from a song for the horse nation

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From A Song for the Horse Nation: Horses in Native American Cultures Ledger book, 1884. Drawings by His Fight (Hunkpapa Lakota). South Dakota or North Dakota. (25/4575)

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From A Song for the Horse Nation: Horses in Native American Cultures

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Page 1: From a Song for the Horse Nation

From A Song for the Horse Nation: Horses in Native American Cultures

Ledger book, 1884. Drawings by His Fight (Hunkpapa Lakota). South Dakota or North Dakota. (25/4575)

Page 2: From a Song for the Horse Nation

Portrait of High Wolf, ca. 1879–80. Drawing by Yellow Nose (Ute, raised as Cheyenne). (23/4368)

High Wolf “counts coup” against a Nez Perce, touching him with a riding quirt in a daring act of bravery. The imitation scalp under his horse’s chin indicates victories in battle for both horse and rider.

Page 3: From a Song for the Horse Nation

Man Who Carries the Sword, ca. 1875. Oglala Lakota drawing. (10/9628)

The artist is Lakota, but the subject may be from a southern Plains tribe. Man Who Carries the Sword wears an impressive bonnet with many feathers and carries a shield with feathers as well, indicating that he was a prominent warrior. The single horn on his headdress may refer to an image seen in a dream. His horse wears a silver bridle.

Page 4: From a Song for the Horse Nation

Horse Dance, ca. 1885. Ledger drawing by Rain In the Face (Hunkpapa Lakota), South Dakota or North Dakota. (20/1628)

Note that the dancer carries a horse dance stick.

Page 5: From a Song for the Horse Nation

Exploits of Poor Wolf, Hidatsa Second Chief, probably early 1900s. Hidatsa drawing. (4/2446A)

At upper left, Poor Wolf sports a military coat and saber, possibly won in battle. The eagle feathers tied to the tail of his very elegant horse suggest that this was a highly prized animal, as does the fancy Spanish bridle.

Page 6: From a Song for the Horse Nation

Cheyenne River Lakota shield cover, ca. 1880s. South Dakota. Pigment, hide, and rawhide. Photograph by Katherine Fogden, NMAI. (6/2195)

Page 7: From a Song for the Horse Nation

Piikuni (Blackfeet) elk-skin robe with painted decoration by Mountain Chief, mid-1800s. Montana. Pigment and hide. Photograph by Katherine Fogden, NMAI. (22/1878)

In this scene, the Blackfeet are holding their own against two sets of enemies: other tribes and bears (seen in the lower left corner). The small arcs represent hoof prints, and the arrow-like marks below them indicate the direction in which the

horse was headed.

Page 8: From a Song for the Horse Nation

Winter Count on cloth by Long Soldier (Hunkpapa Lakota), ca. 1902. Fort Yates, North Dakota. Muslin cloth. Photograph by Ernest Amoroso, NMAI. (11/6720)

Page 9: From a Song for the Horse Nation

Lakota Horse Mask, 2008, by Jim Yellowhawk (Cheyenne River Lakota, b. 1958). South Dakota. Acrylic on paper, gold leaf. Photograph by Ernest Amoroso, NMAI. (26/7199)