folk literature · pdf filefolk literature paper-ii note: this paper contains fifty (50)...

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FOLK LITERATURE

PAPER-II

Note: This paper contains fifty (50) multiple-choice questions, each question carrying two (2) marks_ Attempt all of them.

Which one is not included in folk performance ?

(A) Dance (B) Ritual (C) Song

2. Which is the functional role of folklore ?

(A) Proverbs help settle legal decisions

(B) Riddles sharpen wita

(C) Myths validate conduct

(D) All the three above

3. Types of relations between the social context and folklore are :

(A) Possession, creation and re-creation

(B) Representation, re-creation and creation

(C) Possession, representation and creation

(D) None of the above

4. Fixed phrase genres referred to mention:

(A) Folk songs and Prose narratives

(B) Proverbs, Riddles and jokes

(C) Verse narratives and Riddles

(D) Tales and proverbs

(D) Writing

5. The ultimate purpose of structural morphological studies in folklore is :

(A) The discovery of the distiru:tive features of each genre

(B) The relations within the respective fonns

(C) To differentiate genres within oral tradition

(D) All the three above

6. Under the modem ideological movementa, the folkfonns :

(A) cannot survive or grow

(B) can remain as they have been traditionally

(C) can survive by interacting with modem elements

(D) can attain new level in the Tlf<W millennium

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IW'14il II

ｾ＠ ' p; ;Im::t iJ ｾＨＵＰＩ＠ "f\l fWE<"JT'-1 :N'l 'i\'1 :Ii'l"<t" :w11t· <('t (2) :d<t· 'i\'1 Ｍ［＼ｾ［ｷｩｴ＠ 1;,· i!TH cif:,ro: 1

(A) 'ff'-1 (B) iJFfo/'1 (C) ::m

(A) d'r<t1f<IW-!i t4f'J f'l'fl>.fi "H "li!<or:>r 4 f1tT'-I<t" t';ci 'i\'1

(B) "ll\f<'T'-If g!i;: <t'f :IW<: WITffi 'i\'1

(C) TJ;<:f'l! ＼ｴｾｮＺｴ＠ (fq•.J) <JV<orR <t14wm :I?H <t"<:it '&1 (D) '!"li.iwr ci-'i'i:

(A) VilfW'l, <:<or'l! ｩｬＧｬｾｒ＠ TJ;'l{<or'l!

(C) wfw<1 :Thlf'lf'JT<l ｩｬＧｬｾｒ＠ <:<x'll

(A) d'r<t" '7!1 il'lR ::s il'llW.fH

(C) "<£ i!VW¥'1 .W<: "<llf<'T'-Ii

(B) :If(lf'lf'JT<l, TJ;'l{<or'l! ｩｬＧｬｾｒ＠ <:<or'l!

(D) 'fli.iwr 4 i1 <t'rt 'lift

(B) ､ｴ＼ｴＱｦ＼ｾｷｩＱＬ＠ "<llf<'P-Ii .W<: 'qZ<t"<)

(D) ＢＧｾｾ＠ .W<: ､Ｇｲ＼ｴＱｦ＼ｾｷＮｦ＠

5. d'r<t" f<li\H 1;,· fi<:<or'l!(<f<t" f'."l 47lf"'l<t" il'l'l-I'H <tl 'n ｾＧＭＡＧｩｦﾷ＠

(A) :ri'l"<t" f<lnlt· ｦｾ＠ <'1'-f'lli: <t1 /[?t: f'l<t1<H

(B) f<1f\w f'.'i'i lt· il'l;,·n:\qo>.li <t1 f<:w;'l!

(C) <1\fw<t· "<F'wlt· il'l'<T''il fwnil114 Pwm f<:w;'l!

(D) '!"li.iwr ci-'i'i:

6. il'll'{'l<t" <JV?Wl;-q<t· il'lr:?7n-'i'i: lt· ＼ｸ＼ｾｩｴ＠ dr<t· f'."l ·

(A) :.ill<m il'l'.J<il f<1<tfni1 'l(if &; n<t·& 1

(Bl :«n Ｂ＼＼Ｚｾｷ＠ 4 :.ill'f(l ﾷｾＬ＠ '-I'.Jl'f(l <:t: ""'·& 'i!'! (C) <JV'f'l<t" w<i'f i1 il'lr;,lf;:<t· lim;::: :;;u :.ill<1i1 <:t: n<t·& 'if! (Dl 'lt 'Rci 4 'lt <IT:.rc.n ＢＧＧｾ＠ 'l ""'·& e 1

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7. Whlch one is the correct group of theories of folklore ?

(A) Historical- geographical, psychoanalytical, leninist

(B) Historical - reconstructional, ideological, marxist

(C) Structural, geographical, oral -formulaic

(D) Cross-=ltural, folk-cultural, mass-cultural

8. 'Folklore is an artistic communication in a small group' -stated by :

(A) Dan-Ben-Amos

(C) Kenneth Goldsteir

(B) Alan Dundes

(D) George Lawreru:e Gomme

9. The author of the 'Verbal Art as performance' is :

(A) Dan-Ben-Amos

(C) Stuart H. Blackbum

(B) Richard Bauman

(D) Ruth Finnegan

10. Another Hannony is jointly edited by :

(A) Dan-Ben-Amos and l<f<nneth Goldstein

(B) Staurt H. Blackbum and A.K. Ramanujam

(C) Peter). Claus and D.P. Pattanayak

(D) Peterj.OausandFrankj.Korom

11. Whlch one is not required in the perfonnaru:e of folk epic ?

(A) Performer

(C) Mediator

(B) Audieru:e

(D) Musician

12. The Regional Resources centre for Folk-Perfonning Arts is situated at :

(A) Chandigarh

(C) Palayamkottai

(B) Udupi

(D) Hyderabad

13. Whlch OTif< of the following is correctly matched ?

(A) Tales about proverb

(B) Horse of the Conversation

(C) Perfonnaru:e study of folklore

(D) Meta folklore

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Proverbial lore

Riddle

Past

Outsider's perspectives of folklore

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(A) tif,TtlftFfo' Ｇｦｆｩ［ｦ＼ｾ＼ｅＬ＠ <r-'flf<P<'f'-f!l!f(<fiE, <¥''f'F1F:T

(B) tif,TtlftFfo' 1'f<'k<FWWE, fn;q:mi<f<E, '!Flf1'f!ci

(C) fiF'FW<f<E', ,if;lffi'l"<fo', <lifW<t' fi_Wi<f<E'

(D) ｾﾷｾ＠ ";, ｾＫＺ＠ ... ｾＭﾷＢＧｾＭ "" ｾＭ｢ｾＭＭｾＢＧＢＢＧＧ＠ ,.,;, ｾＫＺ＠ ... ｾＭ9<<"(<" "''""''''"'• '-"'"' "''""''''"'• ., '"''"'-'' "''""''''"'

(A) <:H i:1'l'l;qfn

(C) ftw.J :i;c;;;fZT'-R

(A)

(C)

<:H 1<'1 'J;o/n

tzi5!.!: 'T<t <>'1<t?:[o\ " .

(B) 'l;Wl ｗｾＭＱ｜ｮ＠

(D) :.TI:.t c;y{n :14

(B) f<:<or-1\ <:itkr'l

(D) f.'J'.J f'Fi'W'l

10. ''J;'lill:Zf<: zm:<fr-'IT' <:a nzr n::m<:'l ( <i'{Wl "'"'1 i:;) f«;'l <fl!I<<-J :>r f<P.f!?

(A) <:H i:r'l 'l;<ffn <JfH 'it";;N :l;n;R''l

(B) R,;ill:.!: 'J;'iL &:1<t"<:f-'i ilfH v)t'. Wf!':F<T<f

(C) "lt<:<: :)t_ W'TI;.J .W<: .gt'JT. "f2:'IT'.fiE

(D) "ltz<: :lc w;y;.J .%<: !t<t· :lc ;;,Tn

(A) .WV'rm

(C) f'f<fF'Ffo'

(A) <or!f-1IT::.z

(C) "<<'TI'.f'l<tTat

13. f'fklf<.f<wr ij i1 <tT'l n <jilf<'Fl 'if· (A) d'r<t1f<!W-i'i i:; v;P:lfo>Fl ;;,·•.W,

(B) mffinffiVw (C) d'r<tf'fi!f'l iF flli'-11 i5W-I'H

(D) ifa (.j{;;; f<101'l

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(B) Wm

(D) fi::Tw:m:

(B) "''1"1T (D) 'i\?<:F:f!?:

d'r<t1fwr f'fW'l

"fo/:.TI

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14. Whlch one is the correct pair of folk Dramas ?

(A) Kukranji, Bhavai, Ramlila, Gidha

(B) Yakshagana, Gavri, Naqab, Bhangra

(C) Saang. Tamasha, Yatra, Bhand

(D) Bidesia, Anlda, Ruslila, Jhoomar

15. The Oral and Written Poetry be differentiated on the basis of :

(A) listener'sability

(C) mode of reception

16. Whlchpairisnotcorrect?

(A) Uttar Pradesh

(B) Punjab

(C) Bengal

(D) Andhra Pradesh

,. Whlch is the correct pair ?

(A) Uttaranchal

ｾＩ＠ H"J'=

(C) Kashmir

(D) Rajasthan

(B) extension of oral

(D) notion of reading

Sanjhi

Guga

Durga

Chandi

Nanda Devi

Dambhali

Chharhendi

Chaupaya dance

18. What Bengali did with their pen the Bhojpuris did with their :

(A) Flute (B) Stick (C) Art

19. Folksong of the North-East region were formerly collected by :

(A) J\.fahasweta Devi

(C) Verrier Elwin

20. Oicotype refers to :

(A) Regional culture

(C) International culture

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(B) G.N. Devi

(D) Seetha Kanth l\1ahapathra

(B) National culture

(D) Global culture

'

(D) Craft

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14. f'fklf<.f<wr il i1 d'f<t· 'f!i'll <:a ntT '!Hf ( :1(2:) <tT'l m '&?

(A) ｾﾷｾﾷ＾ﾷﾻ＠ ""'; rrwxhc f,.,.-, '1'''"""• ＢＧｾﾷ＠ "'"''''"''"•. Ｍﾷｾﾷ＠

(B) '-107'1, '?PJ, 'liHI:l, 'tq;;

(C) ni::, wrnn, '-nn, ,;,;

15. <lifW<t" .;ffi;: f<'lf€W <FV-1 iJ ?'1 <5ll'H 'H ,);;: f<P.f! :.n f'FFTI 1\"? (A) ffim <tt >_fr>.jffi (B) <1\fW<E iH fu"t.iW

(A) 311{ :rhT

ｾＩ＠ 'f:.rq

(C) ｱＧＡＷＨｾ＠

(D) .W'..l :r?w

(A) ［ｲ｡＼ｦ＼ｯｅｾ＠

ｾＩ＠ tf<:>-11"11

(C) <tC%1T<:

(D) {f:iff..'.f'l

(A) <rtwlfm kilT

(C) ilfPH 'l;<.f'f'l

20. iJ1l¥f..1ZTVJ i:; W<l 'if?

(A) ｾＩＺｬｴＧＭＱ＠ <i«rof<1

(C) iJ'FfR\W'-1 fi«rof<1

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"i? '?'7

'I'± <J;;t

-'{;;;kilT

JJR:ff<.W

' ' <ii()7{,.<:T

<Wfp-r -Wn ( '1<'-1)

(C) <F'TI

' ' ' (B) JJTJ>;'t <iT

(D) ntm <tFl <rtT'lf:<

ｾＩ＠

(D)

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Read the passage below and answer the questiom; (21 - 22) that follow based on your understanding of the passage ;

l\1ass Media is becomllig a Tlf<W carrier of folklore and its gemes_ It is changing the temporal boundaries of folklore rather than destroying its content and purity_ The interaction between the listeTif<rs and the consumers is certainly broadening the horizons of folklore and oral tradition in the modem Indian society_ OTif< must also iru:lude the new furu:tions and meanings that folklore gained as a result of political and ideological changes that occurred many parts of the world in these broadened horizons_

21. The main theme of the passage revolves around ;

(A) Modernization and new technology

(B) New folklore and Tlf<W traditions

(C) l\1ass media and folk gemes

(D) Modem Indian society and folklore

22. The coru:ept involved is ;

(A) horizon of folklore in modem Indian society

(B) interactive thurst of communication

(C) temporal and spatial boundaries of folklore

(D) political and ideological changes in folklore

Read the passage below and answer the questiom; (23- 24) that follow based on your understanding of the passage ;

It is apparent that the trainllig of the folklorist requires considerable experience in the field, the library, the archives, the museum and in foreign countries_ Yet many persons seem to feel they can obtain the answers to 'what is folklore rand' what does a folklorist do' in a five minute conversation They would not ask this question so casually of a scholar in other disciplines of the humanities or the social scieru:es_

The other cluster of skills is familiarity with literature, anthropology, history, linguistics, sociology, geography and psychology etc_

23. The main theme of the passage is ;

(A) Differences between folklore and other disciplines

(B) Trainllig skills of a folklorist

(C) The casual attitude of scholars

(D) Considerable experience of a folklorist

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f.rt;; '1'/'tJ$" <1ft qf.:ii Ji'tr 1fT ｾ＠ §1! W'f 21 Ji'tr 22 <ET 'iTfT< ｾＧ＠

JFl li<orR f1l'H (.j{;;; <vffl (''f]ifX{R) .W<: ｾｮｩｴｴｦＧｦﾣＱｾ＠ it '1'!; 'ff(fit" Wl <:lf'i\'1 ') f.i'!'H dtit·

f'fW'l ( "l'Jit·c:TI<:) itT <.fifit·it· ｮｨｲｾ＠ 4 "<f<:wf'l '* <:& '&, ｾｉｴＭ w<i'i .W<: "1;,;-m it1 t"l'l 'l(if it"<: <:& 1 ｦｦｩｭｾ＠ｩｬＧｬｾｈ＠ Cf'Pi'wm.W itT "H VH iJ'l:,;f*.·'-11 f'WW-1 (if <:Tiit· f'f7H .W<: <1\fWit" "<F'Hllt· iW'-PI it':

il'll'{'lit" wurh wrJJ 4 f'ff.iW k'71 lim<: lt· it"t wi:t 4 u:.r'lThTit" .W<: ¥;;¢;,Tit" "<f<:wt-'i'i: lt·

itT{!f! i:i';it· f'f?H 1;,· iW'.f!<fi 4 \l'): f'ff.iH 1;,· W'P4f'."f :.i1 ｾｮ＠ 1;,· itT'.\ .W<: il'l'.f 4 <:!?'i'f'f il'lr'!; 'if, ::r'lit1 "T WI •;n4 <:wz 'Xlft'f1

(A) <m'f'litTit-<:"1 .W<: ;lislf::itt

(B) 'lW:i';itf'f?H ｩｬＧｬｾｈ＠ 'l'f ＢｦｻｾＢｦ＼ｊ＠

(C) :.H lim<: nl'H .W<: <:Tiit· fwW:

(D) <m'f'lit" wurh wrJJ .W<: <:Tiit· f'f?H

(A) <m'{'lit" "Hilt>-! Wf1:if 4 dtit" f'fi!f'l ｩｴｔｾＩ［＼＠

(B) :.Hfim<: nl'J-'il :;re ｾＺｾｷｭ＠

(C) <:Tiit· f'f?H itT <.fifit"it" '!;4 hl'-1 ｮｴｾ＠

(D) i:i';it· f'f?H 4 <JJT'lThTit" '!;4 ¥;;¢:,Tit" "<f<:Wf'l

ａｴ＾ｾｦｦＱｦｩｊｊＱＱ＠ '1'/'tJ$" <1ft • Ji'tr m<1ft ?'ftlff ;#if if; WflTi1 (23 - 24) wrff <ET 'iTfT< ｾｉ＠

'-It" mr,: ff fit· drit· f<f?T-'IT 1;,· :If.mf'fllt· ｾＩＺ＼＠ 41f<Tit1i'T'-I, 1FF'f f<f?T'l, fiiTt'!i'T'-1 ｩｬＧｬｾｈ＠ fu"hi!

itT "<'-f<<T il'l'}"'f il'li'rftw & 1 f'r<: "t it"t v.lf<w V;m wr;;;?r & fit· i1 "fiq f<m: lt· mcinl'l il tT ｾ＠'f!i1 itT i!TH ｗｾｩｦ＼ｔ＠ t' nit·(r {ffit·' i:i';it· fu"?T'l W-11 {f?' ｩｬＧｬｾｈ＠ '!;it" i:i';itf<f?T-'IT it': W-11 it1'.\ it"H! ft1

V;i1 ｶＮＡｦ＼ｾｶ＠ il'l"'-1 f'f'-Pli '-1"-11 o/'l'f 'ffl<-?1 il'l'-Ff! mq;f:.rit· f<f?T-'i'i lt· f11:;r-'i'i lt· ww V;m :N'l 'l(if ::rorJ:i:> 1

'f'l'{"!m lt· il'l"'-1 Wit" ij n1ft<'-l, o/'l'f f'fW'l, ｾｔｴＧＡｮＬ＠ "1"-<1 f'fW'l, nq-;JJ Vf?T'l, ＧＡＺＧｩｴ＼ｾ＠ .W<:

<r-'flf'fW'l itT i!f'l ttz ｗｷｾ＠ &1

23. ｾｮ＠ ::t:f;w itT ']:W-1 f'f'-P-1 {f ·

(A) i:i';it· f'f?H 11'-11 il'l"'-1 f<1W-'i'f 4 W-11 il'l'<T<: ft1

(B) <:Tiit· f<f?T-'IT itT f'Tf& itT :If.mf'fl

f: "' .. ｾ＠ "-(C) Ｎ＼ｦＨ［ｦｾｲ＠ itT il'l'"lT{ ｾＧＧＡｩｴＡＢ｜＠

(D) i:i';it· f<f?T-'IT itT "f'-f<<T il'l'}"'f

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24. The main idea of the passage is :

(A) There should not be casual attitude towards folklore studies

(B) All disciplines needs more attention

(C) All disciplinf<s are same and equal

(D) J\.fany persons seems to feel they can obtain answers in five minutes

25. Psycho analytical school basically derived its theory through :

(A) Historicalsymbols

(C) Mythological symbols

26. Recognise the correct group:

(A) Stories, History, Psychology

(B) Myth, Tale, U.gend

(C) Poetry, l.esson, Anthropology

(D) Book, Dictionary, Oral Uterature

(B) Cultural symbols

(D) Sexual symbols

27. J\.fain component of levistraus theory is :

(A) Culture (B) Language (C) Uterature

28. Myth is considered by folk as :

(A) Uterature (B) Sacred text (C) Imagination

29. Identify which one of the following has the correct sequeru:e :

(A) Marriage, Birth, Puberty, Death

(B) Birth, Puberty, Marriage, Death

(C) Puberty, Marriage, Birth, Death

(D) Death, Birth, Puberty, Marriage

30. Which one is not correct ?

(D) Philosophy

(D) History

(A) Etlmographic examples can illustrate the cultural functionllig of different folklore genres

(B) l.enlli declared that folklore must be considered from the socio-economic point of view

(C) Psycho analytical readings of myths of folk tales substitute sexual symbolism

(D) l.evi-Straus proposed a wholly new-direction in mythological interpretation

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24. p; ::d$ <P <5lf.lP.j 'if ·

(A) <-i'r<E f'f7Fl 1;,· <5l'WH 1;,· :Th1 iJ1!i11h: ｾｩｴｔｮＡ＠ 'f(if (jtz "11ft"!: 1

(B) <51"'-1 f11w-'i'i ( f'f'.P.fi) itT.%<: .m:>a· 'J-IH k'.f :.w11

(C) t:nll" f'fW'f <'WFl '1;4 <:!U<:!<: '1\"1

(A) tif,1t1fnit· f<xG'i i1

(C) f<W-!it" ('lteftrrit" ｩｴｾＭＡＱ＼ＵＱＱＩ＠ f<xG't i1

(A) ｩｴｾＮｮＨＮ＠ V(1mn. ＧＱｾＷＱＢ＠

(C) itTV-1. "'TO. 'l!'fl:lf<:!W'f

(A) f'fWJ. JT"''. WRit"ffi. ':fi'!

(C) WH<Fffi. f'f<:!f(f. JT"''. ':fi'!

(B) nit.q;f<,it· f<x>\7 i1

(D) if'f f<xG't i1

(B) 'lt<:lftrrit· it"'.n( ( fq•-1). '7'-ll. if"'TW.f'f

(D) 1«1it". :X<Z"itPI. <1\fwit· nft<'-1

(A) 'l!'f'f:.rTh1 f'f?H n<;:pJT if?Tt\"1 l\w l\w <-i'rit· f'fW'f itT fw1ml it itP.li it': mr,: it"<:

{;it"?l ffl

(B) <4f'f'f :>r '.W.f¥ itT '-It fit· <-i'rit" f<:!W'f "H WlfJT ｾｾｩｴﾷｾ＠ i1 f'f'XR it"{'li il1FP'H" '1\"1

(C) <-i'rit" f'f7['f 1;,· <51C,1!\(1 f'!'-1 itT q-'ifif7fRit· f<Po'f'.f¥ if'f f<x't'f itT fu"it"i"l (f!

(D) <f<:!T f?in it fqfqit· f<P-'f>.(!l! it': 'TJ{wr 'f<:!T'f fzy;; :rcr'f itT '& 1

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31. Assertion (A) : The formulation of a classification system in folklore is not a prerequistite for any progress in scientific research.

Reason (R) : Such a strategy has pragmatic and logical foundations as well as precedents in other disciplines.

(A) (A) not correct (R) correct

(B) Both (A) and (R) not correct

(C) Both (A) and (R) correct

(D) (A) is correct (R) is not correct

32. Assertion (A) : Oral and written verbal creative expressions are two distiru:tcategories separated from and independent of eachother.

Reason (R) : The two are by no means incompatible rather complementary to each other.

(A) Both (A) and (R) are correct

(B) Both (A) and (R) not correct

(C) (A) is correct but (R) is partial wrong

(D) (A) is partial correct but (R) is wrong

33. Assertion (A) : Folklore is very much an organic phenomenon in the sense that it is integral part of culture.

Reason (R) : AnydivorceofTales,Songs, or Sculptures, from theirindigenouslocale, time and society may introduce qualitative changes in to their.

(A) (A) correct (R.) partially correct

(B) (A) is not correct (R) is correct

(C) (A) is partially correct (R) is not correct

(D) (A) and (R.) not correct

34. Assertion (A) : If folklore communication is based upon culturally defined rules then their discovery is essential.

Reason (R) : The system of genres is the primary and secondary ethnic formulation of such a grammar of folklore.

(A) (A) and (R.) not correct


(C) (A) correct (R) partial correct

(D) (A) is partial correct (R) is not correct

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31. ｾＨａＩ＠

'&;"1 <:"f-#1 "'-IF!tlf<:<Em -q4 rr&; "'H <JWrfur tT!r it nN nN ill:"'-! ｦ＼ｾｷＭＧｩＧｩ＠

( f'f'-Pli) ij "T "i!;j::; iR!t'{!lf i!'F'T<i'J (f!

(A) (A)nti"'fti", (R)nti"'i\'1

(B) (A) .%;: (RJ &1-'i'i: ntT 'fti" '&1

32. ｾＨａＩ＠ 4ifW<E .%<: f<.JfWIT flW-fWFE z;:.r'f:WT<'T <Jl:firv.!f<Wf &1 f'!fur! it'lf<:'.fi 'if :.i1 '!;it" ;;:nl. n ill:W: -q4 ww-:.1?!

"ffifi (R.) : &1-'i'i: fit·nt "T :IitV i:; ill:WIH 'fti" 'if, ｾＡｊ＠ i1 '!;it" <;:n{ 1;,· "'Hit" tf 1

(A) (A) ｩｬｬＺｾｈ＠ (R) &1-'i'i: n(:t tf1

(B) (A) .%;: (RJ &1-'i'i: ntT 'fti" &1

(C) (A) ntT '&, "'lF1 (R) <¢f$it· ::nrr '&1

(D) (A) ill:if.Kit· n(:t 'i\'"'lF1 (R) ::m tf1

33. ｾＨａＩ＠

"ffifi (R.) ' ｩｴｾＮｦｩｬｬＺｬＬ＠ ::Tffl, '{f(t>.f it'! Rlt· k:wt>-1 f--'.f'f, Wf'-1 ｩｬｬＺｾｈ＠ WIT:if i:; (Rlit "'l{ 'Hi! ']'ffi<fit" "'lf<:<!il'f Wnf<if! (jt nit·(l tf1

(A) (A) ntT &, (RJ <¢f$it· ntT '&1

(B) (A)nti"'fti''i\', (RJntT'i\'1

(C) (A) ill:if.Kit· ntT '&, (RJ ntt 'fti' '&1

(D) (A) ｩｬｬＺｾｈ＠ (R) n(:t 'ftf tf1

34. ｾＨａＩ＠ '-If<: dtit· f<!?T'f it1 fi<orH f:i<--q,f;1 (;JU "'lfplfi'-<IT f'f'.f<fi "'H <JWJ1f<:IT tf, f'F<: iR f'f'-l<fi it'! ti<;'fl ill:l<P'.fit" & 1

"ffifi (R.) ' dw ｦ＼ｾｩｬｈ＠ it tt;t v.rit·{!fl it f<'W: V!•r 'J'11T<'lt 'fW-1 .%<: :"lfnr :.rrrrt>-1 B:<

'&1

(A) (A) ｩｬｬＺｾｈ＠ (R) n(:t 'ftf tf1

(B) (A)nti"'fti''i\', (RJntT'i\'1

(C) (A) ntT &, (RJ <¢f$it· ntT '&1

(D) (A) ill:if.Kit· ntT '&, (RJ ntt 'fti' '&1

D-7107 P.T.O.

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35. Assertion (A) : Under the changed material and ideological circumstances, it is not impossible that folk fonns find certain avenues of survival and growth.

Reason (R) : Folk traditions will attain a new level through many resources after Tlf<W millennium.

(A) (A) is correct, (R) partially correct

(B) Both (A) and (R) correct

(C) Both (A) and (R) not correct

(D) (A) is partially correct (R) is not correct

36. Assertion (A) : Folk is the property of particular people, not of all humanity.

Reason (R) : Folklorists has not only grown to look at folklore in context but also to tske a serious interest in the folk perspective on folklore, to view folklore as part of a system of knowledge.

(A) Both (A) and (R) not correct

(B) Both (A) and (R) correct

(C) (A) is correct but (R.) is not correct

(D) (A) is not correct but (R.) is correct

37. Assertion (A) : Patterns in folk games around the world, using cross-<:Ultural method can testify expressive culture correlates with child-rearing practices.

Reason (R) : But the hypothesis is foreshadowed by some psychoanalysts.

(A) Both (A) and (R) are correct

(B) (A) is correct but (R) is not true

(C) (R) is correct but (A) is not true

(D) (A) is correct and (R) is partially correct

38. Assertion (A) : Ethnic gemes are cultural modes of communication

Reason (R) : Where as analytical categories are models for the organisation of texts and other folklore materials.

(A) (A) is correct (R) is partially true


(C) (A) is correct but (R) is not correct

(D) Both (A) and (R) not correct

D-7107

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35. 3Rii'UT"(Uff (A) (.j'p;; f'fi!f'l <tt f<f\w ｦ＼ｴＧｆｾ＠ it f<'T'J; <rf<:<if<"fil '11f<T<t" '1;4 ft;¢f(-r;;,· "<f<fvqf(-r>.fi ij

'1]- :.ffi'fil <:zR '1;4 f'f<tV; ;;,·;::>r it 'f'!; if:< /[?t: <)'IT iJlTi"<1 'l(if '1\"1

"i'!<fi (R.): !'it;;,· Ｂ＼ｆＧｈｬｾ＠ ;;,) 'lt 'JWT ij <5l!r<t· nNift ｾｕ＠ 'l'.f! «T<: W<"l (lF71

(A) (A) nt'f &. (RJ ＼Ｕｾｩｦｵ＼ｴﾷ＠ nt'f '1\"1

(B) (A) ｩｬＱｾｈ＠ (R) &rift nt'f '1\"1

(C) (A) .%;: (R.J &r-'i! nt'f 'l(if '1\"1

36. 3Rii'UT"(Uff (A)

"i'!<fi (R.) '

(A) (A).%;: (R.J &r-'i! nt'f 'l(if '1\"1

(B) (A) ｩｬＱｾｈ＠ (R) &rift nt'f '1\"1

37. 3Rii'UT"(Uff (A) t.;tVJof<T;;,· or:: ;;,1 <5l«'lfir n f<w11"' ;;,t <'it;;,· ＢＧｴｷｾ＠ "'' <tfm '¥'\" vm ;;,'<n f;;,· i51f\w.j:.r;;,· f:iVJ,f;"l <t1 ｾ＠ 'FH f"'"'¥<511 i:; 'fl<:mfH· f1!<f:>J '1\"1

"i'!<fi (R.J , q::;: q-'flf<P-"f>.(!lfmf<:'.fi ;;,t <511<: n ｾｮ［［Ｌｴ＠ 'n ;;,·c"<'IT "'' tT ;w1 f<xr, w:e¥ '&1

(A) (A) ＼Ｕｬｾｈ＠ (R) &rift nt'f '1\"1

(B) (A) nt'f '&. «{q (R) nt'f 'l(if '1\"1

38. 3Rii'UT"(Uff (A)

"i'!<fi (R.) ' :.r<{;;,· f<Po"f>.(!lf!i'!<t" «:9<-r'.fi <-it<t"<fml lt· 'flO il'.f ｾｮ＠ ;;,t <51"'-1 mqd ;;,) f'i::fcw ;;,·;:!; 1;,· :If"'" '& 1

(A) (A) nt'f '1\"(RJ ＼Ｕｾｩｦｵ＼ｴﾷ＠ nt'f '1\"1

(B) (.A)n(if'l(if'i\"(R)nt'ft-1

D-7107 P.T.O.

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39. Assertion (A) : Myths are offsprings of collective and unconscious fancying and for this reason seeks in it an immediate reflection of universal structure in the Anatomy of human mind.

Reason (R) : Where as myth looses all meaningitis taken out of context, so it is the part of society but it may not be the part of human mind.

(A) (A) is correct but (R.) is not correct

(B) (A) is correct but (R) is partially correct

(C) (A) is not correct (R.) is partially correct

(D) Both are not correct

40. Assertion (A) : In India history of science of folklore is in a way the history of struggling scholars who try to know the realities behind things which occur frequently in various folklore materials.

Reason (R) : But struggling of the scholars will not lead to understand reality. Where as deep concem and thinldng will develop scieru:e of folklore but in India concem is the rare thing.

(A) Both (A) and (R) correct

(B) (A) is correct (R.) is partially correct

(C) (A) is correct (R) is not correct

(D) Both (A) and (R) partially correct

41. Which one of the following is not correctly matched ?

(A) Holi, Deepavali North India

(B) Durgapooja, Bihu East India

(C) Pongal, Onam South India

(D) Ganpati, Bihu West India

42. l\1atch items of Ust-I with List-II :

List-I

ＨｾＩ＠ l\1ax Muller

ｾＩ＠ Richard M. Dorson

(c) Grimmes

(d) Robert Graves

Codes ;

'"' (b) (c) (d)

(A) (ii) (i) (iv) (iii)

ｾＩ＠ (iii) (iv) (i) (ii)

(C) (iv) (iii) (ii) (<)

(D) (i) (ii) (iii) (iv)

D-7107

List-II

(i) Greek Mythology

(ii) German Mythology

(iii) Solar Mythology

(iv) Indian Mythology

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39. .mwnwr (A) fq•.J m'lfw;; '!;4 iJ'll1iriT'l <F"<'ll i1 ifi'fV tT?r '&1 <Jfn: p;T <n<:cr: i1 p;i! o/'111 'lft.if"-<t" it iJ'l'<T''IT f<w11 fiFT'l! itT WitH ::ffiT<o,'Y'.f! it) <t;z(l 'if 1

>f;; fq•.J it) p;l;;;rf:i:: n tvf<'T'.f! :.rro: m '.f(f ｩｬＧｬＧｾ＠ @; q-om '&, p;f<'T'J; '.f(f f1o/:if it1 ;d:: 'if '<{S '-It" o/'111 'lf«T"-<t" it1 "W w) tT 'l (.(; 1

(A) (A)ntl"'i\','<tq(R)n(IT'lt'T'i\'1

(B) (A) ntT &, '<{S (RJ iJ'Ilfuit· ntt &1

(C) (A) ntT 'l()t &, (R) iJ'Ilfuit· ntt &1

(D) &!-'i'i:()tn()t'l()tt\'1

40. .mwnwr (A) W<:IT ij <-itit"<f!ffi it f110\H it1 ｾｴｲｮ＠ '!;it" :IitV i1 iR f:i7-1"<:IT f11:7-'i'i it1 ｾＱＨ｜ｔｴＺ［＠& :.i1 <-itit"<f!ffi it': f<f\w mo/fw-li ij :T'-1· tT!rmc) '<<:11&-'i'i it "11-i! itT m«Tfl1it"iiT it) JJH!r it1 :I'.f1f1 it"{(l (\' 1

"ffifi (R) ' 'f{S f11:;;-'i'i it1 f:i7-1" 11lVfl1it"iiT it'! JJH!r itT il'lR 'l()t <) JTI'l-'7, JJ<:!fit· ::t"<:l

nititV iJV<: f11<xR :;!<! <-itit"<f!ffi it f11?H it1 fl1it1n (.(;::; 'f{S "HIT i'i ::t"<:t

nUitV {i;'l! <;<4" 11«1 &1

(A) (A) ｩｬＧｬｾｈ＠ (R) &1-'i'i: n()t 'i\'1

(B) (A) ntT t'(RJ il'lifuit· ntT &1

(C) (A) ntT & (R) ntt 'l(IT &1 (D) (A) ｩｬＧｬｾｈ＠ (R) &1-'i'i: iJ'Ilfuit· n()t ft1

41. f'lkl ij i1 it"t'l m v}lfm 'f1if t'? (A) t't<-11", &rw-11" (B) ;;:7J::.r;, <:ITt: (C) ｗＺＺ｣ｾＬ＠ <Jit'lq

(D) ＧｾＱＬ＠ <:ITt:

illfR<hl I

ＨｾＩ＠ｩｦ＼ｾｮ＠ qm

ｾＩ＠ f<:<or-1\ 'l;T -1lfft'l

(c) fiT!.<f:if

(d) Ul12: if11;.1

ｾＧ＠

'"' (b) (c) (d) (A) (ii) (i) (iv) (iii)

ｾＩ＠ (iii) (iv) (i) (ii)

(Q (iv) (iii) (ii) (<) (D) (i) (ii) (iii) (iv)

D-7107

ifiHJ" W<:IT

'!<:IT "RIT

ｾＢｈｉｔ＠

ｾｱｴ＠ "HIT

illfR<hl II

(i) dit· f<W.Jtrn

(ii) JJ<f-'11" f<W.JZ::n

(iii) n"t'-1 f<W.Jtrn

(iv) 'VITT>-1 f<W.JZ::n

P.T.O.

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List-I

ＨｾＩ＠ V.j. Propp (i)

ｾＩ＠ l.evistrauss (ii) (c) E.R. l.each (iii)

(d) Brenda Beck (iv)

Codes ;

'"' (b) (c) (d)

(A) (iii) (ii) (iv) (<)

ｾＩ＠ (ii) (i) (iii) (iv)

(C) (i) (iv) (ii) (iii)

(D) (iv) (iii) (ii) (<)


List-I

ＨｾＩ＠ Veedhi Natakam (i)

ｾＩ＠ Yakshagana (ii) (c) Therukuthu (iii)

(d) Katputhali (iv)

Codes ;

'"' (b) (c) (d)

(A) (iv) (iii) (i) (ii)

ｾＩ＠ (i) (ii) (iii) (iv)

(C) (ii) (iv) (iii) (<)

(D) (iii) (i) (ii) (iv)

"· l\1atch items of Ust-I with List-II :

List-I

ＨｾＩ＠ Alan Dundes (i)

ｾＩ＠ Richard M. Dorson (ii) (c) l\1alinowski (iii) (d) Stith Thomson (iv)

Codes ;

'"' (b) (c) (d)

(A) (iv) (iii) (ii) (<)

ｾＩ＠ (iii) (i) (ii) (iv)

(C) (ii) (iv) (i) (iii)

(D) (i) (ii) (iii) (iv)

D-7107

List-II

The study of Tamil Epic

The structural study of myth and totemism

The savage mind

Morphology of folktales

List-II

Tamil Nadu

Gujarat - Rajasthan

Kama taka

Andhra Pradesh

List-II

l\1agic Sderu:e and Religion

Essays in folkloristics

The folktale

American folklore

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43. illfA<M I ij ci qQ <:P illfA<hl II ij ci qQ <:P nziT ｩｊＢ＼ｾ＠ ittf:,ro: 1

illfA<hl I illfA<hl II

ＨｾＩ＠ <it. :lt "'lU"'l (i) ｩｬｦｗｾ＠ 'I()TitTV.j itT <51'!-I'H

ｾＩ＠ <f'lt f?ff:l (ii) fq•.J .W<: ':n! f<oFf,<¥?: ( if<:'!<¥?:) itT f'i<:<oFW'Iit" <5l'J-!'H

(c) til1R <-lt'if (iii) <:f<:f<: '!fw.;;,· (d) i];g; q-it· (iv) d'fit" ｩｴｾＮｊＱ＼Ｔｩ＠ itT <f"'l F'Fli

<1ft:;"'

'"' (b) (c) (d)

(A) (iii) (ii) (iv) (<)

ｾＩ＠ (ii) (i) (iii) (iv)

(Q (i) (iv) (ii) (iii)

(D) (iv) (iii) (ii) (<)


ＨｾＩ＠ f<:ff'J 'lf2:it"'{ (i) ｭｷｾ＠ 'lf'il

ｾＩ＠ '-1'\F:n! (ii) '?Hlil V:iff"Fl

(c) ＺＢＱ＼Ｚ＾ｾＢＨＱ＠ (iii) it·'ll"zit·

(d) .. "" . itO']:v.'lT (iv) <5!F'J :IhT

<1ft:;"'

'"' (b) (c) (d)

(A) (iv) (iii) (i) (ii)


(Q (ii) (iv) (iii) (<) (D) (iii) (i) (ii) (iv)

45. ill&t<M I ij ci qQ itT illfA<hl II ij ci qQ i:; nziT ｩｊＢ＼ｾ＠ ittf:,ro: 1


ＨｾＩ＠ 'l;<H <:rr.Wn (i) ilf:.rit· m{n ｾ［［＠ f<:<-lt:.r'l

ｾＩ＠ f;:q-'i; ':';'!. JJHf:l'l (iil tt;n :if ｾＧｬ＠ＢｬＧｊｩｴﾷ｣Ｍｔｦ＼ｦｴｺ＼ｾｮ＠

(c) q;fwt;w;,t (iii) f<:: "f)it" ｾＧｾ＠

(d) fw.J •.Jfrn'l (iv) <5!4f<:it"'l "f)it"<:TI<:

<1ft:;"'

'"' (b) (c) (d)

(A) (iv) (iii) (ii) (<)

ｾＩ＠ (iii) (i) (ii) (iv)

(Q (ii) (iv) (<) (iii) (D) (i) (ii) (iii) (iv)

D-7107 P.T.O.

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List-I List-II

ＨｾＩ＠ Mulk Raj Anand (i) The Theatre of Hindus

ｾＩ＠ H.H. Wilson (ii) Indian Stage

(c) HemyWells (iii) The Indian Theatre

(d) H.N. Dasgupta (iv) The classical drama of India

Codes ;

'"' (b) (c) (d)

(A) (iv) (ii) (i) (iii)

ｾＩ＠ (iii) (i) (iv) (ii)

(C) (i) (ii) (iii) (iv)

(D) (ii) (iii) (i) (iv)


List-I List-II

ＨｾＩ＠ Ram Narayan Aggarwal (i) Hindi Natak, Udbhav and Vikas

ｾＩ＠ Vishwa Mitra Shanna (ii) Sangeet Ek Lok Natya Parampara

(c) Dashrath Oza (iii) Brij Ki Ras Ula

(d) Surman Lal Aggarwal (iv) Bharat Ke Lok Nritya

Codes ;

'"' (b) (c) (d)

(A) (ii) (iv) (i) (iii)


(C) (iii) (i) (iv) (ii)

(D) (iv) (iii) (ii) (<)


List-I List-II

ＨｾＩ＠ A Biography of Indian folk literature (i) Zaverchand Meghani

ｾＩ＠ Folk Uterature in Gujarat (li) Sankar Sen Gupta

(c) Another Hannony :New Essays on (iii) jawaharlal Handoo the folklore of India

(d) Folklore Research in India (iv) S. Blackburn and A. Ramanujan

Codes ;

'"' (b) (c) (d)

(A) (ii) (iv) (i) (iii)


(C) (i) (ii) (iii) (iv)

(D) (iv) (iii) (ii) (<)

D-7107

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illfR<hl I illfR<hl II

ＨｾＩ＠ 'f""" {f:if i!V'l"?: (i) f<: f'.p:]-z;: <J'l"'i'F fT"f:if

ｾＩ＠ 'J;'iL'J;'<t fW'f1'l (ii) VtrwH R:JJ

(c) :;..,. • ij-··· ,, ,{, ,_._:if (iii) f<: VtrwH f'.p:]-z;:

(d) 'l;'<t'l;'l. ?:RFf<T (iv) f<: ｷＭＱＱｦ＼Ｍｆｆｾ＠ '§!'IT <J1N: Vtrw-r

ｾＧ＠

'"' (b) (c) (d)

(A) (iv) (ii) (<) (iii)


(Q (i) (ii) (iii) (iv) (D) (ii) (iii) (i) (iv)


ＨｾＩ＠ WI 'Wl'-f!l! ｩＵｆｊ＼ｦｅｾ＠ (i) fz:-<?7 'lfNo", 3<;"'1<! ＼ｊＧｬｾｈ＠ f<!<tTn

ｾＩ＠ｦｾＧＡＺ＼ｗｦ＠ (ii) fi::k 'l;<t" dt<t· ＧｬｦｾＧＭＱ＠ "<t'<e (c) ?:WN idt;.n (iii) \irJJ <tt n; <'lkn

(d) <-i,<f'l<'lH ＼ＵＡｖ＼Ａｦ＼ｾ＠ (iv) W<:il it <-i'f<t· 'F'-1

ｾＧ＠

'"' (b) (c) (d)

(A) (ii) (iv) (<) (iii)


(Q (iii) (i) (iv) (ii)

(D) (iv) (iii) (ii) (<)

48. ill&t<M I ij ci '!&i: <t1 illfR<hl II ij ci '!&i: i:; n(IT ｩｬＢ＼ｾ＠ <ttf:,ro: 1

illfR<hl I

(a) ':'; <11'-I!F'f.t <J1N: V'trwH ｦ＼ｾｾ＼ｯｲ＼Ｚ＠

(b) "l'J<t· ｦ＼ｾｾ＼ｯｲ＼Ｚ＠ i51'f"f; '?Hlil

(c) 'l;'l<J'l<:<: tvwiT · "'i Vj1JJ iW'l f<: "f)<t-dR i51'f"f: Vtrw-r ( d) "fl<t·c-it<: f<:<-:Ft ｾＧｬ＠ Vtrw-r

ｾＧ＠

'"' (b) (c) (d)

(A) (ii) (iv) (<) (iii)


(Q (i) (ii) (iii) (iv) (D) (iv) (iii) (ii) (<)

D-7107

(i) ［Ｎｮｾｊｷ［［［＠ krft (ii) $<t"{ i:1'l 'f<T

(iii) :if<!!t"<: <'lH tf'il (iv) 'l;R «1<t"<!-'i '1;4

V, Wl!'j;:if'l

P.T.O.

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List-I

ＨｾＩ＠ Folk Universals

ｾＩ＠ Folk culture

(c) Sigmund Freud

(d) C. G. jung

Codes ;

'"' (b) (c)

(A) (iii) (iv) (ii)

ｾＩ＠ (ii) (iii) (i)

(C) (i) (ii) (iv)

(D) (iv) (iii) (ii)

(d)

(<)

(iv)

(iii)

(<)

List-II

(i) Flying objects

(ii) jokes and human uru:onsciousness

(iii) Unification of beauty and utility

(iv) Folk narratives


List-I List-II

ＨｾＩ＠ l\1agical Arrows (i) George Dumezil

ｾＩ＠ The Ritual Process (ii) Mumo Edmonson

(c) Mitra-Varuna (iii) Victor Tumf<r

(d) Lore (iv) Gregory Schrempp

Codes ;

'"' (b) (c) (d)

(A) (iv) (iii) (i) (ii)


(C) (ii) (iv) (iii) (<)

(D) (i) (ii) (iii) (iv)

-0 0 0-

D-7107

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ＨｾＩ＠ d'FfX<! <tt 4f.Q;;,'(11 (i) <!«].W ;;,t :f<TWnm

ｾＩ＠ ·;fvt.· ｮｷＫＭｾ＠,_ ' -"'' (ii) 'ql<E"i!f ilfH o/'l<ir'-1 iJ'li!riJ'lffi

(c) fnnt;; 9TH (iii) nl<:'-1 '1;4 if'<i!1f::m <t1 'l;<tt<t·{!f!

(d) n• :lr ... :,f!' (iv) <'it;;,· lff11C,1 •

ｾＧ＠

'"' (b) (c) (d)

(A) (iii) (iv) (ii) (<)

ｾＩ＠ (ii) (iii) (i) (iv)

(Q (i) (ii) (iv) (iii)

(D) (iv) (iii) (ii) (<)


ＨｾＩ＠ｩｦＺＬｉｔ［［Ｌﾷ［ｾ＠ viJJJ . . (i) fJJ'-it<: :if ＷＺＴｦＮｊｊ＼ｾ＠

ｾＩ＠ f<: ｦ＼ＺＧｱｩｊＧＡ＼ｾ＠ :tfi:;n (ii) q'fiJ vwfi'fn'l . . (c) fwn <!<:-"11 (iii) f<!<l2:{ <:of<:

(d) d'H (iv) tw<t 1f1"1

ｾＧ＠

'"' (b) (c) (d)

(A) (iv) (iii) (i) (ii)


(Q (ii) (iv) (iii) (<)

(D) (i) (ii) (iii) (iv)

-0 0 0-

D-7107 P.T.O.

folk literature · pdf filefolk literature paper-ii note: this paper contains fifty (50)...

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