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Posted on Mar 27, 2013 in Posted on Mar 27, 2013 in Books and MoviesBooks and Movies
Historical Hits and Misses in the Movie ‘Emperor’By Mo Ludan
Emperor (2012, PG-13, 105 mins), directed by
Peter Webber, starring Tommy Lee Jones
(General of the Army Douglas MacArthur),
Matthew Fox (General Bonner Fellers), Eriko
Hatsune (Aya Shimada), Toshiyuki Nishida
(General Kajima) and Takataro Kataoka
(Japanese Emperor Hirohito).
While not perfect (and there are, to be sure, some
troubling inconsistencies), Emperor succeeds in capturing the difficult
dilemma faced by General of the Army Douglas MacArthur. In late August
1945, he is the newly appointed Supreme Commander for Allied Powers
(SCAP) charged with the responsibility for establishing and overseeing the
occupation of defeated, war-ravaged Japan, at that time “teetering on the
brink of total collapse.”
MacArthur is also given the task of
gathering enough evidence, under a tight
10-day deadline imposed by Washington, to
prosecute Japanese Emperor Hirohito as a
war criminal. President Harry S. Truman’s
administration, as MacArthur has correctly
surmised, is keen on seeing the Emperor
tried, found guilty and hanged.
As MacArthur, actor Tommy Lee Jones
exudes the confident air of an American icon that’s larger than life. Matthew
Fox does a great job as the earnest young General Bonner Fellers (although
in real life, Fellers, born in 1896, was 49 years old during the events this film
portrays). Fellers is ordered to gather evidence that may determine not only
the fate of an Emperor but that of a nation and the lives of millions.
Historically, Emperor has its hits and misses. The film correctly shows
General MacArthur’s Tokyo office as sparse and devoid of luxury, from
faded window curtains to plain wooden panels to a drawer-less desk. (See
“General MacArthur’s Tokyo Hq” article/photo gallery at
http://www.armchairgeneral.com/general-macarthurs-tokyo-hq.htm.)
On August 30, 1945, MacArthur arrives at Atsugi military base, near
Yokohama, on the general’s personal plane, a Douglas C-54. But the film
does not show his signature “BATAAN” that was proudly painted on the
silvery plane’s nose. It also shows the incorrect US insignia on the plane (the
one shown on the film plane was not adopted until 1948).
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The film gets MacArthur’s “transport” correct, however, when the general is
seen entering a vintage black Lincoln (check out the hood ornament).
Yet, when MacArthur arrives at his destination, the film cuts to the Dai-ichi
Building in Tokyo instead of the New Grand Hotel in Yokohama, 46 miles
away—the general did not move his headquarters to Dai-ichi until
September 8, 1945). In real life, from his arrival at Atsugi, MacArthur’s car
and entourage headed straight to his first “home” in Japan at Yokohama’s
New Grand Hotel. (See “Yokohama’s New Grand Hotel: MacArthur’s First
Home in Japan” article/photo gallery at
http://www.armchairgeneral.com/yokohama%e2%80%99s-new-grand-hotel-
macarthur%e2%80%99s-first-japanese-%e2%80%9chome%e2%80%
9d.htm .)
Five Misleading Scenes in Emperor
There are five scenes where the film goes out of its way to portray
MacArthur in an unflattering and insulting manner; yet, these are either
misleading or lack “the rest of the story”:
(1) A lavish mansion, amidst the rubble of a bombed-out Tokyo, is shown as
MacArthur’s private residence. Yet, the house was actually the former U.S.
Ambassador’s residence. Emperor is silent on this historical fact, which
permits the filmmaker to reinforce the image of MacArthur being obsessed
with the amenities of luxury. The film therefore repeats the same canard
that had been reported in 1942 at the outset of MacArthur’s New Guinea
Campaign in the South West Pacific Area: it was claimed that the general
built a “magnificent villa” atop a Port Moresby hill, but actual photographs
have shown this as totally untrue.
(2) MacArthur is shown in the film lamenting the scarcity of food in
devastated postwar Japan, then the camera pans to his dinner plate with
two fresh eggs, cooked over easy, and a good-sized steak. Here’s the truth
about MacArthur’s meal that night:
“That evening [August 30, 1945] the 11 Airborne [Division] scoured
Yokohama for eggs for MacArthur’s breakfast. The next morning, the
General ate one egg instead of his customary two. When he learned that a
nightlong search had yielded but a single egg, he realized the severity of the
food shortage. Thereupon he issued an order that was contrary to the
practice of conquering armies through history. Occupation troops were not
to eat local food but only their [military] rations. It proved to be one of his
most popular orders. (The East Magazine, Sept/Oct 2002, vol. 38, no. 3,
Kosuga Manison Rappongi #200, Minato-ku, Tokyo).
(3) A scene is created for the film in which MacArthur poses for two staff
photographers while pointing to a war map posted on the wall. This strange
scene which does not propel the film’s plot in any way can only have one
purpose: to reinforce once again the claim that MacArthur was obsessed
with self-promotion. One may reasonably ask: what exactly is he supposed
to be promoting this time—isn’t the war over?
(4) MacArthur is shown visibly disturbed by the tight, Washington-imposed
10-day deadline for gathering evidence against Emperor Hirohito, and
angrily mutters “that man [Truman] is a lying bastard!” Profanity of any sort
was totally uncharacteristic of MacArthur, both in public and private. And it
is especially ironic that the film chose to invent dialogue of profanity
directed at Truman—Truman is “on the record” as routinely using profanity
th
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to refer to MacArthur (such as “that Brass Hat SOB” and other profanity
directed at the general), while there is no evidence whatsoever that
MacArthur ever referred to Truman in the same vulgar language.
(5) A tag line at the end of the film, in which Emperor inexplicably tries to
make a big deal of MacArthur’s “failed attempt” to run for U.S. presidency in
1948. One has to ask what this has to do with the film’s plot (other than to
take another back-handed slap at the general). The move to nominate
MacArthur actually grew out of a “grass roots” movement in America since,
like “Ike,” MacArthur was a hugely popular American war hero. From his
office in Tokyo 7,000 miles away, General MacArthur during the run up to
the 1948 election had barely started the long process of transforming Japan
into a democracy. Returning abruptly to the U.S. and campaigning across
the country for GOP presidential nomination at this critical point in the
occupation of Japan for which he was responsible seems uncharacteristic of
a leader who never left a job unfinished.
Another tag line casually mentions the demotion of Fellers to the rank of
colonel. However, the film fails to point out that Fellers’ demotion was part
of Truman’s massive postwar downsizing of US military forces which
included reducing in rank 212 generals (who held that rank as a “temporary”
wartime promotion, not their “permanent” official rank on the active army
list, which could be several grades below general rank). In 1948, Fellers (who
retired in 1946) was actually reinstated as a brigadier general on the Army
retired officer list.
Finally, the film is not clear what role General Shizuichi Tanaka had played in
the attempted assault on the Emperor by die-hard junior military officers
who were making a last-ditch attempt to prevent Japan’s surrender. The film
simply shows him committing suicide. The Oxford-educated, Shakespearean
scholar and former military commander of Japanese-occupied Philippines
was an old acquaintance of MacArthur when both were posted in
Washington earlier in their military careers.
CONCLUSION—Where Emperor Succeeds
Where I believe Emperor has scored solid points is in its attempt to make
audiences realize and appreciate the impact of two disparate cultures on a
horrific war. One example of the US-Japan cultural gap is depicted in a scene
referring to Emperor Hirohito’s use of words in subtle shades of gray
instead of straightforward black and white in order to announce Japan’s
surrender without actually ever using the word “surrender” (Hirohito instead
merely announces that Japan must “endure the unendurable”).
The much-maligned (by many film critics) love story of Fellers and the
Japanese woman Aya Shimada, plodding as it is, does have its own calming
energy that lightens the film’s otherwise intense dose of death, despair and
devastation.
Finally, MacArthur’s accomplishment, as most historians would agree, in
starting Japan on the path from feudal militarism toward modern
democracy represents “a greater triumph than any the old warrior had won
on the battlefield.” In driving home this point in history, Emperor deserves
kudos.
About the Author
Mo Ludan lives in the Seattle, Washington area, is a longtime Armchair
General subscriber, and has frequently contributed to the magazine. His
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30 Comments
Great article. I saw the film a few weeks ago at a local art theater and really
enjoyed it.
We got to the theatre several minutes late, but I thought the car
shown was a very rare ’42 Chrysler….or was I seeing things? My
Dad had a ’46 that looked just like it except for the grill.
My roommate made an almost identical exclamation when
he saw that Chrysler!!
That was no Lincoln but rather a Chrysler as noted by
others. Became a favorite of NYC taxis in the late 40′s early
50′s.
web articles include his virtual tours of MacArthur’s Dai Ichi building Tokyo
headquarters and Corregidor.
Rick MartinRick Martin 3/28/20133/28/2013
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I too was curious, so I GOOGLED it. Turns out the car
shown in the movie was another miss by the film maker.
Yes, MacArthur “traveled from Atsugi to Yokohama in an
American car, a LINCOLN” (underscoring provided).
http://books.google.com/books?
id=M0x9AjxXinsC&pg=PA70&lpg=PA70&dq=macarthur,+yokohama,+lincoln&source=bl&ots=MJ92OT3IDm&sig=3MTfY6xXcAaMiG_flcjnhgJS9X8&hl=en&sa=X&ei=1ioUUv3jGoKdigLFioHIBw&ved=0CFUQ6AEwBQ#v=onepage&q=macarthur%
2C%20yokohama%2C%20lincoln&f=false
and this:
“,,, the commander strode from the plane and glanced
around briefly before rumbling off in an ancient American
LINCOLN to Yokohama’s New Grand” (underscoring
provided).
http://www.pripix.com/features/macarthur.htm
I enjoyed the movie Emperor very much. I do understand the hits
and misses but from reading General Fellers’ bio I get the
impression he met the Japanese Exchange student before
attending USMA. Not in the 30′s like the movie suggests. But again,
is a movie and not a history book. General MacArthur is splendidly
brought back to like by Tommy Lee Jones, wow, even the photos,
the pipe, excellent job! There are signs and subtle messages
regarding cultural differences all over the movie. I am going to see
it again. Did not like the remark on the general’s demotion by
Eisenhower. Made it sound as if there was bad blood between
them. Even if there was, the demotion was part of the
readjustment of the army after the war. Over 200 generals, acting
generals or with a temporary rank of general, were brought back
to colonel. However, General Fellers was reinstated as Brigadier
General when he retired.
Ditto. Fine film. To answer the critic’s ponder on why was McArthur
promoting himself one only has to go to Wikipedia to read about
his plans to run for President.
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Good vetting of “Emperor.”
I’m especially glad you picked up on the script’s error in making MacArthur
such a “potty mouth.” Totally out of character with what I have heard
about MacArthur’s “Brigade of Cdets Commander” character.
Movies have to simplify, so it is understandable that the movie takes as its
central theme the request by Washington to get MacArthur’s
recommendation on treatment of the emperor. But in reality, the
historians will tell you that the decision had already been made—on the
recommendation of the pre-war US ambassador in Tokyo, Joseph Grew.
Grew knew that without the use of the emperor, the occupation might face
guerilla warfare and utter chaos. By the time of the Japanese surrender,
Soviet moves in central Europe had made it clear that if Japan was to be
saved from at least partial occupation by the Soviets (Hokkaido?), chaos
was not an option. (In two weeks after their entry into the war, the Soviets
killed 300,000 or so Japanese in Manchuria and Korea and took prisoners
as slave labor to Siberia—many died and others were kept until the mid-
fifties. (That figure of 300,000, incidentally, is about the same as the total of
the deaths caused by American fire bombing and atom blasts.)
My guess is that the movie’s Washington demand for MacArthur’s views
was designed to give the Truman Administration a political fig leaf by
getting the war here in Tokyo to approve their policy. What might have
been up for grabs was a decision on whether to force Hirohito to abdicate
in favor of the Crown Prince, who was in his early teens. But MacArthur
either was impressed with Hirohito or (more likely) decided he would
rather work with this guy than a regency of unknown orientation.
There was an aspect of the Fellers story that obviously couldn’t be fitted
into the movie. He had gone to Earlham College in Indiana, a very good
Quaker college. He clearly was not a practicing Quaker, but he had
contacts in the Quaker educational establishment (and the chair of the
wartime planning group in Washington was a distinguished Quaker
educator, Professor Hugh Borton). Fellers implanted a whole group of
Quakers in the Palace staff in educational roles, most notably Elizabeth
Vining as the present Emperor’s English tutor—”Windows for the Crown
Prince.” The effects of Fellers’s actions have lingered on for many years in
the quiet, sensible, and modest persona of the Heisei Emperor.
Well done! Carefully balanced, informative and engaging review. I enjoyed
the film, warts and all …
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We saw the movie tonight and enjoyed it very much, as once again we
disagreed with all the negative reviews. We have come to expect that
however.
After you see the humane consideration the USA showed towards a
former enemy, and after re-building similarly devastated Germany without
asking for reparations of ANY sort, I wonder how and why our so-called
President calls us “Imperialistic?” Maybe Barry Hussein doesnt know the
meaning of the word.
Or maybe the President was thinking about our illegal invasion of
Iraq without any reason or provocation.
Calvin, Imperialism carries with it the unspoken goal of
“self-enrichment” at the expense of the dominated
country. We’ve spent a fortune on a country full of snakes
thinking they MUST appreciate Freedom, not
understanding the Arab/Muslim mindset
Mitch
Invading a country you know nothing about and expecting
them to be just like you… Well that must a definition of
imperialism that wasn’t in your dictionary? There were so
many overtones and unexplained oversights in the
invasion of Iraq that one just gets the feeling it was a
belligerent country invading just ” because it could”.
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What the above article saw in MacArthur’s “Thick Steak” I did not see. I
rented the film so I cant re-view that scene, but i believe it was an egg with
a very THIN slice of ham.
You rented the film, so you can’t review that scene?? Call me crazy,
but usually when you rent a movie, you CAN actually review,
rewind, review again, rewind again, re-review and repeat as often
as you wish. LoL. Just sayin.
Yes Jim. I rented that film from Redbox and obviously
returned it, or yes, I could have re-viewed it. Duh…
Yes, I think it was SPAM , may have to re-rent again!
Mitch, you’re correct. It was a slice of ham. I’m glad someone else was
watching the film.
SPAM, which makes the Generals comments sarcastic.
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Methinks the film is beyond the question of whether or not MacArthur had
a “thin slice of ham” or a “thick steak,” The future of postwar Japan and
millions of people did not depend on this point. Also, the reviewer did not
seem to have the luxury of dissecting “Emperor” on a DVD by freezing it
frame by frame but instead saw it at a theater, like most everybody else
did (the review was posted on the pre-DVD release date of March 27,
2013).
Here’s the more salient issue, in my view. The movie review refers its
readers to a certain link, where you will find footnote #8 re subject scene.
One may find it quite revealing. It tells the reader what really happened
and may, in fact, lead one to appreciate the larger message of what
MacArthur did that fateful day.
http://www.armchairgeneral.com/historical-hits-and-misses-in-the-movie-
emperor.htm#hide
Eh… Where is this link that you speak of??? I see NO links for any
“footnote #8″. Only links for pics. One may want to assist us far
less intelligent beings so that one may prove that one may be
supreme. ;)
See paragraph 7 of above text. Click on the link at the end
of the paragraph as I just did and you will see “Yokohama’s
New Grand Hotel – MacArthur’s First Japanese Home.”
Scroll down to Footnote #8 is at the end of the article,
which reads (as it says in above review):
” 8) The East Magazine, Sept/Oct 2002, vol. 38, no. 3.
Kasuga Mansion Roppongi #200, Minato-ku, Tokyo: The
hotel prepared a lunch of walleye, mackerel, and
cucumber garnished with vinegar. The General ate a single
bite and put down his knife and fork. His subordinates
wanted to sample his evening meal before he ate. He
would not permit it. The hotel staff were grateful for the
gesture of trust. It was an expression of trust in the hotel
and in the Japanese nation, but it was also a sign of
MacArthur’s hunger. He had skipped the earlier meal, and
by evening was too hungry to share his hamburger with
anyone for any reason.
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“That evening the 11th Airborne Division scoured
Yokohama for eggs for MacArthur’s breakfast. The next
morning, the General ate one egg instead of his customary
two. When he learned that a nightlong search had yielded
but a single egg, he realized the severity of the food
shortage. Thereupon he issued an order that was contrary
to the practice of conquering armies throughout history:
Occupation troops were not to eat local food but only their
rations. It proved to be one of his most popular orders.”
There, I hope that helps.
You mention the love story between Fellers and Shimada only in passing,
but to me, this is what the entire movie was really about. But did such a
relationship ever really exist? Given what you say about Feller’s real age,
the time line is awkward. I would like to know more about this.
I just finished watching the Emperor on blu-ray, then a few minutes later
ran across this article. I felt it necessary to correct a couple things in this
article just because I thought the author, “Mo” would like a taste of his own
medicine in regards to nit-picking little details… In the scene where
MacAurthur is on the phone with the president, he says (and I quote
verbatim) “And thank you, sir. (slams phone down) You lying son of a
bitch.”. In the dinner scene, MacArthur states that they won’t be dining on
steak because the country is starving and some spiel about moral
authority. He then states “Ah, it looks as if our dinner is ready.” (pans to
plate of food which consists of a thin slice of ham with sauce drizzled on
top, 2 slices of carrots, 3 small chunks of potatoes and 4 green beans.)
Then says “Courage, men.” Then everybody has a lol moment. I rather
enjoyed the movie a lot. I especially enjoyed the love interest story within
the story. The actress (Erika Hatsune) that played the part of Aya is VERY
beautiful and VERY real and natural! Nothing fake about her acting at all. I
did not like the Major Gen Richter! He was a Major pain in the ass and
apparently had a hard on for getting Fellers up shit creek! Tommy Lee
Jones was excellent as always as well as Matthew Fox!
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Clearly you are a fan of MacArthur and let that fact ruffle the feathers of
your review. I feel like defending the filmmakers a bit by taking up several
of your points.
1) I think the filmmakers were probably more concerned with recreating
the scene accurately. The meeting did take place in “a lavish mansion,
amidst the rubble of a bombed-out Tokyo.” Historic photos of the meeting
depict the same reality. Are they claiming that MacArthur had an affinity
for fine things? And would such a claim necessarily be wrong if he was
indeed living in such a fine dwelling?
2) commentor Jim Stone does everything I would wish to with this.
3) This scene does propel the plot. It comes after someone has pointed out
to Fellers that MacArthur is simply self promoting and says something
about noticing all the pictures he’s taking. This scene is showing Fellers
watching this picture taking going on and gives a hint of him reflecting on
MacArthur and the words of warning he was given.
5) It is ridiculous to say “Emperor inexplicably tries to make a big deal of
MacArthur’s “failed attempt” to run for U.S. presidency in 1948.” It is not
inexplicable. The film features the idea that at least some of his military
men saw this as a goal for him and as a reason Fellers should be cautious
with MacArthur. It makes perfect sense to say that he did run (which he
truthfully did).
I would say that if anyone has an agenda regarding MacArthur it would be
the author of this article and his clear fandom of the general more than
the filmmakers.
I agree with another comment that the author, in #2 above, clearly
misinterpreted the scene dealing with the meal. In it, MacArthur clearly
states that they would not be having steak, and he gave the reason why.
And the plate of food held, I’m fairly certain, fried spam.
Yes it was. SPAM. I think that was too subtle for some people to
see. I did notice that though, and that’s whyat made the Generals
comments “sarcastic”
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Bearing in mind the film was about Bonner Fellers, it did fail to mention
that as a Colonel in the North Africa campaign, Fellers unwittingly almost
gave North Africa to Rommel.
http://forum.axishistory.com/viewtopic.php?t=3341
Well presented. The anti-American or self-loathing propagandized in the
film and clearly pointed out in your review seems de rigueur in today’s
films rather than acknowledging American exceptionalism.
One unmentioned slight was the bombing raid comparison, “childrens’
shadows on the wall”, and negative narration, willfully ignoring the weeks
of warning the Japanese were given before the atomic bomb strikes.
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