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6/18/2019 2019-2020 CJMEA Intermediate Audition - Google Docs

https://docs.google.com/document/d/1FIUbCn87OgGDPWYyvZyWvvnsSoiLh3lQsiRzhUHX_xc/edit 1/7

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2019‑2020 Audition Requirements

All auditions will consist of scales (30 points), solo (50 points), and sight reading (20 points).

W��/M�� I�� ‑ P�� I: S�� (30 P��)

The following major and chromatic scales must be played in the correct rhythm from memory.

Wind and Percussion Scale Requirements (All scales are in written pitch) Number indicates number of octaves.

A b E b B b F C G D A Chromatic Piccolo 2 2 1 2 1 2 2 1 A b , 2 8va Flute 2 2 2 2 2 2 2 2 B b , 2 8va Oboe 1 1 1 1 2 1 1 1 C, 2 8va E b Clarinet 2 2 2 2 2 2 2 2 E, 3 8va B b Clarinet 2 2 2 3 2 2 2 2 E, 3 8va Alto Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Bass Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Contrabass Clarinet 2 1 2 2 2 2 1 2 E, 2 8va Bassoon 1 2 2 2 2 1 2 1 B b , 2 8va Alto Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Tenor Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Baritone Saxophone 1 2 2 2 2 1 2 1 C, 2 8va Cornet/Trumpet 1 1 1 1 1 2 1 1 G, 2 8va F Horn 1 1 1 2 1 1 1 1 F, 2 8va Baritone T.C. 1 1 1 1 1 2 1 1 G, 2 8va Baritone B.C. 1 1 1 2 1 1 1 1 F, 2 8va Trombone 1 1 1 2 1 1 1 1 F, 2 8va B b Tuba 1 1 1 1 1 1 1 1 C, 1 8va Mallets 2 1 2 1 2 2 1 2 G, 2 8va

All major scales should be played in the following rhythm and will be either tongued or slurred.

All chromatic scales should be played slurred in even octaves as indicated below.

CJMEA 2019‑2020 Intermediate Band, Orchestra, and Percussion Ensemble Audition Requirements Page 1



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W��/M�� I�� ‑P�� II: S�� (50 P��)

Wind and Percussion Solo Requirements Title Composer Publisher Piccolo/Flute Sonata in F Major, Movements 1 & 2 Telemann 4 Sonatas

Collection ‑Schirmer

Oboe Menuetto and Presto Haydn/Voxman Rubank 1 B b /E b Clarinet Waltz Fantasy (No Cadenzas) Mozart/Waln KJOS Alto/Contra Alto Clarinet

Mosaic (from the Bass Clarinet Book)

Walthew/Voxman Rubank 1

Bass/Contra Bass Clarinet

Mosaic (from the Bass Clarinet Book)

Walthew/Voxman Rubank 1

Bassoon #16 Andante and #18 Jig Hilling & Bergman Faber 2 Alto Saxophone Sonatina Haydn/ Voxman Rubank 1 Tenor Saxophone Two Little Tales E. Desportes

/Voxman Rubank 1

Baritone Saxophone Canzonetta and Giga Leroy Ostransky Rubank 1 Cornet/Trumpet Premiere Solo de Concours Maniet/Voxman Rubank 1 F Horn Scherzo Shelukov /Voxman Rubank 1 Baritone BC (Baritone TC: Use Trumpet Book)

Premiere Solo de Concours

Maniet/Voxman Rubank 1

Trombone Garnet H.A. Vandercook Rubank 3

B b Tuba Sarabande and Gavotta A. Corelli Rubank 1 Mallets Sonata pg. 24‑25 Bach/McMillian Alfred 5 Percussion See Page 5‑7 Book and publisher information: 1‑Rubank Concert & Contest Collection 2.‑First Book of Bassoon Solos, Hilling & Bergmann. Faber Publishing (Google it, it’s available) 3‑Trombone Gems, H.A. Vandercook, Rubank Publishing (Hal Leonard) 4‑Audition Etudes by Garwood Whaley (Meredith) 5‑Masterpieces for Marimba, Arranged by Thomas McMillan

W��/M�� I�� ‑ P�� III: S�� R�� (20 P��)

A short excerpt will be provided for all students to sight read.




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S�� ‑ P�� I: S�� (30 P��)*

● All scales are to be memorized. Please, no vibrato. Judges/Audition Chair will select which scale(s) is/are to be played.

● A metronome tempo will be given before each scale ● Students will not receive extra points for additional octaves or faster tempos. ● Do not repeat tonic within scale. Repeating highest note is acceptable

String Scale Requirements

(Number indicates number of octaves) A b E b B b F C G D A E Violin 3 2 3 2 3 3 2 3 2 Viola 2 3 2 3 3 2 3 2 3 Cello 2 3 2 3 3 2 3 2 3 Bass 2* 1* 1* 2* 1* 2* 1* 1* 2*

● Violin, Viola, and Cello scales must be played in the following manner:

o Separate bows: each note will be played as a quarter at the tempo of: q=104 o Slurred bows: 8 notes slurred to a bow, as 8 th notes, at the tempo of: q=104

● Bass scales must be played in the following manner: o Separate bows: each note will be played as a quarter note at the tempo of: q=104 o Slurred bows: 4 notes slurred to a bow, as 8 th notes, at the tempo of: q=104 o *No octave drop

S�� ‑ P�� II:S��‑(50 P��)*

Please note the edition below. No cadenzas are required.

Inst. Title Composer Movements Edition Violin Concerto in G Major Haydn 1st Movement Peters Viola Concerto in G Major Telemann 1st and 2nd

Movements International

Cello Dance Rustique Squire All Fischer

Bass The Elephant Saint‑ Saens All G. Henle Verlag, Munchen

Please note that NJMEA All‑State uses the same solos and scales. Any change in All‑State material will affect the STRING solos and scales. Please check NJMEA.org for updates.




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S�� ‑ P�� III: S�� R�� (20 P��)

A short excerpt will be provided for all students to sight read.

M��‑P�� A�� I��

Be Advised – Multi‑Percussionists must do ALL solos, rudiments, and sight reading on this page at audition including timpani!!!

Solos: ● Audition Etudes by Garwood Whaley: Percussion Solo #5 ● Timpani Solo #3

Rudiments: ● Snare Rudiments: (Please see Page 5)

o Long Roll o Flam

● Traps Rudiments: (Please see Page 6) o Bass Drum o Triangle

● Timpani o Place the �irst pitch of the solo on the lowest drum using a pitch pipe or

keyboard o Tune a �ifth above the pitch on the next drum o Proceed to play the solo

Sight Reading ● Snare Drum




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Trevor Sindorf

Music



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Music

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