harold lee library university provo, utah...schmidtseducationalseries. pianofortestudies. vol....

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PROVO, UTAH

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SCHMIDTS EDUCATIONAL SERIESmillllllUlllllllllllllllllllllllllllillliiiimiimiiiii nuiiiium i

12

ETUDESFOR THE

DEVELOPMENTOF

TECHNIC AND STYLEd d a a a

BY

EDWARD MACDOWEliOP. 39.

PRICE $ 150

ft

Schmidts Educational Series.PIANOFORTE STUDIES.

Vol.

67. Op. 315.

24.

66.

91.

29.

39.

9.

AILBOUT, HANS.20 Progressive Velocity Studies

BACH, J. S.15 Two-Voice Inventions. Edited by Arthur Poote

BIEHL, ALBERT.Op. 139. Preparatory School of Technic. 12 Etudes

Op. 140. 10 Octave StudiesOp. 163. 12 Melodious Studies for the development

of the left hand-

Op. 156. 12 Melodious Arpeggio Studies15 Selected Etudes for the development of technic

and expression

0.75

0.75

0.750.75

0.750.75

0.75

103a-b. Op. 6.

BOSE, FRITZ VON14 Special Studies in modern PianoforteTechnique. 2 Books each 0.75

CONCONE, J.96. Studies in Melody and Interpretation. Augmented.

Edited and Arranged by Thomas Tapper . . 0.75

DANA, ARTHUR.108. Arpeggios in all keys. The four forms of the Ar-

peggio with their fingerings for the Pianoforte 0.60

DENNEE, CHARLES.Progressive Studies in Octave Playing (with special

preparatory exercises) 1.00

75 Eight -bar Studies for the intermediate grades.Adapted, edited and arranged in progressive order 0.75

EGOELING, GEORG.Op. 90. 18 Melodious Octave Studies of Medium

Difficulty 1.00

50 Melodious Studies. Book 1&2 each 0.7.r>25 Etudes (without octaves) for technical

and musical development. 2 Books each 0.75Pleasure and Progress. 35 DescriptiveEtudes for the earlier grades. 2 Books ea. 0.75

37.

115,

75.

llOa-h. Op. 122.

16a-b. Op. 170.

60a-b. Op. 176.

FOOTE, ARTHUR.2. Op. 27. 9 Etudes for musical and technical deve-

' lopment 1 . 0073. Op. 52. 20 Preludes in the form of short technical

Studies 1.00

116. 35 Two-part Studies for Independent Part-playing.Selected, edited and arranged by Arthur Foote 0.75

74. Etude Album. A Collection of Etudes, selectedand arranged in progressive order ... 1.00

FRIML, RUDOLF.68a-b. Op. 75. Etudes Po6tiques. 2 Books each 0.75

41.

31.

51.

52.

Op. 186.

Op. 187.

Op. 198.

Op. 199.

101 a-b. Op. 201.

I06a-c. Op. 228.

GURLITT, CORNELIUS.Velocity Studies for Beginners 0.75

53 Very first Studies 0.7516 Studies in Melody and Rhythm . . . 0.7516 Melodious Studies for more advancedplayers (A Sequel to "Studies in Melody

and Rhythm" Op. 198) 0.75

Studies in all the Major and Minor Keys.

2 Books. . . each 0.60

Technic and Melody. A FundamentalCourse for the Pianoforte. 3 Books each 0.75

0.75

0.75

0.75

0.75

Vol HELLER, STEPHEN.78a-b. A Compendium of HELLER'S Pianoforte Studies.

Revised, Edited and Arranged in Pro-gressive Order by Arthur Foote. 2 Bks. ea

HOFMANN, RICHARD.40. 10 Melodious Etudes from Op. 72

KAISER, ALFRED.25. The Weaker Fingers. Exercises and tuneful pieces

KRAUSE, EMIL.26. Op. 99. 12 Technical Studies for the equal deve-

lopment of both hands

KRENTZLIN, H. R.97a-c Systematic Finger Technic. Progressive Studies for

the Earlier Grades by Carl Czerny. Selected,arranged and augmented with studies aftermotives from Czerny. 3 Books . . each

LYNES, FRANK.10 Special Studies8 Studies for the development of the 3rd ,4th . and 5th fingers

MAC DOWELL, EDWARD.4. Op. 39. 12 Studies for the development of technic

and style

MAYLATH, H.55. Op. 163. Melodious Etudes. Edited by Charles

Denned 0.75

0.50

8. Op. 20.92. Op. 21.

0.75

0.75

1.50

MEYER, FERDINAND.70. The Pupil's First Etude Album. 53 Easiest Etudes71. The Pupil's Second Etude Album. 34 Easy Etudes

NEUPERT, EDMUND.61. 10 Selected Studies fqj the development of Expression

and technic. Arranged and edited byCharles Dennee

0.750.75

PFITZNER, HEINRICH.13. Systematic training for Polyphonic Playing. . . .

SARTORIO, ARNOLDO.21. Op. 214. 14 Melodious Etudes (without octaves) .

SCHYTTE, LUDVIG.7. 10 Melodious Etudes from Op. 66 :

TAPPER, THOMAS.12. Sight Reading and Memory Lessons

THUMER, OTTO.112arb. Velocity and Finger Equality. A Practical Course of

Progressive Studies for the Pianoforte. 2 Bks. ea.

TURNER, A. D.86. 15 Short Melodious Studies from Op. 30. (Selected

and Edited by F. Addison Porter) . . .87. Special Studies for the Pianoforte. (Selected, Re-

vised and Edited by F. Addison Porter) .

WILM, NICOLAI VON.77. Phrasing and Agility. 12 Etudes

1.00

0.75

0.75

0.75

0.75

0.75

0.75

0.75

0.75

ARTHUR P. SCHMIDTBOSTON120 Boylston Street.

LEIPZIG NEW YORK1 1 West 36th Street.

No. 54. Printod in Gormany.

HAROLD B. LEE LIBRARYBRIGHAM YOUNG UNIVERSITY

PROVO, UTAH

wcm:m.wtMWiiimai.unwi axaamm

SCHMIDT'S EDUCAJONAL SERIES y.1 .nHUjQXC^dffiUDDn 1

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-£jaXXQISDDBDaaXEEQSDB

ETUDESFOR THE DEVELOPMENT OF

TECHNIC AND STYLEBY

EDWARD MACDOWELLD d OR 39. D D

NO.1. HUNTING SONG. ACCENT, GRACE .............NO. 2 ALLfl TARANTELLA. SPEED, LIGHTNESS OF TOUCH .mo. 3. ROMANCE. SINGING TOUCH ..................no. 4. ARABESQUE, wristNO. 3. IN THE FOREST. DELICATE RHYTHMICAL PLAYING ..no. 6. DANCE OF THE GNOMES. MORDENTENO. 7. IDYLL. DELICACY, SINGING TONE, GRACE .

no. 8. SHADOW DANCE. LIGHTHESS, SPEED.,no. 9. INTERMEZZO. INDEPENDENCE OF THE 3*P AND 4** FINGERSNO. 10. MELODY. 2ND 3RD 4.TM FINGERS., .ooo.oooN0.11. SCHERZINO. DOUBLE NOTESN0.12. HUNGARIAN. DASH, SPEED, VIRTUOSE PLOYING

O O O O 3 « O O

oooooooo**

O O o ooooooo

O O o O O O O O

Price 1 1.50

ARTHUR PSCHMIDTBOSTON

120 BoylstonSt.

LEIPZIG.Linden3trasse16.

NEWVORK11 West 36th. St.

Copyright 18S0 byArthur PSchmidt

I.

JAGDLIED.Hunting Song.

Leichte Accentuation.

Allegretto.

* Accent, grace. E.A.MAC DOWELL, OP. 89.ten. '^~3

i £=%2 m ten. 4 m ten. 5 41 8

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II.

ALLA TARANTELLA.Leichte Gelaufigkeit, Bravoura. * Speed, Lightness of Touch

Prestissimo.4- aEg^leggierissimo

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Copyright 1890 by Arthur P. SchmidtCopyright 1904 Uy Arthur P.Schmidt

Can also be studied staccato to advantage. (The stac-

cato to be from the fingers alone.)

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ROMANZE.Romance

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Singender Anschlag. * Singing Touch

Andantino.

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Handgelenk. * Wrist.

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14

V.

WALDFAHRT.In the forest.

Zartes rhythmisches Spiel. * Delicate rhythmical playing.

Allegretto con moto.

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VI.

GNOMENTANZ.Dance of the Gnomes.

PralltriUer. * Mordente.

Prestissimo con fuoco.

na ^j igf mm & •>. -_^_J)pp ma marcatiss

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w*- 4L-w*-*Zwischen jeder Figur muss die Hand hoch gehoben

werden. Sehr markirt eiazuiiben.

Copyright 1890 by Arthur P.SchmidtCopyright 1904 by Arthur P.Schmidt

5T\

Between each figure the hand must be raised high

above the keys. To be studied very,, marcato."

17

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VII.

IDYLLE.Idyll.

Zarter,singender Anschlag- Anmuth * Delicacy, singing tone, grace.

Allegretto.

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Augmented Edition.

VIII.

SCHATTENTANZ.Shadow dance.

Leichte Gelaufigkeit. * Lightnes!5, speed.

Allegrissim

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0.

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Die Etude ist ppp - gleichmassig im Ton wie im Tempound mit hohem Handgelenk einzuiiben - die Finger diirfennicht hoch gehoben werden.

Copyright 1890 by Arthur P.Schmidt

This Etude is to be studied ppp - 'with the wrist highand

without lifting the fingers high- absolute equality both

in tone and time is necessary.Copyright 1892 by Arthur P.Schmidt

Copyright 1898 by Arthur P.Schmidt

IX.

INTERMEZZO.Unabhangigkeit der Finger. * Independence of the 3. and 4. fingers.

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X.

MELODIE.2.3.4. Finger * 2.3.4. Fingers.

Andantino.la melodia sempre tenuta

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Mit hohem Handgelenk,krampflosem Eindriicken derHand, anfangs ppp, spater/zu iiben.


Study with high wrist, knuckles loosely depressed

beginning ppp, afterwards louder.

80

XLSCHERZINO.

Doppelgriffe * Double notes.

*—^\ 4jfe Ol_£4

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Auch staccato zuiiben.Copyright 1890 by Arthur P.SchmidtCopyright 1904 by Arthur P.Schmidt

To be practised also staccato

31

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XII.

UNGARISCH.Hungarian.

Feurige Gelaufigkeit, virtuosos Spiel. * Dash, speed,virtuose playing.

Presto con fuoco.

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oresc.

**€

Compositions and Hrrangementsby

Gdward fflacDoweltPianoforte Solos.

Op. 13. Prelude and Fugue (4 c) ... . 50Op. 16. Serenata (4b ) 40

Op. 17 No. 2. Witches' Dance (4c)... 75Op. 18 No. 1. Barcarolle in F (3 c) . . . 40Op. 19 No. 3. Revery (3 b) 30

No. 4. Dance of the Dryads (4 a). 60Op. 24 No. 4. Czardas [Friska] (4 b) . . 50

Newly revised editions by the composer.

Op. 28. Six Idyls after Goethe. (Edition

Schmidt No. 57.) Augmentedand revised edition ... 1 00

In the Woods — Siesta — To the Moonlight— Silver Clouds — Flute Idyl — The Ulue

Bell.

Op. 31. Six Poems after Heine. (EditionSchmidt No. 58.) Augmented andrevised edition 100

From a Fisherman's Hut — Scotch Poem —From Long Ago — The Post Waggon —

The Shepherd Boy — Monologue.Op. 36. Etude de Concert, in F sharp (6 a) 75Op. 37. Les Orientales, 3 Pieces for Piauu

:

No. 1. Clair de la lune (3 a) . . . 30No. 2. Dans le hamac (4a)... 40No. 3. Danse Andalouse (4 b) . . 40

Op. 38. Marionettes. Eight Little Pieces.(Edition Schmidt No. 59.) Aug-mented and revised edition . . 1 00

Prologue — Soubrette — Lover — Witch —Clown — Villain — Sweetheart — Epilogue.

Op. 39. Twelve Studies.Book I 1 50Hunting Song — Alia Tarantella — Romance— Arabeske — Ip the Forest — Dance of the

Gnomes.

Book IIIdyl — Shadow Dance — Intermesto —

Melody — Scheriino — Hungarian.Detached Pieces from Op. 39

:

Romance (3 c)Arabeske (4 b)In the Forest (4 a)

Idyl (3c)

Shadow Dance (4 b)

Op. 51. Woodland Sketches (3 a— 4 a).(Edition Schmidt No. 47) ... .

To a Wild Bose — Will o'tbe Wi»p — Atan old Trysting Place —- In Autumn — Fromau Indian Lodge — To a Waterlily — FromUncle Bemus — A Deserted Farm — By a

Meadow Brook — Told at Sunset.Op 55. Sea Pieces (3 c — 5 b). (Edition

Schmidt No. 48)To the Sea — From a Wandering Iceberg— A. D. 1620 — Starlight — Song — Fromthe Depths — Nautilus — In Mid-Ocean.

Op. 57. Third Sonata (Norse)Op. 59. Fourth Sonata (Keltic)Op 61. Fireside Tales , (Edition Schmidt

No. 67.) (4a— 5b)An Old Love Story — Of Br'er Babbit —From a German Fore'st — Of Salamanders— A Haunted House — By Smouldering

Embers.

Op. 62. New England Idyls. (EditionSchmidt No. 75.) (3c— 5a) . .

An Old Garden— Mid-Summer — Mid-Winter— With Sweet Lavender — In Deep Woods— Indian Idyl — To an Old White Pine —From Puritan Days — From a Log Cabin —

The joy of Autumn.

150

3040304040

125

125

2 002 00

125

125

Compositions revised and edited for the Pianoforte

by Edward Mao Dowell.Glinka-Balaklrew, The Lark (4 c) . . . 60Huber, Intermezzo (3 b) 30Lavlgnao, Aria from Handel's "Susanna" (3c) 40Liszt, Eclogue (4 b) 40Moszkowski, Air de Ballet (4 a) ... . 75Pierne, Cradle Song (3 a) 50Pierne, Allegro Scherzando (5 a) ... . 75Reinhold, Impromptu (5 a) 75Stcherbatoheff, Orientale (4 b) 40Ten Brink, Gavotte in E minor (3 c) . . 60Van Westerhout, Momento Capriccioso (4c) 50Van Westerhout, Gavotte in A (3c)* . . 60Moszkowski, Etincelles (4 b) ..... 75Rimsky-Korsakow, Romance in A fiat (3b) 30Martuoci, Improviso (4 a) 60Geisler, Episode (4 a) 40Liszt, Impromptu (6 a) 50Geisler, Pastorale (4 a) 30Alkan-Mac Dowell, Perpetual Motion (6a) 1 00Laoombe, Etude (4 a) 50Dubois, Sketch (4 b) 30Cui, Cradle Song (3 a) 30Geisler, The Princess Use (4 a) 40Pierne, Improvisata (3b) 50Thorn, Amourette (3 c) 30

From the Eighteenth Century.Transcribed for the Pianoforte

for Concert Use.

Graziolli, G. B. Tempo di Menuetto (4 c) 60Loeilly, J. B. Sarabande (5 a) 30Loeilly, J. B. Jig (3 b) 40Rameau, J. P. Sarabande (4 b) ... . 40Rameau, J. P. The Three Hands. (Cou-

rante) (3 c) 50Couperin, F. La Bersan (4 c) 40Couperin, F. L'Ausonienne (Contra Dance)

(4 c) 50Mattheson, J. Jig (3 c) 40Couperin, F. Le Bavolet Flottant (The

Waving Scarf) (4a) 40Grann, O. H. Jig (4 c) 65Bach, J. S. Six little Pieces (3c— 4a) 125

Courante — Minnet — Jig — Minuet —March — Minuet.

Pianoforte Duets.Op. 42. l8t Suite, arr. by the composer . 2 50

Orchestra.Op. 42. First Suite for Full Orchestra

Orchestra Score 4 00Orchestra Parts J200

— et>) . . 50

Deserted — Slumber Song.Op. 33 No. 2. Cradle Hymn. D (e—d—g) 30

No. 3. Idyl. Q (d— e— g) ... 40Op. 34. Two Songs with Piano Accomp.

No. 1. Menie. Drain, (d— f). . . 30No. 2. My Jean. 'A (e—e) ... 40

Op. 40. Six Love bongs (Edition SchmidtNo. 19) 75

Sweet blue eyed Maid — Sweetheart teU meThy beaming eyes — For sweet love's sake— O Lovely Rose — I ask but this.

Thy Beaming Eyes. Separately.F (c— f), E> (b? — e») ... 30

Op. 56. Four Songs, high or low Voice.(Edition Schmidt No. 49 a, b) . 75

Long ago, Sweetheart mine — The Swanbent low to the Lily — A Maid sings lightand a Maid sings low — As the gloaming

Shadows creep.

A Maid sings light and a Maidsings low. F (d— g), D (b-e)separately 40

Op. 58. Three Songs. (Edition SchmidtNo. 50) 75

Constancy — Sunrise — Merry Maiden Spring.Op. 60. Three Songs. (Edition Schmidt

No. 65) 75Tyrant Love — Fair Springtide — To the

GDlden Rod.

PART SONGS.Mixed Voices.

Op. 43. Two Northern Songs:No. 1. Slumber Song 10No. 2. The Brook 10

Op. 44. Barcarolle. Four Hand Piano Ace. 75The same. Voice Parts only ... 25

Men's Voices.Op. 27 Three Songs. German and English

Words.No. I In the Starry Sky Above Us 12No 2 Springtime 12No H. The Fisherboy 12

Op. 41. Two Songs:No. 1. Cradle Song 10No. 2. Dance of the Gnomes ... 10

Op. 52. Three Choruses:No I. Hush, hush 10No. 2. From the Sea 10No 3. The Crusaders. English or

German text 15Op. 53. Two Choruses:

No. 1. Bonnie Ann 10No. 2 The Collier Lassie .... 10

Op. 54. Two Choruses:' A Ballad of Charles the Bold 10

Midsummer Clouds 10Two Songs from the I3tu Century:

Winter wraps his grimmest spell. 10As the gloaming shadows creep . 10

Columbia College Songs 25

Arrangements for Men's Voicesby Edward Mao Dowell.

Beines, Spring Song 08Borodine, Serenade 10Filke, The Brook and the Nightingale . 08Moniuszko, The Cossack 08Rimsky-Korsakow, Folk Song .... 08Sokolow, Spring 15Sokolow, From Siberia 15von Holstein, Bonnie Katrine 08von Woss, Under flowering branches . . 10

Portrait of Edward Mac Dowell. Cabinet size 50 cts.

The grading Is from la easieat to 6c most difficult, with subdivisions of the grades as follows la, lb, 2a, 2b, 3a, b, c, ete.The key of all songs has been given in capitals, and their compass In small letters.

ar ar

Boston

published by

Hrtbur p. Schmidt Dew ^orh

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TECHNIC AND MELODYA Fundamental Course for the Pianoforte

by CORNELIUS GURLITTThree Books Op. 228 Each 75 Cents

Practical simple and essentially musical.The grading of the material is so arranged that there is no break in

its easy continuity.All necessary assistance in the principles of music are given in the text.No single essential feature of the fundamentals of pianoforte playing

is wanting in its pages.The compositions for two and for four hands are thoroughly prepared

for in the Technical Studies.An abundance of text makes the application of the material simple

and full of interest.Lists of supplementary pieces, carefully graded, are given in each book.This Course is being used with unfailing success by thousands of

teachers and students.The last and ripest work of the author.

Sent free: "How to use Technic and Melody"An interesting and instructive booklet for all piano teachers, containing

the author's direct intentions for using the three volumes of "TECHNICAND MELODY" and general useful hints on pianoforte instruction. It issupplemented with lists of graded teaching pieces, especially selected foruse with this or any other method.

Key Circle Exercisesfor the Pianoforte

Frank LynesThree Books :::::: Each 75 Cents

To the teacher who desires material which is so constructed that itserves more than a single purpose, "KEY CIRCLE EXERCISES," for thepiano, will be found especially valuable. While contributing to the teach-ing repertoire a distinctly useful group of technical studies, this work isalso of value in affording indispensable practice in MEMORY TRAINING,SIGHT READING, TRANSPOSITION, PRINCIPLES OF MODULATION,PROGRESSION AND RESOLUTION OF HARMONIC COMBINATIONS.

The books contain a comprehensive course of study in scale playing,chords, arpeggios and broken chords, double notes, and various touches,

trill, hand expansion, part-playing (including the scales in canon form, etc.).

Send for descriptive Circular

: : PIANOFORTE STUDIES BY GEORGE EGGELING : :Eighteen Melodious Octave Studiesof Medium Difficulty Op. 90 « Price £1.00These studies, of medium grade difficulty, serve admirably as prepa-

ration for the more advanced octave studies of KULLAK and others.While especially designed for octave practice, the musical character

of these studies gives them additional value, particularly to the pupil whoneeds not only technical training, but opportunity for study in the artof interpretation.

Hence, expression, pedal, broad phrasing, and the application of theoctave equally to right and left hands, gives this collection of studiesparticular value.

The eighteen studies are- not cast in one mold, but offer a fine varietyof "pieces". They appeal to the musical sense, and consequently developit, while the technical training is going forward.

Fifty Melodious Etudes in all the Major&Minor KeysTwo Books :: Op. 122 :: Each 75 Cents

Several qualities recommend these Etudes. First, they grade naturallyfrom a very simple two-part study in C major to a point where a varietyof rhythmic groups and simple arpeggios contribute to produce very ori-ginal and musical pieces which are no longer than two printed pages.

Each of these Etudes has a distinct purpose. To mention a few inorder will show the character of the collection as a whole. They are:MELODY STUDIES, SIMPLE CHORD STUDIES, BROKEN SCALE GROUPS,BROKEN CHORDS ALTERNATING BETWEEN THE HANDS, INNERVOICE MELODY, SPECIFIC RHYTHM, EAST WRIST STUDIES, THESCALE AS A WHOLE. DOUBLE NOTES AND SYNCOPATIONS, and Typeforms like the WALTZ, MAZURKA, and MARCH.

Every one of these is taken up as a fundamental MUSICAL problemand the treatment is from the MUSICAL side. While chords are freelyemployed, the octave is very sparingly used.

These Etudes will be welcomed by teachers who are looking for mu-sical pieces in which an essential problem is so presented that the studentwill gain the good of the problem while enjoying the attractive melodicand harmonic qualities of the composition in which it is incorporated.

Book I contains Etudes in not more than three sharps or three flats.Book II contains Etudes in all the remaining major and minor keys.

Twenty- Five Etudes (without octaves)for Technical and Musical Development

Two Books :: Op. 170 :: Each 75 Cents.(Schmidt's Educational Series No. 16a-b)

The studies of this Opus are intended for introducing the pupil to andaffording practice in third grade work. They are somewhat more am-bitious in design and difficulty than those of Op. 122. While octaves donot appear, there is a free use of short chords and of varied rhythmsthat constitute many original short pieces. Each study aims at a specificpurpose, some of the problems presented being the following:

Studies in RHYTHM AND PHRASING, TRILL STUDIES (No. 14 is afine example), MELODY STUDIES, FOUR NOTES AGAINST THREE, THETURN, INNER VOICE MELODY, CHORD STUDIES (with application, toboth hands equally) STUDY OF DOUBLE THIRDS (equally for both hands),WRIST STUDIES, THE APPOGIATURA, STUDY OF PEDAL EFFECT,and VELOCITY PASSAGES.

Before beginning this Opus, the student should possess some freedomand independence in the simpler problems of the items specified above(which simpler presentation is afforded by Op. 122).

Op. 176. PLEASURE AND PROGRESS35 Descriptive Etudes for the Earlier Grades

(Schmidt's Educational Series No. 60a-b)

Book I :: Book II :: Each 75 CentsIn the attractive little Etudes comprising this Opus the composer has

successfully applied many technical features in the form of short descrip-tive pieces, each bearing a suitable title and skilfully contrasted. Note-worthy features of this collection are the strongly marked rhythms em-ployed and the careful attention throughout to the equal development ofboth hands. Fingering, phrasing and all details necessary for enhancingthe value of this work to teachers have been most carefully added. At-tention has also been given to variety of keys and time signatures. Thefollowing description of the various numbers will show the scope andcharacter of these studies. They are progressively arranged and cover theintermediate first and second grades.

At the Brook (Finger Equality in both hands). The Spinning Wheel(Legato playing-triplets), Dress Parade March (Scale passages for L. H.-rhythm), Echoes from Capri, Tarantelle (Velocity), At the Spring (Ac-cent, etc.), Birds in the trees (Trills), Playing Tag (Legato and Staccato),The Shepherd's Sone (Broken Chords), Rippling: Waves (Melody), TheChase (Contrast of forte and piano), Folk Song (Melody and detachedchords), Berceuse (Sustained Melody), Forest Sounds (Crossing the hands),Elfin Dance (Staccato).

SEVEN ETUDESfor

the Development of the Hands in Extended Positions

Op. 172 :: Price 75 Cents

This set of Etudes has a specific purpose ; "The Development of theHands In Extended Positions". These Studies are applicable only inadvanced work — and well repay the study necessary to perform themartistically.

The following description of each Etude will show the extent of theapplication of the "Extended Position" principle.

No. 1. MELODY. Long, sustained chords, in both hands as accom-paniment.

No. 2. INNER VOICE MELODY, with extended chords in the lefthand and triplet accompaniment above the melody for the right hand.This Etude is six pages in length and makes an excellent recital number.

No. 3. BROKEN CHORDS (arpeggiated) in the left hand withbroadly sustained melody in chords in the right hand. Secondary, orsubsidiary melody in the accompaniment.

No. 4. MELODY STUDY (Melody in Soprano, and later in an innervoice). Accompanying figures as extended broken chords.

No. 5. IN MARCH RHYTHM. Strong and well-sustained theme. Oc-taves are freely employed and some measures of echo-like grace notesare used as embellishment.

No. 6. INNER VOICE MELODY with extended broken chords inthe right hand. A most excellent melody study for the left hand.

No. 7. MELODY DIVIDED BETWEEN THE HANDS. The ex-tended positions are confined chiefly to the left hand. An excellent re-cital number.

Besides the specific purpose to which each of these studies is devoted,all are moat excellently adapted to the general study of the pedal.

Phrasing is clearly indicated and sufficient pedal marks and finger-ings are given to insure an artistic performance.

ARTHUR P. SCHMIDT, BOSTON :: 120 Boylston StreetLEIPZIG :: Lindenstrasse 16NEW YORK :: 11 West 36th streetImm0»m0m0m0*mw0mm0***mt*mm0**mmim0m0m+ m*0m0m000mi**mmf*0*0t0*mwm*wm0m0m0****m0**m0«m0*mm

FIRST YEAR HARMONY(100 FIRST LESSONS)By THOMAS TAPPER

Price $ 1.00

A simple presentation of the fundamental principles of Harmony. It is especially designed for self study as wellas for use in classes. It provides one year's work and gives distinct training in Tone -perception, Ear training,Harmonizing a bass, Harmonizing a melody and Melodic Composition.

THE ELEMENTS OF HARMONYBy STEPHEN A. EMERY

Price $1.00

Used by leading teachers and conservatories throughout the country.

A KEY TO "ELEMENTS OF HARMONY" By FRANK LYNESPrice 60 Cents

SUPPLEMENTARY EXERCISES TO "ELEMENTS OF HARMONY"Price 50 Cents

Exercises, chants and chorals appropriately figured, which may be used as a sequence to any harmonic treatise.

MODERN HARMONYIN ITS THEORY AND PRACTICE

By ARTHUR FOOTE and WALTER R. SPALDINGPrice $ 1.50

A KEY TO THE 501 EXERCISES IN "MODERN HARMONY"Price 75 Cents

TONAL COUNTERPOINTSTUDIES IN PART-WRITING

By WALTER R. SPALDINGProfessor of Music in Harvard University

Price $ 2.00

PRIMER OF MUSICAL FORMSA Systematic view of the typical forms of modern music.

By W. S. B. MATTHEWSPrice 80 Cents

SOME PRACTICAL THINGS IN PIANO PLAYINGBy ARTHUR FOOTE

Price 50 Cents

ARTHUR P. SCHMIDTBOSTON LEIPZIG NEW YORK

120 Boylston Street Lindenstrasse 16 11 West 36th Street

No. 48.

Schmidts Educational Series.

Pianoforte Collections.Vol BOHM, CARL.30. Op. 368. Lyric Suite. 6 Compositions ...... 0.7549. Musical Echoes. 10 Instructive and melodious Com-

positions 0.75

DENNEE, CHARLES.lOOa-b Album of Selected Compositions 2 Books . . . each . 75

EGGELING, GEORC.98. Transcriptions from the works of old masters. . . .0.75

FRIML, RUDOLF.3. Op. 36. Suite mignonne. 6 Compositions 0.75

GURLITT, CORNELIUS.93. Op. 172. Miniatures 0.7550. Op. 197. Fireside Fancies. 12 Little Tone Pictures

on Five Notes . 6011. Musical Sketch Book. 15 Selected Compositions . 0.75

HANDEL, G. F.64. Instructive Pieces. Adapted by Carl Faelten.

2 Books each 0.75

HE1NS, CARL.15. Op. 270. Six Fancies 0.75

HENNING, MAX.1. Op. 22. 12 Two-Part Fughettas and Fugues (In-

troductory to the works of J. S. Bach) . . .0.75

KAISER, ALFRED.57. Arlequinade. Suite of 8 Compositions 0.75

KRENTZLIN, R.59. Op. 19. Village Scenes. 6 Characteristic Pieces . 0.75

LACK, THEODORE.47. Morceaux poetiques. 8 Selected Compositions . .1.00

Vol LYNES, FRANK.53. Op. 14. Bagatelles. 10 Melodious Sketches . . . . 0.75

19. Op. 47. A Pleasant Beginning and other tunes forlittle fingers in all the major and minor keys . 75

MAC DOWELL, EDWARD.107. () Little Pieces I After Sketches of J S. Bach) . . . 0..75

MEYER, FERDINAND.76. Christmas Suite 0.75

MOSZKOWSKI, MORITZ.89. Op. 89. Impressions Musicales. 5 Waltzes 1.00

(Yalse-pr^lude — Valse mignonne — Valse triste —Valse tendre — Valse Tonrbillon.)THE PUPILS LIBRARY.

43a-b. First Series. 2 Books each 0.6044a-b. Second Series. 2 Books each 0.6045a-b. Third Series. 2 Books each 0.60

RITTER, G. P.27. First Amusements. 12 Pieces on Five Notes. . . 0.75

SCHYTTE, LUDVIG.48. Instructive Recreations. 8 Selected Compositions . 0.757. 10 Study-pieces selected from Op. 66 0.75

SGAMBATI, G.90. Introduction and Etude brillante (Reveil des F6es)

by E. Prudent 0.60

SMITH, WARREN STOREY.38a-b. Effort and Pastime. 24 Melodious Pieces in all

keys. 2 Books each 0.60

TORJUSSEN, TRYGVE.63. Op. 3. Norwegian Suite. 6 Compositions . . . .0.75

WOLF, OSKAR.88. Op. 7. Aphorisms. 6 Compositions 0.75

^y^7~ "S)

Pianoforte Duets.BARBOUR, FLORENCE N.

105. Rambles in Musicland. First Duets for Pupil & Teacher . 75

BODENHOFF, HAROLD.94. Op. 7. Bagatelles. 6 Duets 0.75

DENNEE, CHARLES.6. Op. 18. The Children's Festival. 10 Easy Duets . 0.75

FOOTE, ARTHUR.20. 12 Duets on Five Notes 0.75

GURLITT, CORNELIUS.35a-b. Op. 178. Tender Blossoms. 20 Melodious Duets.

2 Books each . 75

KRONKE, EMIL.69. Op. 66. From Far and Near. 5 Duets 0.75

THE PUPIL'S DUET ALBUM.46a-b. First Series. 2 Books each 0.60

SARTORIO, ARNOLDO.58a-b. Op. 400. Pictures from Youth. 12 Melodious Duets.

2 Books each 0.60

SOCHTING, EMIL.109. Op. 63. 3 Gipsy Dances 0.75

ARTHUR P. SCHMIDTBOSTON LEIPZIG NEW YORK120 Boylston Street. 11 West 36th Street.

Printed In Germany.

Schmidt's Educational Series.Violin «* Violoncello *»

VIOLIN.

Organ *» Vocal.

Vol. ALTHAUS, BASIL.5a-c. Op. 65. Legato and Staccato Studies.

Part 1. Exercises in the first position 0.60Part 2. Exercises in the first to fourth

positions 0.60

Part 3. Scale Studies in two octaves

and exercises in all positions 0.60

BIEHL, ALBERT.

54. Op. 178. First Recreations. 5 Composi-

tions for Violin and Pianoforte. (First

Position) 0.60

BOHM, CARL,23a-b. Op. 366. From many Lands. 12 Com-

positions for Violin and Pianoforte.

2 Books each 0.75lOa-b. Op. 367. 40 Progressive Studies (First Po-

sition). 2 Parts each 0.60

CUTTER, BENJAMIN.

62. 5 Characteristic pieces for Violin and Piano-

Vol

36.

42.

DANCLA, CHARLES.

Op. 191. Spring Flowers. 6 Compositions

for Violin and Piano

Op. 194. 12 Melodious Studies (With ac-

companiment of a second violin) . .

HERMANN, FRIEDRICH.18a-c. Op. 29. 36 Exercises and Etudes.

Book 1. 12 Exercises for Beginners

(First Position)

Book 2. 12 Easy Etudes (First andThird Positions)

Book 3. 12 Special Studies (First to

Seventh Positions) ....HERMANN, TH.

28a-b. Op. 100. 12 Melodious Etudes (First Po-

sition) with accompaniment of a second

violin. 2 Books each

H0FMANN, RICHARD.32a-b. 14 Etudes (with accompaniment of a second

violin). 2 Books each

0.90

0.75

60

0.60

0.60

forte (First Position) . . . ... . . .0.75

VIOLONCELLO.14. SCHRODER, CARL. Op. 87. 18 Very Easy Studies (with second ''cello ad lib.)

ORGAN.56. DUNHAM, HENRY, M. Bach's smaller Organ Works (8 Short Preludes and Fugues and other Pieces

Adapted to the Modern Organ, with registration, pedalling etc.)

104. GUILMANT, ALEXANDRE. Op. 94. 3 Prayers and Prelude in G95 KING, OLIVER. Wedding Suite. 4 Compositions

33. TRUETTE, EVERETT E. The Organist's First Etude Album34. TRUETTE, EVERETT E. 20 Preludes and Postludes (A Sequel to the Organist's First Etude Album)

113a-b. TRUETTE, EVERETT E. Schmidts Standard Organ Collection. Compositions specially adaptedfor the Church Service. First Series: Part 1, Part 2 each

65a-b. STEANE, BRUCE. Short Compositions for the Church Service.

Book I. A Book of Short Voluntaries .Book II. Offertories and Other Pieces

VOCAL.83a-b. LYRIC FANCIES. Album of Songs by American Composers. High Voice, Low Voice . . each80a-b. SCHMIDT'S Collection of Sacred Songs. High Voice . 2 Volumes each

81a-b. SCHMIDT'S Collection of Sacred Songs. Medium Voice . 2 Volumes each82a-b. SCHMIDT'S Collection of Sacred Songs. Low Voice 2 Volumes each22. STURM, WILH. Op. 83. 12 Vocalises for Soprano or Tenor

0.60

0.60

0.75

1.00

1.00

1.00

0.90

0.90

1.00

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1.25

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0.75

0.75

0.75

ARTHUR P. SCHMIDTBOSTON LEIPZIG NEW YORK120 Boylston Street. 1 1 West 36th Street.

No. 55. Printed in Germany.

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