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TRANSCRIPT
THE PAPER
SCULPTURE MANUAL
Curated by Mary Ceruti, Matt Freedman, and Sina Najafi
ICI
Lively and unconventional, The Paper Sculpture Show explored the nature of the art object and the identity of the artist as a traveling exhibition from 2003-07. Twenty-nine international artists and artist collaboratives each contributed a design for a three-dimensional sculpture that could be assembled out of paper by museum visitors. As many around the world are experiencing social distancing and orders to stay home, ICI is sharing the designs from The Paper Sculpture Show as a downloadable, printable, and shareable manual to take you away from your screens and recreate art experiences in domestic spaces. Interactive, nonconformist and witty, The Paper Sculpture Manual still rais-es many questions about authorship, original versus copy, art and craft, product and process, two dimensional and three dimensional objects, … Now the question is: what are YOU going to make?
Based on the traveling exhibition The Paper Sculpture Show (2003-07), curated by Mary Ceruti, Matt Freedman, and Sina Najafi, and organized by
Cabinet, Independent Curators International, and Sculpture Center.
THE PAPER SCULPTURE MANUAL
JANINE ANTONI
THE ART GUYS
DAVID BRODY
LUCA BUVOLI
FRANCIS CAPE + LIZA PHILLIPS
SEONG CHUN
MINERVA CUEVAS
E.V. DAY
NICOLE EISENMAN
SPENCER FINCH
CHARLES GOLDMAN
RACHEL HARRISON
STEPHEN HENDEE
PATRICK KILLORAN
GLENN LIGON
CILDO MEIRELES
HELEN MIRRA
ARIC OBROSEY
ESTER PARTEGÀS
PAUL RAMÍREZ JONAS
DAVID SHRIGLEY
EVE SUSSMAN
FRED TOMASELLI
PABLO VARGAS-LUGO
OLAV WESTPHALEN
ALLAN WEXLER
Crumple
Paper Stunts
Rental Truck Camera Obscura
Pop-Up #16 for: Flying–Practical Training for Be-ginners
No. 7
Craft-Proof
Homemade MVC Student ID Card
Sex, Bugs, and Rock and Roll
Village Witch Burning
Untitled (Samuel Beckett)
Night in Day
Straws and Spitballs
Binding Sites
Disposable Watches
Pictures at an Exhibition
From Plane to Line, From Plane to Space
Stage/Levee
Paper Work Glove, Recto Verso
Things You Don’t LIke
Breath
The Paper Sculpture
Goggles for Kaleidoscope Eyes
Guide for Spring Molt and Courtship Display
Infinite Compassion
How Much Is Not Enough?
Work and Display Stations for the Paper Sculpture Show
PAPER SCULPTURES
SCISSORS
GLUE
TAPE
X-ACTO KNIFE
STRAIGHT EDGE
CUTTING MAT (DON’T SCRATCH YOUR KITCHEN TABLE)
MATCHES
PUSHPINS
STEP 1:SELECT THE DESIGN YOU WOULD LIKE TO MAKE INTO A SCULPTURE
STEP 2:IN YOUR PRINT DIALOGUE BOX, TYPE IN THE PAGE RANGE OF SELECTED DESIGN
STEP 3:FOR DOUBLE SIDED PRINTING, MAKE SURE TO SELECT LONG-EDGE BINDING
STEP 4:PRINT
STEP 5:FOLLOW THE ARTIST’S INSTRUCTIONS
STEP 6:LET US KNOW HOW IT GOES! @CURATORSINTL
RECOMMENDED TOOLS
PRINTING INSTRUCTIONS
Janine AntoniCrumple
Requires: 1 single-sided sheet
JAN
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1. Follow the numbers in reverse order.2. Begin with the 585th fold. 3. The solid lines are peaks. 4. The dotted lines are valleys.
The Art GuysPaper Stunts
Requires: 3 double-sided sheets
JAN
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David Brody Rental Truck Camera Obscura
Requires: 3 double-sided sheets
DAV
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CAM
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Luca Buvoli Pop-Up #16 for: Flying–Practical Training for Beginners
Requires: 3 double-sided sheets
LUC
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OP-U
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Francis Cape + Liza Phillips No. 7
Requires: 2 double-sided sheets
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Seong Chun Craft-Proof
Requires: 3 double-sided sheets
SEO
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Minerva CuevasHomemade MVC Student ID Card
Requires: 1 single-sided sheet
MIN
ERVA
CU
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S_HO
MEM
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MVC
STU
DENT
ID C
ARD
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E.V. DaySex, Bugs, and Rock and Roll
Requires:2 single-sided sheets
E.V.
DAY
_SEX
, BUG
S, A
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AND
ROLL
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ASSEMBLY INSTRUCTIONS:
PAGE 1
1. FOLD PAGE LENTHWISE ALONG DOTTED LINE.
2. FOLD PAGE WIDTHWISE ALONG SOLID LINE.
3. CUT ALONG SOLID LINES.
4. AFTER CUTTING IS COMPLETE, OPEN PAGE - THERE SHOULD BE TWO BUGS ATTACHED BY REAR FEET.
5. FOLD ALONG DOTTED LINES.
6. FOLD REAR TWO HIND LEGS ACCORDIAN STYLE; BACK + FORTH.
7. REPEAT FOLDING PATTERN SYMMETRICALLY ON BUGS.
8. TRY POSING ANTENNA + LEGS IN VARYING POSITIONS FOR HOURS OF FUN. FOR YOU +THEM...
PAGE 2 (ABOVE)
1. CUT OUT ALONG PERIMETER OF RECTANGLES.
2. FOLD ON DOTTED LINES.
3. CUT 4 VERTICAL SHORT WHITE LINES ON EACH MAT.
4. FOLD AND TAPE CORNERS.
5. AFTER ASSEMBLED PLACE 2 MATS SIDE BY SIDE.
6. PLACE BUGS ON TOP OF EACH OTHER ON TOP OF THE MATS.
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Nicole EisenmanVillage Witch Burning
Requires:3 single-sided sheets
VILLAGE WITCH BURNING
5.
4.
3.
2.
1.
ROLL UP WOOD STAKE INTO A TUBE AND TAPE.
WRAP THE WITCH PAGE AROUND THE WOOD STAKE AND BIND WITH A PIECE OF STRING.
PLACE WITCHES AND STAKE IN THE CENTER OF THE TOWN.
6.
Spencer FinchUntitled (Samuel Beckett)
Requires:1 double-sided sheet
SPEN
CER
FIN
CH
_UNT
ITLE
D (S
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T)Th
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• Cut along dashed lines to create six strips.
• Join strips by overlapping matching ends and taping on w
hite back side only.
• Attach single long strip to the w
all vertically so that the bottom edge just touches the floor w
ith the grey facing outwards.
B
A B
C D EA
C D E
Charles GoldmanNight in Day
Requires:1 double-sided sheet
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Rachel HarrisonStraws and Spitballs
Requires:3 double-sided sheets
The
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Rach
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STRAWS AND SPITBALLS Standard directions for making a straw and spitball
Choose any one of the diagrams on the facing page.
Place a strip of scotch tape inside the blue box.
Cut along the red dotted line.
Fold straw in half lengthwise so that the tape is on the inside and the stripes on the outside.
Attach a strip of scotch tape along one edge of the straw and then fold over to tape the straw shut. This ensures an airtight seal.
Place a round object such as a pencil or chopstick inside the straw and gently roll to make it more tube-like.
Cut the image of one of the artworks from the slidesheet on the next page and chew.
Place the spitball into one end of the straw.
Blow from other end, aiming at your target.
Repeat steps 7 through 9, if more spitballs are needed.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
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Stephen HendeeBinding Sites
Requires:4 single-sided sheets
binding sites
10 minutes
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ine,
Inde
pend
ent C
urat
ors
Inte
rnat
iona
l (IC
I), N
ew Y
ork,
Scu
lptu
re C
ente
rS
TEP
HE
N H
EN
DE
E_B
IND
ING
SIT
E
Patrick KilloranDisposable Watches
Requires:1 single-sided sheet
The
Pap
er S
culp
ture
Sho
w a
nd B
ook.
Cop
yrig
ht ©
200
3 P
atric
k K
illora
n, C
abin
et M
agaz
ine,
Inde
pend
ent C
urat
ors
Inte
rnat
iona
l (IC
I), N
ew Y
ork,
Scu
lptu
re C
ente
rPA
TRIC
K K
ILLO
RA
N_D
ISP
OS
AB
LE W
ATC
HE
S
DISPOSABLE WATCHES
01) Cut along the dotted line.
02) Strap watch to wrist using tape.
03) Throw out when worn out.
Glenn LigonPictures at an Exhibition
Requires:2 double-sided sheets
GLE
NN
LIG
ON
_PIC
TURE
S AT
AN
EXHI
BITI
ON
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Glen
n Lig
on, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
erTh
e P
aper
Scu
lptu
re S
how
and
Boo
k. C
opyr
ight
© 2
003
Gle
nn L
igon
, Cab
inet
Mag
azin
e, In
depe
nden
t Cur
ator
s In
tern
atio
nal (
ICI),
New
Yor
k, S
culp
ture
Cen
ter
GLE
NN
LIG
ON
_PIC
TUR
ES
AT
AN
EX
HIB
ITIO
N
GLE
NN
LIG
ON
_PIC
TURE
S AT
AN
EXHI
BITI
ON
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Glen
n Lig
on, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
erTh
e P
aper
Scu
lptu
re S
how
and
Boo
k. C
opyr
ight
© 2
003
Gle
nn L
igon
, Cab
inet
Mag
azin
e, In
depe
nden
t Cur
ator
s In
tern
atio
nal (
ICI),
New
Yor
k, S
culp
ture
Cen
ter
GLE
NN
LIG
ON
_PIC
TUR
ES
AT
AN
EX
HIB
ITIO
N
GLE
NN
LIG
ON
_PIC
TURE
S AT
AN
EXHI
BITI
ON
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Glen
n Lig
on, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Instructions:
1. Cut out “gallery” on sheet 1 along all solid black lines. Fold along dotted black lines.2. Glue tabs to exterior walls of gallery.3. Cut out “top” on sheet 2 along all solid black lines. Fold along dotted black lines. 4. Glue tabs to interior of top.
Optional: cut out “viewer.” Fold along dotted line. Glue tab to gallery floor.
Cildo Meireles From Plane to Line, From Plane to Space
Requires:4 single-sided sheets
CIL
DO
MEI
REL
ES_F
ROM
PLA
NE T
O LIN
E, F
ROM
PLA
NE T
O SP
ACE
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Cildo
Meir
eles,
Cabin
et M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
© C
ildo
Meir
eles
Cour
tesy
Gale
rie L
elong
& C
o., N
ew Y
ork
CIL
DO
MEI
REL
ES_F
ROM
PLA
NE T
O LIN
E, F
ROM
PLA
NE T
O SP
ACE
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Cildo
Meir
eles,
Cabin
et M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
© C
ildo
Meir
eles
Cour
tesy
Gale
rie L
elong
& C
o., N
ew Y
ork
Helen Mirra Stage/Levee
Requires:3 double-sided sheets from a high-resolution printer
The
Pap
er S
culp
ture
Sho
w a
nd B
ook.
Cop
yrig
ht ©
200
3 H
elen
Mirr
a, C
abin
et M
agaz
ine,
Inde
pend
ent C
urat
ors
Inte
rnat
iona
l (IC
I), N
ew Y
ork,
Scu
lptu
re C
ente
rH
ELE
N M
IRR
A_L
EVY
The
Pap
er S
culp
ture
Sho
w a
nd B
ook.
Cop
yrig
ht ©
200
3 H
elen
Mirr
a, C
abin
et M
agaz
ine,
Inde
pend
ent C
urat
ors
Inte
rnat
iona
l (IC
I), N
ew Y
ork,
Scu
lptu
re C
ente
rH
ELE
N M
IRR
A_L
EV
Y
The
Pap
er S
culp
ture
Sho
w a
nd B
ook.
Cop
yrig
ht ©
200
3 H
elen
Mirr
a, C
abin
et M
agaz
ine,
Inde
pend
ent C
urat
ors
Inte
rnat
iona
l (IC
I), N
ew Y
ork,
Scu
lptu
re C
ente
rH
ELE
N M
IRR
A_L
EV
Y
Aric Obrosey Paper Work Glove, Recto Verso
Requires:2 double-sided sheets
AR
IC O
BR
OSE
Y_Pa
per W
ork
Glov
e, R
ecto
Ver
soTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ar
ic Ob
rose
y, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
AR
IC O
BR
OSE
Y_Pa
per W
ork
Glov
e, R
ecto
Ver
soTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ar
ic Ob
rose
y, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
AR
IC O
BR
OSE
Y_Pa
per W
ork
Glov
e, R
ecto
Ver
soTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ar
ic Ob
rose
y, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
AR
IC O
BR
OSE
Y_Pa
per W
ork
Glov
e, R
ecto
Ver
soTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ar
ic Ob
rose
y, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Ester Partegàs Things You Don’t Like
Requires:2 double-sided sheets
ESTE
R P
AR
TEG
ÀS_
THIN
GS Y
OU D
ON’T
LIK
ETh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Es
ter P
arte
gàs
Cabin
et M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
ESTE
R P
AR
TEG
ÀS_
THIN
GS Y
OU D
ON’T
LIK
ETh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Es
ter P
arte
gàs,
Cabin
et M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
Paul Ramírez Jonas Breath
Requires:1 single-sided sheet
PAU
L R
AM
ÍREZ
JO
NA
S_BR
EATH
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Paul
Ram
írez
Jona
s, Ca
binet
Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
David Shrigley The Paper Sculpture
Requires:1 blank sheet
DAV
ID S
HR
IGLE
Y_TH
E PA
PER
SCUL
PTUR
ETh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Da
vid S
hrigl
ey, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Eve Sussman Goggles for Kaleidoscope Eyes
Requires:3 double-sided sheets
Fred Tomaselli Guide for Spring Molt and Courtship Display
Requires:3 double-sided sheets
FRED
TO
MA
SELL
I_GU
IDE
FOR
SPRI
NG M
OLT
AND
COUR
TSHI
P DI
SPLA
YTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Fr
ed T
omas
elli, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
FRED
TO
MA
SELL
I_GU
IDE
FOR
SPRI
NG M
OLT
AND
COUR
TSHI
P DI
SPLA
YTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Fr
ed T
omas
elli, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
FRED
TO
MA
SELL
I_GU
IDE
FOR
SPRI
NG M
OLT
AND
COUR
TSHI
P DI
SPLA
YTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Fr
ed T
omas
elli, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
FRED
TO
MA
SELL
I_GU
IDE
FOR
SPRI
NG M
OLT
AND
COUR
TSHI
P DI
SPLA
YTh
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Fr
ed T
omas
elli, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Pablo Vargas-Lugo Infinite Compassion
Requires:2 double-sided sheets
PAB
LO V
AR
GA
S-LU
GO
_INFI
NITE
COM
PASS
ION
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Pablo
Var
gas-
Lugo
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
PAB
LO V
AR
GA
S-LU
GO
_INFI
NITE
COM
PASS
ION
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Pablo
Var
gas-
Lugo
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
Olav Westphalen How Much is Not Enough
Requires:4 double-sided sheets
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
OLA
V W
ESTP
HA
LEN
_HOW
MUC
H IS
NOT
ENO
UGH?
Th
e Pa
per S
culpt
ure
Show
and
Boo
k. C
opyr
ight ©
200
3 Ol
av W
estp
halen
, Cab
inet M
agaz
ine, I
ndep
ende
nt C
urat
ors
Inter
natio
nal (
ICI),
New
Yor
k, Sc
ulptu
reCe
nter
Allan Wexler Work and Display Stations for The Paper
Sculpture Show
Requires:3 double-sided sheets
WORK STATION SCALE: 1"=1'-0"
DISPLAY STATION SCALE: 1"=1'-0"
CONSTRUCTION DRAWINGS AND INSTRUCTIONS FOR BUILDING WORK AND DISPLAY
STATIONS FROM 4’X8’ SHEETS OF PLYWOOD FOR THE PAPER SCULPTURE SHOW
ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
HE P
APER
SCU
LPTU
RE S
HOW
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
INSTRUCTIONS FOR GALLERY STAFF
The Work and the Display Stations can be constructed in a variety of ways to allow each gallery to configure an exhibition specific to its needs.
To design your gallery's Paper Sculpture Show exhibition create a scale model of the elements using sheet 3. Consider using various permutations and configurations of the Work and Display Stations as shown on sheet 2.
To Fabricate the Stations:
1. Translate your exhibit model. Since the construction drawings contain all the lines needed for all variations of the work stations, you will need to analyze which variation of Work or Display Station model you created to determine which of the lines on the construction drawings you will need to transfer to the plywood. Each Station uses one 4’X8’ sheet of 3/4" birch plywood. Use your exhibition model to determine how many sheets of plywood you will need to purchase.
2. Use the construction drawings on sheet 1 to transfer the cutting lines onto plywood sheets. Determine which of the lines in the construction drawings you will need to transfer to the plywood. Be sure to transfer ONLY the lines needed for the configuration you have chosen. Tools should include a pencil, straight edge, compass and tape measure.
3. The drawings below illustrate the cutting and assembly sequence of Station A1. To cut the plywood use a Bosch Jig saw with a U1 AO blade (or a similar jig saw and blade). Carefully plunge cut and cut out the elements. The 3/4" diameter curves allow for easy cutting. To assemble use #6 flat head drywall screws where necessary. Option: to cut the 3/4" slots, use a plunge router.
STEP 1 STEP 2 STEP 3
STEP 4 STEP 5 STEP 6
STEP 7 STEP 8 STEP 9
A1 A2 B1
B2 B3 B4
B5 C1 C2
C3 D1 D2
E1 E2 E3ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
HE P
APER
SCU
LPTU
RE S
HOW
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
HE P
APER
SCU
LPTU
RE S
HOW
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
F1 D1, D2
D1, D2, D1, D2 D1, E2
B3, B4 C3, E3
A2, B4 A1, B3, B4
ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
HE P
APER
SCU
LPTU
RE S
HOW
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Design your own Paper Sculpture Show Cut out and fold the scale drawings of 4’X8’ sheets of plywood to create scale models of the exhibition's Work and Display Stations. You can configure the basic design of each Station in a variety of ways, and use them to create a unique exhibition design. SCALE: 1/2"=1'-0"
SCALE: 1/2"=1'-0"
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