getting started with smaart v7.2

8/13/2019 Getting Started With Smaart v7.2

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Copyright 2010-2011 Rational Acoustics LLC. All rights reserved.Rational Acoustics and Smaart are registered trademarks of Rational Acoustics LLC.

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General Measurement Controls[G] Signal Generator On/Off (Toggle)

[O] Selected Measurement On/Off

[Cmd/Ctrl] + [O] All On (run all live measurements of selected type)

[Cmd/Ctrl] + [Alt] +[O] All Off (stop all llive measurements of selected type)

[V] Reseed Averages

Delay Controls[D] Track Delay (toggles Delay Tracking for selected Transfer Function measurement)

[Cmd/Ctrl] +[D] All Track (turn on Delay Tracking for all active Transfer Function measurements)

[L] Find Delay (for selected Transfer Function measurement)

[Cmd/Ctrl] + [L] Find All Delays (find delays for all active Transfer Function measurements)

[,] Decrement Delay (for selected Transfer Function measurement)Data Storage and File Operations[Space] Capture Trace (captures the front trace on the selected graph into new storage slot)

[Shift] + [Space] Capture All (captures all active measurements on the selected graph into a new folderobject)

[Cmd/Ctrl] + [Shift] +[Space]

Recapture (captures the front trace on the selected graph into the selected storage slot,replacing it's previous contents)

[Cmd/Ctrl] +[S] Save to File (.wav or .srf/trf depending on the operating mode)

[Del] Removes the selected static trace storage slot

[Cmd/Ctrl] + [Shift] +[Del]

Removes allselected static trace storage slot

[Cmd/Ctrl] + [C] Copy to ASCII (copies the selected static trace to the Operating System clipboard in ASCIItext format)

Display Controls[C] Toggle Coherence Trace (Transfer Function measurements only)

[I] IR Analysis Mode[M] Switch Preferred Plot

[R] Real-Time Mode

[S] Spectrum

[T] Transfer Function

[Cmd/Ctrl] + [I] Live IR (Show/Hide)

[Y] Clear Y Offset (Selected)

[Cmd/Ctrl] + [Y] Clear Y Offset (All)

[Z] Cycle Z Order (Forward)

[Shift] + [Z] Cycle Z Order (Back)

[+] Zoom In Y

[] Zoom Out Y

[Cmd/Ctrl] + [+] Zoom In X/Y

[Cmd/Ctrl] +[] Zoom Out X/Y

[Cmd/Ctrl] + [Alt] +[+] Zoom In X

[Cmd/Ctrl] + [Alt] +[] Zoom Out X! Scroll Up*

" Scroll Down*

# Pan Left

$ Pan Right

[Cmd/Ctrl] + ! Move Front Trace Up (moves the front trace upward on the selected graph by 1 dB)

[Cmd/Ctrl] + " Move Front Trace Down (moves the front trace downward on the selected graph by 1 dB)

*Or roll "roll" the (wrapped) Phase display.


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[Cmd/Ctrl] means press the [Ctrl] key on a Windows computer or the [Cmd] key (sometimescalled the Apple Key or "flower" key) on a Macintosh computer. The Alt key on a Windows systemmaps to the Option key on

(#:


38/39

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Beranek, L. L. Acoustics. New York: McGraw-Hill book Co., 1954; reissued by the American

Institute of Physics for the Acoustical Society of America, New York, 1986.

Brigham, E. The Fast Fourier Transform and its Applications. Englewood Cliffs: Prentice-Hall,

Inc., 1988

$#$6+&+('

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Digital Signal Processing Committee, ed. Selected Papers in Digital Signal Processing, II. IEEE

Press Selected Reprint Series, New York: IEEE Press, 1975.

Digital Signal Processing Committee, ed. Programs for Digital Signal Processing. IEEE Press

Selected Reprint Series, New York: IEEE Press, 1979.

Eargle J. Handbook of Sound System Design. Plainview: Elar, 1989

The Microphone Handbook. Plainview: Elar, 1982

Egan, M. D. Architechtural Acoustics. New York: McGraw-Hill Book Co., 1988.

Everest, F. A. Successful Sound System operation. Blue Ridge Summit: TAB Books, 1985.

The Master Handbook of Acoustics. Blue Ridge Summit: TAB Books, 1983.

Giddings, P., Audio System Design and Installation. Indianapolis: Howard W. Sams & Co., 1990.

Harris, H. J. On the Use of Windows for Harmonic Analysis with the discrete Fourier

Transform, Proceedings of the IEEE, Vol. 66, No. 1, pp. 51-83, January 1978.

Huber, D.M., Microphone Manual: Design and Application. Indianapolis: Howard W. Sams &Co., 1988.

Ifeachor, E. C. & Jervis, B. W. Digital Signal Processing: A Practical Approach, Second Edition,

Essex, England: Prentice Hall, 2002

Knudson, V. O. & Harris, C. M. Acoustical Designing in Architecture, New York: John Wiley and

Sons, Inc., 1950; reissued by the American Institute of Physics for the Acoustical Society of

America, New York, 1978.

Lubman D. and Wetherill E., eds. Acoustics of Worship Spaces. New York: The American

Institute of Physics, 1983

McCarthy, B. Meyer Sound Design Reference For Sound Reinforcement. Berkely: Meyer SoundLaboratories, 1998

Q1 Q'4&%F s1 s,48/,8F M1


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"#$%&'$ ()*)** +,- -'.'%/' 012

Olson, H. F. Music, Physics and Engineering. New York: Dover Publications, 1967.

Oppenheim, A. V., ed. Applications of Digital Signal Processing. Englewood Cliffs: Prentice-

Hall, Inc., 1978.

Oppenheim A. V. & Schafer, R. Digital Signal Processing. Englewood Cliffs: Prentice-Hall, Inc.,1975.

Oppenheim, A. V., Willsky, A. S. & Young, I. T., Signals and Systems. Englewood Cliffs:

Prentice-Hall, Inc., 1983.

Otnes, R. K. & Enochson, L. Applied Time Series Analysis. New York: John Wiley and Sons, Inc.

, 1978

Rabiner, L. R. & Rader, C. M., ed. Digital Signal Processing. IEEE Press Selected Reprint Series,

New York: IEEE Press, 1972.

Rona, J. MIDI: The Ins, Outs, and Thrus. Milwaukee: Hal Leonard, 1987.

Strutt, J. W. (Lord Rayleigh, 1877). Theory of Sound. New York: Dover Publications, 1945.

Tremaine, H. Audio Cyclopedia, Second Edition. Indianapolis: Howard W. Sams & Co., 1969.

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getting started with smaart v7.2

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