humanities ii

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PAINTING

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Page 1: Humanities ii

PAINTING

Page 2: Humanities ii

PAINTING -one of the fine arts that depicts

various intrinsic values of man through imaginative aggregation of lines and color.

-expresses the artist’s perceptions and feelings on a particular selected subject.

-the artist selection of a subject comes from his understanding and interpretation of his feelings and emotions.

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PAINTING

-beautiful expression of the artist’s inner feeling – sadness, happiness, fear, anger, anxiety, stillness or peacefulness, turbulence or chaos.

-what he thinks and feels, giving the subject its meaning for the art lover to enjoy and draw meaning as well.

Art of applying pigments to surface in order to present a picture of the subject.

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ELEMENTS OF

PAINTING

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ELEMENTS OF PAINTING

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SUBJECT

answers the what of the piece of painting. What is the painting about?PortraitureAnimals and plantsStill lifeCountry lifeLandscapeSeascapeCityscapeEvent religiousOthers

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SUBJECT

PORTRAITURE – pictures of men or women singly or collectively

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SUBJECT

ANIMALS AND PLANTS – because of constant contact with their interest in these living organisms, it was inevitable for them to paint these things they needed to survive

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SUBJECT

STILL LIFE – painting of an inanimate object or non-living thing placed on a table or another setting.

Availability and capability to be organized.

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SUBJECT

COUNTRY LIFE – scenes in countryside happening daily in the community.Barrio fiestaParadeHarvestBig catch of fishesNatural calamity

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SUBJECT

LANDSCAPE- any land forms including volcano, mountain, hill, valley, plain, cliff, etc.

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SUBJECT

SEASCAPE- any of the water forms: ocean, sea, river, lake, brook, pond, falls etc.

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SUBJECT

CITYSCAPE- aerial view of a city or a portion of it can be the subject

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SUBJECT

EVENT “SPOLIARIUM” BLOOD COMPACT

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SUBJECT

RELIGIOUS ITEMS – common during the Renaissance period Holy family Madonna and child Jesus Christ Angels Saints

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SUBJECT

OTHERS- mythological, fictional, cartoon characters

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MEDIUM

Differ not only in their inherent qualities but also in the effects they produce.

Refers to the materials used by the artist.

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MEDIUM

Fresco- pigment is mixed with water and applied to wet plaster.

Italian for Fresh Done with the use of earth pigments mixed

in water and applied to fresh plaster or glue which attaches the color to the surface like the wall.

Biggest advantage is its durability.

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FRESCO

Buon fresco/ true fresco – when the plaster is wet

Fresco secco- when the plaster is dry.

Advantages / Disadvantages: Quick to dry Difficult to correct Not movable Subject to loss in the event that the walls are

destroyed.

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MEDIUM

Water color-pigment mixed with water and applied to the surface of smooth or rough paper.

Colors are applied in very thin layers

Gouache-opaque water color -produced by grinding opaque colors with

water and combining them with a preparation of gum and adding Chinese white to transparent colors.

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MEDIUM

Oil-which is done on canvas or prepared wood panel

Done with the use of ground pigments (from minerals, coal tar, vegetable matter, etc.)

Long-lasting, slow in drying, easy to handle and manipulate texturally, and capable of being corrected.

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OIL

Applied in 2 ways: Direct method- paints are opaque and once

applied on the surface, they dry up and give the finished product its final appearance

Indirect method- transparent and they are applied in many thin layers or coatings.

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MEDIUM Tempera- done with

the use of ground pigments mixed with the albuminous or colloidal vehicle (egg yolk, gum, glue, or casein)

-readily dries with the evaporation of water

Luminosity of tone as an effect on the wood panel, ground or surface.

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MEDIUM

Pastel- closely resembling dry pigments bound to form crayons, which are directly applied to the surface.

Very flexible medium Difficult to preserve

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MEDIUM

Acrylic- use of synthetic paints called acrylics mixed with a vehicle capable of being thinned with water.

Possesses flexibility of oil and the transparency and the fast-drying ability of water color

Soluble in water and can be applied on almost all surfaces.

Has no tendency to crack or darken or yellow with age. Acrylic emulsion/ polymer- serves as its binding

agent

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MEDIUM

Encaustic- done with the use of hot wax as a vehicle to bind pigments to a wooden panel or wall.

Durable Colors remain vibrant and its

surface maintain hard luster Difficult to manipulate

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TOOLS

BRUSH – used to have a variety of strokes PALETTE- contains or holds the painting

medium PALETTE KNIFE – used to mix colors, add,

scrape or remove colors EASEL- frame that supports the painting

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EVOLUTION OF PAINTING

Painting has mirrored the changing world and man’s ideas about it.

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FACTORS THAT INFLUENCED THE HISTORY OF PAINTING Geography Religion National characteristics Historic events Development of new materials

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EVOLUTION OF PAINTING

Painting progressed slowly through the Medieval, Renaissance, Mannerist, Baroque, Classic, Rococo, Neoclassic, and Romantic periods.

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PREHISTORIC PERIOD

Ancient Egyptians- used paintings in their burial sites

Cave paintings

Grotte-Vhauvet – oldest known painting believed to be about 32,000 years old

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GREEK PERIOD

Paintings are found in pottery and ceramics Zeuxis, Parrhasius, and Apelles – famous Greek

painters in wooden panels Greatest painter of antiquity for his technique in

drawing, coloring, and modeling.

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ROMAN PERIOD

Influenced by Ancient Greek paintings

Wall paintings from villas in Campania, Southern Italy, which can be grouped into four main “styles” or periods.

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MEDIEVAL

Rise of Christianity Brought different spirit and aim to painting

styles

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RENNAISANCE PERIOD

Golden age of painting 14th-mid 17th century

Leonardo, Michaelangelo, Raphael

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BAROQUE PERIOD

1600 to last years of 17th century Paintings with dramatic light and shade,

violent composition, exaggerated emotion

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CLASSIC PERIOD

Refers to the art of Ancient Greek and Rome” Art of Greece in the 5th century B.C. Any art that is based on a carefully organized

arrangement of parts, with special emphasis on balance and proportion.

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ROCOCO PERIOD

18th century Lighter than that of Baroque, often frivolous

and erotic

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ROMANTIC PERIOD

Shifted the attention toward landscape and nature as well as the human figure and the supremacy of natural order above mankind’s will

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REALIST AND NATURALIST PERIOD

Late 1800s Linked mainly with their rejection of

Impressionism. Post-impressionists Divided into three groups

Expressionists- Vincent van Gogh, Paul Gaugin (personal expression)

Formalists- Paul Cezanne(composition and structure)

Realists and naturalists- Gustave Courbet (used light, shade, color, and perspective to reproduce as closely as possible the appearance of objects in nature.

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IMPRESSIONIST PERIOD

Last half of 19th century Tried to capture the quality of light as it plays

across landscapes and figures. Used small strokes of contrasting colors next

to each other to create illusion of vibrating light.

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MODERN PERIOD

Early 20th century Avante-garde artists experimented on new

styles of formalist painting and such experimentation led to the birth of Cubism, Futurism, De Stijl, and Suprematism

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NOTABLE ARTISTS

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AMORSOLO, FERNANDO

May 30, 1892-April 26, 1972 Portraitist and painter of rural

Philippine landscapes. Father of Philippine Realism for

his numerous realistic paintings. “Bombing of the Intendencia” “the Burning of Manila” “Dalagang Bukid” “the First Baptism in the

Philippines” “The First Mass in the Philippines” “Planting Rice” “Princess Urduja” “Sikatuna”

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HIDALGO, FELIX RESURRECTION

February 21, 1853-March 13, 1913

Contemporary of Juan Luna who placed second in an international art exposition in Madrid Las Virgenes

Cristianas Expuestas al Populacho (2nd)

LaBarca de Aqueronte (gold)

Adios al Sol (silver)

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LUNA, JUAN

Oct. 23, 1857-Dec. 7, 1899

Death of Cleopatra (gold) Spoliarium The Blood Compact Ang Tagumpay ni Lapu-

Lapu

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MALANG- SANTOS, MAURO

Worked as a graphic artist and cartoonist at the Manila Chronicle

Created comic strip characters Kosme the Cop (retired) and Chain Gang Charlie

Pastoral Tres Marias

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MANANSALA, VICENTE

Philippine Cubist painter and illustrator

Madonna of the Slums Jeepneys Kalabaw Bangkusay Seascape Stations of the Cross

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BUONARROTI, MICHAELANGELO DI LODOVICO

Italian Renaissance artist

Frescoes at the Sistine chapel ceiling The creation of man The fall of man The story of Noah The last judgment Conversion of Saul Martyrdom of St. Peter

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DA VINCI, LEONARDO

The archetype of the “Renaissance Man” The Annunciation The Adoration of the

Magi The Virgin of the

Rocks The Last Supper Mona Lisa Self-Portrait

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SANZIO, RAPHAEL

Master painter and architect of the Italian High Renaissance The Small Cowper

Madonna The Nymph Galatea Madonna del

Granduca St. George Fighting

the Dragon

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VAN GOGH, VINCENT

Dutch post-impressionist artist

Lunatic confined in an asylum where he produced some of his world-renowned works The Starry Night Fisherman on the

beach Two rats Self-portrait

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