ghosts, devils, magicians, and monsters: performing the occult in early english drama

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Ghosts, Devils, Magicians, and Monsters: Performing the Occult in Early English Drama ARSC390-083

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Ghosts, Devils, Magicians, and Monsters: Performing the Occult in Early English Drama. ARSC390-083. Course Questions. What do magical onstage moments tell us about religious beliefs, about the imagination, or about cultural attitudes towards difference? - PowerPoint PPT Presentation

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Page 1: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Ghosts, Devils, Magicians, and Monsters: Performing the Occult in Early English Drama

ARSC390-083

Page 2: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Course Questions What do magical onstage moments tell us

about religious beliefs, about the imagination, or about cultural attitudes towards difference?

What do they suggest about the limits of knowledge and science?

How is theater uniquely attuned to the occult?

Ultimately, why are people so interested in mysterious, unexplainable phenomena?

Page 3: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Some Possible Topics the occult as a symbol of art the relationships between the occult and science

and religion metatheatricality and dramatic performance the occult as a marker of cultural difference nationhood and nationalism royalty and politics psychology

Page 4: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Skills Academic reflection, composition,

rhetoric, and argumentation Intensive reading and thoughtful

analysis Assessment and application of primary

sources Research and documentation Performance and performance critique

Page 5: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

HomeworkRead course website,

especially close reading assignment and samples.

Read “Playgoing in Shakespeare’s London” and “Sonnet 86” (available on website, password “magic”).

http://udel.edu/~lellock

Page 6: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Group Task

Write a definition of “magic.”

Page 7: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Definition of “Magic”from Oxford English

Dictionary“The use of ritual activities or observances which are intended to influence the course of events or to manipulate the natural world, usually involving the use of an occult or secret body of knowledge; sorcery, witchcraft.”

Compare your group’s definition to this one. What is different? Would you revise your definition of magic based on this version? Consider terms such as illusion, spectacle, trick, ritual, performance.

Page 8: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Renaissance BeliefsPurgatory and Ghosts

“Euery man and childe that is buried must pay sumwhat for masses and diriges to be song for him or elles they will accuse the dedes frendes and executours of heresie.”

-- A Supplicacyon for the Beggers written about the year 1529, and (as is believed) by Simon Fish

Page 9: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Ludwig Lavater“We ought not without great cause to suspecte all spirities, and other apparitions.”

Page 10: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No Not Sure

02468

1012

Do you believe in ghosts?

Do You Believe in Ghosts?

Page 11: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No Not Sure

02468

101214

Do you believe in an afterlife?

Do You Believe in an Afterlife?

Page 12: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Angels, Demons, and Conjurors“And glutted now with learning's golden gifts,He surfeits upon cursed necromancy; Nothing so sweet as magic is to him, Which he prefers before his chiefest bliss: And this the man that in his study sits.” –Marlowe’s Faustus

Page 13: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama
Page 14: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Yes No Not Sure

02468

10

Do you believe in angels or demons?

Do You Believe in Angels or Demons?

Our Beliefs

Page 15: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Do you believe in magic?

048

12

Do you believe in magic?

Do you believe in magic?

Page 16: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Miracles and Predestination“We call predestination God's eternal decree, by which he determined with himself what he willed to become of each man.” --John Calvin

Page 17: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No Not Sure

02468

1012

Do you believe in fate, karma, and/or predestination?

Do you believe in fate, karma, and/or predes-tination?

Page 18: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No Not Sure

02468

1012

Do you believe in miracles or divine intervention in human

affairs?Do you believe in miracles or divine interven-tion in human affairs?

Page 19: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Charmsimage magic, amulets, relics, holy objects, charmed circles, weapon salve, symbols

Page 20: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Paracelsus and the Weapon Salve

“Take of moss growing on the head of a thief who has been hanged and left in the air; of real mummy; of human blood, still warm – of each one ounce; of human suet, two ounces; of linseed oil, turpentine, and Armenian bole – of each two drachms. Mix all well in a mortar, and keep the salve in an oblong, narrow urn.”

Page 21: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

John Dee, Physician to Queen Elizabeth

“This most secret mystery is clearly and perfectly shown in our Monad by the hieroglyphic figure of Taurus, which is here represented, and by that of Mars…”

“Oh, my God, how profound are these mysteries!”

Page 22: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No7.47.67.8

88.28.48.68.8

9

Do you have a lucky object?

Do you have a lucky object?

Page 23: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Astrology and Numerology

Page 24: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Our Beliefs

Yes No02468

1012

Have you ever consulted a psychic, Ouija board, Tarot cards, or daily horoscope?

Have you ever consulted a psychic, Ouija board, Tarot cards, or daily horoscope?

Page 25: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Witches“The fearefull aboundinge at this time in this countrie, of these detestable slaves of the Devill, the Witches or enchanters, hath moved me (beloved reader) to dispatch in post, this following treatise of mine…to preasse thereby, so farre as I can, to resolve the doubting harts of many; both that such assaultes of Sathan are most certainly practized, and that the instrumentes thereof, merits most severely to be punished.”King James, Demonologie

Page 26: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama
Page 27: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

“Magick is nothing else but the knowledge of the whole course of Nature. …..It openeth unto us the properties and qualities of hidden things, and it teacheth us by the agreement and disagreement of things, either so to sunder them, or else to lay them so together, as thereby we do strange works…. Wherefore, as many of you as come to behold Magick, must be persuaded that the works of Magick are nothing else but the works of Nature, whose dutiful hand-maid Magick is.”Giambattista della Porta, Natural Magick, 1658

“Magic comprises the most profound contemplation of the most secret things, their nature, power, quality, substance, and virtues, as well as the knowledge of their whole nature.” Heinrich Cornelius Agrippa von Nettesheim, De Occulta Philosophia, 1533 Alchemy

Page 28: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama
Page 29: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Natural Wonders: Monsters and Medicinal

Plants

Page 30: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama
Page 31: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

“Æthiopia produces dragons, not so large as those of India, but still, twenty cubits in length. The only thing that surprises me is, how Juba came to believe that they have crests.”–Pliny

Page 32: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

Contemporary Connections

Page 33: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

WHY? Our big questionsWhy is the occult so interesting to us? Why do we constantly try to represent it in art and literature?

How do we represent it in art and literature, in particular, in drama and performance?

Page 34: Ghosts, Devils, Magicians, and Monsters:  Performing the Occult in Early English Drama

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