l eadi ng t eams f r om t he Kr eml i n al l

over t he wor l d, scoopi ng up ar t i f act sshe thi nks mi ght have paranormal *mi l i t ar y appl i cat i ons. She s-

SMI THGeneral Ross.

Smi t h t akes the f i l e f r om I ndy and cl oses i t . Ross tur ns, and *Smi t h gi ves hi m an i cy gl ar e.

GENERAL ROSS *Back of f , Paul . Not ever yone i n t he *

Ar my i s a Commi e. And cer t ai nl y not *I ndy. *

Ross si t s at t he head of t he t abl e. I ndy al so si t s and put s hi s *f eet up. *

24.


37/211

I NDY *What exact l y am I bei ng accused wi t h, *besi des sur vi vi ng a nucl ear bl ast ? *

Outsi de, Tayl or hangs up t he phone and r e- ent ers t he r oom.

SMI THNot hi ng yet . But f r ankl y, yourassoci at i on wi t h George McHal e cal l si nt o questi on al l your act i vi t i es,i ncl udi ng t hose dur i ng t he war .

GENERAL ROSSare you nut s? Do you have any i dea how *many medal s t hi s son of a bi t ch has won?

SMI TH

A gr eat many, I m sure. But does hedeser ve t hem?

TAYLORDr . J ones, l et s j ust say f or now t hatyou ar e of i nt er est t o the Bur eau.

SMI THOf gr eat i nt er est .

I NDYLook, you got any doubt s about me, t al k *

t o congr essman Fr el eng. Or Abe Port man *i n Ar my I nt el . Hel l , ask anybody, I vegot a l ot of f r i ends i n Washi ngt on! *

TAYLORI t hi nk, Pr of essor , you l l f i nd youmi ght be wr ong about t hat .

CUT TO:

EXT UNI VERSI TY CAMPUS DAY30

A beaut i f ul col l ege campus. A bi g banner t el l s us Homecomi ng i st hi s Saturday. But OMI NOUS FOOTSTEPS echo over t he quad.

25.


38/211

I NT CAMPUS BUI LDI NG DAY31

a pai r of dr ess shoes CLI CK down a hal l way i n one of t hebui l di ngs. DEAN CHARLES STANFORTH, si xt yi sh, st ops at a door and *l ooks *

THROUGH THE WI NDOW,

we see I ndy, dr essed i n hi s t weedy pr of essor s garb, t eachi ng acl ass. *

I NDY *- - a per i od of t i me di st i ngui shed wi t h t he *use of Gr oove Ware and t he *begi nni ngs of moder n dr ai nage pr act i ces, *whi ch we al so see i n Skar a Br ae, on t he *west coast of Scot l and. *

I NSI DE THE CLASSROOM,32 *

St anf or t h sl i ps qui et l y i nsi de and l eans agai nst t he wal l . *

I NDY *Skar a Br ae dat es back t o 3100 B. C. And *was cont i nuousl y occupi ed f or a per i od *of about si x hundr ed year s unt i l i t s *apparent abandonment i n 2500 B. C. *There s no cl ear ( sol i d) evi dence as t o *why i t s- *

He st ops and l ooks at St anf or t h. St anf or t h l ooks gr i m. I ndy *st umbl es, knows somethi ng' s up. *

I NDY ( cont d) *I t s i nhabi t ant s deci ded t o abandon t o, *uh, l eave a per f ect l y heal t hy *set t l ement ( envi r onment ) ( t o St anf or t h) *Yes? *

STANFORTH *May I have a moment , Prof essor? *

I NDY *Yes of course. *

I ndy t ur ns back i n and addr esses hi s cl ass. *

I NDY ( cont d) *Uh, open up Mi chael son, r evi ew chapt er *f our . When I come back we l l di scuss t he *di f f er ence bet ween mi gr at i on( emi gr at i on) *and exodus. *

26.


39/211

He st eps i nt o t he hal l , cl osi ng t he door behi nd hi m.

The STUDENTS l ean f orward t o hear what s goi ng on out si de.

I NDY (O. S. ) ( cont d)WHAT?!

The Student s l ook up shar pl y. I ndy and t he Dean are vi si bl et hr ough t he gl ass; I ndy l ooks l i ke he s goi ng t o cl obber hi m.

OUT I N THE HALLWAY,33

St anf or t h s t r yi ng t o cal m hi m.

STANFORTHYou have no i dea t he pressure comi ngf r omt he Boar d of Regent s. The FBIshowed up thi s morni ng, t hey ransackedyour of f i ce, sear ched al l your f i l es - -

I NDYAnd you di dn t st op t hem? You r e t hedean of t hi s col l ege, t hey have no ri ght ! *

STANFORTHThey had ever y r i ght ! They weren tvandal s, t hey wer e f eder al agent s wi t hsear ch war r ant s. The Uni ver si t y s notgoi ng t o l et i t sel f be embr oi l ed i n t hat

ki nd of cont r over sy, not i n t hi s *charged cl i mate. *

I ndy l eads St anf ort h down the hal l way. *

I NDYSo you r e f i r i ng me?

STANFORTHA l eave of absence, i s al l . An *i ndef i ni t e l eave of absence - -

I NDYYou are f i r i ng me!

STANFORTH- - dur i ng whi ch t hey have agr eed t ocont i nue t o pay your f ul l sal ar y f or aper i od of -

I NDYI don t want t hei r money. I l l t el l you *what t hey can do wi t h thei r money. *

27.


40/211

STANFORTHPl ease don t be f ool i sh, you don t knowwhat I had t o go t hr ough t o get t hat f oryou.

I NDYWhat you went t hrough?( what you had t o go *t hr ough?) What exact l y di d you have t o *go t hr ough, Char l i e?

STANFORTHHenr y. I r esi gned. *

I ndy j ust l ooks at hi m, dumbf ounded.

CUT TO:

27A.


41/211

I NT I NDY S HOUSE DAY34

I ndy i s f ol di ng a shi r t , he put s i t i n a sui t case t hat s on t hebed i n I ndy s bedr oom.

St anf or t h i s st andi ng i n t he ar chway. They r e hal f way t hr ough abot t l e of r ed wi ne, mi ddl e of t he af t er noon.

STANFORTHWher e wi l l you go?

I NDYTrai n t o New Yor k, over ni ght t o London,f or st ar t er s. Mi ght end up t eachi ng i nLei pzi g, Hei nr i ch owes me a f avor.

I ndy moves t o the cl oset , opens up one of t he drawers and t akes

out some cl ot hes. He moves back t o t he bed.

I NDY ( cont d)I l l wi r e you when I get set t l ed and youcan send the rest of my t hi ngs

He goes back t o the cl oset and get s a coupl e of bel t s, he wal ksback to the packi ng.

STANFORTHI suppose t her e s not hi ng t o keep youher e. I bar el y r ecogni ze t hi s count r y

anymore, t he gover nment s got us seei ngcommuni st s i n our soup. When t hehyst er i a reaches academi a, I guess i t st i me t o cal l i t a car eer .

I ndy pi cks up hi s gl ass and moves t o the l i vi ng r oom.

I NDYHow d Dei r dre take t he news?

St anf or t h f ol l ows.

STANFORTHHow does any wi f e take such t hi ngs? Thel ook on her f ace was a combi nat i on ofpr i de and pani c.

St anf or t h f i ni shes hi s dr i nk. I ndy moves t o hi s desk and openst he drawers.

I NDYI never shoul d have doubt ed you, myf r i end.

28.


42/211

STANFORTHWe seem t o be at t he age where l i f e st opsgi vi ng us t hi ngs and st ar t s t aki ng t hemaway.

Pause. Wow, bummer. Then t hey bot h snap out of i t at t he samet i me, I ndy bol t i ng up t o r esume packi ng whi l e St anf ort h r eachesf or t he wi ne.

STANFORTH ( cont d)Maybe j ust anot her hal f a gl ass. . .

I ndy goes t o hi s desk and r i f l es t hr ough some paper s, t akes af ew, i ncl udi ng hi s passpor t , t hr ows out some ot her s.

STANFORTH ( cont d)I wi sh you d met someone l i ke Dei r dr e,

t o hel p you t hr ough t i mes l i ke t hi s. Ori f you d r eal i zed i t when you did meether. . .

I NDYLet s not t ug on t hat t hr ead r i ght now,okay pal ?

St anf or t h hol ds hi s hands up i n sur r ender , okay, I l l dr op i t .

He not i ces hi s watch.

STANFORTHGood Lord, I ve got t o get home. Don andMaggi e are dr i vi ng spousum et familia upf r om t he ci t y f or di nner . Emer gencyf ami l y counci l meet i ng.

I NDY( wi t h a touch of envy)

They r e good ki ds.

STANFORTHHeal t hy and empl oyed, I l l set t l e f or

t hat . I m of f .( st ands, sways f r om t he wi ne)And I bel i eve I shoul d wal k.

I NDYThank you f or what you di d, my f r i end.

STANFORTHI cut qui t e t he dr amat i c f i gur e. TheRegents were st unned i nto shamedsi l ence. At l east t hat s t he way I l lt el l i t t o t he gr andki ds.

29.


43/211

STANFORTHHeal t hy and empl oyed, I l l set t l e f ort hat . I m of f .

( st ands, sways f r om t he wi ne)And I bel i eve I shoul d wal k.

I NDYGood i dea.

I ndy st ands and moves t o St anf ort h. He f i xes hi s j acket

I NDY ( cont d)Thank you my f r i end, f or what you di d.

STANFORTHI cut qui t e t he dr amat i c f i gur e.

I NDYI bet you di d.

They move t owards t he door .

STANFORTHt he Regent s were st unned i nto shamedsi l ence. At l east t hat s t he way I l lt el l i t t o t he gr andchi l dr en.

I ndy opens t he f r ont door . St anf or t h t ur ns t o I ndy wi t h one l astt hought .

STANFORTH ( cont d)you know, when you r e young you spendal l your t i me t hi nki ng Who wi l l I be?And f or years you r e busy shout i ng at t hewor l d t hi s i s who I am! But l at el yI ve been wonder i ng - - af t er I m gone,who wi l l t hey say I was?

St anf ort h l eaves. I ndy l ooks f or a moment .

I NDY

Bye Char l i e.

He cl oses t he door .

29A.


44/211

EXT TRAI N STATI ON DAY35

- - and we r e at t he t r ai n st at i on, t he sound i s t he t r ai n sWHI STLE as i t get s r eady t o pul l out . I ndy get s out of a cab i n *t he par ki ng l ot . *

A sedan arr i ves wi t h DI MI TRI and hi s t wo ASSOCI ATES- - al l dr essed *i n sui t s. When Di mi t r i l ooks t o hi s associ at e i n t he back seat , *t he man gi ve hi m t he go ahead. They pul l away. *

As I ndy hur r i es up t he st eps t o t he pl at f or m car r yi ng hi s *sui t case, a Harl ey Davi dson MOTORCYCLE gl i des t o a hal t . *

I ndy wal ks down t he pl at f or m bet ween t wo t r ai ns. Pausi ng on t he *st ep of hi s t r ai n car , he gl ances back t o hi s ci t y. And j ust as *he st eps i nt o t he car , t wo of t he men i n sui t s sl i p aboar d at t he *ot her end of t he t r ai n. They ar e f ol l owi ng hi m. *

Af t er I ndy f i nds hi s seat , a MOTORCYCLE RI DER i n a bl ack l eather *j acket , j eans, boot s, cap, and l eat her gl oves cr ui ses up t he *pl at f orm. He seems to be l ooki ng f or someone. *

MUTT WI LLI AMS i s t went y, Ameri can, and i mpat i ent . As t he TRAI N *WHI STLE bl ows one l ast t i me, he spots I ndy. *

Mut t whi ps t he bi ke i nt o a qui ck tur n. *

ON THE PLATFORM36

The t r ai n st ar t s t o pul l out of t he st at i on. *

Mut t pul l s even wi t h I ndy s t r ai n car , and SHOUTS t o hi m. *

MUTTHey! Mi st er! Hey, buddy!

( l ouder )Hey Prof essor!

I ndy tur ns. *

MUTT ( cont d)

Ar e you Dr . J ones? *

I ndy nods, t hen l ook sup ahead, at t he end of t he pl at f or m. *

I NDYYou r e r unni ng out of pl at f orm, ki d.

30.


45/211

He t urns. Mut t SHOUTS: *

MUTT *

You r e a f r i end of Dr . Oxl ey, r i ght ? *

I ndy t urns back. He knows t he name. *

I NDY *Har ol d Oxl ey, t he ar chaeol ogi st ? *

MUTT *Yeah! *

I NDYWhat about hi m? *

MUTTThey r e goi ng t o ki l l hi m.

I ndy gr abs hi s bag and get s of f t he t r ai n. *

Omi t t ed37 *

CUT TO:

31.


46/211

I NT BERNI E S DI NER DAY38

Sat ur day af t er noon. Let t er sweat er s, saddl e shoes, a j uke boxpl ayi ng Wake up Li t t l e Suzi e Most l y COLLEGE TYPES i n t hepl ace, but a dozen GREASERS i n t he back dr i nki ng beer, l ooki ngf or t r oubl e.

A LETTERMEN wal ks up t o t he j ukebox about t o sel ect a song. One oft he GREASERS put s hi s hand on hi s head and spi ns around, t heLet t er men wal ks back t o hi s t abl e

I ndy and Mut t ar e i n t he di ner , a wai t r ess pour s cof f ee at t hei rt abl e

Mut t t ur ns hi s hat over and pi cks up a phot ogr aph hands i t t oI ndy. CLOSE ON a photogr aph of Mutt , a f ew years younger,st andi ng next t o a BOOKI SH MAN i n hi s mi d- f i f t i es, more but t oned-

down t han t he second f l oor of Br ooks Br other s.

I NDY ( O. S. )I haven t t al ked t o Har ol d Oxl ey i nt went y years. We l ost t ouch. We had af al l i ng out . He cut me of f , angr y aboutsomet hi ng or ot her . I never f ound outabout what i t was. Too bad, he s abr i l l i ant guy. He coul d put you t o sl eepby t al ki ng t hough.

MUTT

when I was a ki d, t hat s how I did get t osl eep. The Ox was bet t er t han a gl ass ofwar m mi l k. ( of f er s hi s hand) Name s Mut tWi l l i ams.

I NDYMut t ? What ki nd of name i s t hat?

MUTTI t s t he one I pi cked, you got a pr obl emwi t h t hat ?

I NDYTake i t easy. What was Oxl ey your uncl eor somethi ng? ( what was yourr el at i onshi p t o Oxl ey?)

MUTTKi nd of . My dad di ed i n t he war and t heOx hel ped my mom r ai se me.

He pul l s a comb f r om hi s back pocket and di ps i t i n a gl ass ofcoke on t he t abl e next t o hi m. He r uns i t t hr ough hi s car ef ul l ykept hai r .

32.


47/211

I NDYYou sai d t hey were goi ng t o ki l l hi m.

Mut t put s hi s comb away and l eans i n cl oser t o I ndy.

MUTTAbout si x mont hs ago my mom got a l et t erf r omt he Ox. He was down i n Per u. Hesai d he f ound some ki nd of skul l , cryst alskul l , l i ke t he one t hat guy Mi t chel l -Hodgki ns, Mi t chel l - Hodgki ns f ound.

32A.


48/211

He t ur ns and gr abs a bot t l e of beer of f t he t r ay of a WAI TRESSser vi ng t he t abl e next t o t hem. ( She doesn t see. )

I NDYThe Ox and I were obsessed wi t h t heMi t chel l - Hedges skul l when we wer e i ncol l ege. How do you know about i t ?

I ndy takes t he beer f r om Mut t and put s i t back on t he Wai t r ess st r ay. ( She doesn t see t hat ei t her . )

MUTTYou ki ddi ng? Ox coul d t al k about t hatt hi ng t i l l t he cows came home. That s al lhe t al ked about . What was i t , l i ke ani dol ?

I NDYI t s a dei t y car vi ng. Meso- Amer i can.There s a f ew cr yst al skul l s i n t hewor l d. I saw one i n t he Br i t i sh Museum.They r e i mpressi ve cr af t smanshi p, butt hat s about i t .

MUTTOxl ey sai d t he skul l had psychi c power s.

I NDYLi ke, St ar e i nt o i t s eyes and i t l l

dr i ve you cr azy?

MUTTLaugh al l you want , but Ox sai d he f oundi t t hi s t i me. Thi s was r eal , and he wason hi s way t o a pl ace cal l ed Akat or wi t hi t .

I ndy si t s f or war d - - now he s i nt er est ed.

I NDYAkat or?

MUTTAkat or.

I NDYHe sai d t hat? Ar e you sure?

MUTT

Akat or , t hat s what he sai d. ( or ) Yeah. What i s i t ?

33.


49/211

I NDYI t s a myt hi cal , a l ost ci t y i n t heAmazon. The Conqui st adors cal l ed i t ElDorado. Supposedl y t he Ugha t r i be werechosen by t he gods 7, 000 year s ago to

bui l d a gr eat ( gi ant ) ci t y out of sol i dgol d.

( MORE)

33A.


50/211

I NDY ( cont d)Wi t h aqueduct s, paved r oads, t echnol ogyt hat woul dn t be sees agai n f or anotherf i ve t housand years. Francesco deOr el l ana di sappear ed i nt o t he Amazon

l ooki ng f or i t i n 1546. I al mostdi ed( mysel f ) of t yphus( mysel f ) l ooki ngf or i t . I don t thi nk i t exi sts .

MUTTWhy woul d Ox want t o t ake t he skul lt her e?

I NDYThe l egend says t hat a cr yst al skul l wasst ol en f r om Akat or i n t he f i f t eent h orsi xteent h cent ur y. That whoever ret ur ns

t hi s skul l t o t he ci t y s t empl e wi l l begi ven cont r ol over i t s power . ( power s)

MUTTPower ? ( powers) ( so t here i s some ki ndof power) What ki nd of power?

I NDYI don t know, ki d. I t s j ust a story.

MUTTFromhi s l et t er , my momt hought t he Ox

was of f hi s r ocker . ( t aps hi s head) Smogi n t he noggi n . Goes down t o f i nd hi m,onl y he had al r eady been ki dnapped, andnow t hey ve got her t oo. Ox hi d( bur i ed)t he skul l somewher e, and i f my momdoesn t come up wi t h i t , t hey r e gonnaki l l em bot h. She sai d you d hel p me.

I NDYMe? What s your mom s name, agai n?

MUTTMary, Mary wi l l i ams. You r emember her?

I NDYThere were a l ot of Mary s, ki d.

Mutt sl ams t he t abl e and gets up.

MUTTShut up, man, your t al ki ng about mymot her . That s my mot her . Don t , al r i ght ,t hat s my mot her !

34.


51/211

I NDYLook, you don t have t o get sore al l t het i me to pr ove how t ough you are, okay?Si t down, r el ax, pl ease si t down. Youwant my hel p or not?

34A.


52/211

MUTTMy momsai d i f anybody coul d f i nd t heskul l i t s you. Li ke you r e some t ypeof gr ave robber or somethi ng.

I NDYI m a teacher.(Im a professor) ( Im atenure professor)

MUTTYou r e a t eacher. ( per f ect - j ust ourl uck, j ust my l uck you r e a t eacher .You r e a t eacher t hat s a bi g hel p. Thatshoul d be a bi g hel p. You r e a t eachergr eat I l ove t eacher s) She cal l ed me twoweeks ago f r omSouth Ameri ca, t ol d meshe escaped but t hey wer e af t er her .

She sai d she d j ust mai l ed me a l et t erf r om t he Ox, and I was suppose to gi ve i tt o you. Then t he l i ne went dead.

Mut t pul l s an envel ope f r om hi s j acket and gi ves i t t o I ndy, whoopens i t and pul l s out a si ngl e page.

MUTT ( cont d)I opened i t . I t s poi nt l ess t he t hi ng sgi bber i sh, t hough, i t s not even Engl i shl et t eri ng.

I NDYWai t a mi nut e.

He nods t oward t he soda count er - - t he two bul ky Guys f r omt het r ai n st at i on have f ol l owed t hem her e.

I NDY ( cont d)Those t wo br i cks over at t he count er .Ar e not her e f or t he mi l kshakes.

He f ol l ows t hei r gaze down t o t he l et t er he hol ds i n hi s hand.They seem awf ul l y i nterest ed i n i t , suddenl y al er t .

I ndy f ol ds t he l et t er and sl i ps i t i n hi s j acket pocket as t hebul ky Guys appr oach t he t abl e.

MUTTwho are t hey?

I NDYI don' t know. Maybe FBI .

The Bul ky Guys ar r i ve at t he t abl e. They speak wi t h Russi anaccent s.

35.


53/211

RUSSI AN 1Come qui et l y, Dr . J ones.

35A.


54/211

I NDYMake t hat KGB.

RUSSI AN 1And br i ng l et t er wi t h you.

I NDY( t o t he Russi an)

Let t er ? What l et t er ?

RUSSI AN 1Let t er Mr . Wi l l i ams j ust gi ve you.

MUTTDo I look l i ke a mai l man?

RUSSI AN 2

We don t ask agai n. Come now or -

CLI CK!

Mutt has popped open a swi t chbl ade, whi ch he hol ds behi nd hi sf ol ded ar ms, i t s l ong nast y bl ade shi ni ng i n t he l i ght .

MUTTOr what ?

I NDYNi ce t r y, ki d, but I t hi nk you br ought a

kni f e - -

CLI CK CLICK!

Bot h Russi ans t ake out t hei r handguns poi nt i ng out f r om t hei rj ackets.

I NDY ( cont d)- - t o a gunf i ght .

RUSSI AN 1( gest ur i ng)

Out si de. Now.

I ndy put s hi s hat on and gr abs hi s br i ef case. Mut t pi cks up hi shat , and put s hi s kni f e away. They both st ar t t o move out .

The Russi ans l ead t hem acr oss t he cr owded di ner , wal ki ng sl owl ybehi nd t hem, t hei r hands i nsi de t hei r coat s menaci ngl y.

I ndy l ooks around, t hi nki ng wi l dl y.

The pass A LETTERMEN st andi ng, t al ki ng t o a GI RL I N A POODLE

36.


55/211

I ndy l ooks at t hem, and at Mut t .

I NDY( t o Mut t ) Punch t hat guy.

MUTTWho?

36A.


56/211

I NDY( gest ur i ng t o t he Let t er man)

J oe Col l ege. Hi t hi m. Hard.

Mut t get s i t . He gr i ns - -

MUTTHol d t hi s. ( mot i oni ng wi t h hi s hat )

- - t he guy t ur ns, and Mut t SMASHES hi m i n t he f ace. Ther e ar eSHOUTS and SCREAMS f r om ar ound t hemas t he Let t erman goes down.

GI RL I N THE POODLE SKI RT ( SASHA)That s my boyf r i end.

She punches Mut t , and then t he Let t erman punches Mut t .

Mut t l ands next t o t he GREASERS, t hey t ake of f t hei r gl asses andget r eady.

I ndy gr abs t he gi r l and pushes her asi de, he hur l s hi s sui t casepushes a t abl e, i t f al l s bl ocki ng t he Russi ans.

The Russi ans see what s happeni ng and t r y t o move t hrough t hecrowd, t owar ds I ndy, - - I ndy sees t hem appr oachi ng, he put s hi shat on one of t he st udent s and ducks.

2ND LETTERMANGET THAT GREASER!

THEY ALL LEAP i nto t he f r ay, swi ngi ng chai r s and f i st s. MAYHEM!

They l eap i nto t he f r ay, swi ngi ng chai r s and f i st s. Mayhem!

Somebody s t ossed i nt o the j ukebox; Wake up Li t t l e Suzi e changesover t o Shake, Rat t l e and Rol l .

Mut t and I ndy take of f , headed f or t he f r ont door .

The Russi ans f i ght t o get t o I ndy and Mut t but i t s chaos now andt hey can t get t o t hem bef or e t hey r e out t he door .

37.


57/211

I NT ALLEY DAY39

I ndy and Mut t r ace down t he si dewal k, where Mut t s motorcycl e i spar ked. Mut t , put t i ng on hi s gl oves, l eaps on boar d, I ndyt hi nks, f ast:

I NDYYour mom di dn t escape, t hey l et her go.So she coul d mai l t he l et t er , and youcoul d br i ng i t t o me and I coul dt ransl at e i t .

MUTT( ki cks i t t o l i f e wi t h a ROAR)

Get on Gr umps, t i me t o cut out !

I ndy has no choi ce but t o hop on the bi ke. Mut t hi t s t he gas and

t he bi ke ki cks a wheel i e as i t ROARS out of t he al l ey.

The Russi ans f i nal l y make i t out of t he di ner . A gi r l grabs hol dof Russi an #1 s neck. He t hr ows her of f , t hey l ook ar ound, seehem at t he bi kes.

They r un down t he si dewal k.

The Russi an sedan s SCREECH around a cor ner and pul l up t o t hem.They get i n, t he car s r oar out af t er t hem.

38.


58/211

ON BOARD THE BI KE,40

I ndy cl i ngs t o Mut t as t he ki d r aces t hr ough t he used- t o- be-peacef ul Amer i can st r eet s. They r e put t i ng di st ance bet weent hemsel ves and the Russi an sedan, but now a - -

- - SECOND SEDAN ROARS out of a si de st r eet and pul l s up al ongsi det hem on t he l ef t . The sedan edges over t owar d Mut t , bot h dr i vi ngat hi gh speed.

DI MI TRI *BLI ZHEI ! ( cl oser ) *

Mut t s got no roomt o maneuver , t hey r e squeezi ng hi m upal ongsi de a speedi ng bus, t hey r e gett i ng crushed. RUSSI AN ARMS *r each out t he open back wi ndow of t he sedan. *

I ndy t ur ns and punches Di mi t r i , hi s hat f l i es of f . The Russi an *gr abs hol d of I ndy - - *

DI MI TRI *SVOLOCH! ( bast ar d) TEPER TRI MOI ! ( now *you r e mi ne) *

- - and drag him right off the motorcycle!

I NT RUSSI AN CAR DAY41

I ndy get s haul ed i nt o the back seat of t he Russi an sedan, but he

KI CKS t he dr i ver , knocki ng of f hi s hat , t hen t ur ns and PUNCHES *DI MI TRI , unt i l he knocks hi m out . I ndy crawl s, t owar d t he open *wi ndow on t he other si de of t he seat .

THROUGH THE BACK WI NDOW,

we can see Mut t dr op behi nd t he car , t hen gun t he bi ke and speedup, appr oachi ng t he l ef t si de of t he sedan.

I ndy gets a hol d of t he wi ndow f r ame and boost s hi msel f out of *t he wi ndow- - *

EXT STREET DAY42

- - and i s hangi ng hal f out of t he car when Mut t ROARS upal ongsi de hi m.

I ndy gr abs ont o the mot or cycl e but doesn t qui t e nai l t hel andi ng. Hangi ng ont o t he bar on t he back of t he seat , he sdr agged behi nd t he mot orcycl e f or a good f i f t y yards bef or e Mut tsees what s goi ng on - - *

38A.


59/211

- - TAPS t he br akes - -

- - and I ndy sai l s up i nt o t he ai r , over t he sl owi ng mot or cycl e,SLAMS i nt o Mut t s back, and l ands hard on t he seat behi nd hi m.

The bus and sedan cont i nue down t he st r eet as t he bi ke peel s of f *acr oss oncomi ng t r af f i c and t hr ough an i r on gat e. The bl ack sedan *f ol l ows crashi ng t hr ough t he cl osi ng i r on gat e, br eaki ng of f t he *gate on one si de as i t goes t hr ough. *

The bi ke and sedan#2 cont i nue t hrough t he court yard and t he bi ke *l eads t he sedan t hrough an archway t unnel and i nt o another open *area. *

The sedan cont i nues chasi ng t he bi ke up t o t he poi nt wher e t he *bi ke goes t hr ough a nar r ow passageway wi t h a gothi c arch. The *passageway i s t oo narr ow and the sedan has t o st op. The sedan *

t hen backs away f r om t he passageway. *

The bi ke cont i nues on t hrough a ser i es of archway passages as *peopl e j ump out of t he way. *

At t he end of t he l ast ar chway the bi ke ent er s t he f l ow of *t r af f i c agai n. *

The sedan chases t he bi ke agai n as i t r e- ent ers t r af f i c unt i l t he *bi ke t ur ns of f t he r oad. . . *

Onto a smal l er wal kway, and then t ur ns of f t he wal kway and goes *

up t he st ai r s i nt o t he l i br ar y. *

The sedan st ops and t hen backs out . *

EXT BUSY STREET DAY44 *

- - ont o a busy st r eet , wher e Mut t guns i t . The #1 sedan hi s at *t he cor ner and sees t hem dr i ve by. Di mi t r i yel l s at t he dr i ver t o *f ol l ow t hem. The sedan i s i mmedi atel y on t hem agai n gi vi ng chase *as Mut t heads f or: *

He dr i ves t hr ough anot her archway and i nt o an open f i el d i n the *

mi ddl e of t he bui l di ngs. *

THE CENTER OF TOWN,45 *

wher e t here s a demonst r at i on goi ng on, a SPEAKER, banners,pl acards. The mot or cycl e zi ps neat l y t hr ough t hem, but t he sedani sn t so ni mbl e.

A STUDENT l eaps out of t he way of t he sedan and hi s pl acard SLAPSacross t he wi ndshi el d.

39.


60/211

I NSI DE THE SEDAN,

we can read the pl acar ds- - as they hit the windshield. *

Mut t get s t he i dea t o r un over t he l arge BETTER DEAD THAN RED *SI GN. He runs t he mot or cycl e thr ough t he pol e, t he si gn f al l s on *t he wi ndshi el d. The car dr i ves bl i ndl y, i t t ear s apar t . *

OMI TTED46 *

OMI TTED47 *

39A.


61/211

The car SMASHES i nto t he base of a st at ue of Marcus Br ody.48 *

The cr ash causes t he head of t he st at ue t o break of f , i t r ol l s *down and crashes t hr ough t he wi ndshi el d. I t l ands on t he dr i ver s *l ap. *

Mut t and I ndy watch. Mut t i s happy wi t h hi msel f . The second sedan *appears out of t he nearby ar chway. Mut t t akes of f , t he sedan *chases af t er t hem. *

As Mut t ROARS AWAY, Di mi t r i and the dr i ver get out of t he car . *The dr i ver hands t he head t o Di mi t r i , he drops t he head. *

*

40.


62/211

I NT LI BRARY DAY43 *

- - the school library. The bi ke ROARS i nto t he mai n r eadi ng *r oom, sendi ng books and magazi nes f l yi ng i nt o t he ai r . STUDENTS *di ve out of t he way, I ndy SHOUTS . *

I NDY *Thi s i s t he l i brary, you r e goi ng t oo *fast! *

MUTT *Hey, hey! Spl i t , spl i t . Move, move, get *out of t he way! *

St udent s di ve out of t he way, one st udent carr yi ng an arml oad of *books i s st andi ng st i l l , he screams. *

Mut t sees hi m and al so screams, he t ur ns, j ust mi ssi ng t he *st udent . Hi s wheel s spi n out f r om under hi m and t he bi ke l ays *down, r i ght i n the mi ddl e of t he readi ng room. *

Mut t and I ndy sl i de acr oss t he r oom , crashi ng under t he t abl es. *They come t o a st op, r i ght i n f r ont of a seat ed st udent . *

STUDENT *Excuse me, Dr . J ones. *

I NDY *Yes. *

STUDENT *I ve got a qui ck quest i on about *Har gr ove s nor mat i ve cul t ur e model s - - *

Mut t gets up, I ndy hops on t he back of t he bi ke. *

I NDY *Forget Hargrove. Read Vere Gordon *Chi l de on di f f usi oni sm, he spent most of *hi s l i f e i n t he f i el d. *

Mut t ki cks t he bi ke s st ar t er and i t ROARS back to l i f e. *

I NDY ( cont d) *I f you wanna be a good archaeol ogi st you *got t a - - *

Mut t guns i t and t he bi ke t akes of f , I ndy SHOUTI NG back - - *

I NDY ( cont d) *- - GET OUT OF THE LI BRARY! *

*

40A.


63/211

EXT I NDY S HOUSE DUSK49 *

I ndy goes t o the bookshel ves. He pul l s down a thi ck book, f l i pst o a sect i on i n t he mi ddl e. He moves t o the couch. Mut t i sl ooki ng ar ound.

MUTTi s thi s your pad? I t s t he f i r st pl acet hey l l l ook f or us, we shoul d get out ofhere!

I NDYJ ust gi ve me a mi nut e.

I ndy si t s and pul l s Oxl ey s l et t er f r om hi s pocket and st udi esi t . He pul l s a pai r of gl asses f r om hi s pocket and sl i ps t hem on.He compar es t he symbol s t her e wi t h the symbol s i n Oxl ey s l et t er .

Mut t l ooks at hi msel f i n t he mi r r or , he st ar t s t o comb hi s hai r .

I NDY ( cont d)J ust what I t hought so. Koi homa.

MUTTWhat s t hat ?

I NDYAn ext i nct Lat i n Amer i can l anguage. ( hegr abs a smal l j our nal and a penci l ) Pr e-Col umbi an syl l abary syst em. See t hese

di agonal st r esses on t he i deogams?Def i ni t el y Koi homa.

MUTTYou speak i t ?

Mut t t akes out a st i ck of gum and begi ns t o chew.

I NDYNobody speaks i t , i t hasn t been hear dout l oud i n t hr ee t housand year s. Mi ghtbe abl e t o r ead a l i t t l e - -

He f l i ps t o anot her page, f ur t her i n t he book, al so cover ed wi t hanci ent symbol s. He MUTTERS t o hi msel f , compar i ng t he t wo pagesand scr i bbl i ng on t he j our nal .

I NDY ( cont d)- - i f I wal k i t t hr ough Mayan f i r st .

41.


64/211

MUTTYou know, f or an ol d man, you ai n t badi n a f i ght .

I NDYThanks a l ot .

MUTTSo what ar e you, l i ke ei ght y?

St i l l wor ki ng, I ndy l aughs t hr ough t he desi r e t o punch Mut t i nt he f ace. Doesn t l ook at hi m.

I NDYHar d l i vi n , ki d. I am not r ecommendi ngi t .

He hol ds up t he page he s wr i t t en, r eadi ng f r om i t .

I NDY ( cont d)Fol l ow t he l i nes i n t he ear t h t hat onl yt he gods can r ead whi ch l ead t oOr el l ana s cradl e, guar ded by t he l i vi ngdead.

( an i dea)Onl y t he gods can r ead.He s t al ki ng about t he Nazca Li nes.

MUTT

What are t hose?

I ndy st ands and goes back t o t he book shel f .

I NDYGeogl yphs. Here we go.

He f i nds t he book and wal ks back to Mut t , he f l i ps t hr ough i t ,sear chi ng f or a cer t ai n page.

I NDY ( cont d)Gi ant anci ent dr awi ngs, scr at ched i nt o

t he deser t f l oor i n Per u. Fromt hegr ound t hey don t l ook l i ke anythi ng, butf r om t he ai r ( sky) - - ah!

He spi ns the book around t o f ace Mut t , who bends over t o exami nei t . Two whol e pages ar e devot ed t o ser i al photogr aphs ofbeaut i f ul car vi ngs i n t he Per uvi an deser t . One l ooks l i ke amonkey, another l i ke a spi der , a hummi ngbi r d - - and a l arge-headed humanoi d f i gur e.

42.


65/211

I NDY ( cont d)Onl y t he gods can read them, because t hegods - -

( gest ur i ng)- - l i ve up t her e. ( t hi s i s bef ore

ai r pl anes) Oxl ey s t el l i ng us t he skul li s i n Nazca, Per u. And i t s a good bett he Russi ans ar e t he ones who have hi m.The Kr eml i n probabl y t hi nk t he skul l hassome potent i al as a weapon, t hat s whyt hey r e af t er i t .

MUTTI f i t get s my mom back, t hey can have i t .Let s go, and t r y not t o sl ow me down.

Mut t st ar t s t o head f or t he door , but I ndy i s t hi nki ng

I NDYAkat or. That woul d be t he f i nd of al i f et i me.

I ndy moves t o t he bedroom

I NDY ( cont d)Cr eat e a r eput at i on no pol i t i ci an coul dt ouch.

I NT I NDY S BEDROOM DUSK50

BAM! I ndy SMACKS open t he cl oset door i n hi s bedr oom. Hi s hati s st i l l t her e, i n t he f or egr ound, and t he whi p i s cur l ed on t het op shel f , t he handl e st i cki ng out .

43.


66/211

RETAKE 8- 31- 07- I NT. I NDY S HOUSE- DUSK

MUTTSo what ar e you , l i ke, ei ght y?

St i l l wor ki ng, I ndy l ooks up hol di ng t he l et t er .

I NDYI t s a r i ddl e. Leave i t t o Oxl ey t o wr i t ea r i ddl e i n a dead l anguage. Fol l ow t hel i nes i n t he ear t h t hat onl y t he gods canr ead whi ch l ed t o Or el l ana s cradl e,guarded by t he l i vi ng dead. ( an I dea- heget s up) he s t al ki ng about t he NazcaLi nes.

I ndy wal ks t o back to the bookshel f .

MUTTWhat are those? ( what are they?)

I ndy gr abs a l arge book.

I NDYHere we go. Geogl yphs.

He wal ks back to Mut t , f l i ps t hr ough i t , f i nds t he page. Two whol epages are devot ed t o aer i al phot ogr aphs of beaut i f ul car vi ngs i nt he Per uvi an desert . One l ooks l i ke a monkey, another l i ke a

spi der, a hummi ngbi r d - - and a l arge headed humanoi d f i gur e.

I NDY ( cont d)Gi ant anci ent dr awi ngs, car ved i nt o thedeser t f l oor i n Nazca Per u. Fromt hegr ound t hey don t l ook l i kemuch( anyt hi ng) but f r om t he sky- - ( het akes hi s gl asses of f ) Onl y the gods canr ead, because onl y gods- ( gest ur i ng) l i veup t her e. Oxl ey s t el l i ng us t he skul l i si n Nazca, Per u. And i t s a good bet t heRussi ans have hi m. The Kr eml i n pr obabl yt hi nks t he skul l has some pot ent i al as aweapon, t hat s why they r e af t er i t .

MUTTLook t each, i f i t get s my momback, t heycan have what ever t hey want . Let sgo( l et s spl i t )

Mut t st ar t s t o head f or t he door , but I ndy i s t hi nki ng and st opshi m.

43A.


67/211

I NDYAkat or.

He moves t o hi s bedroom.

I NDY ( cont d)Akat or . I t woul d be t he f i nd of al i f et i me.

He goes t o t he cl oset .

I NDY ( cont d)Cr eat e a r eput at i on no pol i t i ci an coul dt ouch.

I ndy pi cks up hi s hat - CLOSE ON THE HAT!

43B.


68/211

BEGI N TRAVEL MONTAGE.51

A ser i es of di ssol ves t akes pl ace agai nst a movi ng map wi t h an *ani mat ed red l i ne.

Fromt he East Coast t hey make t hei r way sout hwest t o Mexi co Ci t y,51A *

Mexi co Ci t y ai r por t *

Mut t s motorcycl e i s bei ng car t ed t owards t he car go hol d of a * PANAGRA pl ane. Mut t watches t hem, I ndy t i ps one of t he worker s. *I ndy car r i es a r ucksack. *

As t he red l i ne moves t oward t he deser t coast of Per u,51B *

I NT. PANAGRA PLANE- DAY *

Mut t i s busy cl eani ng hi s bi ke, I ndy wat ches hi m, he t r i es t o get *some sl eep. *

The pl ane cont i nues t r avel i ng *

I ndy and Mut t are l ooki ng out t he wi ndow, t he pl ane makes a t ur n. *I ndy and Mut t move t o the ot her si de of t he pl ane. Ther e, *scr at ched i nt o t he desert f l oor bel ow, ar e t he act ual Nazca *Li nes. *

The r ed l i ne r eaches i t s end51C *

The Panagr a pl ane t akes of f agai n, r eveal i ng I ndy, t he bi ke, and *Mut t st andi ng i n a deser t ai r st r i p, wi t h a f ew chi ckens r unni ng *around. *

NAZCA, PERU *

CUT TO: *

43C. 10/15/07


69/211

EXT NAZCA DAY52 *

The wi ndswept deser t ci t y of Nazca i s l i ke Casabl anca - - t eami ng,i nt er nat i onal , danger ous. And hot . Al ways, ever ywher e, hot.

Mut t s mot or cycl e i s chai ned t o a met al post out si de a cant i na att he edge of a t own squar e. Mut t s at an out door t abl e besi de i t ,f i ni shi ng a bot t l e of Coke, addi ng i t t o a pyr ami d of f i ve ot her si n f r ont of hi m. Looks bor ed, he s been t her e a whi l e.

I ndy i s nearby, speaki ng t o a coupl e LOCALS i n Spani sh, get t i ngan ani mat ed st or y f r om t hem. He f i ni shes and r ej oi ns Mut t .

I NDYFi nal l y - - t hey saw hi m. Ox camewonder i ng i nto t own a f ew mont hs ago,r avi ng l i ke a mad man. The pol i ce l ocked

hi m up i n a sani t ar i um. I t s t hi s way.

MUTTMe mot t o.

He st ar t s wal ki ng. Mut t f al l s i nt o st r i de al ongsi de hi m.

MUTT ( CONT D)I t ook Spani sh, man, I di dn t under st anda word of t hat . What was i t ?

I NDY

Quechua. Local I ncan di al ect .

MUTTWhere s you l ear n that one?

I NDYLong st or y.

MUTTI got t i me.

I NDY

I r ode wi t h Pancho vi l l a. A coupl e of hi sguys spoke i t .

44. 10/15/07


70/211

MUTTBul l - shit!

I NDYYou asked.

MUTTPancho Vi l l a?

I NDYTechni cal l y, I was ki dnapped.

MUTTBy Pancho Villa?

I NDYI t was t he f i ght agai nst Vi ct or i ano

Huer t a.

I ndy SPI TS on t he gr ound at t he ment i on of Huert a s name.

MUTTHow old wer e you ?

I NDY bout your age.

MUTTYour par ent s must a l ost i t , huh?.

I NDYt hi ns wer e - - a l i t t l e t ense at home.

MUTTThi ngs are a l i t t l e t ense bet ween me andmy mom r i ght now.

I NDYTreat her r i ght , ki d, you onl y get one.

( mutt ered)And somet i mes not f or l ong.

MUTTI t ai n t my pr obl em( my f aul t ) , i t sher s. She got P. O. ed cause I qui tschool , l i ke I m some ki nd of goof orcause I qui t school .

I NDYYou qui t school ?

45.


71/211

MUTTSur e, t ons of em. Fancy pr ep school s.Teach you chess, debat e, f enci ng: I mgr eat wi t h a bl ade. I j ust t hi nk i t s awast e of t i me.

45A.


72/211

I NDYYou never f i ni shed?

MUTTNah, i t s al l usel ess ski l l s and t hewr ong books. I mean, I l ove r eadi ng, Oxmade me read al l t he t i me. Now I can pi ck emmysel f , you get me.

I NDYWhat do you do f or money?

MUTTFi x motorcycl es.

I NDYPl an on doi ng t hat f or ever ?

MUTTMaybe I wi l l , t each. You got a pr obl emwi t h t hat ?

I NDYNo, not i f t hat s what you l ove doi ng,don t l et anybody t el l you any di f f er ent .

As t hey head t owar d t he hul ki ng sani t ari um at t he end of t hest r eet , t he br i m of a Panama hat r i ses i n t he f or egr ound.

Somebody s wat chi ng t hem. The head t urns, and we get a good l ookat hi m as I ndy and Mutt wal k away.

Its Indys old friend Mac.

CUT TO:

EXT SANI TARI UM DAY53

The l oomi ng f acade of t he sani t ar i um. I ndy and Mut t wal k t owardi t , and I ndy reads t he wor ds carved over t he door.

I NDYSai nt Ant hony de Padua. ( t hi s i s i t ) -( her e we ar e)

( sees t he i r ony)The pat r on sai nt of l ost t hi ngs.

46.


73/211

RETAKE 8- 31- 07 - A PERUVI AN NUN opens a gat e, I ndy and Mut t ent er .She speaks i n Spani sh, I ndy t r ansl at es, whi l e Mut t t r ai l s t hem.They head down t he st eps i nto a cor r i dor i n t he sani t ar i um.

PERUVI AN NUN ( I N SPANI SH)Ne se donde est a el , per o te voy amost r ar l a cel da. Vi ni er on hombr esarmados. Hombres mal os y se l o l l evaron.( I don t know wher e he i s, I wi l l t akeyou t o hi s cel l . Ar med men came. Bad menand they t ook hi m) Est aba obsesi onadocon l a pi nt ur a, pi nt aba t oda l as par edesal borde de l a l ocur a. ( he was obsessedwi t h pai nt i

ij crystal skull

Documents