hopper exhibition

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HOPPER Nyack, 22 July 1882 New York, 15 May 1967

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Page 1: Hopper exhibition

HOPPER

Nyack, 22 July 1882

New York, 15 May 1967

Page 2: Hopper exhibition

A BIT OF HIS LIFE…

• Edward Hopper (1882-1967) was born in Nyack and lived all his life in New

York. Born into a modest, middle-class family, Hopper’s interest in painting

revealed itself at a very young age. He studied commercial illustration for a

year then enrolled in the painting classes at the New York School of Art.

There Hopper joined the studio of Robert Henri, a teacher who promoted

a realism that focused on the depiction of every day American life. Having

completed his studies Hopper went to Paris where he spent an academic

year, returning there for shorter periods in the future. After that date, he

only left the United States to make a couple of short trips to Mexico.

Page 3: Hopper exhibition

A bit of his life…

• Hopper worked formany years

as a commercial ilustrator but

from 1918 began to acquire a

reputation as a printmaker. His

Real change of fortunes, howe-

ver, came about in 1925 when

an exhibition of his watercolours at the Rehn Gallery

was completely sold out. This success

allowed him to dedicate himself entirely to painting.

Edward Hopper, Self-Portrait, 1906

Page 4: Hopper exhibition
Page 5: Hopper exhibition

HOW HE PAINTED

• Hopper began painting urban and architectural scenes in a dark

palette. Then he shifted to the lighter palette of the Impressionists

before returning to the darker palette with which he was

comfortable. Hopper later said, "I got over that and later things done

in Paris were more the kind of things I do now.”Hopper spent much of

his time drawing street and café scenes, and going to the theater and

opera. Unlike many of his contemporaries who imitated the abstract

cubists experiments, Hopper was attracted realist art.

Page 6: Hopper exhibition

HOW HE PAINTED

• Edward Hopper painted American landscapes and cityscapes with

a disturbing truth, expressing the world around him as a chilling,

alienating, and often vacuous place. Everybody in a Hopper picture

appears terribly alone. Hopper soon gained a widespread

reputation as the artist who gave visual form to the loneliness and

boredom of life in the big city. This was something new in art,

perhaps an expression of the sense of human hopelessness that

characterized the Great Depression of the 1930s.

Page 7: Hopper exhibition

Road In Maine (1914)

Queensborough Bridge (1913)

Notre Dame de Paris (1907)

Manhattan Bridge Loop (1928)

Page 10: Hopper exhibition

Nighthawks (1942). Two Comedians (1966)

Page 12: Hopper exhibition

Hotel Room

Automat

Morning Sun

(1927)

(1931)

(1952)

Page 13: Hopper exhibition

• Carolina Morning

New York Movie

(1955)

(1939)

Page 14: Hopper exhibition

Soir Bleu (1914)

Room in New York (1932)

Page 15: Hopper exhibition

CURIOSITIES

• Edward Hopper's artist wife, Jo, was his only model and was crucial to his success.

Josephine N. Hopper

Jo painting (1936)

Page 17: Hopper exhibition

CURIOSITIES

House by the Railroad (1925)

Psycho (Alfred Hitchcock, 1960)

Page 18: Hopper exhibition

A bit of his life

• Hopper died the 15th of May 1967 in his studio in NYC near Washington Square. His wife, who died 10 months later, bequeathed their joint collection of over three thousand works to the Whitney Museum of American Art. He is buried with his wife Jo in the Oak Hill Cemetery in Nyack, the place where he was born.