FPR4100

REALITY

A SHORT FILM BY

SUNITA HAMMOND (DIRECTOR AND WRITER), IONA MORRISON (PRODUCER),

GREGOR McALPINE (LOCATION SCOUT AND EDITOR),

JACK McNEIL (DoP) and

NATALIA GIORGI (FIRST AD)

CONTENTS:

-Jennifer Howie’s Talent Release Form

-Samuele Martinelli’s Talent Release Form

-Risk Assessment

-Call Sheet

-Script Breakdown

-Production Schedule

-Location Scouting Form

-Location Recce

-Logline and Synopsis

-Script

-Shot List

-Storyboard

CALL SHEET Date 15/09/2017 Location Willowbank Student Accommodation, 2A Willowbank Crescent, Glasgow, G3 6NB Title Reality Producer Iona Morrison Contact +447939262716

CREW

CAST

NOTES

Sunset: 7.34pm

Call: 6pm

Set up time: 30 minutes

Wrap: 9pm

Breaks: 10 minutes each hour

Order of shooting: Phone call 1 (neat makeup), Phone call 2 (smudged makeup), Fight scene

EMERGENCY CONTACTS

Contact no. in case of an emergency 999

Queen Elizabeth University HospitalAddress: 1345 Govan Road, Glasgow G51 4TF

POSITION NAME CONTACT DETAILS

EQUIPMENT CALL TIME

Producer Iona Morrison +447939262716 Nikon D3300, tripod

6pm

Director Sunita Hammond +447389095111 Canon DSLR 6pm

First AD Natalia Giorgi +447743582094 6pm

DoP Jack McNeil +447376060670 Nikon D3300, GoPro Hero 5, Rode camera mic and tripod

6pm

Location Scout Gregor McAlpine +447586417572 6pm

POSITION NAME CONTACT DETAILS CALL TIME

Actor Samuele Martinelli +393888505418 6.30pm

Actor Jennifer Howie +447411950550 6.30pm

Contact no. 0141 201 1100

West Glasgow Ambulatory Care Hospital (minor injuries)Address: Dalnair St, Yorkhill, Glasgow G3 8SJContact no. 0141 211 2000

Police StationAddress: 945 Argyle Street, Glasgow G3 8JGContact no. 0141 532 3200

Yorkhill Community Fire StationAddress: 200 Kelvinhaugh St, Glasgow G3 8QSContact no. 0141 338 6400

A first aid kit will be available on set.

SCRIPT BREAKDOWN

TITLE RealitySCENE Phone call 1 DATE 15/09/2017

SCENE Phone call 2 DATE 15/09/2017

SCENE Fight scene DATE 15/09/2017

Producer Iona Morrison First AD Natalia Giorgi

CAST PROPS MAKEUP/HAIR LOCATION TIME

Samuele Martinelli(Brad)

phone / Interior-bedroom Night

Jennifer Howie(Maisie)

phone Lori’s makeup is neat in this scene

Interior-hallway Night

CAST PROPS MAKEUP/HAIR LOCATION TIME

Samuele Martinelli(Brad)

phone / Interior-bedroom Night

Jennifer Howie(Maisie)

phone Lori’s makeup is smudged

Interior-hallway Night

CAST PROPS MAKEUP/HAIR LOCATION TIME

Samuele Martinelli(Brad)

cup of coffee, bag of drugs

/ Interior-kitchen-flat entrance

Morning

Jennifer Howie(Maisie)

kettle, mug, coffee jar

She’s just woken up

Interior-kitchen-flat entrance

Morning

PRODUCTION SCHEDULE REALITY

Producer Iona Morrison First AD Natalia Giorgi

Call time: 6pm at Willowbank student accommodation

Set up time: 30 minutes

Breaks: 2, each hour for 10 minutes

Phone call scene version 1:Interior (bedroom): 20 minutesInterior (hallway): 15 minutes

High angle-phone callCU-phone call in the hallEstablishing- phone call screen

Phone call scene version 2:Interior (bedroom): 20 minutesInterior (hallway): 20 minutes

CU-girl’s face looking messy

Fight scene:Interior (kitchen and flat entrance): 45 minutesWide-Breakfast argumentEstablishing-girl entranceHigh angle-over the shoulder argumentWide- guy walking away

Filmsourcing accepts no legal responsibility for the use of Filmsourcing sample contracts or templates. Filmsourcing accepts no legal responsibility for the use of Filmsourcing sample contracts or templates.

LOCATION SCOUTING SHEET

Production title Sheet no.

Location Scout Date

LOCATION DETAILS

Script location Scenes

Actual location Interior Exterior

Address

Location contact name Position

Email Phone no.

AVAILABILITY

Days of week

Times of the day

Special arrangements

MISCELLANEOUS

Parking

Distance / time from home

Power capabilities

Sound scape

Other notes For example:• Security / alarm systems• Neighboring properties / activites / annual events• The nearest hospital / restaurant / petrol station• Props / costumes available?• Accomodation / catering?• Upcoming developments

LOCATION RECCE FORMPrepared by Gregor Neil McAlpine Date 13/9/2017

Film Date: 15/9/2017

Location Details

Location is at a student halls so there could potentially be many students roaming around, and can be visible from the window.

Scene/Purpose of filming

Hallway scene / Fight scene in kitchen Purpose: Discovery Film

Site Contact Name

Hello Student Address 2A Willowbank Crescent Glasgow G3 6NB

Room: C007Contact telephone

0844 371 5653

Permissions Full permission to film Access Easy access, no restrictions.

Electricity Supply

Yes

Availability Doors are open 24/7 But filming can only occur on the 15/9/2017 6-9

Food Available via uberEATS.

Parking Parking available right outside site

Points of Interest

Doors Sink Window Table Hallway

Toilets 2 Available on site

Sunlight Not needed, but sunlight is accessible

Suitability/ Possible shots

Doors Sink Window Table Hallway

Windows Yes

Flooring / Ground

Yes

Safety Issues Bumping into tables and one lamp that can easily be hit since it hangs very low.

Noise / Sound

Minimal noise from outside filming site

Cleanliness /Sanitation /Vermin infestation issues e.g. bugs, mice droppings, etc

No cleanliness issues.

LOCATION RECCE FORM

* Please attach additional photos, maps, directions, etc to this sheetMap provided below shows route from Kelvinbridge subway station to the filming site.

Space Small, so could potentially be cramped while filming.

Neighbourhood Assessment e.g. near a football stadium or school. Anything that might delay shooting.

Good distance from public attractions.

Reality Logline A young couple is forced to choose between love and the love of taking drugs. Synopsis Brad left home, leaving his parents in the dark world of drugs behind him. He thought moving to a new city, finding his first love and buying their first flat together would relieve him of his past. But darkness seems to follow him.

1 INT. BEDROOM - NIGHT 1

SPLIT SCENE (1)

BRAD is sitting in the kitchen and he is trying to ring his

Girlfriend - MAISIE.

MAISIE

Heyyyyyyy

(slurred)

BRAD

Where are you, I’ve been trying to

call you all night.

(sternly)

MAISIE

Oh, ooppss, I’m, I am, on coming

home to you now...

(slurred)

BRAD

I don’t get what you’re saying

(confused)

MAISIE

I... Am... Coming... Hommeeee...

(slurred)

BRAD

I can’t believe this, get home now

(agitated)

The line is cut and the ring of the end call is left playing

in the background of MAISIE’S phone.

BRAD sees MAISIE walk in through the front door of the

apartment, she is very drunk. her clothes are very dirty and

her hair and makeup is a mess.

2 INT. BEDROOM - NIGHT 2

SPLIT SCENE (2)

MAISIE is walking up the stairs and picks her phone up after

it rings a couple of times.

MAISIE

Heyyyyyyy

(slurred)

(CONTINUED)

CONTINUED: 2.

BRAD

Where are you, I’ve been trying to

call you all night.

(sternly)

MAISIE

Oh, ooppss, I’m, I am, on coming

home to you now...

(slurred)

BRAD

I don’t get what you’re saying

(confused)

MAISIE

I... Am... Coming... Hommeeee...

(slurred)

BRAD

I can’t believe this, get home now

(agitated)

The line is cut and the ring of the end call is left playing

in the background of MAISIE’S phone.

BRAD sees MAISIE walk in through the front door of the

apartment, she is very drunk. her clothes are very dirty and

her hair and makeup is a mess.

3 INT. KITCHEN - MORNING 3

It is the next again morning now. MAISIE has just woken up

from her hazy slumber. DAN is sitting in the chair by the

kitchen. A cup of coffee is sitting on the table but it is

clear he hasn’t had any of it. His face is blank, almost

like he is daydreaming but his eyebrows are knotted.

MAISIE stumbles towards the kettle.

MAISIE

Morning.

MAISIE stumbles for a mug on the top shelf and searches for

the coffee jar. There is a sense of tension in the room. She

continues to make her coffee.

MAISIE

You’re awfully quiet...

There is an awkward silence.

(CONTINUED)

CONTINUED: 3.

BRAD

Want to explain this?

BRAD places a bag of drugs on the table as MAISIE turns from

the counter to face him. Her face falls and she realises the

substance on the table. Tears begin forming in her eyes.

MAISIE

How, how did you get that...?

(hesitant)

BRAD

Stop trying to hide thi-

MAISIE

Why, Why did you even go through my

stuff!

(agitated)

BRAD

I didn’t even need to... It fell

out of your bag when you showed up

fucked off your face!

MAISIE

I, I’m sor-

(speechless)

BRAD

Don’t say anything... you know I

can’t deal with this shit!

(aggressively)

MAISIE

I know, I fucked up.

BRAD gets up from his seat and walks towards the door. He

pauses.

BRAD

Yeah, you did!

(shouting)

There is a very long awkward pause. BRAD begins to fade out

in the background.

MAISIE

It was a mistake! It was just one

big drunken mistake! I keep wishing

I could take it all back. I didn’t

want things to end up this way.

Maisie turns around and BRAD isn’t there anymore.

SHOT LIST RealityPRODUCER Iona MorrisonDIRECTOR Sunita Hammond

15/09/2017

No. TYPE DESCRIPTION SHOT NOTES SPECIAL EQUIPMENT

SHOOT DAY

1 WIDE Morning shot-breakfast argument

Open blinds Boom mic 1

2 ESTAB. Morning shot-girl entrance

Open blinds Boom mic 1

3 HIGH ANGLE Phone call-kitchen

Dark setting Camera mic 1

4 CLOSE UP Phone call-hall - Camera mic 1

5 ESTAB. Phone call-screen

- Camera mic 1

6 OVER SHOULDER

Joining scene - Boom mic 1

7 CLOSE UP Girl’s face looking messy

- - 1

8 HIGH ANGLE/OVER SHOULDER

Girl’s side - Boom mic 1

9 WIDE Guy walking away

Boom mic 1

Jack McNeil

I first tried to find a song that would suit the tempo and mood of our short film. I decided to do this I would look through my own music library to get some ideas. The first song I came across that worked with the tone of the film was “Clint Eastwood - Gorillaz”. We found an instrumental version of this song and used that to base our standard ideas of timing/tempo in our film. I then also found a song that worked extremely well with the overall mood of the film, and had excellent tonal change to suit our storyline in the middle of the song. The song we decided was “Hourglass - Catfish and the Bottlemen”.

In our group we then realised that to put either of these songs into our short film we would need a copyright release on the song by the people who own the songs rights. We thought this may be impossible within our timeframe so decided to ask a local musician to make a cover of the song to play over our film. The cover seemed to lack the same emotion and heart, as well as the grit in the original version of the song. This was unfortunate as the song would have worked incredibly well with our film.

The accumulation of our failure in trying to get a good audio clip which was also copyright free led us to the ‘YouTube Audio Library’. This tool is great as it has hundreds of different audio files to suit each film we could have produced. Eventually I managed to find a couple of songs that worked within the confines we had set ourselves for the audio clip. I found 3 songs; “Climbing”, “Surfing Llama” and “TV Drama Version 1(2)” - which all worked well with our film.

Refer to-https://www.youtube.com/audiolibrary/musichttps://www.youtube.com/watch?v=UclCCFNG9q4https://www.youtube.com/watch?v=plbgQKQFVcA