hcol 185 leonardo da vinci rt and s renaissance · hcol 185, fall 2019 6 fall 2019 hcol 185...

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HCOL 185, Fall 2019 1 FALL 2019 HCOL 185 LEONARDO DA VINCI: ART AND SCIENCE IN THE RENAISSANCE University Heights North 1-119 (Multipurpose Room), MWF 10:50-11:40am Instructor: Stephanie Glickman [email protected] Office Hours: MTh 3:00-4:00pm, and by appointment (408 Williams Hall) Course Description In 2019, museums worldwide marked the 500 th anniversary of Leonardo da Vinci’s death with special exhibitions celebrating his artistic and scientific achievements. In this course, we will examine the relationship between art and science in the Renaissance, with special emphasis on art’s intellectual underpinnings in Italy and in the works and notebooks of Leonardo da Vinci (1452-1519). While we may often think of art and science as separate domains, Renaissance artists and intellectuals appreciated their interdependence. In the 15 th and 16 th centuries, Renaissance ‘artist-scientists’ mastered techniques of naturalistic representation that lent authority, credibility, and a sense of objectivity to depictions of the natural world. Empirical study of nature and natural history also fostered practices of Renaissance art production and scientific illustration, and transformed fields such as geography, astronomy, biology, and botany. In this course, we will explore how the practices of art and science depended on and informed one another in Renaissance Europe. We will examine drawings, paintings, and prints in relation to numerous issues surrounding the reproduction and dissemination of visual information. Key themes will include: Renaissance conceptions of art as a form of scientia (knowledge); Renaissance naturalism; technological innovations in image production (e.g., printmaking); the role of representation in scientific investigations; and the prerogatives, practices, and patronage of artist-scientists in the Renaissance. This course meets the criteria for elective credit in the College of Arts and Sciences. Course Learning Objectives By the end of the course, students will: - recognize regional styles and functions of Northern and Southern Renaissance art - master fundamental concepts and essential terminology pertaining to the media, materials, techniques, content, and contexts of Renaissance art and scientific illustration - demonstrate an understanding of the relationship between image production and knowledge production, in various social, political, economic, and/or religious contexts

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Page 1: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 1

FALL 2019 HCOL 185

LEONARDO DA VINCI: ART AND SCIENCE IN THE RENAISSANCE

University Heights North 1-119 (Multipurpose Room), MWF 10:50-11:40am

Instructor:StephanieGlickman [email protected]

OfficeHours:MTh3:00-4:00pm,and byappointment(408WilliamsHall)

CourseDescription

In2019,museumsworldwidemarkedthe500thanniversaryofLeonardodaVinci’sdeathwithspecialexhibitionscelebratinghisartisticandscientificachievements.Inthiscourse,wewillexaminetherelationshipbetweenartandscienceintheRenaissance,withspecialemphasisonart’sintellectualunderpinningsinItalyandintheworksandnotebooksofLeonardodaVinci(1452-1519).Whilewemayoftenthinkofartandscienceasseparatedomains,Renaissanceartistsandintellectualsappreciatedtheirinterdependence.Inthe15thand16thcenturies,Renaissance‘artist-scientists’masteredtechniquesofnaturalisticrepresentationthatlentauthority,credibility,andasenseofobjectivitytodepictionsofthenaturalworld.EmpiricalstudyofnatureandnaturalhistoryalsofosteredpracticesofRenaissanceartproductionandscientificillustration,andtransformedfieldssuchasgeography,astronomy,biology,andbotany.

Inthiscourse,wewillexplorehowthepracticesofartandsciencedependedonandinformedoneanotherinRenaissanceEurope.Wewillexaminedrawings,paintings,andprintsinrelationtonumerousissuessurroundingthereproductionanddisseminationofvisualinformation.Keythemeswillinclude:Renaissanceconceptionsofartasaformofscientia(knowledge);Renaissancenaturalism;technologicalinnovationsinimageproduction(e.g.,printmaking);theroleofrepresentationinscientificinvestigations;andtheprerogatives,practices,andpatronageofartist-scientistsintheRenaissance.ThiscoursemeetsthecriteriaforelectivecreditintheCollegeofArtsandSciences.CourseLearningObjectives

Bytheendofthecourse,studentswill:- recognizeregionalstylesandfunctionsofNorthernandSouthernRenaissanceart- masterfundamentalconceptsandessentialterminologypertainingtothemedia,

materials,techniques,content,andcontextsofRenaissanceartandscientificillustration

- demonstrateanunderstandingoftherelationshipbetweenimageproductionandknowledgeproduction,invarioussocial,political,economic,and/orreligiouscontexts

Page 2: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 2

- honeresearch,writing,speaking,andcriticalthinkingskillsinthecourseofdevelopinganindependentresearchproject

- evaluateandengagewithprimarysourcesandadvancedscholarshiponRenaissanceartandscience,andreflectonthenatureof‘visualinformation’inthepastandpresent

RequiredCourseMaterials

Textbook:LeonardodaVinci,Notebooks(NewYork:OxfordUniversityPress,2008).AvailableforpurchaseattheUVMbookstore,andonreserveatthelibrary.

Blackboard:AllotherrequiredreadingsforthecoursearepostedonBlackboard.

RecommendedReading:PrintsandthePursuitofKnowledgeinEarlyModernEurope(2011),onreserveatthelibrary.

RecommendedReading:SylvanBarnet,AShortGuidetoWritingAboutArt.Anyedition.AusefulexcerptispostedonBlackboard.GradingCriteria

AttendanceandParticipation(inclassandonline) 10%GroupPresentationandDiscussionBoard(threetotal) 30%ResearchProject:

Assignment1 10%Assignment2 10% Presentation 15%ResearchPaper(10-12pp) 25%

*Lateassignmentswillbedeductedone-halflettergradepercalendardaylate(e.g.,AtoA-).GradingScale

A+ 100-98% B+ 89-87% C+ 79-77% D+ 69-67% F below60%A 97-93% B 86-83% C 76-73% D 66-63%A- 92-90% B- 82-80% C- 72-70% D- 62-60% AttendanceandParticipation

Attendanceandparticipationare10%ofthecoursegrade,andareassessedviain-classandonlineactivities.Ifastudentmustmissclasswithreasonablecause,itisthestudent’sresponsibilitytocontacttheInstructorinadvance,toreceiveinstructionforhowtomakeupforthemissedclass.Reasonablecausetomissaclassmightinclude:personalillness,familyillness,orreligiousobservance.

Page 3: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 3

Assignments

Instructionsforassignmentsareprovidedseparately.CourseEvaluation

Attheendofthesemester,allstudentsareexpectedtocompleteanevaluationofthecourse.Courseevaluationsareanonymousandconfidential,andtheinformationgained(includingconstructivecriticisms)willbeusedtoimprovethecourse.

SUMMARYOFDUEDATES

SEPT13 GROUPPRESENTATION;DISCUSSIONBOARDdueby11:59pm

OCT4 GROUPPRESENTATION;DISCUSSIONBOARDdueby11:59pm

OCT18 ASSIGNMENT#1dueby11:59pm

NOV1 GROUPPRESENTATION;DISCUSSIONBOARDdueby11:59pm

[NOV4] [Informalpresentationandclassdiscussionofresearchprojects]

NOV22 ASSIGNMENT#2dueby11:59pm

DEC4-9 PRESENTATIONSofresearchprojects

DEC10 RESEARCHPAPERdueby11:59pm

Page 4: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 4

UVMPOLICIES

StudentLearningAccommodations:InkeepingwithUniversitypolicy,anystudentwithadocumenteddisabilityinterestedinutilizingaccommodationsshouldcontactSAS,theofficeofDisabilityServicesoncampus.SASworkswithstudentsandfacultyinaninteractiveprocesstoexplorereasonableandappropriateaccommodations,whicharecommunicatedtofacultyinanaccommodationletter.Allstudentsarestronglyencouragedtomeetwiththeirfacultytodiscusstheaccommodationstheyplantouseineachcourse.Astudent'saccommodationletterliststhoseaccommodationsthatwillnotbeimplementeduntilthestudentmeetswiththeirfacultytocreateaplan.ContactSAS:A170Living/LearningCenter;802-656-7753;[email protected]/access

ReligiousHolidays:Studentshavetherighttopracticethereligionoftheirchoice.Ifyouneedtomissclasstoobserveareligiousholiday,pleasesubmitthedatesofyourabsencetomeinwritingbytheendofthesecondfullweekofclasses.Youwillbepermittedtomakeupworkwithinamutuallyagreed-upontime.https://www.uvm.edu/registrar/religious-holidays

AcademicIntegrity:Academichonestyisexpectedfromeachstudent.Plagiarism,collusion,cheating,orfalsificationofdatawillresultinafailinggradefortheassignmentandpossiblyforthecourse.PleasereviewUVM’sAcademicHonestypolicyat:http://www.uvm.edu/policies/student/acadintegrity.pdf

GradeAppeals:Ifyouwouldliketocontestagrade,pleasefollowtheproceduresoutlinedinthispolicy:https://www.uvm.edu/policies/student/gradeappeals.pdf

Grading:ForinformationongradingandGPAcalculation,gotohttps://www.uvm.edu/registrar/grades

CodeofStudentRightsandResponsibilities:http://catalogue.uvm.edu/undergraduate/academicinfo/rightsandresponsibilities/

Page 5: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 5

FERPARightsDisclosure:Thepurposeofthispolicyistocommunicatetherightsofstudentsregardingaccessto,andprivacyoftheirstudenteducationalrecordsasprovidedforintheFamilyEducationalRightsandPrivacyAct(FERPA)of1974.http://catalogue.uvm.edu/undergraduate/academicinfo/ferparightsdisclosure/

PromotingHealth&Safety:TheUniversityofVermont'snumberonepriorityistosupportahealthyandsafecommunity:

CenterforHealthandWellbeing:https://www.uvm.edu/health

Counseling&PsychiatryServices(CAPS)Phone:(802)656-3340

C.A.R.E.IfyouareconcernedaboutaUVMcommunitymemberorareconcernedaboutaspecificevent,weencourageyoutocontacttheDeanofStudentsOffice(802-656-3380).Ifyouwouldliketoremainanonymous,youcanreportyourconcernsonlinebyvisitingtheDeanofStudentswebsiteathttps://www.uvm.edu/studentaffairs

FinalExamPolicy:TheUniversityfinalexampolicyoutlinesexpectationsduringfinalexamsandexplainstimingandprocessofexaminationperiod.https://www.uvm.edu/registrar/final-exams

StatementonAlcoholandCannabisintheAcademicEnvironmentAsafacultymember,Iwantyoutogetthemostyoucanoutofthiscourse.Youplayacrucialroleinyoureducationandinyourreadinesstolearnandfullyengagewiththecoursematerial.Itisimportanttonotethatalcoholandcannabiscanseriouslyimpairyourabilitytolearnandretaininformation.Inaddition,alcoholandcannabiscan:

• Causeissueswithattention,memory,andconcentration• Negativelyimpactthequalityofhowinformationisprocessedandultimatelystored• Affectsleeppatterns,whichinterfereswithlong-termmemoryformation

Itismyexpectationthatyouwilldoeverythingyoucantooptimizeyourlearningandtofullyparticipateinthiscourse.

Page 6: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 6

FALL 2019 HCOL 185

SCHEDULE OF READINGS AND ASSIGNMENTS

Week1Introduction

Aug26-30 • • • LaurieSchneiderAdams,ItalianRenaissanceArt(Boulder,CO:

WestviewPress,2001),292-306.

Week2TheLifeofLeonardodaVinci(1452-1519)

Sept2-6 Sept2LABORDAYHOLIDAY• LukeSyson,“TheRewardsofService:LeonardodaVinciandthe

DukeofMilan,”inLeonardodaVinci:PainterattheCourtofMilan,exh.cat.(London:NationalGallery,2011),13-23.

• “Preface”and“Introduction,”inNotebooks,v-viii,xiii-xxxiii.

Week3LeonardoasArtist-Scientist

Sept9-13 • PrimarySource:GiorgioVasari,“TheLifeofLeonardodaVinci,”inTheLivesoftheArtists(Oxford;NewYork:OxfordUniversityPress,2008),284-298.

• PrimarySource:LeonardodaVinci,“TrueScience,”inNotebooks,3-13.

• PrimarySource:LeonardodaVinci,“ComparisonoftheArts,”“ArchitecturalPlanning,”and“TheArtist’sLife,”inNotebooks,184-214.

• GROUPA:JamesAckerman,“EarlyRenaissance‘Naturalism’andScientificIllustration,”inDistancePoints:EssaysinTheoryandRenaissanceArtandArchitecture(Cambridge,MA:MITPress,1991),185-207.GROUPB:JamesAckerman,“TheInvolvementofArtistsinRenaissanceScience,”inScienceandtheArtsintheRenaissance(Washington,D.C.;London:FolgerShakespeareLibrary;AssociatedUniversityPresses,1985),94-128(seeespeciallypp.94-102).

• SEPT13 GROUPPRESENTATIONS;DISCUSSIONBOARDdueby11:59pm

Page 7: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 7

Week4

Perspective,Vision,andCognition

Sept16-20 • PrimarySource:LeonBattistaAlberti,DedicationandBookOneofOnPainting,trans.CecilGrayson(London;NewYork:PenguinBooks,2004),34-59.

• PrimarySource:LeonardodaVinci,“TheEyeandtheAppearanceofThings”and“TheSurfaceofThingsandLight,”inNotebooks,102-137.

Week5AnatomyandProportion

Sept23-27 • DomenicoLaurenza,“ArtandAnatomyinRenaissanceItaly:ImagesfromaScientificRevolution,”TheMetropolitanMuseumofArtBulletin69,no.3(Winter2012):4-48.

• LaurieSchneiderAdams,ItalianRenaissanceArt(Boulder,CO:WestviewPress,2001),312-321.

Week6Mind,Body,andSpirit

Sept30-Oct4 • CatalogueentriesinPrintsandthePursuitofKnowledgeinEarlyModernEurope,exh.cat.,ed.SusanDackerman(Cambridge,MA:HarvardArtMuseums,2011).

• GROUPA:PrimarySource:LeonardodaVinci,“TheLifeandStructureofThings,”inNotebooks,137-167.

• GROUPB:PrimarySource:LeonardodaVinci,“TheExpressionoftheSpirit”and“Composition,”inNotebooks,167-184.

• OCT4 GROUPPRESENTATIONS;DISCUSSIONBOARDdueby11:59pm

Week7

AlbrechtDürer(1471-1528)andtheInfluenceofItaly

Oct7-11 • JamesSnyder,“Chapter13,AlbrechtDürer,”inNorthernRenaissanceArt(UpperSaddleRiver,NJ:PrenticeHall,2005),303-333.

• PeterParshall,“GraphicKnowledge:AlbrechtDürerandtheImagination,”TheArtBulletin95,no.3(September2013):393-410.

• TBA

Week8PsychologyandMelancholy

Oct14-18 Oct14FALLRECESS

Page 8: HCOL 185 LEONARDO DA VINCI RT AND S RENAISSANCE · HCOL 185, Fall 2019 6 FALL 2019 HCOL 185 SCHEDULE OF READINGS AND ASSIGNMENTS Week 1 Introduction Aug 26-30 • • • Laurie Schneider

HCOL185,Fall2019 8

• “AlbrechtDürer,MelencoliaI,”catalogueentryinPrintsandthePursuitofKnowledgeinEarlyModernEurope,exh.cat.,ed.SusanDackerman(Cambridge,MA:HarvardArtMuseums,2011),91-92.

• MariaRuvoldt,“Michelangelo’sDream,”TheArtBulletin85,no.1(March2003):86-113.

• TBADUEOCT18 ASSIGNMENT#1dueby11:59pm

Week9

ScienceandtheOccult:WitchcraftandWomen

Oct21-25 • LindaC.Hults,“InventingtheWitch,”inTheWitchasMuse:Art, Gender,andPowerinEarlyModernEurope(Philadelphia:University ofPennsylvaniaPress,2005),57-108.

• SuzanneKarrSchmidt,“RenaissanceWomenonTop”(ARTicle).• CharlesZika,“Dürer’switch,ridingwomenandmoralorder,”in

Dürerandhisculture,eds.EichbergerandZika(Cambridge;NewYork:CambridgeUniversityPress,1998),118-140.

Week10

HieronymusBosch,Illness,andAlchemy

Oct28-Nov1 • JamesSnyder,“Chapter16,HieronymusBosch,”inNorthernRenaissanceArt(UpperSaddleRiver,NJ:PrenticeHall,2005),395-409.

• GROUPA:LaurindaDixon,“AnApothecary’sApotheosis:TheSt.AnthonyTriptych,”inBosch(London;NewYork:Phaidon,2003),175-198.

• GROUPB:LaurindaDixon,“TheCrucibleofGod:Bosch’sChemicalEpiphany,”inBosch(London;NewYork:Phaidon,2003),201-224.

• NOV1 GROUPPRESENTATIONS;DISCUSSIONBOARDdueby11:59pm

Week11

RenaissanceCartography

Nov4-8 NOV4Informalpresentationanddiscussionofresearchprojects

• DavidWoodward,“MappingtheWorld,”inEncounters:TheMeetingofAsiaandEurope,1500-1800,eds.AnnaJacksonandAminJaffer(London:Victoria&AlbertMuseum,2004),14-31.

• CatalogueentriesinPrintsandthePursuitofKnowledgeinEarlyModernEurope,exh.cat.,ed.SusanDackerman(Cambridge,MA:HarvardArtMuseums,2011).

• RichardL.KaganwithFernandoMarías,“ChapterOne,UrbsandCivitas,”inUrbanImagesoftheHispanicWorld,1493-1793(NewHaven;London:YaleUniversityPress,2000),1-18.

• LuciaNuti,“ThePerspectivePlaninthe16thCentury,”TheArtBulletin76,no.1(March1994):105-128.

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HCOL185,Fall2019 9

Week12

Mappinga‘NewWorld’

Nov11-15 • PrimarySource:AmerigoVespucci,MundusNovus(firstpublished1503).

• RichardL.KaganwithFernandoMarías,“SpainandAmerica:ACartographicEncounter?,”inUrbanImagesoftheHispanicWorld,1493-1793(NewHaven;London:YaleUniversityPress,2000),45-70.

• BarbaraE.Mundy,“MappingtheAztecCapital,”ImagoMundi50(1998):11-33.

Week13

TBA

Nov18-22 • TBA

• TBA

• TBA

DUENOV22 ASSIGNMENT#2dueby11:59pm

Week14THANKSGIVINGRECESS

Nov25-29 ThanksgivingRecess

Week15

PRESENTATIONS

Dec2-6 • TBA

• PRESENTATIONS

• PRESENTATIONS

Week16

EXAMWEEK

Dec9 10:30am-1:15pm,PRESENTATIONS

DUEDEC10 RESEARCHPAPERdueby11:59pm