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Healthier and better working. 2014

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Page 1: Healthier and better working.€¦ · core products, these foster better, healthier and more successful working practices. In other words, ... The chair offers scope for different

Healthier and better working.

2014

Page 2: Healthier and better working.€¦ · core products, these foster better, healthier and more successful working practices. In other words, ... The chair offers scope for different

Bekijk hier de complete Wilkhahn kantoormeubelen collectie.

Page 3: Healthier and better working.€¦ · core products, these foster better, healthier and more successful working practices. In other words, ... The chair offers scope for different

Simply the best.

Anyone furnishing working environments is faced with a vast range of manufacturers, models, price categories and design approaches. Or even products that offer functions that really are (or only pretend) to be important. But nevertheless, a lot of products look identical or are totally bland. Only a few brands really stand out from the crowd. Only a few are true benchmarks. Which is why at an early stage Wilkhahn started developing high-quality seating and table solutions. As core products, these foster better, healthier and more successful working practices. In other words, the focus was placed on areas where true innovations lead to genuine, long-lasting added value for people using the products.As a globally successful, medium-sized, family-run company, we stand worldwide for design made in Germany in the truest sense of the phrase. Our goals are to be innovative, produce quality, generate a sense of well-being and practise fairness towards people and the environment. The combination of first-class product quality with ergonomics and well-being in pioneering designs engenders milestones which clearly stand for a better world. Examples include the legendary, still highly contemporary classic office chair the FS-Line which has encouraged dynamic sitting in an exemplary way. Or office chair ON which has patented Trimension® and is currently consid-ered by many to be the world’s best chair for three-dimensional dynamic sitting. Or the mobile, foldable Confair table and foldable Timetable, both of which have revolutionised the furnishing of conference and seminar spaces. Or style icon Stitz, or the multi-purpose range Aline, multi-purpose chair Chassis, the Graph conference or the Asienta lounge ranges and many ground-breaking others …We can’t and don’t want to offer you everything. But in everything we want to be simply the best. For you, the people around you and the environment. For our workforce across the world who are proud to be creating added value for our customers and partners everywhere.With these aspects in mind, I hope you enjoy reading this brochure which is packed with in-spiring ideas. Perhaps it will encourage you to opt for the better solution – at least where it’s particularly important.

Dr. Jochen Hahne

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Office and conference chair families

170 range ON® Page 8

180 range Neos Page 20

26 | 27 | 28 range Modus Page 30

21 range FS-Line Page 36

Table and chair systems

Multi-purpose range 230 Aline Page 42

Conference range 30 / 300 Graph Page 46

Lounge furniture

860 range Asienta Page 80

850 range Velas Page 82

249 range Cura Page 84

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Single and multi-purpose chairs

340 range Chassis Page 54

361 range Ceno Page 58

240 range Sito Page 60

Leaning aid

20 range

Stitz 2 Page 78

Tables and table systems

440 range Confair folding table Page 66

610 range Timetable Page 68

620 range Logon Page 70

544 | 600 range Concentra / Conversa Page 72

540 range Contas Page 73

660 range Travis Page 74

640 range Palette Page 76

Accessories

440 range Confair Page 85

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ON

Stitz 2

TimetableLogonTravis

Asienta Velas

Concentra Conversa Palette

Chassis Ceno

ModusON ON

Cura

Confair folding table

FS-LineFS-Line

Aline

Neos Neos

Aline Aline

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Graph

Contas

Confair

Sito

Modus

Graph

Office swivel chairsON. . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 – 17Neos . . . . . . . . . . . . . . . . . . . . . . . . . .20 – 27Modus. . . . . . . . . . . . . . . . . . . . . . 30, 31, 35FS . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 – 41Aline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Conference and visitor chairsON. . . . . . . . . . . . . . . . . . . . . . . . . 12, 13, 15Neos . . . . . . . . . . . . . . . . . . . . 22, 23, 27 – 29Modus. . . . . . . . . . . . . . . . . . . . . . 32, 33, 35FS . . . . . . . . . . . . . . . . . . . . . . . . . . . .38 – 41Aline . . . . . . . . . . . . . . . . . 42 – 45, 68, 73, 75Sito . . . . . . . . . . . . . . . .60 – 63, 70, 71, 76, 77Chassis . . . . . . . . . . . . . . . . . . . . . . . .52 – 55Ceno . . . . . . . . . . . . . . . . . . . . . . . . . . 58, 59

Executive chairsON. . . . . . . . . . . . . . . . . . . . . . . . . . . .15 – 17Modus. . . . . . . . . . . . . . . . . . . . . . . . . 30, 35FS . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 – 41Graph . . . . . . . . . . . . . . . . . . . . . . . . . 50, 51

Conference chairsGraph . . . . . . . . . . . . . . . . . . . . . . . . .46 – 51ON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15FS . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 – 41Modus. . . . . . . . . . . . . . . . . . . . 34, 35, 72, 74Neos . . . . . . . . . . . . . . . . . . . . . . . . . . 22, 23

Counter/bar chairsAline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Cantilever chairsON. . . . . . . . . . . . . . . . . . . . . . . . . 12, 13, 15Neos . . . . . . . . . . . . . . . . . . . . 24, 25, 27 – 29Modus. . . . . . . . . . . . . . . . . . . . . . 32, 33, 35FS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Sito . . . . . . . . . . . . . . . .60 – 63, 70, 71, 76, 77Cura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Skid-base chairsAline . . . . . . . . . . . . . . . . . . . . 42 – 44, 68, 73

Four-legged chairsON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15Modus. . . . . . . . . . . . . . . . . . . . . . . . . . . . 35Chassis . . . . . . . . . . . . . . . . . . . . . . . .52 – 55Ceno . . . . . . . . . . . . . . . . . . . . . . . . . . 58, 59

Multi-purpose chairsAline . . . . . . . . . . . . . . . . . . . . 42 – 44, 68, 73Chassis . . . . . . . . . . . . . . . . . . . . . . . .52 – 55Ceno . . . . . . . . . . . . . . . . . . . . . . . . . . 58, 59

Stackable chairsON. . . . . . . . . . . . . . . . . . . . . . . . . 12, 13, 15Neos . . . . . . . . . . . . . . . . . . . . . . . . . .27 – 29Modus. . . . . . . . . . . . . . . . . . . . . . 32, 33, 35FS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Aline . . . . . . . . . . . . . . . . . . . . 42 – 44, 68, 73Sito . . . . . . . . . . . . . . . .60 – 63, 70, 71, 76, 77Chassis . . . . . . . . . . . . . . . . . . . . . . . .52 – 55Ceno . . . . . . . . . . . . . . . . . . . . . . . . . . 58, 59

Leaning aidStitz 2 . . . . . . . . . . . . . . . . . . . . . . . . . 78, 79

Static tables/table systemsGraph . . . . . . . . . . . . . . . . . . . . 46, 48, 49, 51Logon . . . . . . . . . . . . . . . . . . . . . . . . .69 – 71Travis . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 75

Variable tables/table systemsPalette . . . . . . . . . . . . . . . . . . . . . . . . . 76, 77Conversa . . . . . . . . . . . . . . . . . . . . . . . 28, 29Concentra . . . . . . . . . . . . . . . . . . . . . . . . . 60Contas. . . . . . . . . . . . . . . . . . . . . . 58, 59, 73

Mobile folding tablesConfair folding table . . . . . 32, 33, 64 – 67, 85Timetable . . . . . . . . . . . . . . . . . . . 36, 37, 68Timetable Shift . . . . . . . . . . . . . . . . . . . . . 69

Column tablesAline . . . . . . . . . . . . . . . . . . . . . . . 42, 43, 45

T-shaped base tablesAline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Logon . . . . . . . . . . . . . . . . . . . . . . . . . 70, 71Travis . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 75

Four-legged tablesConversa . . . . . . . . . . . . . . . . . . . . 28, 29, 72Concentra . . . . . . . . . . . . . . . . . . . . . . 31, 60Contas. . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Palette . . . . . . . . . . . . . . . . . . . . . . . . . 76, 77

High tablesAline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Travis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Side tablesAline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Velas . . . . . . . . . . . . . . . . . . . . . . . . . . 82, 83Asienta . . . . . . . . . . . . . . . . . . . . . . . . 80, 81Cura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

ChairsAsienta . . . . . . . . . . . . . . . . . . . . . . . . 80, 81Velas . . . . . . . . . . . . . . . . . . . . . . . . . . 82, 83Cura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

FootstoolsVelas . . . . . . . . . . . . . . . . . . . . . . . . . . 82, 83Cura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Multi-seatersAsienta . . . . . . . . . . . . . . . . . . . . . . . . 80, 81

Upholstered benches with backrestsAsienta . . . . . . . . . . . . . . . . . . . . . . . . 80, 81

Conference accessoriesConfair . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Index

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ON®.

Up until the present day, we primarily sit still in hunched positions at our desks. Seemingly they‘re postures we wel-come because we‘re lazy by nature and want to save precious calories. But it‘s been a well-known fact for a long time now that a varied range of motion is required for people to stay mentally and physically fit, healthy and do their jobs efficiently. That’s why we’ve taught sitting to walk and developed office chair ON®. It’s the world’s first chair with Trimension®, a patented three-dimensional synchro-adjustment mechanism. It doesn’t just enable the hips to move forwards, backwards and sideways, but also to rotate – which is essential for stabilising the spine. Two separately moveable swing plates, just like two thighs, lie at the core of the patented mechanics. The position of the pivotal points and way they work are exactly like knee and hip joints. As a result, the body’s equilibrium remains in perfect balance – no matter what posture you adopt or way you move. And this new dimension in seating quickly becomes something you can take for granted.Not only the many letters from customers, but a comparative scientific study has also proved that ON‘s varied range of motion is applied and leads to improved well-being. It also substantially enhances powers of concentration in office spaces.

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Health, relaxation, concentration and success.Trimension®

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The design is just as innovative as its makeup. Office chair ON’s design immediately looks clear, spacious and appeal-ing. It conveys a sense of trust, assurance and appreciation. The chair offers scope for different postures and the backrest covered on both sides creates a sense of consistency. The distinctive die-cast aluminium swing plates define the unmistakable multi-award-winning chair. ON has garnered awards such as ‘Best of Neocon 2010’, ‘German Design Award 2011’ or the ‘Federal Ecodesign Award 2012’ … Premier international experts currently consider ON the world’s best office chair.Design: wiege, Michael Englisch, 2009

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ON offers an extensive product range that includes four-legged and cantilever chairs. As a result, co-ordinated and consistent design is guaranteed in offices or meeting spaces, executive offices with a certain gravitas and conference rooms.

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ON offers an extensive product range that includes four-legged and cantilever chairs. As a result, co-ordinated and consistent design is guaranteed in offices or meeting spaces, executive offices with a certain gravitas and conference rooms.

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Both the chair‘s design and its ease of use are superior. All you need to do is sit down, quickly and at the touch of a button adjust the seating height and Trimension’s counter pressure and ON® is ready to go and attuned to your preferences. The backrest height and optional seat-depth adjustment are easy to operate while seated.There are three different backrest heights, three armrest designs and three types of upholstery for the office and conference chairs. Choose from Fiberflex covers with an effective micro-cushioning effect, to additional fabric

covers to sophisticated management-grade upholstery. Different frame surfaces and the wide range of fabrics and leathers tick almost all the boxes.Worldwide over 200,000 people benefit from the advan-tages Trimension® has to offer. Our customers are the best ambassadors for ON. It’s a chair that has written a new chapter in office-chair history.

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174 / 7171 / 7 176 / 7175 / 7 175 / 7

174 / 7171 / 7 176 / 7175 / 7 175 / 7

174 / 71171 / 71 176 / 71175 / 71 175 / 71

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New ergonomics – a dynamic not static approach.

Encouraging physical activity is one of the best ways of staying healthy, generating a feeling of well-being and maintaining mental agility. Never before has office work been so static as it is today. Any activity is limited to operating keyboards and mice. So it’s high time we incorporated more activity into office processes. Because small movements can help vastly and sometimes very simple tips and tricks work wonders …

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1 Use an office chair at your desk that inspires as diverse a range of motion as possible.

3 Invite people on training courses and in workshops to set the room up themselves.

4 Hold some meetings standing up instead of sitting down. It keeps people on their toes!

5 Don’t take the shortest, but the longest route in the building.

6 Don’t book the meeting venue that’s the nearest, but the one that’s furthest away.

7 Take the stairs and not the lift. Climbing the stairs gets your muscles and circulation working and en-courages you to meet and talk to other people.

8 Develop a culture of motion. Make sure you don’t sit still for too long at your desk or during meetings. Getting up, stretching and walking a few steps works miracles – and might even encourage you to think outside the box.

2 When working at your desk, don’t put everything within reach and alternate between sitting and standing.

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Sitting naturally.

Neos.

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People are as individual as their characteristics and preferences. They come in physiques that are tall and short, on the heavy or light side, hollow-backed or round-shouldered. And all require a range of motion that inspires confidence with custom-tailored support. Neos excels in its attractively understated design and inviting comfort. It also responds to the international demands made for intuitive adjustment options. The spacious, elastically formed backrest shell and the comfortable seat upholstery adapt to different body shapes. And the precisely co-ordinated, specially designed synchro-adjustment with a large opening angle (for people weighing from 40 – 120 kg) encourages the body to move around and change posture. This makes Neos an ergonomic office chair of choice that integrates with any backdrop.

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It’s not just the comfort, but also the design of Neos that’s a welcome surprise. You can choose between an uphol-stered backrest shell and a transparent backrest frame covered with a membrane. The former can be adjusted by simply pushing up the height and in the frame version there’s also optionally adjustable lumbar support. In both versions, the clear contours of the back and swivel arm look seamless. And the smooth aluminium shell of the synchro-adjustment mechanism is an example of superb quality and excellent design down to the last detail. Ergonomic comfort, aesthetic class and robust quality make Neos a master of its class. It’s a superb choice for offices, meetings or conferences. Design: wiege, 2004

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Thanks to their three-dimensional elasticity, the backrests perfectly adapt to your body shape. The extendable, ergo-nomically supportive pull-out seat section with its breath-able upholstery can be changed while sitting down. The angle of the pelvic support automatically adapts to the setting made. The extendable crank to adjust the counter pressure is conveniently placed and integrated in a form-fit manner. And like the seat depth and the backrest height, the 3-D armrests are adjustable while seated com-pletely intuitively. Along with the large castors, this adds up to extreme ease of use.

The cantilever chair has been designed to match the Neos office chair. The cantilever version also stands out for its fluid form, its top-quality design that‘s accurate to the last detail, its generous size and pleasant comfort. Stack-able versions, different types of upholstery and a choice from the Wilkhahn fabric and leather collection open up a range of opportunities for usage and design.

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181 / 71

181 / 6

183 / 5

181 / 6

183 / 3

181 / 6

183 / 3

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Stackable Neos cantilever chairs with white shells and armrest pads with a matching table system from the Conversa range.

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Stackable Neos cantilever chairs with white shells and armrest pads with a matching table system from the Conversa range.

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Modus.

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Klaus Franck and Werner Sauer designed Modus and conceived a global template for office-chair aesthetics in the 21st century. And with 20 years’ success on the market, the range is well on the way to becoming a classic. The combina-tion of minimal materials, maximum transparency and ideal comfort in terms of support and motion puts Modus in a class of its own. It’s the epitome of dynamic seating at its best. The moulded die-cast aluminium swing plates are the ergonomic and aesthetic heart of the design. With compact synchro-adjustment capability, they guarantee unequalled fluidity of movement in the backrest and seat. Equally attractive and sophisticated is the covered back frame with the characteristic cut-out sections at waist level. It adjusts to different body shapes and supports you in any posture and ensures it’s cool and pleasant to sit on.

Modus swivel chair with a transparently covered back and Concentra table with a glass top, varnished white on the bottom.

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The modular structure of Modus is based on an ingeniously simple design, accurate craftsmanship down to the last detail and first-rate materials. It makes two seat widths and different backrest heights possible which are optionally covered with transparent, closed or additional upholstered fabrics. A slimline backrest shell is also available. The intel-ligent design that uses screws only, the reduction to just a few but high-quality components and the sparing use of materials make Modus a multi-award-winning prime example of design and sustainability.Design: Klaus Franck, Werner Sauer and wiege, 1994 (cantilever chair with Fritz Frenkler, Justus Kolberg)

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Modus cantilever chairs at a conference system with multi-media capabilities paired with mobile Confair folding tables.

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Modus offers compact, medium and executive series and therefore covers all furnishing scenarios where first-class design is valued. One thing they all have in common is the stylish, ergonomically formed backrest that hugs the body like a second skin and provides support whatever the posture. The elasticity and high-performance torsion springs in the compact automatic synchro-adjustment system create a uniquely pleasant fluidity of movement. And it almost goes without saying that just two buttons and a knob are required to adjust it.

The four-legged and cantilever chairs are designed simi-larly to the swivel models. The characteristic, leather-cov-ered crescent-shaped grip allows you to move Modus away from the table without having to touch the leather itself. The stylish but robust frame surfaces and the ex-tensive fabric and leather collection mean it can be pre-cisely co-ordinated with various interior design concepts.

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283 / 7

283 / 81 284 / 81 287 / 81 282 / 91

284 / 7

276 / 7275 / 7 274 / 7263 / 7 277 / 7

287 / 7 281 / 5

The complex crafting of the hand-sewn covers is not just pleasing to the eye and a sign of quality. Seat and back can simply be re-covered if design concepts change or signs of wear and tear appear through the years. Therefore, Modus is con-sidered to be making an especially sustainable contribution to a future-driven corporate culture that places emphasis on enduring values.

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First-class designed, open-plan project room with robust FS swivel chairs and Timetable tables for variable backdrops.

FS-Line.

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A range of classic office chairs that has written history. Three decades on it’s still one of the world’s best. In terms of encouraging movement, extreme durability and ease of use, the FS-line remains exemplary up to the present day. The office chair line was called after the initials of its designers and revolutionised dynamic seating worldwide. The idea was to remove the complexity from seating. And what could be more up to date today given new organisational and room concepts, such as the activity based workplace, project teams or co-working? And what’s more, because the seat shell is adjustable with just two screws and easy to re-upholster, the FS-Line is also progressive as regards sustainability too. Design Klaus Franck, Werner Sauer, 1980

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The elegant silhouette of the highly elastic seat and backrest shell persists in the swivel arms. Affixed to the frame with only two screws, the shell provides support to the opening angles and movements. Once the seating height and synchronous adjustment mechanism have been adjusted, the FS chair does everything else itself. The tiniest of movements and shifts in weight are enough to change posture.From a swivel chair to a chair for meetings, from canti-lever chairs, to the exclusive executive and conference chair range, the large variety allows coherent design of

all spaces in the company. And furthermore, after several years of rigorous use, many customers like to pep up their FS-chairs by replacing seat shells or cushions.The wide, luxuriously upholstered ranges of models has been made to last. For decades they’ve graced the offices of politicians and business people as upmarket chairs for managers, executives, cabinet members or even German chancellors.

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211 / 8 213 / 8 212 / 5

220 / 62

220 / 9

220 / 92

220 / 8 220 / 9 220 / 5

It could hardly be more simple. The combination of seating shell and swivel mechanics is the embodiment of industrial design at its best. Form and function in perfect harmony.

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The 220/62 and 220/92 models are more slender and higher with contoured upholstery and incorporate precisely stitched fluting.

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Aline.

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The Aline range sets a new milestone in comfortable and attractive furnishing that requires a professional touch. It offers maximum transparency, ingenious functionality and looks distinctive, yet understated at the same time. It’s available as a multi-purpose chair or counter stool, as seating for visitors or office workers, as side tables, or tables in cafeterias and high tables. The skid-base form-fit stackable chair lies at the core. The sophisticated design principle behind the cantilevered seat and backrest frame made of very robust plastic and a stylish frame forms a stable unit of small dimensions and low weight. The cover adjusts to suit different body shapes and guarantees breathability and a relaxed and pleasant feeling while seated. Design: Andreas Störiko, 2004

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Due to a clever interlocking principle up to 15 chairs can be stacked freestanding and up to 25 on the stacking trolley.

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Smart in diameter, chamfered edges and elegant columns and T-shaped bases make the Aline table family the perfect match.

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Graph.

The Graph range provides the perfect combination of conference chairs and tables. Because the distinctive, multi-award-winning seating concept is cleverly reflected in the table systems. Straight edges and fluid lines, flat and curved surfaces, soft and hard features intermingle so that seat body and frame become a harmonious unit. The shapes of the cross-sections in the sloping table legs and the aluminium underframes also create light lines which suggests an impression of weightless elegance. Each table configuration looks as if it‘s designed as a whole concept, supported by the curved table edges and rounded formats. For seamless conference culture. Design: jehs + laub, 2010/2012.

Chairs. Tables.

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Graph conference system (230 x 540 cm) with 16 places and perfectly integrated 16 single table portals for connecting

multi-media equipment.

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The idea of cutting through a seat shell horizontally and vertically and then reassembling it in a different way spawned the unmistakable shape of the chairs. The arm-rests become the key link between the backrest frame and the seat which is affixed flexibly at the front on a Y-shaped bracket and supported at the back by a central leaf spring. The visual impression is enforced due to the unusually high comfort attained. This is a result of the sophisticated upholstery on the seat and backrest frame. Used for the first time in this way, the leaf spring guaran-tees three-dimensional stability without mechanical com-ponents of any sort. Keeping body and mind in top form.

There are many ways of matching Graph with specific interior design concepts. Frames coated in different col-ours, high-quality textile coverings and glass tops coated white or black on the bottom look fresh and modern. Bright chrome-plated surfaces with superb leather and coated or wood-veneer MDF table tops on the other hand tend to emphasise an elegant prestige. Two back-rest heights and optional glides or castors open up a range of different applications. Table sizes and systems range from 120 x 120 to 540 x 230 centimetres. The for-mats include round tables, as well as compact and long oval shapes which are based on squares and triangles.

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Chassis.

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Four-legged Chassis is causing quite a stir in the international designer world. Because the organically fluid, clear-cut design of the frame is a result of deep-drawing procedures that are well known in modern automotive manufacturing. The lightweight steel sheet frame with legs welded on invisibly combines elastic comfort, durability and strength with precise and elegant forms. With membrane-like seat and backrest-shells models are produced that set any design concept apart. Whether in monochrome or through-dyed leather shell, or two-tone and covered with different textiles or leather upholstery – Chassis assumes its own personality. It appears in meeting rooms, canteens, customer service areas and hotel rooms, attics and conference spaces. Design: Stefan Diez, 2008/2010

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The press stretches the fine metal sheet at 30 tonnes of pressure to form the seat and backrest frame. The distortion creates stability without the need for very thick material. The lasered pieces of metal are used for the connecting points of the legs and are welded to the frame by robot. The exchangeable seat membrane is applied to the frame using patented bonding technology. Chassis is durable and can be modified and recycled. It’s also made efficiently from merely two different materials. It’s a pacesetter for sustainable industrial design.

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Ceno.

The four-legged upholstered chair combines the pure functionality of a comfortable conference chair, with six are stackable on top of one another and the stylishness of a dining room seat. The clear silhouette is enhanced by carefully detailed, soft modelling. The attractive form is matched by first-class quality. The solid aluminium frame, the elastic, upholstered backrest shell and the breathable seat cushions make the chair very comfortable even during long conferences. With or without armrests – form and function convey modern meeting culture at its best. Design: Läufer + Keichel, 2008

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Sito.

Sito stands for a reinterpretation of the traditional steel tube cantilever chair. Self-supporting, elastic backrest and seat areas are inserted into the support structure with its tube frame and stylish flat steel braces. The slimmer tube cross sections in this bridge-like design enhance the rocking effect and comfort. Sito is superb on its own or in combination with the Wilkhahn office chair and table ranges. It’s distinctive and very comfortable with all the characteristics of a cantilever chair. Various model types create an outstanding family of cantilever chairs with a wide range of functions and designs to choose from. Design: wiege, 2000

The colours and surfaces of the Sito cantilever chairs and the Concentra tables co-ordinate with each other superbly.

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Three backrest heights, different types of upholstery and armrest pads fulfil virtually every wish. As regards the models with black or white through-dyed armrest pads, seat and backrest shells, the backrest either comes with fabric-covered flat cushions or without upholstery. The chairs are optionally stackable and can be fitted with writing tablets, numbered or linked to form a row. Con-sequently they’re ideal for presentations, seminars or training sessions. The models with flat cushions sewn into the coverings combine Sito‘s stylish elegance with a luxurious, exclusive appeal. Seat and backrest shells are

covered in fabric or leather, the armrests are available in plastic, veneered laminated wood or with leather. They cut a dash in a conference setting or at the dining table at home. With club-grade upholstery Sito becomes a can-tilever chair with a certain cachet. The upholstered arm-rests, seat and back rest shells are fully leather covered. Additional cushioning ensures the chair is healthy, cool and pleasant to sit on. The deep cushions and the per-fect, hand-crafted workmanship convey a sense of luxuri-ous comfort above and beyond the standards customary in office environments.

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Dynamic conferences – using movement to foster active participation.

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With all the many seminars, workshops and project meetings that take place nowadays, it‘s vital to encourage people to be physically active. In a nutshell, this means leaving behind rigid conference types and embracing scenarios where physical input is required. This approach keeps people healthy and boosts efficiency. Because the input provided and long-term impression gained is likely to be greater if more senses are stimulated. Which is why 20 years ago Wilkhahn invented tables that can be moved about and folded, with swivel tables following at a later date. Their designs are top class and reflect the importance placed on communications and change processes. As a result, events get off to a quicker start, room usage is improved and facility management costs are cut dramatically.

Dynamic conferences – using movement to foster active participation.

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The Confair folding table is not just an original, in terms of functions, quality and aesthetics it’s still unbeatable even after two decades. The sophisticated folding technique and the large lockable castors, as well as the elegant design and top-quality materials, are equally responsible for the table’s success. Its tool-free assembly, lack of releasing or unlocking procedures or special skills required mean anyone can set it up. The tables can be linked using optional snap connectors. If required cable channels, connectors and techni-modules provide fascinatingly easy access to contemporary multi-media equipment. As a result, conference and project-group scenarios can be converted into large conference systems in no time. It’s encouraging to reflect that this investment in an impressive and multi-award-winning piece of furniture can pay dividends so quickly. Design: Andreas Störiko, 1994

Confair folding table.

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Timetable. Timetable Shift.

After designing the Confair folding table, the same designer came up with Timetable and Timetable Shift and again enhanced the usage concepts of multi-purpose training and conference rooms. In both ranges, the table top can be swivelled upwards in just one simple step. Timetable offers compact dimensions and the foot section with lockable castors turn in automatically too. As a result, the tables are easy to move from room to room and extremely compact to stack. Its big brother Timetable Shift perfectly complements the design of the Confair folding table and Logon table range. All three types of table (foldable, static and swivel-mounted) can be combined with one another and make a big difference to the versatility of prestigious conference rooms. They boast intuitive ease of use, top quality and excellent design. Design: Andreas Störiko, 2000/2010

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Logon.

Logon table system for 22 people with slightly sloping long sides, seating with stackable Sito cantilever chairs.70

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As a static type in the same design, the Logo range offers table solutions that are the last word in terms of ultimate perfection and superior design. The rounded laminate edges with integrated impact-resilient profiles, slender uprights and the stylish die-cast aluminium foot sections lend the stand-alone tables and table systems a sense of transparent lightness as if they’re floating on air. Sophisticated tensile structures, similar to those used in aircraft construction, make the thin materials possible. The modular frame structure with its associated variety of formats and range of surfaces mean it can be combined with a virtually limitless number of different interior design concepts. And last but not least multi-media equipment can be fitted precisely. As stand-alone tables, or linked systems, on height- adjustable glides, or for mobile use on castors, Logon, Confair folding tables and Timetable Shift are an outstanding and coherently designed option for virtually all requirements. Design: Andreas Störiko, 1996

Logon table system for 22 people with slightly sloping long sides, seating with stackable Sito cantilever chairs.

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Concentra. Conversa.

Conversa table with swivel Modus conference chairs.

Flexible office spaces require simple, four-legged tables for working, meetings, study-ing, eating or partying. With its round table legs and rounded table corners, Concentra is an excellent choice for a variety of different design concepts. With its square table legs and tight corner radii, Conversa is more suitable for backdrops where a more linear look is required. Both are based on a modular system which thanks to precise and slimline cross-sections generate stability and produce the floating characteristic of the table tops. Coated or bright chrome-plated, with wood-based or glass tops – they’re invaluable in project spaces, seminars or executive offices. Design: wiege, 2012

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Contas.

Contas table in a multi-purpose company restaurant with stackable Aline skid-based chairs.

In the case of Contas, the investment in ingeniously simple, tool-free assembly, in long-lasting quality and superlative aesthetics quickly pays off. Because the standard and folding tables plus the connecting leaves are easy to handle and table formats are quick to alter to suit methods and numbers of people in just a few minutes. The patented interlocking mechanism and the clever integra-tion of all functions save on time and manpower. Minimalist, with a classical elegance and well thought out down to the last detail, Contas is destined for high-level multi-purpose conference spaces. Design: wiege, 2000.

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Travis.

Linked Travis table system with chairs from the Modus Conference range.

In traditional meeting and conference spaces, the Travis table system’s variety of formats, seamless integration of multi-media equipment and spans of up to three metres produce an uncluttered look with plenty of leg room and seating flexibility. The frame’s structure consists of columns with a disc or T-shaped base, crossbeams, table top bearers positioned as required and optional cable channels that fold out easily when cables are added. Whether open-centred or closed, round, angular, oval, barrel or boat shaped, Travis blends tailor-made craftsmanship with industrial perfection, top-notch functionality and exceptional quality. Design: wiege, 2006

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Travis table with a unitary table top and rotatable Aline visitor chairs.

The rounded long sides make eye contact and interaction between people easier. And because more motion in a meeting’s a good idea, Travis two-column, standalone tables are also available with optional infinite electric height adjustment. So you can turn any sit-down meeting into a standing-up one.

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Palette.

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Palette table system with cushioned Sito cantilever chairs.

Palette looks like an elegant archetypal table that is set to endure thanks to impeccable details and its solid table top with no underframe that rests on four column-shaped, table legs flush with the edge of the table top. But this cele-brated classic table can do more. Each leg is simple to release and move in order to transform into, expand or divide table systems depending on room usage, methods and the number of people attending. Design: Karlheinz Rubner 1991.

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Stitz 2.

Stitz 2 inspires a range of motion from standing and sitting positions. Because this one-legged piece of furniture is not for sitting down on, but for wedging diagonally against the buttocks. The height of the round seat is intuitive to adjust to alter the support angle. A study by the Centre of Health at the German Sport University Cologne confirms that Stitz activates our metabolic functions, enhances our sense of equilibrium and gives our muscles something to do without overtaxing them. Reduced to the max this design icon is an impressive must-have for people working in offices, studios, doctors’ surgeries or holding presentations at lecterns. Design: ProduktEntwicklung Roericht (PER), 1992

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Asienta.

861 / 5

The chair and sofa range mixes a prestigious appeal with stand-out design and comfort that’s second to none. With their classy covers, the cubes look as if they’re wrapped in one piece of fabric. The upholstery’s thin and flat on the outside, with a defined curve on the inside. It looks soft, but is firm and offers comfortable support for different seating posi-tions. The extremely tough, four-legged structure makes large spans possible. Therefore, three-seaters and upholstered benches with backrests, as well as side tables to match with tops made of wood veneer or single-pane reinforced glass are also available in addition to the stand-alone chairs and two-seater sofas. Design: jehs + laub, 2012

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Velas.

Velas makes informal communication spaces enjoyable places to work and spend time in. The fluid transition of front legs via the side sections to the rear horizontal brace, create a deliberately informal, but superior look. The covered seat frame with the bent-over backrest at the top is also an unusual touch. The upholstery made of lined knitted fabric has different levels of elasticity which offer superb comfort. The chair, footstool with butt leather and three-legged side tables form a relaxed ensem-ble that suggests a certain lightness of being. Design: Eric Degenhardt, 2008

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With its unitary, luxuriously cushioned and unfussy seat, the streamlined and elegant, spacious and sporty Cura cantilever chair is an attractive eye-catcher. If more leg room is required, the Cura model without armrests but with a column is an alternative. Low tables and footstools are obtainable to match. Design: wiege, 2006

Cura.

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Confair.

The quality of the furniture in seminar rooms plays a pivotal role in the way they are perceived. Consequently the Confair range doesn’t just include the famous folding table (design: Andreas Störiko), but also a whole set of equally useful and attractive accessories. Pinboards, flip charts, folding lecterns and servers on castors provide everything needed at a moment‘s notice. Design: wiege, Fritz Frenkler, Justus Kolberg

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