green 2 d_01introduction
TRANSCRIPT
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The Elements and Principlesof Design
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The Elements of Design
The building blocks or ingredients of art.
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LINE A mark with length and direction.
A continuous mark made on a surface by a moving point.
Ansel Adams Gustave Caillebotte
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Pablo Picasso
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COLOR
Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness).
Henri Matisse Alexander Calder
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VALUE The lightness or darkness of a color.
MC Escher Pablo Picasso
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SHAPE An enclosed area defined and determined by other art elements; 2-dimensional.
Joan Miro
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Gustave Caillebotte
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FORM A 3-dimensional object;or something in a 2-dimensional artwork that appears to be 3-dimensional.
For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form.
Jean Arp Lucien Freud
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Robert Mapplethorpe
Claude Monet
S P A C E
The distance or area between, around, above, below, or within things.
Positive (filled with something) and Negative (empty areas).Foreground, Middleground and
Background (creates DEPTH)
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TEXTURE
The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied.
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Cecil Buller
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The Principles of Design
What we use to organize the Elements of Design,
or the tools to make art…or make art interesting.
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BALANCEThe way the elements are arranged to create a feeling of stability in a work.
Alexander Calder
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Symmetrical Balance The parts of an image are organized so that one side mirrors the other.
Leonardo DaVinci
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Asymmetrical Balance When one side of a composition does not reflect the design of the other.
James Whistler
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EMPHASISThe focal point of an image, or when one area or thing stand out the most.
Jim Dine Gustav Klimt
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CONTRASTA large difference between two things to create interest and tension. High contrast areas can point to a focal point, grabbing the viewers attention, where lower contrast areas seem to show subtle changes.
Ansel AdamsSalvador Dali
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RHYTHM
A regular repetition of
elements to produce the look
and feel of movement.
and MOVEMENT
Marcel Duchamp
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Vincent VanGogh
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PATTERNand Repetition
Repetition of a design.
Gustav Klimt
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UNITY
When all the elements and principles work together to create a pleasing image.
Johannes Vermeer
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VARIETY
The use of differences and change to increase the visual interest of the work.
Marc Chagall
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PROPORTION
The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE.
Gustave Caillebotte