identities in the spaces of flows & fragmentations stardom and the english patient

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Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

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Page 1: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Identities in the Spaces of Flows & Fragmentations

Stardom and The English Patient

Page 2: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

OutlineCauses for Flows & FragmentationsStardomThe English PatientFor Next Week

Page 3: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Causes for Fragmentations & FlowsThe two World Wars and the wars afterwards; Challenges to traditional beliefs (religion, humanity; e.g. Darwinism, Freud, Nietzsche); Capitalism (from national to international) + Telecommunication Contemporary Flows of people, commodities, capitals, information, and virus.

Global culture, “The center cannot hold” (e.g. nation, family, stable sense

of identity, etc.)

Page 4: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

StardomWhat do we know about Tina Menzhal? How is her life different from another model, Toni? What makes her famous, media or her beauty? How does she get known to the public? How are media, and the different kinds of TV programs, treated in this film? How are “artists” such as Bruce Taylor and Phillip Gascon positioned in relation to media?

Page 5: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Tina on videos: her words & Comments on her

“I can’t talk” in Gascon’s interview; Interviews of her: e.g. in front of the restaurant (by Michelle), report on Bruce Taylor’s ad project (Fashion I). [Her sister’s] the one with the brains.Not blonde “on the outside” her actions in the fur episode

and with Blaine

Page 6: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

The Men around Tina From Phillip Gascon to Barry Levine; (flirting with Steve)Fur episode ambassador Blainde de GastillonAd Steve Bourque The agent; Bruce Taylor

Page 7: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Stardom: Tina on and off videos 1. Her life told on these videos: e.g. Her first status climbing: Getting the award of Lio

n’s Club’s annual athletic achievement The photographer interviewed the model agent interviewed; Tina’s association with the men (e.g. Gascon, Blaine)Tina and her father

Page 8: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Stardom: Tina and Media 2. Trashy TV programs of different types

Interviews of and Peeping on celebrities: Celebrity Hunt; websites Interview of P Gascon -- sexual implications; Of Barry Levine

Gossip and Sensational Debates “Dr Evelyn Loo: Coping”: his mother interviewed & Tina;TV forum Pyschic shows (healing of Ruth, Barry’s wife)Surprises

Page 9: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Stardom: Tina on videos Videos used as promotion:

e.g. soft opening of “A Model Life”Portrait of Phillip Gascon;

Pervasive camera: A man talking to the agent; “I hate God” Cinema verite (Bruce Taylor) What does superficiality mean?

Page 10: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Issue 1: Reality & Video Presentations

E.g. Tina’s visit to Paris – TV news of Muslim Bomb – Cornwall’s “Dr. Evelyn Loo” reportBruce Taylor

Page 11: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Issue 2: ImageTina’s images – change according to the circumstancesGlobal image Used by multinational industry –WCM and Nagashimi (involved in different national cultures

--Canadian French American Japan)

Page 12: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Issue 3: Model’s LivesTina & Tony

Page 13: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Michael Ondaatje Michael Ondaatje was born on September 12, 1943 in Colombo, Ceylon (now Sri Lanka).As a result of his father's alcoholism, OndaatjeÕs parents eventually separated in 1954 and he moved to England with his mother1962-64, Ondaatje attended Bishop's University in Lennoxville, Quebec.

1965 -- B.A. at University of Toronto

Page 14: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Michael Ondaatje Criticized for

criticized for not writing much about Canada and Sri Lanka, or writing in a “politically correct” way. the use of violence (e.g. the inclusion of atomic bomb) his response: trying to find a balance between ‘gentleness and violence’” (Leckie 29).

Page 15: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

The English Patient: SettingPlaces: 1.the Villa San Girolamo in Tuscany; a nunnery, a field hospital,

and a besieged fortress e.g. 11, 12, 29, 43; 2.South Cairo; the desert; 3.Kip: Lahore the English countrysideTime: 1.right after WWII 1945; 2. 1943 the first Canadian infantry p. 49; 3.South Cairo1930-1938: 1936

Page 16: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

EP: Chaps 1-2 The Villa: Hana’s taking care of EP, her reading, the villa, the desert, and the desert tribes; In Near Ruins: Hana and Caravaggio in near ruins; their respective experience of the War and its influences on them, their memories, the arrival of Kip

Page 17: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Questions about Fragmentation and Reconstruction

How does the War influence the three characters we have seen so far? Why do you think the desert winds and the tribe’s customs are important? How is the EP related to them?How do the Bedouins treat the EP, as opposed to Hana’s way of treating him? Reading: What is the importance of reading—for Hana and for the EP?Memory: Why is the novel’s narration fragmentary?

What do the characters’ memories reveal about them?

Page 18: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

The War’sinfluences on the Villa Pp. 11-12, 29, On the charactersEP Hana p. 7 scurry in the mind; a nomad; Caravaggio p. 34,

Page 19: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

How do they heal themselves Mutual support; Reading Memories and reconstruction of memories.

Page 20: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Memories EP’s Hana’s

Page 21: Identities in the Spaces of Flows & Fragmentations Stardom and The English Patient

Next WeekChaps III: Kip’s presence in the Villa and his past; Chaps IV – VI: Katherine and Almasy