i d e o l o g y 2 : modernism and its criticism industrial revolution 1750-1850 paxton j., crystal...
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I D E O L O G Y 2 : MODERNISM and ITS CRITICISM
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Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851
Barlow W.H., St. Pancreas Train Station, 1864
NEW MATERIALS
MASS-PRODUCTION
MIGRATION ……. URBANIZATION
EXHIBITIONS, FAIRS….
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George Childs, “Dowlais Ironworks from the South,” 1840
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William Morris, page fromThe Sea Stones and The Fall
(by John Ruskin), 1853
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William Morris, fabric designs (left) and font design (right), 1890s
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William Morris, furniture designs, 1870s
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Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859
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William Morris, “St Peter,” stained glass design, 1870s
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Frank Lloyd Wright, stained glass window designs, 1902
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M O D E R N I S M
An ideology that emerged around 1900that reacted to the political, social, economical
and technological changes in Europe
•Modernists prefer:•- simplicity over ornamentation
•- abstraction over realism•- “honesty” over “dishonesty”
•- the future over the past
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M.H. Baillie Scott,“Side Table,” 1901
Charles Rennie Mackintosh,“Chair for Hill House,” 1904
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Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932
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Giacomo Balla, “Abstract Speed + Sound ,” 1914
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Filippo Marinetti,poem from Les mots en liberté, 1919
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Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914
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front cover of the first issue of DE STYL magazine, 1917
Georges Vantongerloo,“Interrelation of Volumes,” 1919
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Piet Mondrian,“Color Planes in Oval,” 1913-1914
Piet Mondrian,“Tableau 2,” 1922
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Theo Van Doesburg, Sophie Taeuber & Jean Arp,“Cafe l’Aubette,” Strasbourg, FRANCE, 1926-28,
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SCHRÖDER HOUSE, Gerrit Rietveld, Utrecht 1924
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Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26
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Joost Schmidt,“Bauhaus Exhibition Poster,” 1923
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Marianne Barndt, “Tea Pot,” 1924
Carl G. Jucker,“Lamp,” 1924
Marcel Breuer,“Nesting Tables,” 1925
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Eileen Gray, furniture designs, 1920s
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Glass Pavillion, Berlin 1914
Bruno Taut
Faculty of languages, history and geography, Ankara University, 1937
Izmir Fuar Pavillion, 1939
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Q U E S T I O N I N G M O D E R N I S M
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Richard Hamilton, “Just What is that
Makes Today’s Homes so
Different?,” 1956
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Andy Warhol, “Marylin diptych,” 1962
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Roy Lichtenstein,“M-Maybe,” 1963
Roy Lichtenstein,“Little Big Painting,” 1965
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Cindy Sherman, “Untitled Film Stills,” 1970s
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Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009
Alexander Rodchenko,“Books on Every Subject,” 1925
(poster against censorship of bookstores)
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Tadashi Kawamata, “The Shortcut Chairs,” 1998
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Damien Ortega, “Cosmic Thing,” 2002
“The Assembly Line”
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Viktor and Rolf, “Uniforms for UtrechtCentraal Museum Guards,” 2001
Viktor and Rolf, “Evening Wear,” 2007
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Philip Johnson,“AT&T Building,”
New York, 1978-84
Charles W. Moore, “Piazza d’Italia,”New Orleans, USA, 1976-79
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Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007