grade level: 3 (medium) fantasyon an african-american spiritua

GRADE LEVEL: 3 (MEDIUM) 1 — Conductor Score 10 — Flute 1 — 1st Oboe 1 — 2nd Oboe 2 — Bassoon 4 — 1st B Clarinet 4 — 2nd B Clarinet 4 — 3rd B Clarinet 1 — E Alto Clarinet 2—B Bass Clarinet 2 — 1st E Alto Saxophone 2 — 2nd E Alto Saxophone 2 — B Tenor Saxophone 1 — E Baritone Saxophone 3 — 1st B Trumpet 3 — 2nd B Trumpet 3 — 3rd B Trumpet 1 — 1st F Horn 1 — 2nd F Horn 2 — 1st Trombone 2 — 2nd Trombone 2 — 3rd Trombone 2 — Baritone T.C. 2 — Baritone B.C. 4 — Tuba 3 — Mallets [Orchestra Bells, Vibraphone, Marimba (Opt.)] 2 — Percussion I (Large Shaker, Guiro, Congas) 2 — Percussion II (Sus. Cymbal, Cabasa, Bongos) Instrumentation y Lord! What a Morning” is one of the best known examples of the African-American song form known as the “spiritual.” Inspired by the spontaneous emotions of African-derived slave and plantation songs, spirituals took on a unique identity during the post Civil War era through the incorporation of European musical influences. While spirituals are often thought of as music of a singular time and place, African-American composer Harry T. Burleigh (b. 1866) describes the essence of a more timeless aspect: “…for through all these songs there breathes a hope, a faith in the ultimate justice and brotherhood of man.” If it becomes necessary to substitute any of the written percussion instruments, care should be taken to insure that similar and appropriate timbre is maintained. M Arranged by Bruce Preuninger Fan t asy on an African- American Spiritua l (“My Lord! What a Morning”) “ Alfred Publishing Co., Inc. 16320 Roscoe Blvd., Suite 100 • P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Preview Only Legal Use Requires Purchase

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GRADE LEVEL: 3 (MEDIUM)

1 — Conductor Score10 — Flute1 — 1st Oboe 1 — 2nd Oboe2 — Bassoon4 — 1st B � Clarinet4 — 2nd B � Clarinet4 — 3rd B � Clarinet1 — E � Alto Clarinet2 — B � Bass Clarinet 2 — 1st E � Alto Saxophone2 — 2nd E � Alto Saxophone2 — B � Tenor Saxophone1 — E � Baritone Saxophone3 — 1st B � Trumpet3 — 2nd B � Trumpet3 — 3rd B � Trumpet

1 — 1st F Horn1 — 2nd F Horn2 — 1st Trombone2 — 2nd Trombone2 — 3rd Trombone2 — Baritone T.C.2 — Baritone B.C.4 — Tuba 3 — Mallets [Orchestra Bells,

Vibraphone, Marimba(Opt.)]

2 — Percussion I (Large Shaker,Guiro, Congas)

2 — Percussion II (Sus. Cymbal,Cabasa, Bongos)

Instrumentation

y Lord! What a Morning” is one of the best known examples of the African-American songform known as the “spiritual.” Inspired by the spontaneous emotions of African-derived slaveand plantation songs, spirituals took on a unique identity during the post Civil War era through

the incorporation of European musical influences.

While spirituals are often thought of as music of a singular time and place, African-American composerHarry T. Burleigh (b. 1866) describes the essence of a more timeless aspect: “…for through all thesesongs there breathes a hope, a faith in the ultimate justice and brotherhood of man.”

If it becomes necessary to substitute any of the written percussion instruments, care should be takento insure that similar and appropriate timbre is maintained.

MArranged by Bruce Preuninger

Fantasy on anAfrican-American

Spiritual(“My Lord! What a Morning”)

“

Alfred Publishing Co., Inc.16320 Roscoe Blvd., Suite 100 • P.O. Box 10003Van Nuys, CA 91410-0003

alfred.com

Previe

w Only

Legal Use R

equires P

urchase