fundamentals of fiction, memoirs, and story work book2.0/fof-workboo… · permission from...
TRANSCRIPT
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F u n d a m e n t a l s o f F i c t i o n ,
M e m o i r s , a n d S t o r y
2019
Self-Publishing School
WORK
B O O K
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© Copyright 2019 Self-Publishing School. All rights reserved.
You are only permitted to use the content as expressly authorized by Self-Publishing School. Except for a
single copy made for personal use only, you may not copy, reproduce, modify, republish, upload, post, transmit,
or distribute any content or information from this workbook in any form or by any means without prior written
permission from Self-Publishing School. You are solely responsible for obtaining permission before reusing any
copyrighted material that is available within. Any unauthorized use of the materials referred to may violate
copyright, trademark, and other applicable laws and could result in criminal or civil penalties.
Version: 19.07.01
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ANYBODY WHO CAN
THINK CLEARLY CAN
WRITE CLEARLY, ABOUT
ANY SUBJECT AT ALL.
– W I L L I A M Z I N S S E R
“
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Did You Know?81% of people want to write a book;
but fewer than 2% actually do it.
You're about to enter that top 2% of people, the people who actually take actionand achieve their dream of becoming a published author. So, first off...
Congratulations on making the decision to investin yourself and in your dream!
I'm so glad you're here!
Let me take a few seconds to introduce myself and myteam so you know who you're working with and who will be alongside you on this journey to becoming a bestselling author.
My name is Chandler Bolt, and I'm the host of the Self Publishing School podcast & the author of 6 bestselling books including my most recent book titled “Published.” I'm also the founder & CEO of Self-Publishing School, the #1 online resource for writing your first book. Our company, Self-Publishing School, made the INC 5000 in 2018 (#2,699) as one of the 5,000 fastest growing private companies in the US. Through my books, podcast, training videos, and Self-Publishing School, I've helped thousands of people, just like you, on your journey to writing your first book.
As for our team, we have a lively group of high performers, eager to help you on your journey. Together, we created this workbook and this course, which will take you from no idea to published author in just a few short months. With that, let's see what's ahead...
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6
TABLE OFCONTENTS
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7
PART 1: WRITING, EDITING, & MINDSET 08
Module 1: Before You Begin
Module 1.5: Writing a Memoir
Module 2: Timelines and Style
Module 3: Writing a Kick-Ass Scene
Module 4: Characters, Setting, and Research
Module 5: The Writer’s Mindset
Module 6: Self-Editing
Module 7: Hiring an Editor
PART 2: LAUNCHING YOUR BOOK 99
Module 8: Getting Ready to Publish
Module 9: Hitting Publish
Module 10: Launch Teams & Launch Calendars
PART 3: THE BUSINESS OF WRITING 123
Module 11: How to Market Your Book
Module 12: The Business of Writing
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8
Writing,Editing, & Mindset
P A R T 1
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9
M O D U L E 1
BEFORE YOU BEGIN
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10 |
1 What is your story PREMISE?
What is your A-Story? (Remember, your A-Story starts with Milestone 2 and ends at Milestone 5.)
2
WHAT’S YOUR STORY IDEA?Go ahead and complete the questions that follow.
If you need additional space or another copy of this information, visit: Step 1: What does it take to make a kick-ass story? inside the course.
S T E P 1
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What is your HERO’s Internal Journey?(A journey your hero may or may not be aware of.)
What is your HERO’s External Journey? (This should be aligned with your A-STORY, but may vary slightly.)
3
4
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5 M
ILES
TON
ES
SET-
UP
INC
ITIN
G IN
CID
ENT
THE
1ST
SLA
PTH
E 2N
D S
LAP
(BU
T TH
ERE’
S H
OP
E)
CLI
MA
XA
ND
RES
OLU
TIO
N
Wha
t’s y
our h
ero
doin
g?
Wha
t’s h
appe
ning
in y
our s
tory
?
12
34
5
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HAC
KS IF
YO
U’R
E ST
UCK
:W
hat a
re th
e 5
mile
ston
es o
f you
r fav
orite
sto
ry?
How
can
you
use
that
as
insp
iratio
n fo
r you
r own
sto
ry?
Anyt
hing
els
e to
kee
p in
min
d?
Your
favo
rite
stor
y’s 5
mile
ston
es
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Wha
t is
your
VIL
LAIN
’s E
xter
nal/
Inte
rnal
Jou
rney
?
Wha
t is
your
VIL
LAIN
doi
ng a
t the
5 m
ilest
ones
?
EX
TE
RN
AL
:IN
TE
RN
AL
:
Use
that
as i
nspi
ratio
n fo
r you
r 5 m
ilest
ones
Wha
t’s y
our v
illai
n up
to?
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ARE YOU WRITING TO MARKET?WHY OR WHY NOT?
CHOOSE A GENRE
Don’t worry too much about what category you fit in. Whatever you write, you will find a genre that fits.
Comedy - A DRAMA that is intended to amuse, and usually has a happy endingTragedy - A DRAMA that shows a downfall, and doesn’t have a happy endingSci-Fi - Science, technology and/or future centered story Fantasy - Features magic, myth and/or fantastical creatures Romance - Good romance is more complex than just being a love story!Horror - A story that usually offers a cathartic experience by the end.Children’s Fiction - Character-focused story that’s educational or silly.
S T E P 3
S T E P 4
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ARE YOU WRITING A SERIES?
Yes No Undecided
Jot down any ideas or thoughts you have about writing a series (for this book or future books!)
S T E P 5
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RULES FOR WORLD BUILDING
The #1 Rule for World Building is...Whatever rules you establish in your world, make it consistent.
Checklist for best practice world building:
Use the World Building WorksheetNarrow down your ideas Don’t throw stuff in just for the sake of it - make sure it’s intentional!Be able to justify the reason a rule existsKeep track of any notes to review work later on and make necessary changes
THE RULES OF YOUR WORLD
S T E P 6
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What’s the rule?IE: When mythical creatures use magic, they burn time.
Pre-set or Story? If story, when did it first happen?
Story–First happens with the V. fight scene
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Why is it important?Strong story dynamic and it
limits magic.
Notes:Make sure to check earlier magic scenes.
Will influence Milestone 4.
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S T E P 7 & 8
THE DIFFERENT PERSPECTIVES & TENSES
Rewrite a specific scene in all the different options andsee which one feels more naturally to you.
YOUR 5 MOMENTS:
Intro:
Action/Dialogue:
1
2
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Action/Dialogue:
Action/Dialogue:
Emotional End:
3
4
5
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NOW WRITE YOUR SCENE:
Past Tense, 1st Person
Past Tense, 3rd Person
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Present Tense, 1st Person
Present Tense, 3rd Person
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My story’s perspective will be in:
First Person Third Person Omniscient Limited
My story’s perspective will be in:
Past Tense Present Tense
PUT IT ALL TOGETHER, AND START WRITING YOUR STORY!
S T E P 9
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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26
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M O D U L E 1 . 5
WRITING A MEMOIR
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THE 3 RULESA memoir is a true story. But just because it is true, doesn’t mean you are exempt from good story telling. Follow the fundamentals and you’ll do great. When you are writing a memoir, however, it’s worth knowing there are a few extra rules that need following. The
following section of this workbook will help you navigate those extra rules.
What true story is your memoir based on? What major events will you discuss in your memoir?
S T E P 1
Base it on atrue story
You’re the hero of thestory, so be proactive
Tell the story withas few characters
as possible
1 2 3
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List the proactive angles that you will use to present yourself as the hero in your story:
Who are the must-have characters in your memoir?
Character Why is he/she important?Can the story be told
without this character?
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PREMISE VS. THEME
S T E P 2
Primes
Theme
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 2
TIMELINES AND STYLE
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STYLE
When should you “show and not tell” in your writing?
When is it okay to “tell” rather than show?
Describe the difference between active vs passive voice. Then, explain which one you should use in your writing.
S T E P 1
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FINDING YOUR 5 MILESTONES AGAINAND DRIPPING OUT INFORMATION
Your reader is on a “need to know” basis, which means you must give them the absolute minimum amount of information possible so that they can still understand and follow the story at that point.
Let’s revisit the 5 milestones of your story. Using the space below, make a list of everything your reader needs to know in each milestone. This will help you drip out the necessary information.
S T E P 2 & 3
Milestone 1
Milestone 2
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Milestone 3
Milestone 4
Milestone 5
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S T E P 4
S T E P 5
CONQUERING WRITER’S BLOCK
When face with writer’s block, ask yourself these two questions:
How can I raise the stakes? How can I shorten the timeline?
TIMELINE
Manipulate time to cut out any dead time! This will help you from making your timeline longer than it needs to be. Move it forward as fast as possible!
On the timeline below, indicate the most important events that you need to include.
S T E P 6
OUTLINE A SERIES
Decide whether you will outline a series or not
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HOW TO OUTLINE A SERIES
S T E P 7
Your World Hook Your Universe
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S T E P 8
S T E P 9
MIND MAP & OUTLINE
Mind map and outline your story using whichever technique suits your brainstorming and creative process best!
TIPS FOR OUTLINING ACHILDREN’S BOOK
Read a lot of picture booksFind an idea that appeals to children and adults.Show, don’t tell.The art must show your storyKnow the relationship between animals and humansUse active voice and concise languageUse “said” Don’t force rhymeDon’t be didacticThe child is the heroLeave half the work to the illustratorRevise and edit!Design your book with the page limit in mindLook at books that are similar to the one you want to create
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 3
WRITING A KICKASS SCENE
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ACTION/REACTION
S T E P 1
SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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SCENE: CHAPTER:
Goal
Conflict
Outcome
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PAGE: SEQUEL:
Decision
Dilemma
Reaction
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FIRST LINES
Jot down some possible “first lines” as you write your draft. Then, highlight your top three first lines. Once your draft is almost done, share them with the Mastermind community to get feedback.
FIRST CHAPTER
S T E P 2
S T E P 3
Possible First Lines:
How can you create empathy within your hero/character?
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CHAPTERS, BREAKS, AND PARTS
Start determining how you are going to break your story up with chapters, breaks, and parts.
S T E P 4 & 5
What ways can you get the reader excited about your plot?
How can you draw the reader into your world hook or setting?
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THE BIG NO-NO IN WRITING
How can you avoid coincidences in your story?
THE RIGHT AMOUNT OF DESCRIPTION
Using what you learned in the course video for Step 7, practice writing a short scene from your story using the description tips from the video.
S T E P 6
S T E P 7
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THE RIGHT AMOUNT OF DESCRIPTION
Using what you learned in the course video for Step 8, practice writing a short scene from your story using the dialogue tips from the video.
S T E P 8
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 4
CHARACTERS, SETTING AND
RESEARCH
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THE ANATOMY OF A GREAT CHARACTER
List out your characters in the space below, and describe them using the tips discussed in the course video.
S T E P 1
CHARACTERTYPE OF
CHARACTERWHAT MAKES THEM STAND OUT?
(GIVE CONFLICTING CHARACTERISTICS)
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ESTABLISHING EMPATHY AND CONNECTION
Jot down the main ways you will establish empathy and connection between your hero and your reader in the first chapter and beyond:
S T E P 2
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What are your villain’s non-conflicting characteristics or beliefs?
WHY SEQUELS ARE SO IMPORTANT
Don’t underestimate the power of the sequel in regards to character development!
S T E P 4
AMAZING VILLAINS Describe your villain:
S T E P 3
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CREATING CHARACTERS
The following pages are character creation templates. Be sure to copy them & create one character sheet for every 1st & 2nd tier character.
S T E P 6
PROACTIVE VS. REACTIVE
List four major examples of ways your character is proactive in the story:
S T E P 5
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BACKSTORY:
NAME:
CHARACTER TYPE:
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TRAITS: TRAITS are like TAGS, except that instead of picking specific words, you pick a number of unique things ranging from a trademark prop to unique physical feature. Do they limp? Have wings? Large hands? Do they have a cane? Or maybe 4 arms? Whatever it is, refer to it and make it important.
TAGS: TAGS are words you hang upon your character when you describe them. When you're putting things together, for each character, pick two or three words that best describe them. Then, every so often, hit on one of those words in references to them. Try to avoid using them elsewhere. By doing this, you'll be creating a psycho-logical link between those words and that strong entry image of your character. Also get more specific than LARGE, MUSCULAR, DARK SKINNED. VENDING MACHINE LARGE, SO MUSCULAR THAT EVEN HER FOREARMS HAD A SIX PACK, OLIVE SKINNED; MOCHA, etc...
CHARACTER'S NATURE: What actions does your character do that would make everyone in a room table him the same way–nervously shaking his leg, checking out every woman who walks by, chewing gum with his mouth open, a braying laugh, etc.
CHARACTER'S MOOD/MENTAL STATE: Regardless of culture, we can tell if someone is mad, hurt, sad, or happy by body language. Make a list of all the body language cues for the mood you wish to create. For example: sad = biting lower lip. A book on body language can be extremely helpful for the more subtle stuff.
TRIGGERS: This is a simple one... what sets them off and throws them into an un-controllable range? Bullying, racism ... baking?
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STATUS FLUX–HOW DO THEY REACT
How do they react to Authority:
How do they react to those Weaker than them:
How do they react to Equals:
How do they react the when Out-Classed:
How do they react when they are Superior:
Other:
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SPECIAL HOW? UNIQUE HOW?
CONFLICTING TRAITS: Character need internal conflicts. The Hilk wants to be left alone, but is constantly needed to save the world. Katniss (Hunger Games) si-multaneously wants to help the District and doesn’t want to have anything to do with them. Hamlet wants to avenge his father, while humming and hawing at everything. Internal conflicts are what makes the drunk who wants to sober-up compelling, the grumpy old man who helps children lovable (Up) and the slimey lawyer with ethics interesting (Better Call Saul).
ASSOCIATED WORDS, PROPS, AND/OR TAG-LINES(S):
IMPORTANCE OF STORY:
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BACKSTORY:
NAME:
CHARACTER TYPE:
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TRAITS: TRAITS are like TAGS, except that instead of picking specific words, you pick a number of unique things ranging from a trademark prop to unique physical feature. Do they limp? Have wings? Large hands? Do they have a cane? Or maybe 4 arms? Whatever it is, refer to it and make it important.
TAGS: TAGS are words you hang upon your character when you describe them. When you're putting things together, for each character, pick two or three words that best describe them. Then, every so often, hit on one of those words in references to them. Try to avoid using them elsewhere. By doing this, you'll be creating a psycho-logical link between those words and that strong entry image of your character. Also get more specific than LARGE, MUSCULAR, DARK SKINNED. VENDING MACHINE LARGE, SO MUSCULAR THAT EVEN HER FOREARMS HAD A SIX PACK, OLIVE SKINNED; MOCHA, etc...
CHARACTER'S NATURE: What actions does your character do that would make everyone in a room table him the same way–nervously shaking his leg, checking out every woman who walks by, chewing gum with his mouth open, a braying laugh, etc.
CHARACTER'S MOOD/MENTAL STATE: Regardless of culture, we can tell if someone is mad, hurt, sad, or happy by body language. Make a list of all the body language cues for the mood you wish to create. For example: sad = biting lower lip. A book on body language can be extremely helpful for the more subtle stuff.
TRIGGERS: This is a simple one... what sets them off and throws them into an un-controllable range? Bullying, racism ... baking?
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STATUS FLUX–HOW DO THEY REACT
How do they react to Authority:
How do they react to those Weaker than them:
How do they react to Equals:
How do they react the when Out-Classed:
How do they react when they are Superior:
Other:
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SPECIAL HOW? UNIQUE HOW?
CONFLICTING TRAITS: Character need internal conflicts. The Hilk wants to be left alone, but is constantly needed to save the world. Katniss (Hunger Games) si-multaneously wants to help the District and doesn’t want to have anything to do with them. Hamlet want to avenge his father, while humming and hawing at everything. Internal conflicts are what makes the drunk who wants to sober-up compelling, the grumpy old man who helps children lovable (Up) and the slimey lawyer with ethics interesting (Better Call Saul).
ASSOCIATED WORDS, PROPS, AND/OR TAG-LINES(S):
IMPORTANCE OF STORY:
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CHARACTER DEVELOPMENT
List out your characters in the space below, and describe them using the tips discussed in the course video.
S T E P 7
Milestone 1
Developments? Set-backs?
Milestone 2
Developments? Set-backs?
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Milestone 3
Milestone 4
Milestone 5
Developments? Set-backs?
Developments? Set-backs?
Developments? Set-backs?
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THE FUNDAMENTALS OF SETTING
Use the chart below to jot down your ideas on the fundamentals of your story’s setting.
S T E P 8
S T E P 9
PHYSICAL SETTING
SEASON
TIME OF DAY
GEOGRAPHY
LANDMARKS
CULTURE
THE “WOW”NESS
WORLD BUILDING
Determine which settings are needed for your story:
Imaginary Worlds Alternate Realities Actual Locations
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Depending on which setting is needed for your story’s world, use the space below to plot out some major events and characteristics needed for your story’s setting:
SETTING AS THE VILLAIN
Determine whether the setting can be considered the villain in your story.
S T E P 1 0
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RESEARCH AND WRITING
Describe how researching your story and writing your story are two different muscles. Then, explain how you will allot time for each.
S T E P 1 1 & 1 2
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 5
THE WRITER’S MINDSET
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CERTAINTY
What positive certainties will your book give you once it is written?
THE ONE PERCENT
Using the formula in the course video, what is your time worth to you?
S T E P 1
S T E P 2
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Now, list 6 things you can sacrifice in your downtime to make more time for writing:
1
3
5
2
4
6
THE WRITING HABIT
Using the techniques listed in the course video, create a structure for your own writing habit in the space below:
S T E P 3
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AVERAGE WORD COUNT
Based on your genre, your average word count for your story needs to be:
READ, READ, READ
Checklist to ensure you are reading on a consistent basis:
Set a DAILY reading goal (time or page count);
Read widely (not just in your genre);
Read in your genre as much as possible;
Read multiple books from 1 author (not just their famous work);
Don’t just read great/good writers - read the bad ones too;
Try to dissect what makes them good or bad;
S T E P 4
S T E P 5
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BORROWING ANOTHER AUTHOR’S VOICE
List 3 books that are written in an author’s voice that is similar to yours. Be sure to refer to this list when you need to get unstuck!
YOUR BEST WORK IS STILL IN FRONT OF YOU!
Accept that this may not turn out to be your best work! Don’t dwell on the little things that you could have improved upon but rather focus on learning the fundamentals so that you can perfect your craft as a writer.
S T E P 6
S T E P 7
1
3
2
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 6
SELF-EDITING
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TRACK CHANGES
Always use track changes to“undo” any unwanted changes!
FILES USED IN EDITING
Create your own filing systemfor your drafts
WHAT DOES IT MEAN TO BE WELL WRITTEN?
To ensure your story is well written, you’ll want to keep an eye outfor these three main rules:
THE 3 ROUNDS OF EDITING
S T E P 1 S T E P 2
S T E P 4
S T E P 3
Spell Check Computer Read Read Out Loud
Obey the lawsof physics
Obey the lawsof time
Have masteryof your own world
1
1
2
2
3
3
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| 89
EVERYTHING THEY NEED TO KNOW
Using the content in the course, fill out this chart to quickly jot down all of the “Need to Knows” for your reader to follow both your story and your world:
S T E P 5
Need to Know for Your Story Need to Know for Your World
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90 |
SET-UPS AND PAY-OFFS
Fill out the chart below to determine the set-ups and pay-offs in your story:
S T E P 6
Set-up Pay-offWhen When
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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| 93
M O D U L E 7
HIRING AN EDITOR
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94 |
HOW LONG SHOULD SELF EDITING TAKE?
The time it takes to edit depends Spell check takes roughly 1 hourSelf editing takes roughly ⅓ of the time it took you to write Don’t use editing as a procrastination tool!
BETA READER
The three rules to using beta readers:
Jot down the names of potential beta readers for your book:
S T E P 1
S T E P 2
Beta readers mustmust agree to read your book within a few days.
Any problem theyidentify must come
with a fix.
Know that youdon’t have to listen
to them
1 2 3
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| 95
HIRING AN EDITOR
My budget for editing: When I would like my book edited by:
S T E P 4
THE 2 KIND OF EDITORS
There are two types of editors you will need:
Content editors Line or copy editors
S T E P 3
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96 |
FINDING AN EDITOR
Use the table below to keep track of potential editors you might use for your book.
S T E P 5
Editor Referred byService Offered Price/Fee Notes
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| 97
HOW TO RECEIVE FEEDBACK
Take time to work out your frustration and/or discouragement in your own wayThen, create a process for how to implement the feedback into your writing
S T E P 6
S T E P 7
HOW TO KNOW YOU ARE READY
Using what you learned in the course video, fill in the blank below:
I’ll know I’m ready when...
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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| 99
Launching Your Book
P A R T 2
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100 |
M O D U L E 8
GETTING READY TO PUBLISH
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| 101
THE SIX AND A HALF REASONS SOMEONEWILL BUY YOUR BOOK
COVERS
Find 20+ book covers that sell in your genre. Take a look at all of the covers inthumbnail size, and take note of any common similarities or differences you notice:
S T E P 1
S T E P 2
Book Cover The Look InsideTitle
Reviews
Book Description
Pricing Your Profile Photo & Bio
Similarities Differences
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102 |
Now, using your notes from the previous exercise, decide which common elements or ideas you want to use in your own book cover:
TITLES
Brainstorm some title ideas in the space below:
S T E P 3
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| 103
BOOK DESCRIPTIONS
Use the space below to practice writing some book descriptions in the correct format:
S T E P 4
Log Line:
Body:
Call to action:
Log Line:
Body:
Call to action:
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104 |
Log Line:
Log Line:
Body:
Body:
Call to action:
Call to action:
AUTHOR BIO AND PICTURE
Craft a snazzy author biography (make it brief!)Include a picture of yourself (that represents you!)
S T E P 5
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| 105
CREATING YOUR LEAD MAGNET
Decide on a lead magnet to use, and create it using the course video instructions
LEAD MAGNETS
Brainstorm 4 effective lead magnets you can use as part of your book’s marketing plan:
S T E P 7
S T E P 6
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106 |
FORMATTERS
Use the table below to keep track of potential formatters you might use for your book.
S T E P 8
Formatter Referred byService Offered Price/Fee Notes
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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108 |
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| 109
M O D U L E 9
HITTING PUBLISH
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110 |
CATEGORIZE AND KEYWORDS
Follow the step-by-step tutorials in the video when selecting your categories and keywords.
PUBLISHING YOUR BOOK
Follow the step-by-step tutorials in the video to upload and publish your book!
SETTING UP YOUR FIRST PROMOTION
Follow the step-by-step tutorials in the video to set up your first promotion!
HIT PUBLISH
Hit “Publish” and make your book go LIVE!
S T E P 1
S T E P 2
S T E P 3
S T E P 4
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P R O G R E S S T R AC K E RCongratulations! You’ve PUBLISHED your book!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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| 113
M O D U L E 1 0
LAUNCH TEAMSAND LAUNCH CALENDARS
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114 |
WHAT ARE LAUNCH TEAMS ANDWHY ARE THEY IMPORTANT
Understand why building your launch team is necessary
THE MARKETER’S MINDSET
Using what you learned in the video, briefly explain what the marketer’s mindset is, and how can you develop it.
S T E P 1
S T E P 2
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| 115
THE 5 TOUCHES OF YOUR LAUNCH TEAM
Use the space below to jot down ideas for your 5 touches:
S T E P 3
Opportunistic Beginning:
3 Days Before Launch
10 Days Before Launch
Day of Launch
2 Days After Launch
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116 |
YOUR FIRST PROMO
Keep track of the promo sites including in the Course PDF!
YOUR LAUNCH CALENDAR
SHOULD I LAUNCH DURING THE HOLIDAYS?
Decide whether or not to launch during a holiday
S T E P 4
S T E P 5
S T E P 6
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SU
ND
AYM
ON
DAY
TU
ESD
AYW
EDN
ESD
AYT
HU
RS
DAY
FRID
AYS
ATU
RD
AY
SIGN
IFICA
NT A
CTIO
N:
Touch 2
»Send Touch 2 to your launch team
.
»This is the kick off event.
YOU
R LA
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CH CA
LEND
AR
W E
E K
1
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SIG
NIF
ICA
NT
AC
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N:
Touc
h 4
»Se
nd To
uch
4 to
you
r lau
nch-
team
.
»Re
mem
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bo
ok sh
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mor
row.
Le
t you
r la
unch
team
kn
ow th
is, a
nd
enco
urag
e th
em
to d
ownl
oad
it be
fore
revi
ewin
g it. »Co
ntin
ue h
ittin
g th
ose
PROM
O st
ies.
YOU
R L
AU
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CA
LEN
DA
RS
UN
DAY
MO
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UES
DAY
WED
NES
DAY
TH
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SD
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»Se
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load
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r Bo
ok to
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ICA
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Enga
ge
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eam
»As
k yo
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- Te
am to
Pur
chas
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d R
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ur B
ook!
»Se
t you
r boo
k to
be
FREE
on
the
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DAY
and
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is we
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art b
ooki
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PRO
MOS
SIG
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Cont
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Book
ing
your
PROM
OS
»Co
ntin
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ittin
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»En
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of
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A-T
eam
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at h
asn’
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SIG
NIF
ICA
NT
AC
TIO
N:
Switc
h yo
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ok fr
om F
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to 0
.99c
(Id
eal t
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- 10
pm E
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»Co
ntin
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ittin
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»SI
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ging
you
r la
unch
team
!
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SU
ND
AYM
ON
DAY
TU
ESD
AYW
EDN
ESD
AYT
HU
RS
DAY
FRID
AYS
ATU
RD
AY
YOU
R LA
UN
CH CA
LEND
AR
W E
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3
SIGN
IFICA
NT A
CTIO
N:
Touch 5
»Your book should be 0.99c now. Ask your launch team
to purchase your book before reviewing it. After all, it is priced at less than a cup of coffee!
»Continue hitting those PROM
O sties (if any are left).
SIGN
IFICA
NT A
CTIO
N:
Take abreather
SIGN
IFICA
NT A
CTIO
N:
Engage anystragglers onyour Launch
Team Any Side-
Hustle Gam
eyou got!
SIGN
IFICA
NT A
CTIO
N:
Engage anystragglers onyour Launch
Team Any Side-
Hustle Gam
eyou got!
SIGN
IFICA
NT A
CTIO
N:
Engage anystragglers onyour Launch
Team Any Side-
Hustle Gam
eyou got!
SIGN
IFICA
NT A
CTIO
N:
Engage anystragglers onyour Launch
Team Any Side-
Hustle Gam
eyou got!
SIGN
IFICA
NT A
CTIO
N:
Engage anystragglers onyour Launch
Team Any Side-
Hustle Gam
eyou got!
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YOU
R L
AU
NCH
CA
LEN
DA
RS
UN
DAY
MO
ND
AYT
UES
DAY
WED
NES
DAY
TH
UR
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Any
Side
-Hus
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Gam
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ustle
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you
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ustle
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you
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Any
Side
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tle
Gam
e yo
u go
t!
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SU
ND
AYM
ON
DAY
TU
ESD
AYW
EDN
ESD
AYT
HU
RS
DAY
FRID
AYS
ATU
RD
AY
YOU
R LA
UN
CH CA
LEND
AR
W E
E K
5
PROMO FREE
DAY 2PROM
O FREEDAY 1
PROMO FREE
DAY 3
»Manually switch
your book from
FREE to 0.99c at 3pm
EST.
PROMO 0.99c
DAY 2PROM
O 0.99cDAY 1
»Focus, focus, focus your PROM
OS on the 1st day your book turns 0.99c.
PROMO 0.99c
DAY 3
»Last day of your 0.99c prom
o.
»NOTE: you can
extend your 0.99c sale if you like.
Optional push
»Raise your book price to $2.99.
»Before you eventually raise the price for good
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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| 123
The Businessof Writing
P A R T 3
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124 |
M O D U L E 1 1
HOW TO MARKET YOUR BOOK
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| 125
UNDERSTANDING AMAZON’S ALGORITHM
Learn about Amazon’s algorithm, and how to activate it.
THE STAGGERED LAUNCH
Determine if the staggered launch is a right fit for you. Understand how the staggered launch is set up.
CROSS PROMOTIONS
Connect with your Self-Publishing School Fundamentals of Fiction CommunityNetwork with other authors in your genre
S T E P 1
S T E P 2
S T E P 3
SIDE HUSTLE
Use the space on the next page to list your side hustles into each category:
S T E P 4
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NEWSLETTER AUTOMATIONS
Implement the best practices for email marketing
GETTING YOUR BOOK INTO MORE CATEGORIES
Learn how to get your book into 10 unique categories
S T E P 5
S T E P 6
One-Offs Ongoing
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MANAGING YOUR PEEPS - FACEBOOK GROUPS VS FACEBOOK PAGES
List ways you can use your two platforms differently:
S T E P 7
Facebook Group Facebook Page
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FINDING YOUR READERS
Using the course video, determine which indie authors you can target in your genre
MANAGING YOUR MARKETING BUDGET
Determine whether it’s best for you to spend time marketing or writing.
Use the downloadable spreadsheet in the course to help you keep track of your spending and earnings.
S T E P 8
S T E P 9
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Before moving on, let’s do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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M O D U L E 1 2
THE BUSINESSOF WRITING
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THE TWO STRATEGIES
Understand the two strategies and determine which one is right for you
THE POWER OF MEASUREMENT
You cannot improve in any way, shape, or form unless you figure out ways to measure what you are doing. Use the downloadable spreadsheet in the course to help.
HOW TO MAKE A GOOGLE DOC COPY
Watch the course video to learn how to make a copy of the Google Doc. Then, make copies, so you have your own measurement documents.
THE WRITING STREAK
Use the daily word count spreadsheet to maintain production
My Daily Word Count Goal is:
S T E P 1
S T E P 2
S T E P 3
S T E P 4
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YOUR PUBLISHING AND MARKETING SCHEDULE
Use the spreadsheet to keep track of everything you need
PUBLISHING BUDGET
Use the spreadsheet to determine a budget and record your spend
THE ELEVATOR PITCH
Write your elevator pitch below using the strategies in the video:
S T E P 5
S T E P 6
S T E P 7
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TO GO WIDE OR NOT TO GO WIDE
Understand the pros and cons of publishing outside of Amazon
WORKING WITH OTHERS
Consider the highs and lows of working with another author
S T E P 8
S T E P 9
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P R O G R E S S T R AC K E RCongratulations! You’ve made it to the finish line!Let’s take a moment to do a quick self reflection.
Overall rate your level of satisfaction with your progress on the line below:
My top three learning milestones from this section are:
Questions I have for my coach:
What I’m most proud of: What I’m still struggling with:
1 10
Congrats! You finished this section!How will you celebrate your accomplishment?
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136 |
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You finished the Fundamentals of Fiction,
Memoirs, and Story course!
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138
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139
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» Lifetime access to the VIP 2.0 online training program. This includes a digital curriculum outlining all phases of your author journey to create an ebook, audiobook, and hardcopy.
» Recommended Book Production Team: Instant access to our recommended, money-saving book production professionals.
» Lifetime access to the entire CBA online training program. This includes a digital curriculum outlining the 3 Distinct Phases showing you how to Plan and Develop, Create and Upload AND Market and Sell Your Course
» Group coaching sessions w/ Sean Sumner
» Lifetime access to the entire SMB online training program. This includes a digital curriculum outlining the 5 Focus Areas (Launch, Email Marketing, Foundation, Author Brand and Advanced Marketing) showing you strategies to take your books and royalties to the next level
MORE SPS
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» Eight individual coaching sessions w/ your expert coach (including USA Today and Wall Street Journal Best Selling authors!)
» 1 YEAR access to the SPS Mastermind Community. Get writing, publishing, and marketing questions answered by Chandler Bolt on a Weekly Group Coaching Call - every Monday night at 9 pm ET
» Clarity Call with your expert coach
» 6 Private Coaching Calls to use within 6 months
» 1 year access to the SPS Mastermind Community on Facebook.
» Weekly Group Coaching Call: Get writing, publishing, and marketing questions answered by Chandler Bolt.
» One on one Coaching Calls w/ your expert coach
» 1 YEAR access to the SPS Mastermind Community. Get writing, publishing, and marketing questions answered by Chandler Bolt on a Weekly Group Coaching Call - every Monday night at 9 pm ET
Visit www.self-publishingschool.com/programsfor more details and information!
PRODUCTS
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N O T E S
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N O T E S
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N O T E S
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N O T E S
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N O T E S
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N O T E S
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N O T E S
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N O T E S
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PLOT CALL
GRADUATION CALL
COACHING CALL 2
COACHING CALL 4
COACHING CALL 6
COACHING CALL 1
COACHING CALL 3
COACHING CALL 5
COACHING CALL 7
MY COACHING CALLSTIME DATE COMPLETE
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Self-Publishing School
Will you be next?Self-Publishing School has worked with over 4,527 studentsin 65+ countries around the world. No matter where you live,you have a story to share with the world. We're here to help
you share it.