http dew number 5 book
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welcome to the fifth organic edition of dew-on-line 2002
succumb to a journey of self-exploration & poetic pleasure 148 pages and 38 artworks
no boundaries here as we walk
hand in hand
ai li
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original artwork copyright ai li 2002
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d e w - o n - l i n e ______________________________________________
five
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created, designed & edited ______________________________________________
by ai li
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for sky now blue ______________________________________________
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out of still
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original artwork copyright Larry Kimmel 2002
page six
the barefoot child finding a caterpillar with no shoes on
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ai li @ belsize park
page seven
There is something in me which cannot stand A long poem, the way the oak apples Fall on seeding nettles, the fact That Basho went further than the rest & he travelled on foot the wind Scatters itself over the ragged stones Of Northumberland, I am Alone, it is Enough
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Graham Brown @ Bermondsey
page eight
i will come softly in the night like a moth to your window
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Larry Kimmel @ Colrain, Massachusetts
page nine
original artwork copyright ai li 2002
page ten
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Rebecca Lilly @ Port Republic, Virginia
page eleven
Archive drafts... cobwebs hang from a shelf with out-of-print monographs
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Graham Brown @ Bermondsey
page twelve
WEST KENNET LONG BARROW swallow me, goddess your wound is a door
milk everywhere and the ghosts of cats
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ai li @ belsize park
page thirteen
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original haiga copyright Larry Kimmel 2002
page fourteen
quiet after solstice winds mountain snow
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Peter Macrow @ Sandy Bay, Tasmania
page fifteen
pleading for death in his chest the steering column
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Larry Kimmel @ Colrain, Massachusetts
page sixteen
moonlight on the old bridge giving every nail shadow
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ai li @ belsize park
page seventeen
original artwork copyright ai li 2002
page eighteen
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Tim W. Younce @ Luray, Virginia
page nineteen
on this frozen lake ghost of your voice in cold rooms echo
lLove embroidered
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Tatjana Debeljacki @ Nemanjina, Serbia
page twenty
on the silk scarf.
lsunday school class-- coveting my neighbor's faith
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Carlos Colon @ Shreveport, Louisiana
page twenty one
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original artwork copyright ai li 2002
page twenty two
Larry Kimmel @ Colrain, Massachusetts
page twenty three
lEnlightenment
It comes into focus, the face of the man in the moon. Not just a disease of pock
and shadow, but the full faced caricature, the same as seen by you, unknown illustrator
of my mother Goose, fellow artist once maligned - now vindicated.
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Rebecca Lilly @ Port Republic, Virginia
page twenty four
Twilight fades to slate-blue... a dusting of snowflakes on the lake-mirrored moon
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shirley cahayom @ brooklyn
page twenty five
now that you are gone the realization dawns you are no longer the brother nor the friend you are the man i love
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original haiga copyright Larry Kimmel 2002
page twenty six
empty evening fish & chips on a newspaper with headlines of yet another war
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ai li @ belsize park
page twenty seven
Squares of unsold plots... slabs without flowers scattered here and there in fog
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Rebecca Lilly @ Port Republic, Virginia
page twenty eight
TALKING ABOUT LIFE AND POETRY AND THE 1953 FLOODS
Out on that spit of land were houses overwhelmed by the sea
And we decades later
shaken in this thin space
are awash with each other's words
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Hilary Mellon @ Norwich
page twenty nine
original artwork copyright Larry Kimmel 2002
page thirty
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Peter Macrow @ Sandy Bay, Tasmania
page thirty one
almost up to the sill today - the snail
LEAF POEM
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Graham Brown @ Bermondsey
(for Julie) The green Miracle, feeding
The bark with light From the darling buds
The sap descending To the veins of root
Through you we give The name of rowan
Maple, we give & we are given
O sacred Photosynthesis
O incredible Leaf, the wings
Of the seed Returning simply
By the turning Of the ordinary world
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Rebecca Lilly @ Port Republic, Virginia
page thirty three
Gates locked, old snowfall covers the headstones... the shadow of a shovel
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original artwork copyright ai li 2002
page thirty four
Wren for all Seasons
A thimble borne on autumn leaves
A snuff box filled with summer seeds
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Richard Bonfield @ Leicester
page thirty five
Tom Thumb perched on springtime's palm
A haiku for a winter psalm
a matchstick spent on formica the smell of evening
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ai li @ belsize park
page thirty six
weary of silhouettes I want something plump in the hand
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Larry Kimmel @ Colrain, Massachusetts
page thirty seven
original artwork copyright ai li 2002
page thirty eight
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Graham Brown @ Bermondsey
IN THE SKIN HOUSE There is the skin house & there is a reason for all this goo, sweaty bits, either too big or too small
It means we can walk breath, sitting ourselves into a balance, the feeling of the earth, any sentimental search
For the cliché of being human, all that is forgotten when joy goes into happiness, when the body is breathing
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James Morris @ Barnsley
page forty
wasp like time-lapse photography it was in the air
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shirley cahayom @ brooklyn
page forty one
if another chance should be given to me i will catch the time and clasp it tightly on my palm so that i can sing with you again and laugh with you and dream with you over and over again
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original haiga copyright Larry Kimmel 2002
page forty two
broken dryer three sheets to the wind
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Carlos Colon @ Shreveport, Louisiana
page forty three
Maya rainbow in the clouds lighting our path caged bird no more singing in a different key
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Felicity Brookesmith @ Broadstairs
page forty four
original artwork copyright ai li 2002
page forty five
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Graham Brown @ Bermondsey
page forty six
glorious golden purple red sky so many flowers for the void
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Felicity Brookesmith @ Broadstairs
page forty seven
screams across oceans now in aquamarine skies swifts
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James Morris @ Barnsley
page forty eight
caught by a leg (in a discarded web) d-r-a-g o n f l y
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original artwork copyright ai li 2002
page forty nine
Daisy Wheel
Suffer the daisies. Come into their innocence and forbid them not.
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Susan Taylor and Simon Williams @ Scoriton
page fifty
They are the day's eyes even now ringing a smile - I turn to garlands.
Rolling away in the slipstream of a white van - the lei of my love.
What god of the road punches a wrist full or air through this daisy chain?
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Graham Brown @ Bermondsey
page fifty one
The rain makes tiny circles in the water, a mass of wild garlic, cuckoo flowers, seeming so hardy so shy & delicate, protected by ash
A robin flits among hazels, the rain thickens, creating bigger circles, water becoming water, the circles merge, become each other
This spring we could drink from, also the soul of this place, a thicket of willow, blackthorn separates from the field, years later, miles away
laying the scarecrow across the bonfire not without qualms
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Larry Kimmel @ Colrain, Massachusetts
page fifty two
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original artwork copyright Larry Kimmel 2002
page fifty three
Rebecca Lilly @ Port Republic, Virginia
page fifty four
Bed lamp turned low... the moon's flicker through leaves shadows the attic window
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Graham Brown @ Bermondsey
PLATE 44, MIYAMOTO MUSAHI Reading a book about the influence of Zen on Japanese culture no poem
Looking at a picture by Niten, early- 17th century, a shrike on a dead branch no poem
How wonderful it is when the poem writes itself! it takes over, it surrenders completely, it bows to the void victorious, it is the caterpillar crawling up the branch, the colours of the black-&-white painting start to sing
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page fifty five
Larry Kimmel @ Colrain, Massachusetts
page fifty six
the storm rages - hand shielding the flame breasts clothed in candlelight she finds me
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original artwork copyright ai li 2002
page fifty seven
nebulous shapes borne of the breath of silvery metaphors prodigal liars leap into faith clouds and dancers
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Cynthia Marie @ New York The Gembun was created by ai li on the 12 June 1997, inspired by Larry Kimmel's
TIBUN. For the Gembun guidelines , please click here.
page fifty eight
packing away her cotton dresses in my autumn
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ai li @ belsize park
page fifty nine
original haiga copyright Larry Kimmel 2002
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page sixty
original artwork copyright ai li 2002
page sixty one
OUR LAST WALK In memory of Cody, who left the earth June 15, 2002
Our last walk
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past the willow has come to an end.
Slow brushing his golden fur before we drive him to the vet.
His last meal - a lamb chop quickly gobbled.
Sun glinting off our long black car - his head bobs up and down.
From the back seat his whimpers pulling at my heart.
He gives me his paw over and over, and then his name is called.
"Such a good looking dog," even at the moment of death.
His panting stops - a year of seizures also gone.
Euthanasia - consoling me, classical guitar.
The retriever who pranced through our neigborhood now at one with the Golden Light.
Silence greets me as I walk into the house.
Cleaning up - finding his frisbee under a chair.
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Alexis K. Rotella @ Arnold, Maryland
page sixty two
tonight i'm left with departures early opening roses in the back room
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ai li @ belsize park
page sixty three
I must be there I looked and looked lost in other people's words and faces
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Peter Macrow @ Sandy Bay, Tasmania
page sixty four
original artwork copyright Larry Kimmel 2002
page sixty five
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ROOTS & WINGS Become a seed the tiniest
of them all we will water you
with tears, the grief of longing
for a name we will call you
thistle archangel
willowherb you will become
a dark river, a root of fire, the wings
of the mind the wind
blows right through you getting rid
of all worry the letting-
go of self-pity for this earth
is intelligent this earth
is prayer for survival
for the glory of chaos, for love
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Graham Brown @ Bermondsey
page sixty six
Aspens lace stone walls falling to emerald pools translucent dresses.
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Francis Raven and Carolyn Kousky @ Palo Alto, California
page sixty seven
The bed unmade must I sleep under dried rushes like a mouse among owls?
Come home, the table is set with clean linens, cattails and old poetry.
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Gray Blakenship @ Bremerton, Washington
page sixty eight
original artwork copyright ai li 2002
page sixty nine
I am a glass flower under glass hold me still
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Cynthia Marie @ New York The Intimenga was created by ai li on the 5 May 1997. For the
guidelines for the Intimenga, please click here.
page seventy
for when I break I wound deeply
then seal your wound with my knowing ruby mouth brand your soul with a jealous stigmata
this is how I love
I am a glass flower under glass hold me quiet
for when I break I injure then taste your hurt with cruel lips boasting salient promises
you adore I receive you descend I ascend you exist only through me
this is how I Love to your dreams to death
break me...
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ai li @ belsize park
page seventy one
and when you left the door was ajar crumbs in half-light distant thunder
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Larry Kimmel @ Colrain, Massachusetts
page seventy two
someday her crooked teeth won't matter old tombstones aslant
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original artwork copyright Larry Kimmel 2002
page seventy three
fallen square boulder in the emerald pool. wish i could have seen the splash?
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Francis Raven and Carolyn Kousky @ Palo Alto, California
page seventy four
under the spring moon we trace each others footsteps
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shirley cahayom @ brooklyn
page seventy five
summer evening- scent of mint leaves from my cycle's basket
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K. Ramesh @ Chennai, India
page seventy six
original artwork copyright ai li 2002
page seventy seven
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Felicity Brookesmith @ Broadstairs
page seventy eight
catching my breath- the scent of lilac indoors against your wishes
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Francis Raven and Carolyn Kousky @ Palo Alto, California
page seventy nine
Well, so here we are somewhere between stone and sand, rushing water bends.
POETRY is a funny thing, not really life, but more like a little world, just to the right-
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Graham Brown @ Bermondsey
page eighty
hand side of it maybe it is like those wooden seats the old monk at Chithurst used to make, somewhere to stop for a while, where there is no wind, no rain, but often there is a sunset, or an oak tree through mist these poems were written to be poems, that is, to be judged & criticized, to be praised & blamed as poems but please accept them for the friendship of it, as a gift, something like what that scabby, gritty Welsh priest would say "Eternity/ wearing the green leaves/ of Time"
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original artwork copyright Larry Kimmel 2002
page eighty one
Starbucks cafe: watching the snowflakes over the steaming brew
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shirley cahayom @ brooklyn
page eighty two
this used night a suicide note the moon from empty scaffolding
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ai li @ belsize park
page eighty three
Heckler Like a device for dialysis, You just sat there Taking the piss.
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Jon Oyster @ Woodford Green
page eighty four
original artwork copyright ai li 2002
page eighty five
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Peter Williams @ Watford
page eighty six
Valentine's Day on the walls of the old people's home hearts and flowers
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Carl-John X Veraja @ Fort Myers, Florida
page eighty seven
silent water a photo of a brook that foreign man she won't tell me his name
you smile at me taking a sip of the moon floating in your glass
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Felicity Brookesmith @ Broadstairs
page eighty eight
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original artwork copyright ai li 2002
page eighty nine
discussing plans for the annual fund raiser painfully aware that beneath the white dress there's a woman
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Larry Kimmel @ Colrain, Massachusetts
page eighty nine
BUS STOP
And After
Twenty minutes The bus Came. I hope
They make Kleenex That big.
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Jon Oyster @ Woodford Green
page ninety
red lantern a room with sandalwood embroidered slippers with beaded peonies
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ai li @ belsize park
page ninety one
Watching Thomas
I sometimes watch you when you do not see In an armchair, relatively huge, enveloped By the words on a page you cannot understand, Yet wrapped in the arms of communication.
Almost motionless you sit in an instinctive Anticipation of a time when the key will turn Setting you forever free Showing you what it means to be Human, unique and alone.
You will grapple with ideas, When life gets too much or not enough You will escape into fantasy Inhabit for a time, another person's dreams And return as and when you choose.
You will be your own person then
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Sheila Windsor @ Stourport on Severn
page ninety two
In touch with the minds of millions Yet remote from them and me.
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original artwork copyright ai li 2002
page ninety three
Peter Williams @ Watford
page ninety four
middle-aged bachelor still trying to think of names for his children
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Tatjana Debeljacki @ Nemanjina, Serbia
page ninety five
The diary of love in a chinese box.
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Jon Oyster @ Woodford Green
page ninety six
UFO.
UFO UFO UFO NO
Saucepan lid In the face
Again.
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original artwork copyright Larry Kimmel 2002
page ninety seven
So easily she forgives others, my friend with the less than perfect memory.
for Florence
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Alexis K. Rotella @ Arnold, Maryland
page ninety eight
crowded train an empty seat next to the woman who talks to herself
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Peter Williams @ Watford
page ninety nine
sickle moon of january under a haloed streetlamp your promises join the mist
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Tim W. Younce @ Luray, Virginia
page one hundred
original artwork copyright ai li 2002
page one hundred and one
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shirley cahayom @ brooklyn
page one hundred and two
it is frustrating to see a blind man walking thru a closed exit and you can't do anything because you're in the train
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ai li @ belsize park
page one hundred and three
a thousand miles remembering one evening the car by the lake
You are my truth-friend, come in a far season O for a thousand years, tomorrow it will be Spring & together we will speak the language of flowers
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Graham Brown @ Bermondesy
page one hundred and four
snowdrop means atonement, yarrow means helping together we make music with earth & fire these oceans apart. these words are made of air hazel reconciled us, to come in a new season I am glad you call me lover, brother, friend
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original haiga copyright Sheila Windsor 2002 first published in Raw NerVZ Haiku
page one hundred and five
nouveau riche building their own snubdivision
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Carlos Colon @ Shreveport, Louisiana
page one hundred and six
subway ride counting the stops before i reach you
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shirley cahayom @ brooklyn
page one hundred and seven
suckle
honeysuckle offers bees in loco parentis a sweet enwombment
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Susan Taylor @ Scoriton
page one hundred and eight
original artwork copyright Larry Kimmel 2002
page one hundred and nine
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Jon Oyster @ Woodford Green
page one hundred and ten
Enemas To Enemies
Remember Keep your friends close And your enemies In various bell jars Around your study.
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J. D. Heskin @ Duluth, Minnesota
page one hundred and eleven
my best one was the one she opened-- birthday present
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Susan Taylor @ Scoriton
page one hundred and twelve
silk
as far as clothes go silk is the closest texture to a flight feather
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original artwork copyright ai li 2002
page one hundred and thirteen
Suicide (Slight Return)
They Always Say And then he turned the pistol
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Jon Oyster @ Woodford Green
page one hundred and fourteen
On himself Sorry Didn't realise The mere rotation of a revolver Was deadly.
college journal: pressed between the pages valentine roses
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shirley cahayom @ brooklyn
page one hundred and fifteen
nude in my garden he rakes the leaves with green eyes
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ai li @ belsize park
page one hundred and sixteen
original artwork copyright ai li 2002
page one hundred and seventeen
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when i was a child i kept a promise to myself i shall never love but one man in my life so if you fail to return i shall close the door of my heart and never love again
but if you return i shall catch the sun and hold it tightly on my palm maybe someday i shall give you the sunset tied in a white string.
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shirley cahayom @ brooklyn
page one hundred and eighteen
Rebecca Lilly @ Port Republic, Virginia
Cool wisps of fog in necropolis ruins-- soft coos of roosting doves
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page one hundred and nineteen
Felicity Brookesmith @ Broadstairs
page one hundred and twenty
lightning flash- starting to count I miss you
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original artwork copyright ai li 2002
page one hundred and twenty one
My Uncle's Knee.
I sat upon my Uncle's knee Temporarily Forgetting he was an amputee.
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Jon Oyster @ Woodford Green
page one hundred and twenty two
she blushes as I remove her stockings-- an old fashioned girl
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J. D. Heskin @ Duluth, Minnesota
page one hundred and twenty three
taking the onion apart
how many tears till you touch the heart?
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Larry Kimmel @ Colrain, Massachusetts The Gembun was created by ai li on the 12 June 1997, inspired by Larry Kimmel's TIBUN. For its guidelines and more examples, please click here.
page one hundred and twenty four
double glazing twice the moon
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original artwork and haiku copyright Sheila Windsor 2002
page one hundred and twenty five
water hangs from cliffs the world divided through the microscope of light.
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Francis Raven and Carolyn Kousky @ Palo Alto, California
page one hundred and twenty six
The poem's black ink runs on white paper... through the window, sparrows sing
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Rebecca Lilly @ Port Republic, Virginia
page one hundred and twenty seven
Felicity Brookesmith @ Broadstairs
one more glass of wine/evening darkening/you're not coming
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page one hundred and twenty eight
original artwork copyright ai li 2002
page one hundred and twenty nine
morning this day lightly lightly
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bruce roxburgh @ tea gardens, australia
page one hundred and thirty
The sumo lifts trees The woman lifts a bucket Heavy with sorrow Heavier than all mountains One drop is mine rippling
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Martin Willitts, Jr. , Norwich, New York
page one hundred and thirty one
i climb the side walk and think of the trees we hide with
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huri ergenian @ philadelphia
page one hundred and thirty two
original artwork copyright ai li 2002
page one hundred and thirty three
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Guy Simser @ Kanata, Canada
page one hundred and thirty four
Without a word Lanyard cold and pinging
...and numb our fingers too
holding down the service pages
flapping in November gusts:
Only the memories warming,
clinging...and then the silence
broken by the piper's elbow
and first deep breath
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Erin Cowgill @ Paris
page one hundred and thirty five
sleeping puppy out cold the purring cat cleans his face with determination
his head the size of her whole body
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Francis Raven and Carolyn Kousky @ Palo Alto, California
page one hundred and thirty six
moon caught between rocks I gaze as I cross the bridge breathing deep sweet sage
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original artwork copyright ai li 2002
page one hundred and thirty seven
paradise on earth he says he loves her putting on his trousers to go home to his wife
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ai li @ belsize park
page one hundred and thirty eight
POEM FOR JOY, BEING A PERSON
Wood pigeons cooing into the cool of the morning Blue sky shimmering fresh between birches The details of the dew on each leaf Our daily task, to fall in love
This cutting of ragwort, bracken, thistle The annual ritual of scything An excuse to be joyful, something to do In order to be whole, "they stayed asleep
So that we would find them", this purple yellow
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Graham Brown @ Bermondsey
page one hundred and thirty nine
Green August morning, leave a few to seed On purpose, to keep the world turning In the Summer grass, the circle round
gasping sunset I almost missed the lone lake swan
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Erin Cowgill @ Paris
page one hundred and forty
original artwork copyright ai li 2002
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page one hundred and forty one
Jon-Michael Frank @ Newtown Square, Pennsylvania
page one hundred and forty two
set my shoulder on fire warm your face in my flesh and marrow
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Jeff Clements @ South Africa
page one hundred and forty three
How romantic:
So I left you and now I am Here. Alone in a distant land. Distant.
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Martin Willitts, Jr. , Norwich, New York
page one hundred and forty four
I fold paper over Creased tight as age wrinkles Hatching paper crane
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original artwork copyright ai li 2002
page one hundred and forty five
tossing the ball to serve- birds in the sky
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K. Ramesh @ Chennai, India
page one hundred and forty six
gathering darkness - the power line crosses a pale sky
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Harold Bowes
page one hundred and forty seven
the other playground where every mother is ghost and the prams are empty
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ai li @ belsize park
page one hundred and forty eight
f i n i s
___________________________________________________________________
you are invited
to submit your poems and artwork for
future editions of the organic dew-on-line
off-shoot of still
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copyright ai li 2002 all rights reserved
no poems or artwork can be reproduced without the prior permission of the editor of dew-on-line and its contributors.
the editor of dew-on-line does not accept any responsibility for copyright infringements, failure to post proper acknowledgments, materials lost in the post, the views of contributors or research errors.
if you have enjoyed this edition of dew-on-line and would like to order a still anthology please click here, or a copy of moving into breath, please click here
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