Guitar III & Guitar IV 11th night Spring 2003

• Group work – 1 hour of class put aside for group work.

• CAGED for Pentatonic - review• CAGED Chords• More songs and techniques with the songs.• 3rds in blues – blues backup – very cool stuff.• Review blues and other Turnarounds.• Mr. Bojangles – Review time permitting• Misc• Straight No Chaser

3

2

4

11

D Major Pentatonic

Note the root is on the 5th

string.

3

1

44

22

44

11

4

C Major Pentatonic

Note the root is on the 5th

string.

2

44

C form to the next one is A form to the G form to the E form below

3

1

2

444

11

3

G Major Pentatonic

Note the root is on the 6th

string (E form of CAGED). Thisis the same as the E minor

Pentatonic

1 1

3

1111

33

4

A Major Pentatonic

Root is on the 6th string 5th fret.

1

44

4

3

1

1

11

3 333

11

E major pentatonic scale theD form of CAGED

Lastly the D formNow look at these the C form 4th finger goes to the A form end finger. Go up 3 frets from the A form for the G form, the G form pinky goes to the E form 2nd finger and then up 2 frets to the D form. There are notes that are the same in each of these. See arrows.

3

2

4

11

D Major Pentatonic

Note the root is on the 5th

string.

3

1

44

22

44

11

4

D Major Pentatonic

Note the root is on the 5th

string. At the 5th fret.

2

44

3

1

2

444

11

3

D Major Pentatonic

Note the root is on the 6th

string (E form of CAGED). Thisis the same as the B minor

Pentatonic, root at the 10th fret

1 1

3

1111

33

4

D Major Pentatonic

Root is on the 6th string 10th fret.

1

44

4

3

1

1

11

3 333

11

D major pentatonic scale theD form of CAGED

Lastly the D form

This one has the root at the 12th fret.

Learn these

• Once you can do a couple of these try them in different keys

• Work on all of them – each one try in a different key – in fact in all keys.

• Work on ideas of your own with these as a starting point.

Jazz and Pop

• For jazz and pop it is usually the last 4 measures but it can be the last 2 also.

• Most common is:4/4||: I | IVm |IIm | V7 : ||In C C Am Dm G7

• Variations of this are many such as:4/4||: I | IVm |IV | V7 : ||

C Am F G7

Others can be:

I | VI7 | II | V :|||C A7 Dm G7

IIIm | VI7 | II | V :|||Em7 A7 Dm G7

IIIm | VI | II | V :|||Em7 Am7 Dm G7

IIIm | bIIIm | II | V :|||Em7 Ebm7 Dm G7

I | VI7 | II7 | V :|||C A7 D7 G7

IIIm | bIII7 | II | V :|||Em7 Eb7 Dm G7

IIIm | bIII7 | II | bII7 :|||Em7 Ebm7 Dm 7 Db7

IIIm | bIIIm | II | bII7 :|||Em7 Ebm7 Dm Db7

There are others

• There are many other ways.

• In fact, you can use the blues one for many jazz and pop tunes.

• You can also use the previous ones on some blues songs.

• The whole idea is to end on something that points the listener back to the beginning of the song.

C D/F# So, so you think you can tell Am/E G D/F# Heaven from hell, Blue skies from pain. Can you tell a green field C Am G From a cold steel rail, A smile from a veil? Do you think you can tell? C D/F# Am/E Did they get you to trade, Your heroes for ghosts, Hot ashes for trees, G D/F# C Hot air for a cool breeze, Cold comfort for change? Did you exchange Am G A walk on part in the war, For a lead role in a cage?

Wish You Were Here

Verse: C D/F# How I wish, how I wish you were here, Am/E G D/F# We're just two lost souls swimming in a fish bowl, Year after year, C Am Running over the same old ground, What have we found? The same old fears, G Wish you were here. Riff 1

INTRO: (Riff 1) Em7 G e|-|----------||----------3--3-3------3---------|-------3----3----3-----------| B|-|----------||------3-3-3--3-3----3-3---------|-----3-3----3----3-----------| G|-|----------||------0-0-0--0-0-0--0---0-------|-----0-0-0--0----0-----------| D|-|-------0--||--2--------------2----------2---|-0-------0--0--------------0-| A|-|---0h2----||--------------------------------|-----------------------0h2---| E|-|-3--------||--------------------------------|---------3--3-------3--------| Em7 G e|-|----------3---3-3-3-3---------------|-------3-----3-----3---------------| B|-|------3---3---3-3-3-3---------------|-----3-3-----3-----3---------------| G|-|------0---0---0-0-0-0------0--------|-----0-0-0---0-----0---------------| D|-|--2--------------------2--------2---|-0-------0---------------------0---| A|-|------------------------------------|--------------------------0h2------| E|-|------------------------------------|---------3-------------3-----------| Em7 A7sus4 e|-|------3-3-3---3-3-3-3---------------|----------3-3-3---------3-3---------| B|-|------3-3-3---3-3-3-3---------------|----------3-3-3---------3-3---------| G|-|------0-0-0---0-0-0-0---------------|----------0-0-0---------------------| D|-|--2--------------------2---0--------|------2-------2------------------0--| A|-|-------------------------------2----|--0-----------0--------------0h2----| E|-|------------------------------------|------------------------------------| Em7 A7sus4 e|-|------3-3-3---3-3-3-3-------------|----------3-----------3---------------| B|-|------3-3-3---3-3-3-3-------------|----------3-----------3------3------3-| G|-|------0-0-0---0-0-0-0-------------|----------0------------------0----0-0-| D|-|--2-------------------2---0-------|------2-2----------------2-0-0----0-0-| A|-|------------------------------2---|--0-------------0------------0h2------| E|-|----------------------------------|--------------------------------------| G (Fim do Riff 1) e|-|---3-------3-------3-----------3-3-|-3-----------3-3-3-----------------| B|-|---3---3-3-3-------3-----------3-3-|-3-----------3-3-3-----------------| G|-|---0---0-0-0-------0-----------0-0-|-0-----------0-0-0-----------------| D|-|---0---0---0-------0-------0---0-0-|-0-------0---0-0-0-------------0---| A|-|---2---2-----------2-----------2-2-|-2-----------2-2----------0h2------| E|-|---3-----------3---3---3---------3-|-3---3---------3------3------------| SOLO:(Guitarra 2 acompanhado do Riff 1) Em7 G e-|-----------|---------------------|-------------------------| B|-|----------3|-5-----3-------------|-------------------------| G|-|-----2/4---|----4-----4p2p0t-----|-------------------------| D|-|-----------|---------------------|--0----------0--0--------| A|-|-----------|---------------------|-------0h2---------------| E|-|-----------|---------------------|-------------------------| Em7 G e|-|---3/5--3-----------------------------|-------------------------| B|-|---3/5--3--3/5-3-0--3/5-3p0-0---------|-------------------------| G|-|-----------2/4-2-0--2/4-2p0-0---------|-------------------------| D|-|--------------------------------------|-------------------------| A|-|--------------------------------------|-------------------------| E|-|--------------------------------------|-------------------------|

SOLO:(Guitar 2) Em7 G e-|-----------|---------------------|-------------------------| B|-|----------3|-5-----3-------------|-------------------------| G|-|-----2/4---|----4-----4p2p0t-----|-------------------------| D|-|-----------|---------------------|--0----------0--0--------| A|-|-----------|---------------------|-------0h2---------------| E|-|-----------|---------------------|-------------------------| Em7 G e|-|---3/5--3-----------------------------|-------------------------| B|-|---3/5--3--3/5-3-0--3/5-3p0-0---------|-------------------------| G|-|-----------2/4-2-0--2/4-2p0-0---------|-------------------------| D|-|--------------------------------------|-------------------------| A|-|--------------------------------------|-------------------------| E|-|--------------------------------------|-------------------------| Em7 A7sus4 e|-|-----------------|-----------------|-----------------------| B|-|---------3-----5-|---7p6p5---5-----|-1/2---3-5---1/2-------| G|-|----2/4-----4----|---------7---2---|-----------------2-----| D|-|-----------------|-----------------|-----------------------| A|-|-----------------|-----------------|-----------------------| E|-|-----------------|-----------------|-----------------------| Em7 A7sus4 G e|-|------------|------------|----------|--------------------3-| B|-|-----3---5--|-6^-5---5---|----------|------------------3-3-| G|-|-2/4---4----|------7---2-|-4^--2----|------------------0-0-| D|-|------------|------------|----------|------------------0-0-| A|-|------------|------------|----------|----------------------| E|-|------------|------------|----------|----------------------| e|-|--3--------3-----3--------3----| B|-|--3------3-3-----3------3-3-3--| G|-|--0------0-0-----0------0-0-0--| D|-|--0------0-0-----0------0-0-0--| A|-|--2------2-------2-------------| E|-|--3------3-------3-------------|

Blues Backup in 3rds

Common way to backup a blues. Do as a shuffle!

Good Morning Blues E7 4/4||: Good morning blues | blues how do you | do? | Good | A7 E7 Good morning blues | blues how do you | do? | I’m | B7 A7 E7 B7 Doing all right good | morning how are | you? | : ||

Next slide has the backup

• This is all in 3rds.– 3rds are intervals – from G# to B is a third (G# - A – B)– Can play entirely with a pick, entirely with fingers (thumb on 6th

string – index plays 3rd string and middle finger plays 2nd string) or hybrid where the pick plays the bass and then the 2nd finger the 3rd string and ring finger the 2nd string (I use this quite a bit)

• Do as a shuffle.• Will break down each chord.• In each of the following examples, I will give the backup

pattern in tablature and then have a chord drawing of the fingering etc. Use both to get the full picture of what is going on.

For E7

0

1

0 0 0

32

1 1

0

1 1

For E7 Blues

For E7 – Only play strings indicated. On the 1st one you might want to hold an E7 down as you play it (I do).

1 1 1 1 11

333 33

4

A7 All at 5th fret.

For A7 – First finger stays at the 5th fret – may want to barre for most of this.

1 1 1 1 11

333 33

4

B7 at 7th fret

For B7 all at the 7th fret!

Now master & Try in Other Keys

• Following page has it in F.

• Try to learn this in all keys.

• Then do modifications to it.

In G

• At this point you should be getting the idea

• Do work on this!

Now in A

As you go up

• Now you will need to move some of the patterns down an octave.

• Look at the next example in B.

Now finish out all 12 keys

• This is really important to do in all keys.

• Just take your time.

• You will notice that after a few it becomes easy.

Variations

• These are almost limitless.

• First one starts with a hammer on beat one from the open to the 1st fret 3rd string.

• The following 3 slides should help you.

• Then vary these ideas. Play one for a measure then do another one for the next measure back and forth.

Hammer

Barre 5th fret then hammer. Do similar for B7 but at the 7th fret.

Variation #2.

Now just repeating the 1st ½ of the measure over and over. Hammer on beats 1And beats 3.

Here is the idea but backwards. Mix this in sometimes also.

Another Variation

• When intervals of a 3rd are inverted they become intervals of a 6th.

• This will also work very well to your advantage by doing this.

• Clapton used this in a number of songs.

• Next page has the same idea done earlier but now in intervals of a 6th instead of a 3rd.

B7 has a number of variations but the E7 and A7 are pretty well set. See the next 3 slides for ways to do the B7. It will take some time

for that chord. Again try in all keys.

Various ways to do the B7. First line can be done with the 1st notesdoing a ½ barre at the 4th fret. Rest is in 1st position. See fingering

Finger 4 1 0 1 1 1 0 1 4 1 1 1

Barre

This one is tough for fingering but is moveable.

Barre the 4th fret – I prefer this one.

Fingering 1 4 2 4 3 1 2 1 1 3 2 3 Note the 3rd beat can be a barre also with either the 4th or index finger!

This last one is the same as the open E form. Just moved up. Barre at the 7th fret and the rest should be fairly easy. Starts with just a B7 chord at the 7th fret. For the 2nd beat use your middle finger on the 9th fret of the 3rd string and your pinky on the 11th fret of the 5th string.

Come up with your own ideas

• This is just a start for you.

• Make your own variations.

• Change the timing to triplets as an example.

• You can really milk this with blues songs.

• But try it in other styles also.

Some songs to apply this to!

• Following are some songs other than just Good Morning Blues, to try this to.

• Take your time and try variations on each song.

CC Rider. Can be done in E Also – Just transpose up a whole step – 2 frets. D D7 Yeah CC Rider see what you gone done D becomes E G D G becomes A CC Rider see what you gone done A becomes B7 G D CC Rider see what you gone done A G D Well hey hey hey hey D D7 Well you made me love you now your man done come G D You made me love you now your man done come G D You made me love you now your man done come A G D Hey hey hey hey (harmonica solo ? guitar repeats verse pattern 1x) D D7 You?re standin? in the kitchen in a mornin? gown G D Standin? in the kitchen in a mornin? gown G D Standin? in the kitchen in a mornin? gown A G D Hey hey hey hey (harmonica solo ? guitar repeats verse pattern 1x) D D7 I was lookin? right at her when the sun went down G D Lookin? right at her when the sun went down G D Lookin? right at her when the sun went down A G D Hey hey hey hey D D7 Yeah CC Rider see what you gone done G D CC Rider see what you gone done G D CC Rider see what you gone done A G D Hey hey hey hey

Easy Rider

Easy rider, see what you done done Easy rider, see what you done done You made me love you and now your man done come Ain't it hey, hey, hey, hey, hey You catch me stealin', please don't tell on me Catch me stealin', please don't tell on me 'Tealin' from my other woman back to my used to be Singin' hey, hey, hey, hey, hey Easy rider, easy rider Easy rider, easy rider Easy rider, yes, easy rider Easy baby, easy woman Easy rider, easy rider Easy rider, easy rider If I was a catfish, swimmin' in the deep blue sea If I was a catfish, oh, swimmin' in the deep blue sea Have all the pretty women out there fishin' for me Singin' hey, hey, hey, hey, hey Easy rider, honey, what did this on your mind Easy rider, what did this on your mind You got me worried and wringin' my ol' hand in crime Ain't it hey, hey, hey, hey, hey Woo

Another version of the same song.

CC Rider. Can be done in E Also – Just transpose up a whole step – 2 frets. D D7 Yeah CC Rider see what you gone done D becomes E G D G becomes A CC Rider see what you gone done A becomes B7 G D CC Rider see what you gone done A G D Well hey hey hey hey D D7 Well you made me love you now your man done come G D You made me love you now your man done come G D You made me love you now your man done come A G D Hey hey hey hey (harmonica solo ? guitar repeats verse pattern 1x) D D7 You?re standin? in the kitchen in a mornin? gown G D Standin? in the kitchen in a mornin? gown G D Standin? in the kitchen in a mornin? gown A G D Hey hey hey hey (harmonica solo ? guitar repeats verse pattern 1x) D D7 I was lookin? right at her when the sun went down G D Lookin? right at her when the sun went down G D Lookin? right at her when the sun went down A G D Hey hey hey hey D D7 Yeah CC Rider see what you gone done G D CC Rider see what you gone done G D CC Rider see what you gone done A G D Hey hey hey hey

You see, see, rider, you see what you have done? You made me love you Made me love you, now your man done come You made me love you, now your man have come Ain't no more potatoes, the frost have killed the vine Well, the blues ain't nothin' but a good woman on your mind The blues ain't nothin' but a good woman on your mind The blues ain't nothin' but a good woman on your mind You see, see, rider, you see what you done? You done made me love you You made me love you I've told you, baby and your mama told you, too "You're three times seven, you know what you wanna do, three times seven, you know what you wanna do, you're three times seven, you know what you wanna do" If I had-a listened to my second mind, Lord, I wouldn't -a been sittin' here and wringin' my hands and cryin' I wouldn't been sittin' here, wringin' my hands and cryin' I wouldn't been sittin' here, wringin' my hands and cryin' You see, see, rider, you see what you have done? You done made me love you You made me love you

Repeat this line – and similar

See See Rider or C C Rider

Corrina, Corrina

traditional Corrina, Corrina, where'd you stay last night? Corrina, Corrina, where'd you stay last night? Come in this morning, clothes ain't fittin' you right I left Corrina, way across the sea I left Corrina, way across the sea She wouldn't write me no letter, she don't care for me Oh Corrina, Corrina, where you been so long? Oh Corrina, Corrina, where you been so long?

Key To The Highway 4/4 ||: A | E I got the key to the highway, D | | Billed out and bound to go. I'm gonna A leave here running; E A D | A E : || Walking's much too slow. I'm going back to the border Woman, where I'm better known. You know you haven't done nothing, Drove a good man away from home. When the blue peeks over the E mountains I'll be on my way. I'm gonna roam this old highway Until the break of day. Oh give me one, one more kiss mama Just before I go, 'Cause when I leave this time you know I, I won't be back no more.

This is an 8 bar blues. You could do something similar to the previous songs on this.

Great song that Eric Clapton did along with others. Very traditional blues!

Mr. Bojangles

Moving Bass Lines and ¾ picking

Mr. Bojangle's C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G F C E7/B Am Am/G D7 shoe | | He| jumped so | high | jumped so | high | | then he | lightly touched | Dm7(G11) G Am G Am G down | | | | Mr. | Bo|jangles | | Mr. | Bo|jangles | | Am G C/C C/B C/A C/G C Mr. | Bo|jangles | | dance | | | :|| ||

C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes |

1

2

0 0

2

C/C C/B

2

C/A

3

1

X 0 0

1

0 0

C/G

1

2

3

0 0

Bass notes are indicated by the notes after the slashes. Work first on just the 1st 4 chords, play them over and over again until they just flow from you fingers.

For the F chord do a 1st position with a barre chord if you can. That will give the song a very full feeling.

C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G shoe | |

Work on just getting it perfect to this point. Think of the names of the notes. At this point you have the C, B and A on the 5th string and the G and F on the 6th string. Really think of these notes as you play this!!!!!!!

G F C E7/B Am Am/G D7/F# | He| jumped so | high | jumped so | high | | then he | lightly touched |

1

2

0 0 0

2

E7/B Am/G

2

D7/F#

3

1

1

0 0

Note for this chord you can also use your thumb on the 6th string 2nd fret!!

X

4

3

0

3

Now just work on the chords by themselves until you can do them perfectly.

Mr. Bojangle's C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G F C E7/B Am Am/G D7 shoe | | He| jumped so | high | jumped so | high | | then he | lightly touched | Dm7(G11) G Am G Am G down | | | | Mr. | Bo|jangles | | Mr. | Bo|jangles | | Am G C/C C/B C/A C/G C Mr. | Bo|jangles | | dance | | | :|| ||

Mr. Bojangle's C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G F C E7/B Am Am/G D7 shoe | | He| jumped so | high | jumped so | high | | then he | lightly touched | Dm7 G Am G Am G down | | | | Mr. | Bo|jangles | | Mr. | Bo|jangles | | Am G C/C C/B C/A C/G C Mr. | Bo|jangles | | dance | | | :|| ||

Now add in the bass notes. Do “Bass, Chord, Chord”. Be sure to do the bass note indicated. The bass note will be the root of the chord or in the case of a ‘/’ it will be the letter name of the note after the slash!! This should help you with learning the names of the notes on the 5th and 6th strings.

Fingerpicking

Do the following:Beat Play1 Thumb hits the bass note.& Index plays the 3rd string.2 Middle hits the 2nd string and ring the 1st string

together. (claw)& Index plays the 3rd string.3 Middle hits the 2nd string and ring the 1st string

together.& Index plays the 3rd string.Note that this swings a bit so it isn’t exactly as counted but

more as felt!!

C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes |

1

2

0 0

2

C/C C/B

2

C/A

3

1

X 0 0

1

0 0

C/G

1

2

3

0 0

Now apply the fingerpicking to the first 4 chords. Get those down first before application to the rest of the songs.

Once you can do that add in the next chords.

C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G shoe | |

Now up to the 1st section. Get this down before going on.

Mr. Bojangle's C/C C/B C/A C/G F G 3/4 ||: I Knew a man Bo|jangles and he | danced for | you | in | worn out | shoes | G C/C C/B C/A C/G F with | Silver hair and | ragged shirt and | baggy pants | | the | old soft | G F C E7/B Am Am/G D7 shoe | | He| jumped so | high | jumped so | high | | then he | lightly touched | Dm7 G Am G Am G down | | | | Mr. | Bo|jangles | | Mr. | Bo|jangles | | Am G C/C C/B C/A C/G C Mr. | Bo|jangles | | dance | | | :|| ||

Now the whole song. Break it into parts but apply the picking etc.

Get this down perfectly!

• There are 100’s of songs that use this first section idea. See if you can find some this week as you listen.

arrangement by Chet Atkins) [INTRO] C C /B Am G7 1 2 3 1 2 3 1 2 3 1 2 3 e -----0---0-------0---0-------0---0------------- B -----1---1-------1---1-------1---1---0---1---3- G -------0---0-------0---0-------2---2----------- D ---2-----------0-----------2------------------- A -3-----------2-----------0---------------0---2- E -------------------------------------3---------

For those that want to challenge themselves. I have added in Chet Atkins version. Above is just the intro.

[VERSE] C C/B C/A G7 1 2 3 1 2 3 1 2 3 1 2 3 e -0---0-----0-----0-----0------------------------ B ---3-----3-----3-----3-----3-1------------------ G ---------0-----------0-----------2-----------0-- D -----2-----------0-----------2-----------0------ A -3-----------2-----------0---------------------- E -------------------------------------3---------- Fmaj7 G7 1 2 3 1 2 3 1 2 3 1 2 3 e ---------1---5-------3---3--------------------- B ---------1---5-----------3-----------0---1---3- G -----------------5---------------4------------- D -------------3---------------3----------------- A -----3-----------------------------------0---2- E -1-----------------------3-----------3---------

[VERSE] C C/B C/A G7 1 2 3 1 2 3 1 2 3 1 2 3 e -0---0-----0-----0-----0------------------------ B ---3-----3-----3-----3-----3-1------------------ G ---------0-----------0-----------2-----------0-- D -----2-----------0-----------2-----------0------ A -3-----------2-----------0---------------------- E -------------------------------------3---------- Fmaj7 G7 1 2 3 1 2 3 1 2 3 1 2 3 e ---------1---5-------3---3--------------------- B ---------1---5-----------3-----------0---1---3- G -----------------5---------------4------------- D -------------3---------------3----------------- A -----3-----------------------------------0---2- E -1-----------------------3-----------3--------- C C/B C/A G7 1 2 3 1 2 3 1 2 3 1 2 3 e -0---0-----0-----0-----0------------------------ B ---3-----3-----3-----3-----3-1------------------ G ---------0-----------0-----------2-----------0-- D -----2-----------0-----------2-----------0------ A -3-----------2-----------0---------------------- E -------------------------------------3----------

Fmaj7 G7 1 2 3 1 2 3 1 2 3 1 2 3 e ---------1---5-------3---3--------------------- B ---------1---5-----------3-----------0--------- G -----------------5---------------4-------4----- D -------------3---------------3---------------5- A -----3----------------------------------------- E -1-----------------------3--------------------- Fmaj7 Em E 1 2 3 1 2 3 1 2 3 1 2 3 e -------------5-------5------------------------- B -----------------6-------8-----------5-------3- G ---------4-------------------9-----------4----- D -----7---------------------------9---6--------- A -8-----------8--------------------------------- E -------------------------0--------------------- Am Am/G D7/F# 1 2 3 1 2 3 1 2 3 1 2 3 e ---------------------------------0---0-------0- B -1-------1-----------1-------------3---3-1----- G -------2-----------2-----------2--------------- D -----2-----------2-----------0-------0--------- A -0--------------------------------------------- E -------------3-----------2--------------------- G7 1 2 3 1 2 3 1 2 3 1 2 3 e ----------------------------------------------- B -3--------------------------------------------- G ---------0-----------0-----------0-----------0- D ---------0-------2-----------0-----------0----- A -----2-------0-----------1-----------2--------- E -3---------------------------------------------

[CHORUS] Am G7 1 2 3 1 2 3 1 2 3 1 2 3 e -------------5-3-5---5---3-0------------------- B ---------1-------------------3----------------- G -----2-----------3---------------0-----0---0--- D ---------------------------------0-----0---0--- A -0-----------0---------------------------0----- E -------------------------3-----------3-------0- Am G7 1 2 3 1 2 3 1 2 3 1 2 3 e -------------5-3-5---5---3-0------------------- B ---------1-------------------3----------------- G -----2-----------3---------------0-----0---0--- D ---------------------------------0-----0---0--- A -0-----------0---------------------------0---2- E -------------------------3-----------3--------- Am G7 1 2 3 1 2 3 1 2 3 1 2 3 e -------------5-3-5---7---3-0------------------- B ---------1-------------------3-------0---1---3- G -----2---------------------------0------------- D ---------------------------------0------------- A -0-----------0---------------------------0---2- E -------------------------3-----------3---------

C 1 2 3 1 2 3 1 2 3 1 2 3 e -----0---0-------0---0-------0---0------------- B -----1---1-------1---1-------1---1---0---1---3- G -------0---0-------0---0-------2---2----------- D ---2-----------0-----------2------------------- A -3-----------2-----------0---------------0---2- E -------------------------------------3--------- [CODA] 1 2 3 1 2 3 1 2 3 1 2 3 e -0---0-----0-----0-------0---------------------- B ---3-----3-----3-----3-------3---1-------3---1-- G ---------0-----------0-------------------4---2-- D -----2-----------0------------------------------ A -3-----------2-----------1-----------0---------- E ------------------------------------------------ 1 2 3 1 2 3 1 2 3 1 2 3 e -0-----------0---------------------------------- B -----3-----------3---1---1---------------------- G ---------5---------------0---------------------- D -------------------------2---------------------- A -------------------------3---------------------- E -4-----------3-----------3----------------------

Now put all of that together

• It has the same swing idea as the previous picking.

• The melody is in there if you listen closely.

• Try to bring the melody out. The 2 notes that should be the loudest are the bass and the melody note.

Straight No Chaser

• Monk tune

• Easy looking at first but time makes it a bit challenging.

• Ideas can be used elsewhere.

• One of my favorite tunes.

• Chords like last 2 songs.

From the Real Book.

This is the jazz music Bible. There are a number of Volumes but this is in Vol. #1. Which is the most used.

Do entire piece in 10th position

1 2 3 4 & 1 & 2 (& 3) & 4 & 1 & 2 (& 3 4)

Look how the repeated line starts on an entirely different beat – then the end of the phrase – so cool!

& 1 & 2 (& 3 ) & 4 & 1 & 2 & 3 & 4

2nd lick

Notice the playing with time on all of these! Again cool!

1 & 2 & 3 & 4 ( & 1 2 3 4 )

1 & 2 & 3 (& 4) & 1 & 2 (& 3 ) & 4 & 1 & 2 & 3 & 4 &

For this section just watch the timing as it seems to turn on you. The held note in the first measure is on the and after 3 and in the next measure it is on the and after 2. The last measure is all 1/8th notes so that should be easy from a timing standpoint!

1 & 2 & 3 & 4 & 1 & 2 (& 3 4 ) (12 34 )

Now finish it off!

One for you on your own

• Au Privare is another 12 bar blues in F.• Not all that difficult but has some great lines in it.• The chord changes are more modern than the

others we have looked at. But very doable. Gives a good movement and bridges traditional bebop with blues bebop.

• Harmony is more advanced. Lots of II V’s in this. Note the Bb7 then next measure is Bbm7 to Eb7 back to the F. This is really a nice voice leading tool. This change really adds interest to the tune and hides a bit of the 12 bar blues.