hamilton my shot - alfred musiclin-manuel miranda with albert johnson, kejuan waliek muchita, osten...
TRANSCRIPT
Arranged byALAN BILLINGSLEY
Lively Hip-Hop, swing 16ths (q = ca. 91)
Lively Hip-Hop, swing 16ths (q = ca. 91)
© 2015 5000 BROADWAY MUSIC (ASCAP),UNIVERSAL MUSIC - CAREERS obo itself and P. NOID PUBLISHING (BMI),
UNIVERSAL MUSIC - MGB SONGS obo itself and JUVENILE HELL (ASCAP), EMI APRIL MUSIC INC. (ASCAP), BIG POPPA MUSIC (ASCAP),JUSTIN COMBS PUBLISHING COMPANY INC. (ASCAP), SONGS OF LASTRADA (BMI), RUBBER BAND MUSIC (BMI),
BMG PLATINUM SONGS (BMI)/R2M MUSIC (BMI).All Rights for 5000 BROADWAY MUSIC (ASCAP) Administered by WB MUSIC CORP.
“My Shot” contains elements of “Shook Ones Pt. II” written by Albert Johnson and Kejuan Waliek Muchita,published by Universal Music - Careers obo itself and P. Noid Publishing (BMI)/ Universal Music - MGB Songs obo itself and Juvenile Hell (ASCAP);
and “Going Back To Cali” written by Osten Harvey, Jr., Roger Troutman and Christopher Wallace,published by EMI April Music Inc., BIG Poppa Music, Justin Combs Publishing Company Inc. (ASCAP).
All rights administered by Sony/ATV Music Publishing LLC,424 Church Street, Suite 1200, Nashville, TN� 37219/ © 1997 Songs Of Lastrada (BMI) / Rubber Band Music (BMI).
Worldwide rights administered by Grow Your Own Music (BMI), a division of “A” Side Music, LLCd/b/a Modern Works Music Publishing (BMI) / BMG Platinum Songs (BMI)/R2M Music (BMI).�
All rights administered by BMG Rights Management (US) LLC.All rights reserved.� Used by permission;�
and�“You’ve Got To Be Carefully Taught” from�South Pacific.� Music by Richard Rodgers.� Lyrics by Oscar Hammerstein II.�This selection is used by special arrangement with Rodgers & Hammerstein: an Imagem Company,�www.rnh.com.��
This Arrangement © 2016 5000 BROADWAY MUSIC (ASCAP),UNIVERSAL MUSIC - CAREERS obo itself and P. NOID PUBLISHING (BMI),
UNIVERSAL MUSIC - MGB SONGS obo itself and JUVENILE HELL (ASCAP),EMI APRIL MUSIC INC. (ASCAP), BIG POPPA MUSIC (ASCAP), JUSTIN COMBS PUBLISHING COMPANY INC. (ASCAP),
SONGS OF LASTRADA (BMI), RUBBER BAND MUSIC (BMI), BMG PLATINUM SONGS (BMI)/ R2M MUSIC (BMI).All Rights Reserved. Used by Permission. Printed in USA.
To purchase a full-length performance recording of this piece, go to alfred.com/downloads
From HAMILTON
Words and Music byLIN-MANUEL MIRANDA
with Albert Johnson, Kejuan Waliek Muchita,Osten Harvey, Jr., Roger Troutman and Christopher Wallace
MY SHOTfor S.A.B. voices and piano
with optional SoundTrax CD*
Performance time: approx. 5:40
SOLO/SMALL GROUP
SOLO/SMALL GROUP
SOPRANOALTO
BARITONE
PIANO
HAMILTON:
I
mf
am
Cm
mf
Cm/E¨ D7/F#
f
*Also available for S.A.T.B. (45663) and S.S.A. (45665). SoundTrax CD also available (45666).
cresc.
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not throw ing- a way- my shot! I am not throw ing- a way- my shot! Hey yo, I’m
3 3
Finger snaps
Gm F/A B¨ G7/B
mf
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
Cm
cresc.
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not throw ing- a way- my shot! I’m ’a get a schol ar- ship- to King’s Col lege.- I prob ’ly- should n’t- brag, but
3
Cm/E¨ D7/F# µ Gm F/A
f
dag, I a maze- and a ston- ish.- The prob lem- is I got a lot of brains but no pol ish.- I got ta- hol ler- just to
3
B¨ G7/B Cm Dm
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be heard. With ev e- ry- word, I drop knowl edge!- I’m a
E¨m
dia mond- in the rough, a shin y- piece of coal tryin’ to reach my goal. My pow er- of speech: un im- peach- a- ble.-
Oo
mp
oo
Gm
mf
F/A B¨ G7/B
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On ly- nine teen- but my mind is old er.- These New York Cit y- streets get cold er,- I shoul der- ev ’ry-
Cm
Cm/D Cm/E¨
D7/A
bur den,- ev ’ry- dis ad- van- tage- I have learned to man age,- I don’t
oo
mp
Gm F/A
sim.
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have a gun to bran dish,- I walk these streets fam ished.- The plan is to fan this spark in to- a flame. But,
oo
B¨ Cm Cm/D
dang,
HAMILTON:
it’s get ting- dark, so let me spell out the name, I am the A L- E- X- A- N- D- -
LAURENS/LaFAYETTE/MULLIGAN:
A
mf
L- E- X- A- N- D- -
A.
S.
A
mf
L- E- X- A- N- D- -
B. mf
Cm/E¨
D7/A Gm F/A
f
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E R.- We are meant to be a col o- ny- that runs in de- pen- dent- ly.- Mean while-
E R.- We are meant to be.
E R.- We are meant to be. Oh
mp
mp
B¨ Cm
mf
Cm/D
Brit ain- keeps spit tin’- on us end less- ly.- Es sen- tial- ly,- they tax us re lent- less- ly,- then King
oo
Cm/E¨ D7/A
Gm F/A
sim.
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George turns a round,- runs a spend ing- spree. He ain’t
oo
B¨ G7/B
ev er- gon na- set his de scen- dants- free, so there will be a rev o- lu- tion- in this cen tu- ry.- En -
Cm Cm/D Cm/E¨ D7/A
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ter me! Don’t be shocked when your his t’ry- book men tions- me. I will
MULLIGAN/LAURENS/LaFAYETTE:
(He
mf
says in pa ren- the- ses.)-
Ah ah
Gm F/A B¨ G7/B
lay
cresc. poco a poco
down my life if it sets us free. E ven- tual- ly,- you’ll see my as cen- dan- cy,- and I am
3
ah
cresc. poco a poco
cresc. poco a poco
Cm
cresc. poco a poco
Cm/D Cm/E¨ D7/A
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not
mf
throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
LAURENS:
My
mf
shot! My shot!
Not
mf
throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
mf
3 3
Gm F/A B¨ G7/B
mf
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
And I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
Cm Cm/D
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not throw ing- a way- my shot.
HAMILTON/LAURENS:
I am not throw ing- a way- my shot. I am
3 3
not throw ing- a way- my shot.
MULLIGAN/LaFAYETTE:
I am not throw ing- a way- my shot. I am
33
not throw ing- a way- my shot. I am not throw ing- a way- my shot. I am3
3
3 3
Cm/E¨ D7/F#
sim.
Gm F/A
not throw ing- a way- my shot. Hey yo, I’m
3
not throw ing- a way- my shot. Hey yo, I’m
3
not throw ing- a way- my shot. Hey yo, I’m
3
3
B¨ G7/B
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just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
Cm Cm/D
not throw ing- a way- my shot! It’s
f
time to take a shot. I
LaFAYETTE:mf
dream of life with out- a mon ar- chy.-
3
not throw ing- a way- my shot! It’s
f
time to take a shot.
3
not throw ing- a way- my shot! Shot!
f
3
f
3
Cm/E¨ D7/F# Gm
sfz
µ
mf
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The un rest- in France will lead to ’on ar- chy?- ’On ar- chy?- How you say, how you say, “An ar- chy?”-
When I fight, I make the oth er- side pan ick- y- with my shot! Yo,
MULLIGAN:
I’m a tai lor’s- ap pren- tice- and I
3
HAMILTON/LAURENS/MULLIGAN:
Shot!
Shot!
Gm
sfz
µ
mf
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got y’all knuck le- heads- in lo co- par en- tis.- I’m join in’- the re bel- lion- ’cause I know it’s my chance to so cial-
3
-
ly ad vance,- in stead- of sew in’- some pants. I’m gon na- take a shot! But
LAURENS:
we’ll nev er- be tru ly- free un-
HAMILTON/LaFAYETTE/LAURENS:
Shot!
Shot!
Gm
sfz
µ
mf
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til those in bond age- have the same rights as you and me, you and I. Do or die. Wait till I sal ly- in on a
stal li- on- with the first black bat tal- i- on.- Have an oth- er- shot! Gen
BURR:
ius- es,- low er- your voic es.- You
HAMILTON/LaFAYETTE/MULLIGAN:
Shot!
Shot!
Gm
sfz p
F/A
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keep out of trou ble- and you dou ble- your choic es.- I’m with you, but the sit u- a- tion- is fraught. You’ve
B¨ G7/B Cm Dm
got to be care ful- ly- taught; If you talk, you’re gon na- get shot! Burr,
HAMILTON:
check what we got. Mis ter-
Oo
mp
Cm/E¨ D7/F# Gm F/A
sfz mf
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La fay- ette,- hard rock like Lan ce- lot,- I think your pants look hot, Laur ens,- I like you a lot. Let’s hatch a
oo
B¨
sim.
G7/B Cm Cm/D
plot black er- than the ket tle- cal lin’- the pot. What are the
C‹/E¨ D7/A
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odds the gods would put us all in one spot, pop pin’- a
3
Ah
Gm F/A
squat on con ven- tion- al- wis dom,- like it or not, a bunch of
3
ah
ah
B¨ G7/B
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rev o- lu- tion- ar- y- man u- mis- sion- ab o- li- tion- ists?-
Cm Cm/D
Give me a po si- tion,- show me where the am mu- ni- tion- is!
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sub.
Oh,
p
am I talk in’- too loud? Some times- I get o ver- ex- cit- ed,- shoot off at the mouth. I nev er-
Finger snaps
had a group of friends be fore,- I prom ise- that I’ll make y’all proud.
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I
f
am
Let’s
LAURENS:
mf
get this guy in front of a
+LaFAYETTE/MULLIGAN:
crowd. I
f
am
I
f
am
f
D
f
w/ pedal
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
33
3 3
Gm F/A B¨ G7/B
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just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
sim.
Cm
not throw ing- a way- my shot. I am
3
not throw ing- a way- my shot. I am
3
not throw ing- a way- my shot. I am3
3
Cm/E¨ D7/F#
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not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
33
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
33
3 3
Gm F/A B¨ G7/B
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
Cm
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76
not throw ing- a way- my shot! Ev
LAURENS:
’ry- bod- y- sing:
3
not throw ing- a way- my shot! Whoa,
HAMILTON/LaFAYETTE/MULLIGAN:mf
whoa, whoa!
3
not throw ing- a way- my shot! Whoa,
mf
whoa, whoa!3
3
Cm/E¨ D7/F# Gm9
mf
Hey!
mf
Wooh! Ay, let ’em hear ya! Let’s go!
Whoa! Whoa! Yeah!
Whoa! Whoa! Yeah!
B¨ E¨maj7 D7(b9)
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I said, shout it to the roof tops!-
Whoa, whoa, whoa! Whoa!
Whoa, whoa, whoa! Whoa!
Gm9 B¨
Said, to the roof tops!- Come on! Come on, let’s go!
Whoa! Yeah!
Whoa! Yeah!
E¨maj7 F#dim7 D7
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Rise
mfup! When you’re liv ing- on your knees, you rise up. Tell your broth er- that he’s got ta-
Gm9
mf
F/A B¨
LAURENS/LaFAYETTE/MULLIGANand TREBLE SMALL GROUP:
When
f
are these col o- nies- gon na-
rise up. Tell your sis ter- that she’s got ta- rise up.
sim.
E¨maj7 F#dim7
D7
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rise up? When
cresc. poco a poco
are these col o- nies- gon na- rise up? When are these col o- nies- gon na-
Whoa,
mf
whoa, whoa! Whoa!
mf
Gm F/A B¨ G7/B
sub. p
I
HAMILTON:
i mag- ine-
rise up? When are these col o- nies- gon na- rise up? Rise
f
up!
Whoa! Rise
f
up!
f
Cm Cm/E¨ D7/F#
f
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92
death so much it feels more like a mem o- ry.- When’s it gon na-
Gm
sub. p
get me? In my sleep? Sev en- feet a head- of me? If I see it com in’,- do I run or do I let it be?
B¨ E¨maj7(™œ3)
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Is
cresc. poco a poco
it like a beat with out- a mel o- dy?- See, I nev er- thought I’d live past twen ty.- Where I come from
Oo
p
D Gm9
some get half as man y.- Ask an y- bod- y- why we liv in’- fast and we laugh, reach for a flask,
B¨ E¨maj7(™œ3)
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100
we have to make this mo ment- last, that’s plen ty.- Scratch
Slowly growing in intensity
that, this is not a mo ment,- it’s the move ment-
Oo
mp
D Gm9
mf
where all the hun gri- est- broth ers- with some thing- to prove went?
B¨
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103
Foes op pose- us, we take an hon est- stand, we roll like Mo ses,- claim in’- our prom ised- land.
Oo
mp
mp
E¨maj7 D7/F# D7
sim.
And? If we win our in de- pen- dence?- ’Zat a guar an- tee- of free dom- for our de scen- dants?-
Slowly growing in intensity
Gm9 F/A B¨
Slowly growing in intensity
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107
Or will the blood we shed be gin- an end less- cy cle- of ven - geance and death with no de fen- dants?-
Ah
E¨maj7 D7/F# D7
I know the ac tion- in the street is ex cit- in’,- but Je sus,-
µ
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109
be tween- all the bleed in’- ’n’ fight in’- I’ve been read in’- ’n’ writ in’.-
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
We need to han dle- our fi nan- cial- sit u- a- tion.- Are we a na tion- of states? What’s the state of our na tion?-
ah
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112
I’m
f
past pa tient- ly- wait in’.- I’m pas sion- ate- ly- smash in’-
f
f
Gm
f
F/A
ev ’ry- ex pec- ta- tion,- ev ’ry- ac tion’s- an act of cre a- tion.-
B¨ G7/B
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114
I’m laugh in’- in the face of ca sual- ties- and sor row,- for the
3
Ah
mp
mp
Cm
fp
first time, I’m think in’- past to mor- row,- and I am
3 3
LAURENS/LaFAYETTE/MULLIGAN:
And
f
I am
3
ff
And
f
I am
3
fff
3
D7/F#µ
3
ff
w/ pedal
f3
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117
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
3 3
not throw ing- a way- my shot. I am not throw ing- a way- my shot. Hey yo, I’m
33
3 3
Gm F/A B¨ G7/B
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
just like my coun try,- I’m young, scrap py,- and hun gry,- and I’m
sim.
Cm
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119
not throw ing- a way- my shot. We’re gon na-
3
not throw ing- a way- my shot! We’re gon na-
3
not throw ing- a way- my shot!3
3
Cm/E¨ D7/F#
rise up! Time to take a shot! We’re gon na-
rise up! Time to take a shot! We’re gon na-
Not throw ing- a way- my shot. I am
3
3
Gm F/A
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122 123
rise up! Time to take a shot! We’re gon na—-
HAMILTON:
It’s
cresc. poco a poco
time to take a shot!
rise up! Time to take a shot! We’re gon na—-
not throw ing- a way- my shot. We’re gon na- rise up! Rise
cresc. poco a poco
up!
3
cresc. poco a poco
3
B¨ G7/B Cm
fp
cresc. poco a poco
It’s
HAMILTON/LaFAYETTE/LAURENS/MULLIGAN:
time to take a shot! It’s time to take a shot!
opt. SMALL GROUP:
Whoa,
mf
whoa, whoa!
Rise up! Rise up! Rise up! Rise up!
Gm/D Cm/E¨
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126
Take a shot! Shot! Shot! A yo,- it’s time to take a shot! Time to take a shot! And
ff
I am
3
Whoa! Whoa, whu, whoa! And I am
3
Ru— Ru— Ru— Time to take a shot! Time to take a shot! And I am
3
3
Gm/F D7/F#
f 3
w/ pedal
3
not throw ing- a way- my, not throw ing- a way- my shot!
3 3
not throw ing- a way- my, not throw ing- a way- my shot!
3 3
not
ff
throw ing- a way- my shot!3
ff
3
µ
ff
Gm
sfz3
3
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