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GUII AR REVIE W James F, Condell 1322 South 12th Street Moorhe ad, Minne sota 56560 $ 3.00

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Page 1: GUII AR $ 3 - digitalguitararchive.com

GUII AR REVIE W James F, Condell1322 South 12th StreetMoorhead, Minnesota 56560

$ 3.00

Page 2: GUII AR $ 3 - digitalguitararchive.com

GR-34 ANDRES SEGOVIAChairman Advisory Board

INTERNATIONALCONTRIBUTING STAFF

Emilia SegoviaAlirio DiazIsaías SavioCharlie Byrd

Michael KashaEdmund BowlesMiguel AblónizSophocles Papas

Laurindo AlmeidaAlexander BuchnerJames YoghourtjianGraciela PomponioAlexander BellowJosé de AzpiazuHart E. HuttigJohn WilliamsPeter SensierJesus SilvaBart Jordan

Adolfo LunaJulian BreamOscar GhigliaRafael PuyanaJohn C. TannoAlexander PopovC. Sprague SmithFrederic GrunfeldA. Ivanov-KramskoiR. Sainz de la MazaJ. Martinez ZarateJózef PouwrozniakFrederick NoadNarciso YepesAaron ShearerGraham WadeKarl ScheitIvan Putilin

WINTER 1971Published and copyrighted 1971 by The Society of the ClassicGuitar (a nonprofit membership corporation), 409 East 50thStreet, New York, New York 10022.

Editor: Vladimir BobriAssociate Editors: Gregory d'Alessio,

Franz C. Hess, Martha Nelson

Contributing Editors: Suzanne Bloch, John W. Duarte,Carl Miller

Layout: V. Bobri, Saul MarantzPhotography: Saul MarantzAdvertising: Saul MarantzCirculation: L. Trett

The Guitar Review is published three times yearly:summer-fall-winter.SUBSCRIPTIONS:Three consecutive issues, beginning with the current issue $8.00Currentissue ...Availablebackissues ...

Siegfried BehrendWalter Starkie

3.004.00

(Remittances must be in U.S. dollars)

INTRODUCINGCONTENTS: MIGUEL ABLONIZ, internationally known guitarpedagogue

and conposer, was born in Cairo, Egypt. For many years he hasmade his home in Milan, ltaly. To his credit are more than 100articles covering all subjects connected with guitar technique,which have appeared in Guitar News, and nearly 300 publishedworks for the guitar. Twice he has won international prizes forcompositions, and his music is frequently heard in recitals andon records. He has often served on juries for international guitarcompetitions. In 1969 and 1970 he conducted Master Classes atIthaca College, Ithaca, New York. Another has been announcedfor July 1971.

Cover design Antonio Petruccelliadapted from Grotesques, by Lukas Kiliarn(1579-1637)

ArticlesThe Role of Italy in the Early History

of Classic GuitarNotes on the TarantellaSmall GuitarsFolías and the Timple of

Thomas EF. Heck

MarthaNelsonMarian G. Harrison

ANDREVW CAPONIGRO is a concertizing guitarist, teacher,and lecturer from Newton Centre, Massachusetts. He is also theauthor of The Fingerboard Workbook, a recent publication fortheguitar.

the Canary lslands Martha Nelson"Let Not Thy Left Hand Know

What Thy Right Hand Doeth" Andrew CaponigroCarl MillerCarl Miller

MARIAN HARRISON is on the staff of The MetropolitanMuseum of Art, where she is Senior Cataloguer of Musical In-struments and Western European Ceramics. She holds an M.A.in Art History from Columbia Uniíversity. Her interest in playingthe guitar developed several years ago through participating inthe Frederick Noad television series on classic guitar technique.For the past two years her studies have continued through pri-vate instruction. She combines an interest in music with tourna-ment tennis.

The Guitar on DisCSNew Guitar Music

Music5 TarantelleVesuvioTarantellaTarantella BurlescaFolías

AnonymousBenedetto Calvaruso

Luigi RicciMiguel Ablóniz

AnonymousTHOMAS F. HECK began his study of the classic guitar inParis, where he lived for a number of years ohile his father toasstationed fhore with the State Department. Upon completing hisFrench baccalaureate he returned to the U.S.A. to enter NotreDame, where he received his B.A. degree. After spending ayearat the Academy of Music in Vienna on a Fullbright Award, heientered the graduate program at Yale University, earning hisPh.D, degree in Music History in 1970. At present he is servingas a First Lieutenant in the U.s. Army.

The opinions expressed in the pger of THE GUITAR REVIEW are those of theauthors and do not necessarily reflect the opinions of the Editors.

Insoli cited manuscripts must be accompanied by return postage, and wbileorded such contributions, THE GUITARREVIEW will notberesbontible for lossordamas

All work for THE GUITAR RÉVIEW, Sch as drawings, manuscripts, art work,make up, etc., wbether commissioned or unsolicited, is done ad no recompense to

Entire contents copyrigbied by THE SOCIETY OF THE CLASSIC GUITAR.