identity standards manual
TRANSCRIPT
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IdentIty StandardS Manual
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INTRODUCTION
Why TRIBE ThREE-SIxTy?Our agency is focused on a vital primary goal, one that is essential to the
survival of our community: ensuring that our teens become adults who are
confdent in their Jewish identities. We have a wonderful opportunity at
TRIBE Tree-Sit, a chance to fundamentally re-shape the way in which
Jewish youth come together, interact and learn.
Our name derives rom the idea that weare committed to three hundred and sixty
degrees o eort to:
Find the best ideas/concepts/programs
wherever they might be
Become a resource to any Jewish
organization needing help, ideas, expertise
Find top acilitators and program leaders
Find students to bring into the program
throughout the Atlanta metro area
Find ways to bring together all types o
Jewish organizations to help students
Look to all branches o Judaism or
concepts, lessons, values and creative
education techniques
Finally, the name has the added beneft o
being a multiple o 18.
As a hub o expertise and creativity, TRIBEThree-Sixty is bringing together great ideas
and people rom around the country, fgura-
tively scanning a ull circle o resources and
ideas, to help metro Atlanta teens address Ju-
daisms issues o the past, present and uture.
All o this led us to create the new identity o
TRIBE Three-Sixty.
To this end, we will work and partner with
community synagogues, parents, camps, youth
groups, schools, and other Jewish organiza-
tions who want to join orces to make this goal
a reality. TRIBE Three-Sixty will deliver new
leading edge, dynamic programming in a teen-
riendly style that recognizes the unique com-
munity the unique tribe that they orm.
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oIcIal agency naMe
The ocial agency name: trIBe h-six
The ocial agency tagline: as Hb ts Jwish yh Thetaglineshouldnotappearwithouttheagencyname
The agency name:
Should always appear in ull as trIBe th-Six or trIBe h-six
Can appear without the tagline in body copy
Should never be abbreviated or used in other variations in ocial agency publications
or correspondence.
The ollowing are examples o variations that are unacceptable and should not be used:
T60
Tribe 60
tribe THREE-SIXTY
tribe three-sixty
the tribe
the Tribe
MARKETING EXCEPTION:Theremaybetimeswhenwordplayintheagencysmarketingtacticsrequires
useofthephraseTheTRIBE(asinJoinTheTRIBE).Inthesecases,usingTRIBEinalluppercaseletters
isessentialformakingtheappropriatereferenceto TRIBE Three-Sixty.
uSe o agency naMe In copy applIcatIonS
) When the agency name is used in logos, banners, signs and other graphic applications the
name must appear as: trIBe h-six
) When used in body copy or ocial agency documents and publications, the name may
appear as: trIBe th-Six
withuppercaseTandS,andboldformatting,toavoidbeingvisuallyoverlookedinthe
midstofotherbodycopy.
Tis standads anua as out ou new visua and
witten ste so tat we can buid a vibant band tat
deives a consistent essage about te caacte
and pupose o trIBe th-Six.
A copeensive gapic sste is a stuctue o
counicating and pesenting inoation ogica,
cea and wit distinction. It aso enabes te ogani-
zation to acieve cait and eectiveness in a pint
and eectonic counications.
No anua coud ope to cove eve possibe use
and appication o te new identit; teeoe, tis
anua is intended to be an intoduction and a guide
to te basic coponents o te identit sste. It
aso povides exapes o pope and ipope us-
age, guidance on coo and basic ues o cetain
tpes o anguage associated wit trIBe th-Six.
trIBe th-Six is ocused on deveoping expe-
tise and eadesip in Jewis out education. Ou
copeensive coitent to exceence in design
wi exepi ou coitent to quait in a ote
espects.
naMIng StandardSScope and Naming Standards
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naMIng StandardS
Scope and Naming Standards
oIcIal prograM naMeS
The agency oers a series o grade-specic programs and other activities as part o its mission.
The current programs include:
phws (8h g)
Js (9h g)
csss (10h-12h g)
WeBSIte addreSS
The agency currently owns the ollowing website address and this is the only one that should be
used on agency documents and publications:
www.tribethreesixty.org
otHer Standard copy eleMentS
Agenc Mission Statement
The current ocial mission statement o the organization is:
o missi is s h as Jwish h, m sh hh h 12h
, v s Jwish iiis hh xii i iiiivs.
o is h m Jwish s wh wih hi Jwish iiis,
s ms b mmim Jwish vs, Jwish ii, Is.
Financia Sort Discaimer
The ollowing disclaimer must appear on agency promotional materials:
TRIBE Three-Sixtys programs are cooperative eforts with Atlanta congregations, with
unding rom participating synagogues, the Jewish Federation o Greater Atlanta, amilies
and individuals.
trIBe h-six
(Agenc)
phws
(8t gade poga)
Js
(9t gade poga)
oh ms
vs
csss
(10t-12t gade poga)
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taBle o contentS
SectIon I. IdentIty guIdelIneS
Si Ii..........................................2
primary signature .....................................................
signature components ...........................................
ull signature ...............................................................5
scalability .....................................................................6
clear space ..................................................................7
signature color ...........................................................8
background control .................................................9
unacceptable applications .................................0
SECTION II. VISuAl SySTEM GuIDElINES
Ii ...........................................................10
c ...................... ...................... ...................... ...... 13
primary and secondary palattes .....................
color selection .........................................................
color breakdown .................................................... 5
acceptable applications ...................................... 6
unacceptable applications ................................. 7
th ...................... ...................... ................ 18
primary typeace .................................................... 8
secondary typeaces ............................................ 9
acceptable applications .....................................0
unacceptable applications .................................
S his .............................................22
star secondary graphic ......................................
acceptable & unacceptable apps ...................
directional arrow secondary graphic ...........
acceptable & unacceptable apps ................... 5
Im ..................................................................26
photographs & illustration ................................. 6
unacceptable applications ................................ 7
SECTION III. ApplICATIONS
Ii ...........................................................28
Si .............................................................. 29
letterhead ..................................................................0
business card ..........................................................
envelope ....................................................................
notecard ....................................................................
pi ssm.................... ...................... ................. 34
avisi ............................................................ 36
a ....................................................................37
Bs ................................................................... 38
SECTION IV. FIlE GuIDE ............................. 39
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Section i.
identity GuidelineSi as ag, s mpra ha a rgazas sgar b a r
rprsa hr vas a vs. th TRIBE Three-Sixty sga-
r s bh. th g rfs mr ha js Jasm. i spaks s
sarh r a s-rma as vas wh h ram
Jasm; xpra w as a qss; a h 360-gr
sp h ag.
Ss:
primary logo
logo components
logo color
scalability
staging
acceptable & unacceptable applications
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SIgnature
Primary signature
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pim si
w/ i
SIgnature
Signature components
S si
wordmark
directional Star o David
logomark
tagline
directional Star o David
logomark
wordmark
The trIBe th-Six signature is made up
o three main components: the Star o David
logomark, the word mark, and the tagline.
The wordmark and the tagline have been
created using the Gotham Rounded typeace.
The wordmark should not be recreated as it
has been altered to preserve its individuality.
A secondary signature can also be used that
does not include the tagline.
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5
SIgnature
Full signature
To keep the integrity o the trIBe th-Six
signature, the combination o the elements
should be treated as one unit. I the wordmark
appears, then the logomark must appear with
it. As you will see later on, the exception is that
the Star o David logomark can be used on its
own as a seperate element.
ull signature
ull signature
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6
SIgnature
Scalability
.75
.5
pi
Use te appoiate sizes
wen pacing te ogo in
pinted ateias
Scale must refect the priority o proper stag-
ing. The composite mark used at dierent sizes
or many unctions might run rom an envelope
to an outdoor building. The minimum sizes are
based on the marks height.
Wb
Use te appoiate sizes
wen pacing te ogo in
web appications
p siz
Miimm siz
Pia signatue
Miimm siz
Seconda signatue
.5+
00px
50px
Miimm siz
Pia signatue
Miimm siz
Seconda signatue
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SIgnature
Clear space
The clear space around the logo allows it to
have room to breathe without the interer-
ence o other design elements. The trIBe
th-Six signature should always have
plenty o breathability. The example shown
here illustrates the minimum amount o clear
space around the logo. Clear space is measured
by the distance o the arm o the star (x).
pim
S
x
x
x
x
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8
Bk Whi
Use te back and wite
vesion o appications
wic a be used on
a copie o back and
wite pinte.
SIgnature
Signature colors
c s
Fo ost appications
use te 100% u coo
signatue in te avaiabe
assotents o coo.
Bk Whi
Kk
Use te back and wite
vesion o appications
wic a be used on
a copie o back and
wite pinte.
Color is an important element o the
trIBe th-Six sIgnature in order to show
the vibrancy and fexibility o the program. To
create a more fexible identity, the ability to use
six primary colors in the logo has been given.
PANTONE 302 PANTONE 234 PANTONE 377
PANTONE 2612 PANTONE 173 PANTONE Wa Ge 10
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SIgnature
Background control
Do use te coo ogo on wite Do use te knockout ogo on dak
coos
Do pace coo ogo on top o
igte coos
Do use te knockout ogo on top
o 100% pia coos
Do pace te ogo on top o
potos wit enoug cea space
and contast
Do pace on top o appopiate
seconda paatte coos
Do pace on top o seconda
paatte coos o sae coo
It is important to take in dierent actors when
placing the signature on applications regard-
ing the background behind it. Much like clear
space, one must make sure contrast and read-
ability are not sacriced.
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0
SIgnature
Unacceptable signature applications
Donot ix coos in te ogoak Donot spit coos between
ogoak and wodak
To keep the integrity o the trIBe th-Six
visual brand, certain lines must not be crossed
when using the signature in applications. This is
to ensure that there is consistancy in recogniz-
ing the brand.
Donot pace on top o anote
pia paatte coo
Donot pace on a bus
backgound
Donot pace on top o gadients
Do not pace on a backgound o
siia tint
Donot use coos ote tan
pia paatte
Donot use seconda paatte
coos
Donot use a gadient inside te
signatue
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ThE SPOT FOrJEWISh TEENS
d eceate wit an ote tpeaces o weigts o pia tpeace
Donot esize individua eeents Donot otate te ogoak
d stetc te signatue out
o popotion
Donot use potosop ites Donot add ote icons Donot add ote tagines
Donot use wodak and tagine
witout te ogoak
Donot eaange eeents
d add a oding sape
Donot pace a dop sadow
on ogo
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SECTION II.
VISuAl SySTEMTRIBE Tree-Sixt hs isi k h is sis wih is
visi ivi Jwish h ii. th mhsiv vis ssm
mbii mii , h, his, im ss is
im ki sis b im i h h bi.
Sis:
Color
Typography
Secondary graphics
Imagery
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color
Primary and secondary colors
c is iv mmb m-
mii. Wh s i,
, misi si.
th w hv hs s vi-
si s w s vib wmh. us
, s i hs viws
isiish TRIBE Tree-Sixts mi-
s m hs h w.
th is si fi . rh, h
m mis sis wihi wi-
i s h h b
s bm si s. S
s hs hi si s
i sm iis, wi iivi
xssi. uim, is b wi
b w i vib
xim.
TRIBE Tree-Sixt s
A color wheel to the right has been created to
show how colors should be used. The bold col-
ors in the larger circles represent the primary
colors, while the lighter colors in the smaller
circles represent the secondary colors in the
pallette.
pantone Wm g 10
pantone Wm g 3
pantone 173
pantone 130
pantone 173
pantone 382
pantone 232 pantone 299
pantone 234 pantone 302
pantone 2582
pantone 2612
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color
Color selection
TrIAD
COmPlEmENTAry
pii s
A custom color wheel has been created to
show how they can be paired together in ap-
plication. Sta and teens can actually choose
their desired colors in some applications, al-
lowing individual expression.
No more than two palatte colors should be
used together in an application unless they
are paired with the palatte greys. Ideally a
bold primary color should be paired with with
one o the lighter secondary colors to create
proper contrast. I two bold primary colors are
selected , they should be used sparingly so as
not to compete with each other.
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5
color
Color breakdowns
prIMary colorS CMYK RGB
PANTONE Warm Gray 0 C: 0 M: Y: 8 K: 55 R: 8 G: B: 0
PANTONE 77 C: 5 M: 0 Y: 00 K: R: 0 G: 6 B: 7
PANTONE 0 C: 00 M: 5 Y: 0 K: 50 R: 0 G: 8 B: 8
PANTONE 6 C: 6 M: 00 Y: 0 K: R: 08 G: B: 7
PANTONE C: 6 M: 00 Y: 0 K: 6 R: 75 G: 0 B: 0
PANTONE 7 C: 0 M: 69 Y: 00 K: R: G: 08 B:
Secondary colorS
PANTONE Warm Gray C: 0 M: Y: 8 K: 7 R: 6 G: 08 B: 99
PANTONE 8 C: 9 M: 0 Y: 00 K: 0 R: 9 G: 5 B: 7
PANTONE 99 C: 85 M: 9 Y: 0 K: 0 R: 0 G: 57 B: 0
PANTONE 58 C: 6 M: 7 Y: 0 K: 0 R: 9 G: 97 B: 68
PANTONE C: M: 67 Y: 0 K: 0 R: G: 9 B: 75
PANTONE 0 C: 0 M: 0 Y: 00 K: 0 R: 5 G: 85 B: 9
BaSe colorS
Black C: 0 M: 0 Y: 0 K: 00 R: 0 G: 0 B: 00
White C: 0 M: 0 Y: 0 K: 0 R: 0 G: 0 B: 0
c Bkws
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d use pia coos
o u foods o coo
d pai pia coos
wit a seconda o an
appopiate coo on
te paatte wee
d use coos tat
copeent coos inpotogap
d pai te pia and
seconda o one coo
d use two pia
coos in a spainganne
d pai coos wit te
accent gas
WelcoMe to
tHe trIBe!
color
Acceptable applications
usi
Color is an eective tool o memorable commu-
nication. The palette we have chosen refects
our vision as well as our vibrancy and warmth.
Used correctly, color adds clarity and helps
viewers to distinguish trIBe th-Sixs ma-
terials rom others encountered along the way. learn It!
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color
Unnacceptable applications
d use coos
outside o te paatte
d use coos
next to eac ote onte paatte wee
d oveuse coos d use coos on top
o eac ote tat cas
d use igte tints
o paatte to doinatepage
Giatvelenimquiser seniam
doloreetla coremquamcom-
molumadipsusciduisaut
loborefaccumetadipis
aditnonullutpat, commy
nullandredipisdioconeum
inibheaalitpratversiblaore
coreet,quipsumsandipissim
dolestoodmodiat,simiure-
d pace ad coo
ines aound coo textboxes on wite pages
Facipsus cinci pit iurerat autat pratin
hendrero consed dolorem quis aliquat.
Riustio nsecte conse min ute facilla
faccummy nisl el ipit utat prat. Iril ullam
dunt vel ulluptatie min utpate core tie
dunt velendi gniatio dolortis eraessi
esendreet vel utat ute facipsu scilit,
conullandre ming erit ullan ut quis.
Wen used incoect
coo can can ceatecutte, isconception
and conusion
d doinate te
page wit two pia
coos
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typograpHy
Primary typeace
th sv s k m i
h vib shi mmii
wih h i TRIBE Tree-Sixt.
th i s ss
sis iis qik
iii .
gotHaM rounded
The primary typeace o trIBe th-Six is
Gotham Rounded. It can be ound in the word-
mark in the signature. It should be used primar-
ily as headline type but can be used as body
copy i used in lighter weights.
Gotham Rounded is a amily o geometric sans
seri typeaces designed by American type
designer Tobias Frere-Jones. Gothams letter-
orms are inspired by a orm o architectural
signage that achieved popularity in the mid-
twentieth century, and are especially popular
throughout New York City.
WEIGhTS
Gota rounded ligt
Gotham Rounded Light Italic
Gotham Rounded Book
GothamRoundedBookItalicghm r Mim
Gotham Rounded Medium Italic
Gotam Ronded Bod
Gotham Rounded Bold Italic
RgABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdeghijklmnopqrstuvwxyz
056789
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typograpHy
Secondary typeaces
gm
For body copy, use Garamond when Gotham is
not available.
Garamonds letterorms convey a sense o
fuidity and consistency. It is a seri typeace
designed by Claude Garamond.
WEIGhTS
Garamond Regular
Garamond Italic
Garamond BoldRg ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklm
nopqrstuvwxyz0123456789
WEIGhTS
Helvetica Regular
Helvetic BoldRg ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789
Hvi
I Gotham Rounded is not available, use
Helvetica or headline type.
It is a widely used sans-seri typeace devel-
oped by Swiss graphic designer Max Miedinger.
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0
typograpHyAcceptable applications
JoIn tHe trIBe!
Do use a caps o eadines and ipactu
stateents
do you KnoW WHo IS In
tHe trIBe?
Do use coo to ake tpe stand out o to add
epasis
Ectem zzril ullandiatuer incincilit, vent
lutpat, sed te dionsectet numsan velit exerinciliquip essi tat. Ut lutat nulput in ele-
niam conullandit aut loboreet, si blaor.
Do use pia tpeace in bod cop
o pms
lutpat, sed te dionsectet nusan veit exeinciiquip essi tat. Ut utat nuput in eenia
conuandit aut oboeet, si bao.
Do use te axiu o two contasting text weigts
o one tpeace in a docuent
our prograMS
Lutpat, sed te dionsectet numsan velit exer inciliquip
essi tat. Ut lutat nulput in eleniam conullandit autloboreet, si blaor.
Do pai te pia tpeace wit te seconda
sei ont
Our PrOgrams
Lutpat, sed te dionsectet numsan velit exer inciliquip
essi tat. Ut lutat nulput in eleniam conullandit autloboreet, si blaor.
Do use hevetica in Wod docuents o heades
wen Gota is not avaiabe
I cant wait to go back toTRIBE Three-Sixty!
Do add an appopiate dispa ont o age pu
quotes
DIG INTO AN IMAGINATIVE AND lITERAl jOuRNEy
ThROuGh yOuR SOuThERN jEWISh IDENTITy.
Do use an appopiate dispa ont o age pu
quotes
JoIn tHe trIBe!Do use and appopiate dispa ont o pu quotes
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typograpHy
Unacceptable applications
Our PrOgrams
Lutpat, sed te dionsectet numsan velit exer
inciliquip essi tat. Ut lutat nulput in eleniam conul-
landit aut loboreet, si blaor.
Do not use an ote tpeaces ote tan te
ecoended o ain cop.
do you KnoW WHo IS In
tHe trIBe?
Do not use oe tan two coos to ake tpe stand
out o to add epasis
TE TEM EL IN HENISISIM ZZRIURE DIGNA FACCUMMY NUM NIAM,
COMMY NIAMET, VELENDRER ALIT VOLOREM VEL UT NONUL-
LAORER SEQUISISSED DO ODOLEND IPISMOD TAT.NA COMMYNIT NUM QUATUM QUAT. GUER IRILIT INIT AUTPAT LOBORE DIT
LOR ALIQUAT UERILLAORE VENIBH ET NIT, VELISIMPIT, QUISCIL
DOLORPE RCIPIS DEL UTET NIAM, COMMY NOSTIS DOLOR IRI
Do not use a caps o age aounts o cop
DO YOU KNOW WHO IS INtHe trIBe?
Do not pai te pia tpeace wit a siia
tpeace
10h 11h
>Leadership Development track
Leadershipstudentshavetheoptiontoserveasjuniorcounselors
Do not use too an stes o buets in a docuent Do not use too an caout boxes in one docuent
DO YOU KNOW WHO IS IN THE TRIBE?
Do not use condensed tpeaces
I cant wait
to go back to
TRIBE Three-Sixty!
Do not use oe tan one dispa ont in pu quotes
witin a docuent
IMpORTANT! REMEMBER! lOOK
AT ThIS!
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Secondary grapHIcSThe TRIBE Three-Sixty Star o David
S his sv s vi s
i h mi TRIBE Tree-Sixt.th sh b s i sm si
shi.
trIBe th-Six S dvi
The trIBe th-Six logomark is the only
part o the signature that can be used on its
own as a secondary graphic. Because the di-
rectional star shows clarity in a conusing teen
world, it is important that it is presented in a
clear, eective manner.
Directional Star o David
secondary graphic
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Secondary grapHIcSAcceptable and unacceptable applications
Do ceate patten wit
te sta
Do use te sta as a
supe gapic
Do otate te sta to
add diectiona oce
Hello
caMperS!
Do use te sta as a stateent signie o a page
eeent
Hello caMperS!
13
Do ceate iustation
o te sta
Donot put potos
inside te sta
Donot app gais
eects to sta
Donot ae te sta Donot ovepowe te
ogo wit te sta
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Secondary grapHIcSDirectional arrows pattern
dii ws
The pattern made rom the arrows in the
logomark represents the many directions that
youth may take as individuals. It should be
used as a background or accent to the page
but not in a way that overpowers the mes-
sage or other prominent imagery such as the
logo or photography.
Pia coo patten (aows 85% o coo) Seconda coo patten (aows 85% o coo)
Pia coo patten on wite
(aows a iniu o 8% o coo)
Seconda coo patten on wite
(aows a iniu o 15% o coo)
revese tinted patten
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5
Secondary grapHIcSAcceptable and Unacceptable Applications
Do use as a backgound
o iustation
Do use as a backgound
o tpogap
Do use as an accent on
te page
Do contast wit
potogap
Do not use two dieent
coos in patten
Donot use soid coo in
te aows
Acceptabe Usage
Unnacceptabe Usage
WElCOMETO ThE TRIBE!
WElCOMETO ThE TRIBE!
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6
pHotograpHy & IlluStratIonAcceptable applications
I v-wi, mx vis , i
is im h izi ss sim ss is msss h
x is.
When choosing photography or illustration,
one must ask whether the eeling o the image
matches the eeling o trIBe th-Six. Im-
agery should be candid and personal so that
the viewer eels that they relate and be a part
o the organization. It should also eel current
and relevant to teen visual culture.
Do use candid, natua
potaits o teens
Do use potos wit
eneg and oveent
Do use sice o ie
potogap tat inviteste viewe in
Do use potos tat
sow iendsip andcoadeie
Do ceate iustation
o te sta and aows
Do use iustation tat is
cuent wit teen visua
cutue
Do use ilustation tat is copeing and
ees pesona
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7
Donot use potogap
wic is itea o usescices
Donot use potogap
wic is unnatua oees posed
Donot use potoga-
p wic is static andboing
Donot use potogap
tat ees geneic odated
Donot use iustation
wic ees od o dated
Donot use iustation
wic is static o boing
Donot use iustation
tat is ciced o too
itea
Donot use cip at
pHotograpHyUnacceptable applications
phh
Isi
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8
SECTION III.
ApplICATIONSo h is vis b hv b , i is h im
hm vis mmii vis. ths b i h m
i, wb, vim, iis. a xib vis
b hs b TRIBE Tree-Sixt hh h s
im s h h ii iq sis wih h
v b.
Sis:
statione
pint sste
advetising
appae
bannes
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9
StatIonery
TRIBE Tree-SIxt Si Si
One o our most intimate modes o communica-
tion with our audience is through our stationery
system. Sizes are the standard 8.5x letter-
head, x.5 business card, and #0 envelope.
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0
lh
Te trIBe th-Six
etteead is distinctive
b its contast o coo
and subte use o te a-
ow patten on te ont
and back.
StatIonaryletterhead
Month Day, Year
Addressees NameBusiness NameStreet AddressCity, State Zip Code
Dear Addressee,
When typing a letter, follow this page as a guide. T his letter is an example of the typical format fora letterhead. The clean and organized structure of the flush-left for mat gives your business com-munications a highly professional profile. Use the Garamond typeface, if available.
Set the left and right margins of the page at 1. Left align the date .125 below the corporatesignature (2.25 from the top of the page). Skip two lines before typing the addressees name andaddress flush left with the date line. Skip two lines between the last address line and the salutation.Then skip one line between the salutation and the body of the le tter.
Do not indent at the beginning of paragraphs, and always skip one line between paragraphs.
Having completed your letter, skip two lines between the last line of the last paragraph and theclosing. Then skip four or five lines between the closing and the Senders typed name, which willallow enough space for the Senders signature.
Sincerely,
Senders Name
SN:tn
,
,
,
, .. - -
. , .
. . . .
. ..
, .
,. ,
.
,
FrONT BACK
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StatIonarybusiness card
Bsiss cs
Te business cad is distinguisabe b its use o te
Sta supe gapic accented b te aows patten on
te back.
FrONT
BACK
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evs
StatIonaryenvelopes
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ns
StatIonarynotecards
www.tribethreesixty.org
6255 Barfield Road
Suite 100
Atlanta, Georgia 30328
p. 404.961.9950
f. 404.961.9940
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prInt SySteM
Bhs Mis
NOTE: Tese ae
exapes o wat can
be ceated and do not
ave to be used o
na wok
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35
Print SyStem
Oh Pubcaos
NOTE: These are
examples o what can
be created and do not
have to be used or
fnal work
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36
AdvertiSinG
Hang with friends
who know what
matzo means.
www.tribethreesixty.org
P Ass
Bboa
As
NOTE: These are
examples o what can
be created and do not
have to be used or
fnal work
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37
APPArel
Shs
NOTE: These are
examples o what can
be created and do not
have to be used or
fnal work
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38
BAnnerS
CONNECT
LEA
RN
OWNIT
CONNECT
LEARN
OWNIT
NOTE: These are
examples o what can
be created and do not
have to be used or
fnal work
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39
SECTION Iv. GraphICS FIlE GuIdE
Primary logo
Secondary logo
lOGOS SECONdary GraphICS
Patterns Stars
Full BraNd Cd
CONTENTS