h. ashman a. menken · be a dentist - original omitted: first 6 bars of underscoring. i've...

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Be a Dentist - ORIGINAL omitted: first 6 bars of underscoring. I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated with these notes. This happens in the "Say Ah" section at the end, too. A. Menken H. Ashman Jonathan 112 When/I/was younger just a bad little kid, J 4 My mama noticed funny things I did, Like shootin' puppies with/a BB gun J 8 I'd poison guppies, and when I was done, I'd find a pussycat/and bash in its head. J 12 That's when my ma ma said: She said, "My boy, I think some - J 16 day, you'll find a way to make your nat u ral ten den cies pay. You'll be a - - - - J 20 den tist! You have a ta lent for cau sing things pain. Son, be a - - - J 24 den tist. Peo ple will pay you to be in hu mane. Your - - - - J 28 temp' ra ment's wrong for the priest hood and teach ing would suit you still - -

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Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Jonathan

112

When/I/was younger just a bad little kid,

J

4

My mama noticed funny things I did, Like shootin' puppies with/a BB gun

J

8

I'd poison guppies, and when I was done, I'd find a pussycat/and bash in its head.

J

12

That's when my ma ma said: She said, "My boy, I think some-

J

16

day, you'll find a way to make your nat u ral ten den cies pay. You'll be a- - - -

J

20

den tist! You have a ta lent for cau sing things pain. Son, be a- - -

J

24

den tist. Peo ple will pay you to be in hu mane. Your- - - -

J

28

temp' ra ment's wrong for the priest hood and teach ing would suit you still- -

2

J

31

less. Son, be a den tist. You'll be a suc cess!"- -

J

43

Aw shut up! Open wide, here/I come! I am your den tist,-

J

47

and I en joy the ca reer that I picked! I am your den tist, and I get- - -

J

52

off on the pain I in flict! When I start ex trac ting those mo lars, you- - - -

J

56

girls will be screa ming like ho ly rol lers. and though it- - -

J

60

may cause my pa tients dis tress, some where in hea ven a bove me, I- - - - -

J

64

know that my ma ma's proud of me 'Cause I'm a den tist, and a suc- - -

J

69

cess! Say Ah..... Say Ah.....

J

74

Say Ah..... Now spit!

Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Alyssa

112

What did she say? You'll be a den tist Oo-

L

23

pain! Son, be a den tist Oo In hu mane! Oo- - -

L

29

Oo ah Son, be a den tist. You'll be a suc cess!"- -

L

35

Who wants their/teeth done/by/the Marquis de Sade? Oh, that hurts! I'm not

L

43

numb! Den tist, good ness gra cious, Oo- - -

L

49

you love it! Den tist, fit ting bra ces, Oo you really love.it!- - -

2

L

54

Oo Oo ah Den tist Oo-

L

61

dis tress! oo oo ah den tist- -

L

68

Ah!....

L

74

Ah!.... Ah!....

Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Amanda

112

What did she say? You'll be a

A

21

den tist Oo Son, be a den tist Oo- -

A

27

In hu mane! Oo Oo ah Son, be a den tist.- - -

A

33

You'll be a suc cess!" Here he/is girls,the leader of the plaque!-

A

41

Oh, that hurts! I'm not numb! Den tist, good ness- -

A

47

gra cious, Oo Den tist, fit ting bra ces, Oo- - - -

A

53

Oo Oo ah Den tist-

A

60

Oo dis tress! oo oo ah-

2

A

67

den tist Ah!....-

A

73

Ah!.... Ah!....

Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Wendy

112

What did she say? You'll be a den tist Oo-

W

23

Son, be a den tist Oo In hu mane! Oo- - -

W

29

Oo ah Son, be a den tist. You'll be a suc cess!"- -

W

35

Watch him suck/up that gas, oh my God! Oh, that

W

42

hurts! I'm not numb! Den tist, good ness gra cious,- - -

W

48

Oo Den tist, fit ting bra ces, Oo- - -

W

54

Oo Oo ah Den tist Oo-

W

61

dis tress! oo oo ah den tist- -

2

W

68

Ah!....

W

74

Ah!.... Ah!....

Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Mackenzie

112

What did she say? You'll be a den tist-

M

22

Oo Son, be a den tist Oo In hu mane!- - -

M

28

Oo Oo ah Son, be a den tist. You'll be a suc- -

M

34

cess!" He's/a dentist and he'll never ever be any/good

M

41

Oh, that hurts! I'm not numb! Den tist, good ness- -

M

47

gra cious, Oo Den tist, fit ting bra ces,- - - -

M

52

Oo Oo Oo ah Den tist-

M

59

Oo dis tress! oo oo ah-

2

M

66

den tist Ah!....-

M

73

Ah!.... Ah!....

Be a Dentist - ORIGINALomitted: first 6 bars of underscoring.

I've used a staccato eighth note at the start of a bar when there is dialogue, e.g. the first 2 pages, just to force the application to let me type in the lyrics. There is no sung pitch associated

with these notes. This happens in the "Say Ah" section at the end, too.

A. MenkenH. Ashman

Piano

112

Pno.

6 Am7

Pno.

11 F7 B C7

Pno.

15 C7

2

Pno.

20 F Dm Gm C7 F

Pno.

25 Dm Gm C7 Gm C

Pno.

30 Am D7 Gm C7

Pno.

35

Pno.

40 Am/E F7 F7 B

3

Pno.

45 D7

Pno.

50

Pno.

55

Pno.

60

Pno.

65

Pno.

71

4

Pno.

75