flesh eating technologies

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    Flesh Eating Technologies

    An analysis by Prof. Ruben Guzman in collaboration with The Banff Centre for t

    Arts, for the Canadian publication Semiotexte

    Flesh Eats Technology

    From now on, man will be able to eat technology.

    Stelarc

    Or not. Since the time Robotics was developed after the Industrial Revolution

    increase production (eating entire populations, not just their flesh), many

    thinkers and artists have come to varied conclusions on the assimilation of

    technology.

    Going beyond with technology

    Your (painted)waterfalls make too much noise. I can no longer sleep!

    Emperor Suang Sung to the painter Li Chin Chi

    Undoubtedly, one of our major aims, so it seems, is to reach beyond. To get

    there where our limited bodies cannot reach. Hot-air balloons, planes, the V2

    Voyagers, or telematic media...

    Perhaps, it has to do with our itchy anxiety. Anxiety has caused us many

    problems: just take a look at our recent history. Boredom and its related

    partner, contemplation, seems to hold negative connotations in the western

    world. Around the 4th century, A.D., Cassanius stated one simple rule to comba

    boredom, still in use by entertainment experts today: we must distract

    distraction by means of distraction. Can we afford the time to experience

    Benjamins photographic unconscious, Barthes Punctums , a Chinese Penjing1 ,

    Suan Sung waterfalls? Blaise Pascal in his Penses states that all the evil

    men comes from one thing and one thing alone: their inability to remain at re

    in a room. No time, no contemplate, no think.

    Maybe it is just that we do feel contempt for what is within our reach in our

    daily lives. Perhaps we simply do not have a clue on what THIS is all about.

    getting further a way of exploring new thing and/or a way of eroding our

    physical and natural boundaries? It seems irrelevant to understand the place

    from where we decide to project ourselves. At any rate, we must go beyond. Now

    The close equivalent to a Japanese Bonsai

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    one question necessarily arises: WHO gets to go beyond and WHO does not, and

    therefore lags behind? Here is our first Darwin.

    Going beyond has been closely related to ways of colonialism, and still is

    interesting related exercise could be that of comparing colonizing with eating

    or devouring). Economical concerns and their related schemes of power havealways set the rules of the game. Under the current status of Guattaris IWC

    (Integrated World Capitalism), people in the North will advance further than

    those in the South, generally speaking. When the Northerners get there, howeve

    they wont send us a single postcard.

    Telematic media

    All media are extensions of some human facultypsychic or physical.

    Marshall McLuhan

    Weve been a long way, though. We have annihilated time and space. Rudolph

    Arnheim arrived to this conclusion when analyzing the effects of television..

    back in 1935. Now, how should we live in this time and spaceless world, still

    geared with the old tools and with the same power structures?

    The fact is that media act as switches between the outside world and our

    conscience. How much of what we decide to consume is already designed for us b

    someone else in this scheme of power? From this scheme derives, for instance,

    the content of the information. This information should be able to support the

    status quo from which it originates, therefore reiterative, unquestioning and

    uneducating. This starts sounding Darwinian again. But indeed, there is a lot

    Darwinism in media analysis, from perceptual to production selection.

    Flesh Adding Technologies

    Electric circuitry is an extension of the central nervous system.

    Marshall McLuhan

    In fact, McLuhan envisioned all media as extensions of man. For over a century

    stimuli to our senses have been telematically reconstructed and simulated. In

    way, we have projected our senses to the distance, to the beyond.

    According to Norbert Bolz, all new media do not belong to the external world.

    fact, they constitute a schematic representation of our own internal

    orientation. Perhaps it is more relevant to think of Flesh Adding Technologie

    since it could be seen as an added limb or annexation to our bodies. An addit

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    usually justified by our sensorial appetite.

    However, our sensorial organs do not coincide with the so called social organ

    although social organs can induce our own sensorial needs. So far, history ha

    been written by the forming social organs and their own needs, far beyond

    sensorial and concerns. Thus arises a valid question: whose limbs are weappending to our bodies?

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