fine art and antiques...signed ‘w.greaves’ (lower right) pen and ink 21 x 32.5cm (8 1/4 x 12...

FINE ART AND ANTIQUESWednesday 10 September 2014Oxford

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Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Co-Chairman,Malcolm Barber Co-Chairman, Colin Sheaf Deputy Chairman, Matthew Girling Global CEO, Patrick Meade Global CEO,Geoffrey Davies, Jonathan Horwich, James Knight, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Harvey Cammell, Simon Cottle, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Robin Hereford, Asaph Hyman, Charles Lanning, Sophie Law, Fergus Lyons, Paul Maudsley, Gordon McFarlan,

Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Ralph Taylor, Shahin Virani, David Williams, Michael Wynell-Mayow, Suzannah Yip.

FINE ART AND ANTIQUESWednesday 10 September 2014 at 10.00Oxford

BONHAMSBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JHbonhams.com

VIEwINgSaturday 6 September 09.00 to 12.00Monday 8 September 09.00 to 17.00Tuesday 9 September 09.00 to 17.00Wednesday 10 September 09.00 to 10.00

BIDS+44 (0) 20 7447 7448+44 (0) 20 7447 7401 faxTo bid via the internet please visit bonhams.com

Please note that bids should be submitted no later than 24 hours prior to the sale.

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

Live online bidding is available for this salePlease email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service

ENQUIRIES

Furniture, Carpets & Works of ArtMichael Wynell-Mayow [email protected]

Furniture and Works of Art Simon Davies [email protected]

Toby Messenger [email protected]

Frances Robinson [email protected]

Clocks Michael Welch [email protected]

Pictures Alicia Rogers [email protected]

Lizzie [email protected]

cUSTOMER SERVIcESMonday to Friday 8.30 to 18.00 +44 (0) 20 7447 7447

SALE NUMBER21834

cATALOgUE£10

Please see page 2 for bidder information including after-sale collection and shipment

Please see back of catalogue for important notice to bidders

PLEASE NOTEWe reserve the right to refuse entry into the saleroom. No coats or bags will be allowed into the saleroom and are left at owners’ risk.

ILLUSTRATIONSFront cover: Lot 41Back cover: Lot 141Inside front cover: Lot 410Inside back cover: Lot 451

IMPORTANT NOTIcE TO ALL BUyERSPlease note in this catalogue there is no reference in the catalogue description of any presence of damage, repair or restoration. Condition reports on any lot with a low estimate of £500 or above are available by request from the department. In providing condition reports we do not guarantee or imply that there are no other defects present, which have not been mentioned. Please see the full conditions of sale printed in this catalogue.

IMPORTANT INFORMATIONThe United States Government has banned the import of ivory into the USA. Lots containing ivory are indicated by the symbol Ф printed beside the lot number in this catalogue.

Bids+44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax To bid via the internet please visit www.bonhams.com

PaymentsBuyers+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

SellersPayment of sale proceeds+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

Valuations, taxation and heritage+44 (0)20 7468 8340+44 (0)20 7468 5860 [email protected]

Catalogue subscriptionsTo obtain other catalogues or take out an annual subscription:Subscriptions Department+44 (0) 1666 502200+44 (0) 1666 505107 [email protected]

ShippingShipping Information (Excluding Book Sales)Unless you wish to use your own shipping company, please contact either of the below:

Mailboxes Etc. (Small Items Only)266 Banbury Road, Oxford, OX2 7DL+44 (0) 1865 514 655. [email protected]

Pack & Send3 Botley Road, Oxford, OX2 0AA+44 (0) 1865 260 [email protected]

SaleroomBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH

+44 (0) 1865 853 640 +44 (0) 1865 372 722 fax

Offices

WinchesterThe Red HouseHyde StreetWinchesterHantsSO23 7DX+44 (0) 1962 862 515+44 (0) 1962 865 166 fax

Regional DirectorMichael Wynell-Mayow

Valuation EnquiriesAnna Pelly-FryCarol Knight

Furniture & Works of ArtToby MessengerFrances RobinsonSimon Davies

Oak Vernacular Furniture & Related Works of Art David HoulstonMegan Wheeler

SilverMichael Welch

PicturesAlicia RogersLizzie Collins

BooksJohn Walwyn-Jones

JewelleryFrances Noble Louise Dennis Hannah Ibison

Condition Reports

We highly recommend thatpotential buyers make efforts to inspect the lots in Oxford inperson, during our public viewing.

We expect that there may be a large number of condition enquiries, and the effect will be that clients submitting long and elaborate requests are likely to be dealt with after those with short and specific requests.

SALE INFORMATION

By Rail: Oxford train station

Oxford Rd

Airfield

Banbury Rd

Upper

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Shipton Rd

Oxford and A40A44

A4095

A4260Woodstock

Oxford

A409

5Bi

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Shipton on Cherwell

Kidlington

FINE ART AND ANTIQUES | 3

20TH cENTURy PIcTURES

1AR

ALBERT IRVIN RA (BRITISH, BORN 1922)Star III Screenprint, 1993, printed in colours, on wove, signed, dated, titled and numbered 4/125 in pencil 605 x 850mm (23 13/16 x 33 7/16in).(I)

£300 - 400

2AR

ALBERT IRVIN RA (BRITISH, BORN 1922)Untitled Screenprint in colours, 575 x 755mm (22 5/8 x 29 3/4in)(I)

£200 - 300

3AR

ALBERT IRVIN RA (BRITISH, BORN 1922)Star IV Screenprint with embossing, 1993, printed in colours, on wove, signed, dated, titled and numbered 109/125 in pencil, 585 x 885m (23 x 34 3/4in)(I)

£300 - 400

4AR

SANDRA BLOw R.A. (BRITISH, 1925-2006)Side Effect Screenprint in colours, 1993/94, on wove, signed, titled and numbered 1/50 in pencil, 1179 x 1160 mm (46 x 45 5/8 in)(I)

£400 - 600

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5AR

JOHN HOyLAND RA (BRITISH, 1934-2011)First Man Screenprints in colours, 1993, on wove, signed, titled, dated and numbered 64/90 in pencil, 835 x 585mm (33 1/2 x 23cm)(PL)

£300 - 500

6AR

JOHN HOyLAND RA (BRITISH, 1934-2011)Betwixt and Between Screenprint, 1981, printed in colours, on wove, signed, dated ‘82’ and inscribed in pencil 46/60, 1160 x 895mm (45 2/3 x 35 1/4in)(I)

£400 - 600

7AR

JOHN HOyLAND RA (BRITISH, 1934-2011)Wandering Moon Screenprint in colours, 1993, on wove, signed, titled, dated and numbered 80/90 in pencil, published by Advanced Graphics, 830 x 588mm (32 1/2 x 23 1/8in)(I)

£200 - 300

8AR

JOHN HOyLAND RA (BRITISH, 1934-2011)Wonderer Screenprint in colours, 1995, on wove, signed, dated and numbered 64/75 in pencil, printed and published by Advanced Graphics, London, 677 x 830 mm (26 5/8 x 32 5/8 in) (I)

£300 - 400

9AR

JOHN HOyLAND RA (BRITISH, 1934-2011)Thupelo Seal Screenprint in colours, 1993, on wove, signed, titled, dated and numbered 9/90 in pencil, 830 x580mm (32 3/4 x 22 7/8in)(I)

£300 - 500

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10AR

JOHN HOyLAND RA (BRITISH, 1934-2011)Sky Warrior Screenprint in colours, 1993, on wove, each signed, titled, dated and numbered 89/90 in pencil, 830 x 585mm (32 3/4 x 23in)(I)

£400 - 600

11AR

LAURENcE STEPHEN LOwRy R.A. (BRITISH, 1887-1976)Meeting Point Offset lithograph printed in colours, on wove, signed in pencil and stamp numbered ‘119’ in black ink, from the edition of 850, printed by Chorley & Pickersgill Ltd, published by the Adam Collection Ltd, with margins, 615 x 817mm (24 1/8 x 32 1/4in)(SH)(unframed)

£600 - 800

12ERIc gILL (BRITISH, 1882-1940)Swineherd wood engraving on japan, from an edition of 150, 57 x 83mm (2 1/4 x 3 1/4in) (I)

£200 - 300

Provenance with Mercury Gallery, London Another copy of the present print is in the Tate Collection, no P08117.

13ERIc gILL (BRITISH, 1882-1940)Kneeling female nude signed with initials and dated ‘EG 3.6.26’ (lower right) pencil and crayon 21.7 x 15cm (8 9/16 x 5 7/8in).

£500 - 700

14ERIc gILL (BRITISH, 1882-1940)Seated nude study signed with initials and dated ‘EG/ 2.6.26’ (lower right) pencil 22 x 1cm (8 11/16 x 3/8in).

£400 - 600

15ERIc gILL (BRITISH, 1882-1940)Two studies of a nude girl (on one sheet) signed with intials and dated ‘EG 5.6.26’ (lower right) pencil 29 x 21.5cm (11 7/16 x 8 7/16in).

£300 - 500

16ERIc gILL (BRITISH, 1882-1940)Standing female nude signed with initials and dated ‘EG 5.6.26’, pencil 25.5 x 17cm (10 1/16 x 6 11/16in).

£400 - 600

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17ERIc gILL (BRITISH, 1882-1940)Female nude study from rear siged with initials and dated ‘EG/28.5.26’ (lower right) pencil 25 x 18.5cm (9 13/16 x 7 5/16in).

£400 - 600

18ERIc gILL (BRITISH, 1882-1940)Standing female nude, side view signed ‘ERICG’ (lower right) and dated ‘2.8.30’ (lower right) pencil 35.5 x 22.5cm (14 x 8 7/8in).

£400 - 600

19wALTER gREAVES (BRITISH, 1846-1930)Whistler sketching Toll House, Old Battersea Bridge, Chelsea signed ‘W.Greaves’ (lower right) pen and ink 21 x 32.5cm (8 1/4 x 12 13/16in).

£600 - 800

20wALTER gREAVES (BRITISH, 1846-1930)Swan Wharf, Chelsea signed W. Greaves (lower left) pen and ink 25.5 x 21.5cm (10 1/16 x 8 7/16in).

£400 - 600

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21AR

AUgUSTUS EDwIN JOHN O.M. (BRITISH, 1878-1961)Head of a Child pen and ink 15 x 10.6cm (5 7/8 x 4 3/16in).

£400 - 600

Exhibited London, Royal Academy, Works by Augustus John, O.M., R.A., 1954 Sheffield, Graves Art Gallery, Augustus John, O.M., R.A. : an exhibition of paintings, drawings and prints, 1956, no.63

22AR

AUgUSTUS EDwIN JOHN O.M. (BRITISH, 1878-1961)Two women in a wood pen, ink and watercolour 26.5 x 20cm (10 7/16 x 7 7/8in).

£400 - 600

23AR

LEON UNDERwOOD (BRITISH, 1890-1975)Hopping Time signed and dated ‘Leon Underwood/1922’ (lower right) pencil and watercolour 25 x 33.5cm (9 13/16 x 13 3/16in).

£400 - 600

Exhibited Chenil Galleries, London, Exhibition of Works by Leon Underwood

24AR

LEON UNDERwOOD (BRITISH, 1890-1975)Self-portrait in a Landscape Etching, 1922, signed and dated in pencil (lower right), 170 x 122mm (6 3/4 x 4 7/8in)(PL)

£200 - 300

A similar etching can be found in the V & A Collection, Museum no. E.2920-1921

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25HENRI gAUDIER-BRzESkA (FRENcH, 1891-1915)Head of an old woman pencil and watercolour 24 x 17cm (9 7/16 x 6 11/16in).

£500 - 700

Provenance with The Bloomsbury Workshop, London

26AR

JAcOB kRAMER (BRITISH, 1892-1962)Head of a woman, possibly Sybil Thorndike signed ‘Kramer’ (lower left) oil on canvas 76.2 x 63.5cm (30 x 25in).

£600 - 800

Exhibited Leeds City Art Gallery and Temple Newsam House, Kramer Exhibition (according a label on the frame)

27AR

JAcOB kRAMER (BRITISH, 1892-1962)Russian Peasants signed and indistinctly dated ‘JACOB KRAMER/19?5’ (lower right) pastel and charcoal on paper 40 x 50cm (15 3/4 x 19 11/16in).

£400 - 600

28AR

JAcOB kRAMER (BRITISH, 1892-1962)Portait of a man smoking a pipe signed and dated ‘J Kramer/1915’ lower right charcoal 80 x 54.5cm (31 1/2 x 21 7/16in).

£500 - 700

29AR

IAIN MAcNAB (BRITISH, 1890-1967)Echarvines Savoy signed ‘IAIN MACNAB’ (lower right) pencil, watercolour and charcoal 29.5 x 33.2cm (11 5/8 x 13 1/16in).

£300 - 400

30AR

EDwARD ARDIzzONE (BRITISH, 1900-1979)The garden at Ardizzone’s house, Rodmersham Green, Kent signed with initials (lower right), titled (on the backboard) black chalk on tinted paper 24 x 31.5cm (9 7/16 x 12 3/8in).

£500 - 700

Provenance Allan Freer, Esq. acquired directly from the artist. with Wolseley Fine Art, London, circa 2000

31AR

SIR JAcOB EPSTEIN (BRITISH, 1880-1959)Mater Dolorosa pencil 44 x 58cm (17 5/16 x 22 13/16in).

£300 - 400

Provenance Christies New York, February 28 2012, lot 172

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32AR

SIR FRANk BRANgwyN, RA (BRITISH, 1867-1956)Study of figures signed with initials ‘FB’ (upper right) pen, ink and chalk 30 x 32cm (11 13/16 x 12 5/8in).

£600 - 800

Provenance with B.F.Stevens & Brown (Fine Arts) Ltd

33BRITISH ScHOOL, EARLy 20TH cENTURyReclining nude oil on board 25 x 35.5cm (9 13/16 x 14in).

£200 - 300

34BRITISH ScHOOL, 20TH cENTURyBusy harbour scene oil on canvas 76 x 63cm (29 15/16 x 24 13/16in).

£100 - 200

35cHRISTOPHER wOOD (BRITISH, 1901-1930)Lady in a pleated skirt pencil 32 x 25cm (12 5/8 x 9 13/16in).

£1,200 - 1,800

Provenance with Abbott & Holder, London with New Art Centre, London, Stock No. ENAC720

36AR

ETHELBERT wHITE (BRITISH, 1891-1972)Majorcan landscape signed ‘Ethelbert White’ (lower right), and inscribed with colour notes pencil and watercolour 25.5 x 32.5cm (10 1/16 x 12 13/16in).

£300 - 400

37AR

ETHELBERT wHITE (BRITISH, 1891-1972)Landscape with trees and sheep signed ‘Ethelbert White’ (lower left) watercolour 34.5 x 27.5cm (13 9/16 x 10 13/16in).

£500 - 800

38AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)Young Girl with Cat signed ‘RiCHTER’ (upper left) gouache on paper laid on board 32 x 23cm (12 5/8 x 9 1/16in).

£600 - 800

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39AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)Cyclists signed ‘RICHTER’ (lower left) gouache 25.5 x 20.5cm (10 1/16 x 8 1/16in).

£800 - 1,200

40AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)The Musician signed ‘RICHTER’ (upper left) oil on board 29 x 24.5cm (11 7/16 x 9 5/8in).

£400 - 600

41AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)Cubist Composition with Guitar and Violin signed ‘RICHTER’ (lower left) pencil and gouache on board 45 x 37cm (17 11/16 x 14 9/16in).

£800 - 1,200

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42AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)Bar in Marseille signed ‘RICHTER’ (upper left) oil on board 29.5 x 24cm (11 5/8 x 9 7/16in).

£800 - 1,200

43AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)Suprematism signed ‘RICHTER’ (lower right) gouache on board 22.7 x 16.8cm (8 15/16 x 6 5/8in).

£500 - 700

44AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)The Violinist signed ‘RICHTER’ (lower right) oil on board 25.5 x 37cm (10 1/16 x 14 9/16in).

£800 - 1,200

45AR

AUREL RIcHTER (HUNgARIAN, 1870-1957)The Family signed ‘RICHTER’ (lower right) gouache on board 27.3 x 31.8cm (10 3/4 x 12 1/2in).

£400 - 600

46AR

gILBERT ScOTT wRIgHT (BRITISH, 1880-1958)A Snowy Farewell signed (lower right) pencil and watercolour 56.4 x 44cm (22 3/16 x 17 5/16in).

£400 - 500

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47AR

ANTHONy gROSS (BRITISH, 1905-1984)Church Interior signed ‘A.Gross’ (lower left) oil on board 64 x 53.5cm (25 3/16 x 21 1/16in).

£800 - 1,200

Provenance with Goldmark Gallery

48AR

MARTIN yEOMAN (BRITISH, BORN 1953)Standing nude signed ‘Yeoman’ (lower right) oil on canvas 92 x 60.5cm (36 1/4 x 23 13/16in).

£500 - 700

49AR

HENRy LAMB (BRITISH, 1883-1960)Houses by a farm signed Henry Lamb (lower left) pencil, watercolour and bodycolour 21.5 x 29.8cm (8 7/16 x 11 3/4in).

£250 - 350

50AR

THéRèSE LESSORE (FRENcH, 1884-1945)Watching the show, Olympia watercolour 20 x 50.8cm (7 7/8 x 20in).

£600 - 800

51AR

THéRèSE LESSORE (FRENcH, 1884-1945)At the Circus pencil and watercolour 19.8 x 22.7cm (7 13/16 x 8 15/16in).

£500 - 700

52AR

THéRèSE LESSORE (FRENcH, 1884-1945)Young Children at the Circus pencil and watercolour 30 x 25.5cm (11 13/16 x 10 1/16in).

£500 - 700

53AR

JOSEF HERMAN R.A. (BRITISH, 1911-2000)Horse and cart black ink and pencil 17 x 22cm (6 11/16 x 8 11/16in).

£500 - 700

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54AR

JOSEF HERMAN R.A. (BRITISH, 1911-2000)Welsh Village watercolour and ink 17 x 22.5cm (6 11/16 x 8 7/8in).

£500 - 700

55AR

cAREL wEIgHT R.A. (BRITISH, 1908-1997)People watching a miracle signed ‘Carel Weight’ (upper left) oil on board 32 x 22.5cm (12 5/8 x 8 7/8in).

£300 - 500

Provenance with Zwemmer Gallery, London

56AR

FLORENcE ST. JOHN cADELL (BRITISH, 1877-1966)‘Culross, in February, near Dunfermline’ signed ‘St John Cadell’ (lower right), titled on label verso oil on board 41 x 33cm (16 1/8 x 13in).

£250 - 350

57AR

DUNcAN gRANT (BRITISH, 1885-1978)Metamorphic figure and child signed with initials pencil 34 x 12cm (13 3/8 x 4 3/4in).

£300 - 500

58PHILIP wILLIAM MAy (BRITISH, 1864-1903)Arthur Roberts as “The Weasel” signed ‘Phil May’ (lower centre right), signed again ‘Phil May’ (lower right) pencil, watercolour and bodycolour 33 x 25.2cm (13 x 9 15/16in). there is a cirucular drawing in pencil of the subject on the reverse

£250 - 350

59HENRy TONkS (BRITISH, 1861-1937)In the Garden indistinctly signed ‘...y Tonks’ (lower right) pastel 54 x 41.5cm (21 1/4 x 16 5/16in).

£700 - 900

60AR

OLIVER HALL (BRITISH, 1869-1957)Bokrigg Common, Lancashire signed ‘Oliver Hall’ (lower right) oil on canvas 33 x 46cm (13 x 18 1/8in).

£400 - 600

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61AR

JOHN BELLANy cBE RA HRSA LLD(LON) (BRITISH, 1942-2013)Head study signed ‘Bellany’ (upper right), oil on canvas 41 x 30.5cm (16 1/8 x 12in).

£800 - 1,200

62AR

JOHN BELLANy cBE RA HRSA LLD(LON) (BRITISH, 1942-2013)Woman of Dornoch signed ‘Bellany’ (upper left) watercolour 55 x 37.5cm (21 5/8 x 14 3/4in).

£700 - 900

63AR

JOHN BELLANy cBE RA HRSA LLD(LON) (BRITISH, 1942-2013)Rainbow signed ‘Bellany’ (upper left) pencil and watercolour 38 x 55cm (14 15/16 x 21 5/8in).

£700 - 900

64AR

NANcy BAILEy (BRITISH, 1913-2012)North Cliffs near Portreath Signed ‘Nancy Bailey’ lower right; inscribed with title on the reverse Oil on board 39 x 59.5cm (15 3/8 x 23 7/16in).

£400 - 600

65AR

SONIA LAwSON RA (BRITISH, 1934)Abstract with yellow flowers signed ‘LAWSON’ (lower right) oil on canvas 60 x 60.5cm (23 5/8 x 23 13/16in).

£700 - 1,000

66AR

kEN HOwARD R.A. (BRITISH, BORN 1932)Street scene, Hong Kong signed ‘Ken Howard 79’ (lower right) pencil, watercolour and gouache 26 x 36cm (10 1/4 x 14 3/16in).

£500 - 700

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67AR

FRED yATES (BRITISH, 1922-2008)Notre Dame signed ‘FRED YATES’ (lower left) oil on board 36.5 x 27cm (14 3/8 x 10 5/8in).

£600 - 800

68AR

MARcUS FORD (BRITISH, 1914-1989)On the banks of the estuary, possibly Pin Mill signed ‘MARCUS FORD’ (lower left) oil on canvas 46 x 84cm (18 1/8 x 33 1/16in).

£500 - 700

69AR

MARcUS FORD (BRITISH, 1914-1989)Boats, Pin Mill signed ‘MARCUS FORD’ (lower right) oil on canvas 46 x 84cm (18 1/8 x 33 1/16in).

£500 - 700

70AR

MARcUS FORD (BRITISH, 1914-1989)Estuary under stormy skies, Suffolk signed ‘MARCUS FORD’ (lower left) oil on canvas 46 x 84cm (18 1/8 x 33 1/16in).

£500 - 700

71AR

TREVOR gRIMSHAw (BRITISH, 1947-2001)Town steps and chimneys signed ‘TGRIMSHAW’ (lower right) pencil 49 x 42cm (19 5/16 x 16 9/16in).

£800 - 1,200

72AR

wILLIAM BOwyER RA (BRITISH, BORN 1926)‘My garden’ signed ‘William Bowyer’ (lower right) oil on canvas 53 x 101.5cm (20 7/8 x 39 15/16in). (unframed)

£600 - 800

73AR

FRED yATES (BRITISH, 1922-2008)Country cottage signed ‘FRED YATES’ (lower left) watercolour 59 x 44cm (23 1/4 x 17 5/16in).

£600 - 800

74AR

NEIL cANNINg (BRITISH, BORN 1960)Fisherman on the shore; Fishermen walking to a boat (a pair) both signed ‘N.Canning’ (lower right) watercolour and gouache 53 x 30.5cm (20 7/8 x 12in). (2)

£500 - 700

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75AR

HUgO gRENVILLE (BRITISH, BORN 1958)Withersdale street in the snow signed ‘Hugo Grenville’ (lower right) oil on canvas 36 x 45cm (14 3/16 x 17 11/16in).

£500 - 700

76AR

ROy TURNER DURRANT (BRITISH, 1925-1998)‘Blue headpiece I’; ‘Blue headpiece II’ (a pair) each signed, inscribed and dated ‘68; further titled verso watercolour and gouache 18 x 20.5cm (7 1/16 x 8 1/16in). (2)

£500 - 700

77AR

ANN cHRISTOPHER (BRITISH, BORN 1947)Abstract Totemic Form Inscribed to base ‘AC’, no 1/9, dated 86’ Bronze 34.5(13 9/16

£300 - 500

78AR

FRANk DOBSON (BRITISH, 1888-1963)Reclining female nude plaster 15.5 cm (5 7/8in) (length)

£700 - 900

79AR

gILBERT LEDwARD (BRITISH, 1888-1960)Sleeping angel plaster 29 x 21.5cm (11 7/16 x 8 7/16in).

£600 - 800

80AR

gILBERT LEDwARD (BRITISH, 1888-1960)Figures ascending a mountain black ink and watercolour 24 x 34cm (9 7/16 x 13 3/8in).

£250 - 350

81AR

ROwLAND SUDDABy (BRITISH, 1912-1973)‘Autumn at Middleton Essex’ signed and dated ‘R.Suddaby 53’ (lower right), titled verso pen, ink, watercolour and gouache 30 x 54cm (11 13/16 x 21 1/4in).

£300 - 500

82AR

ROwLAND SUDDABy (BRITISH, 1912-1973)An extensive vista signed ‘R.Suddaby’ (lower right) oil on canvas 30 x 50cm (11 13/16 x 19 11/16in).

£300 - 500

83AR

DAVID BAckHOUSE (BRITISH, BORN 1941)Girl lying down signed ‘Backhouse’ and numbered ‘2/7’ (underneath) bronze with a dark brown patina 51cm (20 1/16in) long

£1,500 - 2,000

David Backhouse is perhaps most famous for his memorial to Animals in War at Brook Gate on Park Lane, London.

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84AR

RODRIgO MOyNIHAN (BRITISH, 1910-1991)‘At Little Hallingbury’ titled on label verso oil on board 15.5 x 23.5cm (6 1/8 x 9 1/4in).

£250 - 350

Provenance P.N.Davies-Colley, Esq., purchased 24.2.40 Barbara Davies-Colley

85AR

ALFRED DANIELS RwS, RBA (BRITISH, BORN 1924)All Souls College, Oxford signed and dated ‘Alfred Daniels 1974’ (lower right) gouache 22 x 28cm (8 3/4 x 11in).

£600 - 800

86AR

REgINALD BRILL (BRITISH, 1902-1974)‘Harwich’; and ‘Buildings on the Quay’ pen ink and monochrome wash 19 x 28.5cm (7 1/2 x 11 1/4in). and 26.5 x 36.5cm (10 7/16 x 14 3/8in) respectively (unframed) (2)

£500 - 700

Literature J. Bumpus, Reginald Brill, Scolar Press, 1999, illustration pl.96.

87AR

REgINALD BRILL (BRITISH, 1902-1974)‘Still life, desk top’; and ‘Flower Studies’ pen ink and wash 28.5 x 39cm (11 1/4 x 15 3/8in).and 38.5 x 55.5cm (15 3/16 x 22in) respectively (unframed) (2)

£500 - 700


88AR

REgINALD BRILL (BRITISH, 1902-1974)‘Artist in his library’; ‘Study for a Louis chair’; and ‘Study of antique dish’ pencil, pen, ink and wash 32 x 48.5cm (12 5/8 x 19 1/8in)., 35 x 37cm (10 7/8 x 14 1/8in) and 27.5 x 36cm (10 13/16 x 14 4/16in) the latter two are unframed (3)

£600 - 800


89AR

JONATHAN ARMIgEL wADE (BRITISH, BORN 1960)‘Soundscape’ signed ‘J.A. Wade’ (lower left) and inscribed (verso) oil on board 29.5 x 49.5cm (11 5/8 x 19 1/2in).

£500 - 700

85

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90AR

ROLAND BATcHELOR (BRITISH, 1889-1990)The art class oil on canvas 41 x 51cm (16 1/8 x 20 1/16in). (unframed)

£600 - 800

91AR

ROLAND BATcHELOR (BRITISH, 1889-1990)Off to fish signed ‘ROLAND BATCHELOR’ (lower left), ink and watercolour 26 x 31cm (10 1/4 x 12 3/16in). together with four further watercolours by the same hand (four unframed, one framed)(5)

£600 - 800

Literature Patricia Jarrett, Roland Batchelor watercolours and drawings a 20th century view of the human comedy, London, 1982, p.26 (in which ‘The Life Class’ is illustrated)

92AR

UMBERTO cASOTTI (ITALIAN, 1919-2000)“Moules et Oranges” signed ‘Casotti’ (lower right), signed again, inscribed and dated ‘”Moules et oranges”/di Umberto M.Casotti/Roma/1957’ (on the reverse) oil on canvas 60 x 80cm (23 5/8 x 31 1/2in). (unframed)

£300 - 500

93AR

gRAHAM BANNISTER (BORN 1954)‘Tea at the Ritz’ inscribed with title and signed ‘Graham Bannister’ (lower centre) oil on board 121.5 x 80cm (47 13/16 x 31 1/2in).

£500 - 700

90 91

92


94AR

NORMAN ADAMS, R.A. (BRITISH, 1927-2005)Light after a storm signed and dated ‘N.ADAMS/57’ (lower left), oil on canvas 36 x 51cm (14 3/16 x 20 1/16in). together with two further works by the same hand (3)

£700 - 900

95AR

FRANk wOOTTON (BRITISH, 1914-1998)North Sea strike by Beaufighter of 143 and 126 squadrons, attacking with rockets and guns while 253 Squadrons drop torpedoes, June 1943 signed ‘WOOTTON’ (lower left) watercolour and gouache 39.5 x 34cm (15 9/16 x 13 3/8in).

£1,000 - 1,500

The present lot is accompanied by a photograph of the present work that has been mounted, the artist has signed the mount and inscribed it with title, this lot also includes a letter from the artist regarding the present work dated 1977

96AR

ROwLAND FISHER (BRITISH, 1885-1969)Norfolk Harbour scene signed ‘Rowland Fisher’ (lower left) oil on panel 25.3 x 30.2cm (9 15/16 x 11 7/8in).

£500 - 700

97AR

FREDERIck HALL (BRITISH, 1860-1948)Mounts Bay, Cornwall signed ‘Fred Hall’ (lower left) oil on panel 29 x 36cm (11 3/8 x 14 1/8in).

£500 - 700

94

95

96

97

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98ALgERNON TALMAgE RA ROI RwA ARE (BRITISH, 1871-1939)Hayle Downs signed ‘A. Talmage’ (lower right) oil on canvas 35 x 45.5cm (13 3/4 x 17 15/16in).

£600 - 800

99ALBERT gOODwIN, RwS (BRITISH, 1845-1932)Canterbury Catherdral signed ‘Albert Goodwin’ (lower right) watercolour, body colour, and gum arabic on paper 26.5 x 36cm (10 7/16 x 14 3/16in).

£700 - 1,000

100AR

SIR wILLIAM RUSSELL FLINT, RA, PRwS (BRITISH, 1880-1969)A Windy April Day, Frensham signed ‘W Russell Flint’ (lower right) watercolour 23 x 38cm (9 1/16 x 14 15/16in).

£800 - 1,200

101AR

SIR wILLIAM RUSSELL FLINT, RA, PRwS (BRITISH, 1880-1969)Wet Ploughed Uplands signed (lower left, title on label verso watercolour 17.4 x 26.4cm (6 7/8 x 10 3/8in).

£600 - 800

102AR

HENRyk gOTLIB (POLISH, 1890-1966)Portrait study of a woman watercolour 61 x 46.5cm (24 x 18 5/16in).

£500 - 700

Provenance Purchased by the present vendor direct from the studio of the artist

9899

100

101


103AR

cHARLES FREDERIck TUNNIcLIFFE R.A. (BRITISH, 1901-1979)Oyster Catchers; Canada Geese; Shelduck; Quail A collection of twelve composition watercolour sketches, contained in four frames pencil, watercolour and bodycolour 9.5 x 12cm (3 3/4 x 4 3/4in). and smaller. (4)

£1,000 - 1,500

Provenance: with the Tryon and Moorland Gallery, London: from Charles F. Tunnicliffe - the composition drawings, 5-25 March 1986.

104AR

JOHN E. NIcHOLLS (BRITISH, AcTIVE 1922-1955)Still life with roses, unfinished oil on board 61 x 50.8cm (24 x 20in).

£500 - 700

105THOMAS TODD BLAyLOck (BRITISH, 1896-1929)St Edwards Church, Leek signed ‘T.T.BLAYLOCK’ (lower left) charcoal and pastel 44.5 x 57cm (17 1/2 x 22 7/16in).

£250 - 350

103 103 103

103

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106AR

RONALD OSSORy DUNLOP NEA, ARA, RBA (BRITISH, 1894-1973)Blackshore Suffolk signed ‘Dunlop’ (lower right) oil on canvas 40.7 x 50.8cm (16 x 20in).

£800 - 1,200

107ATTRIBUTED TO RONALD OSSORy DUNLOP NEA, ARA, RBA (BRITISH, 1894-1973)The Market Place (Figures beneath an Archway) oil on canvas 50.8 x 40cm (20 x 15 3/4in).

£400 - 600

108AR

RONALD OSSORy DUNLOP NEA, ARA, RBA (BRITISH, 1894-1973)Wharf on the Thames signed ‘Dunlop’ (lower right) oil on canvas 40.6 x 50.8cm (16 x 20in).

£600 - 800

109AR

RONALD OSSORy DUNLOP NEA, ARA, RBA (BRITISH, 1894-1973)‘Margaret’ signed ‘Dunlop’ (lower right) oil on board 45.5 x 34cm (17 15/16 x 13 3/8in). Executed circa 1948

£350 - 450

110AR

gwENDOLEN SALMOND SMITH (BRITISH, 1877-1955)‘The Seaweed Bay’ titled on label verso oil on board 33 x 41cm (13 x 16 1/8in).

£250 - 350

Provenance: with Abbott & Holder, London

111AR

ANTHONy wHISHAw, R.A. (BRITISH, BORN 1930)Fragment II 1984/7 signed and dated ‘A.Whishaw ‘84’ (lower centre), titled on label verso acrylic and charcoal 28 x 44cm (11 x 17 5/16in).

£250 - 350

112AR

ANTHONy wHISHAw, R.A. (BRITISH, BORN 1930)‘Woman with arms folded’ signed and dated ‘A Whishaw 1957’ verso, titled on label on stretcher oil on canvas 81.5 x 77.5cm (32 1/16 x 30 1/2in).

£500 - 700

Provenance with Roland, Browse and Delbanco, London

106

108


113AR

DUNcAN gRANT (BRITISH, 1885-1978)Still life with teapot and loaf of bread signed with initials (lower left) pencil 37.5 x 52.5cm (14 3/4 x 20 11/16in).

£500 - 700

Provenance Collection of Paul Roche. with The Bloomsbury Workshop, London. According to their label the frame may have been painted by Paul Roche.

114AR

DUNcAN gRANT (BRITISH, 1885-1978)Woman seated, reading a book signed with initials (lower right) pencil and conte crayon 29 x 22cm (11 7/16 x 8 11/16in).

£400 - 600

115AR

PHILIP HUgH PADwIck (BRITISH, 1876-1958)The Old Oak near Burton Park oil on board 25.5 x 33cm (10 1/16 x 13in).

£250 - 350

Provenance with Aldridge Bros, Worthing

116AR

MIcHAEL AyRTON (BRITISH, 1921-1975)‘Rainstorm on Paxos’ inscribed ‘For Malin to recall a Rainstorm on Paxos’, dated 16.5.63 and signed ‘Michael Ayrton’ (lower right) black ink, pen and brush 39 x 49.5cm (15 3/8 x 19 1/2in).

£500 - 700

Provenance with Abbott & Holder, London

117AR

kEITH VAUgHAN (BRITISH, 1912-1977)Three male nudes pencil 12.3 x 16.5cm (4 13/16 x 6 1/2in).

£600 - 800

Provenance with Austin/Desmond Fine Art Ltd, Ascot, Berkshire, 1989

118AR

kEITH VAUgHAN (BRITISH, 1912-1977)Figures on the Beach - two studies, 1948 pencil 9.4 x 12.3cm (3 11/16 x 4 13/16in).each (framed as one)

£600 - 800

Provenance with Austin/Desmond Fine Art Ltd, Ascot, Berkshire, 1989

116 118

118

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119AR

kEITH VAUgHAN (BRITISH, 1912-1977)‘The Soldier’ dated, part indistinctly, Jan 31(?).1942, pen, sepia ink and wash 27 x 19.8cm (10 5/8 x 7 13/16in).

£500 - 800

Provenance with Abbott & Holder, London

120AR

ALExANDRE SAcHA gARBELL (FRENcH, 1903-1970)Fishes signed and dated ‘Garbell 68’ (upper right) oil on canvas 119.5 x 119.5cm (47 1/16 x 47 1/16in). (unframed)

£500 - 700

121AR

JANE SIMONE BUSSy (BRITISH, 1906-1960)A quiet brook signed ‘J.S.Bussy’ oil on board 34 x 24.5cm (13 3/8 x 9 5/8in).

£250 - 350

122AR

DORIS VAUgHAN (BRITISH, 1894-1975)Singers in a Cornish village square signed ‘Doris Vaughan’ (lower right) oil on canvas 26.5 x 36.5cm (10 7/16 x 14 3/8in).

£250 - 350

123AR

MIck cAwSTON (BRITISH, 1959-2006)Three sleeping collie puppies signed ‘Mick Cawston’ (lower left) pastel 19.5 x 57cm (7 11/16 x 22 7/16in).

£250 - 350

119 120


124AR

NOEL gEORgES BOUVARD (FRENcH, 1912-1975)View of Sta Maria Della Salute, Venice; and View of the Grand Canal (a pair) each signed ‘Bouvard’ (lower left) oil on canvas 27 x 35cm (10 5/8 x 13 3/4in). (2)

£1,500 - 2,000

Provenance with The Palser Gallery, Stratford-on-Avon, 1953

125AR

DONALD FRASER gOULD McgILL (BRITISH, 1875-1962)‘E don’t arf make a row, mate’ signed ‘Donald McGill’ (lower right), titled below watercolour and gouache 22.5 x 17cm (8 7/8 x 6 11/16in). and an oil ‘Cattle on Otmoor’ by Rosemary Allan (2)

£300 - 400

126AR

ATTRIBUTED TO JOHN DODgSON (1890-1969)Costal view of the South of France oil on canvas 50.8 x 66cm (20 x 26in).

£600 - 800

127PHILIP wILSON STEER O.M., N.E.A.c. (BRITISH, 1860-1942)Thames Barges signed and dated ‘P.W.Steer 1932’ (lower left) watercolour 22.5 x 30.5cm (8 7/8 x 12in).

£400 - 600

128AR

ATTRIBUTED TO PHILIP NAVIASky (BRITISH, 1894-1982)Two girls oil on canvas 41 x 56cm (16 1/8 x 22 1/16in).

£300 - 400

124 124

126

26 | BONHAMS

129AR

JOHN DAVIES (BRITISH, BORN 1949)‘Figures’ pencil, watercolour, gouache and pastel 28.5 x 35.5cm (11 1/4 x 14in). Executed in 1969 according to an old exhibition label on the backboard.

£600 - 800

130AR

cHRIS gOLLON (BRITISH, BORN 1953)Mother and Child signed ‘Gollon’ (lower left), oil on board 92 x 60.5cm (36 1/4 x 23 13/16in).

£600 - 800

131AR

FRED DUBERy, PROFESSOR, NEAc (BRITISH, BORN 1926)‘Autumn Garden No.2’ signed ‘Fred Dubery’ (lower right), inscribed with title on label verso oil on board 40.5 x 55.5cm (15 15/16 x 21 7/8in).

£300 - 500

132AR

ALFRED ROBERT HAywARD (BRITISH, 1875-1971)Still life with plate signed and dated ‘Alfred Hayward 9/9/65’ (upper right) oil on canvas 50.5 x 61cm (19 7/8 x 24in).

£500 - 700

129

130

131

132


133AR

HENRy INLANDER (BRITISH, 1925-1983)Anticoli Landscape No. 2 1977 signed (lower right) title on label verso gouache 23.5 x 26.2cm (9 1/4 x 10 5/16in).

£300 - 500

Provenance The New Arts Centre, 41 Sloane Street, London, SW1

134DERwENT LEES (BRITISH, 1885-1931)Girl in Brown oil on canvas 55.5 x 51cm (21 7/8 x 20 1/16in).

£400 - 600

Exhibited London, Art Exhibitions Bureau, Trends in British Art, 1954 Bradford, City of Bradford Art Gallery, Jubilee Exhibition, 1954, loan number 25

135AR

JOHN DOyLE (BRITISH, BORN 1928)‘Winchester College Chapel from the Warden’s garden’ signed ‘John Doyle’(lower right), titled on label verso watercolour 45 x 60cm (17 11/16 x 23 5/8in).

£200 - 300

136JOSé wEISS (BRITISH, 1859-1919)River landscape at Amberley, near Arundel signed ‘Jose Weiss’ (lower right) oil on canvas 106 x 156.5cm (41 3/4 x 61 5/8in).

£1,500 - 2,000

137H F cROwTHER SMITH (BRITISH, 20TH cENTURy)A caricature of HRH The Duke of Windsor playing polo signed and dated ‘H F Crowther Smith 22’ (centre left) watercolour 23.5 x 16cm (9 1/4 x 6 5/16in).

£600 - 800

138AR

ANDRé PLANSON (1898-1981)La Vallee de L’Ourcq signed (lower right, title inscribed on stretcher verso oil on board, 50 x 64.5cm (19 11/16 x 25 3/8in).

£400 - 500

133

136

138

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139AR

JOHN cHRISTOPHERSON (BRITISH, 1921-1996)Houses by the Sea, St Ives signed with initials ‘JC’ (lower left) oil on board 26 x 36cm (10 1/4 x 14 3/16in).

£600 - 800

Exhibited London, Leicester Galleries, Exhibition of Works by John Christopherson, December 1968, no. 21

140VALERIE SOzONOV, 20TH cENTURyThe Beach, Scheveningen signed and dated ‘VSozonov 1932’ (lower left) pencil, watercolour and bodycolour 39 x 54cm (15 3/8 x 21 1/4in).

£300 - 500

141AR

FRANcOIS VANDENBERgHE (FRENcH, AcTIVE 1951)Le Sapeur De Kinshasa inscribed and numbered ‘E.A./IV/IV’ (under the back left foot) bronze 54cm (21 1/4in) long

£2,000 - 3,000

This lot is accompanied by a certificate of authenticity from the artist

139140

141


142AR

LéON DE SMET (1881-1966)Vue de mer signed with the artist’s monogram and indistinctly dated ‘1915’? (lower left) oil on canvas 30.5 x 40.7cm (12 x 16in).

£800 - 1,200

Provenance: Acquired by the Belgian jazz violinist Jean Lensen, probably from the artist. Thence by descent. The present work was executed during the artist’s more experimental phase, around 1914, when De Smet experimented with many different modes of painting from Impressionism, Pointillism to Expressionism. We are very grateful to Piet Boyens for his assistance in researching this lot.

143AR

ANDRé BARELIER (FRENcH, BORN 1934)Caesar signed and dated ‘A.Barelier 1998’ (on the base) bronze with a dark brown patina 31(12 3/16high, including base

£600 - 800

144AR

JAMES NOBLE (BRITISH, 1919-1989)Still life, flagon of wine, cheese, apple, bread and glass signed oil on canvas 41cm x 51cm.

£300 - 400

19TH cENTURy PIcTURES

145PIERRE LAPRADE (FRENcH, 1875-1932)A lady sitting signed ‘Laprade’ (lower right) oil on canvas 44 x 54cm (17 5/16 x 21 1/4in).

£500 - 700

142

143

145

30 | BONHAMS

146EDwIN FREDERIck HOLT (BRITISH, AcTIVE 1864-1897)Haymakers and horses at rest in a field signed ‘E.F. Holt’ and dated 1908 (lower right) oil on canvas 50 x 76cm (19 11/16 x 29 15/16in).

£250 - 350

147ATTRIBUTED TO BENJAMIN BLAkE (BRITISH, 1757-1830)The game larder; and companion oil on panel (a pair) 14 x 19cm (5 1/2 x 7 1/2in). and a very similar oil on canvas. (3)

£700 - 1,000

148gEORgE TURNER (BRITISH, 1843-1910)Woman and child on a country track signed (lower right) oil on board 25.5 x 32.5cm (10 1/16 x 12 13/16in).

£250 - 300

149DR. THOMAS BOSwELL wATSON (BRITISH, 1815-1860)Gateway, Macau pencil, pen ink and watercolour 20.7 x 18cm (8 1/8 x 7 1/16in).

£500 - 700

Provenance Watson family Exhibited London, Martyn Gregory, Canton and the China trade, Summer 1986, cat. 43, no.130

146

147

147

149


150EDMOND THOMAS PARRIS (BRITISH, 1793-1873)Portrait of a lady; and Portrait of a gentleman each signed, inscribed and dated ‘E T Parris, 1834/Hist.Painter To the Queen’ (lower right and lower left respectively) oil on canvas 76.5 x 63.5cm (30 1/8 x 25in). (unframed) (2)

£600 - 800

151EDwARD HENRy cORBOULD, R.I. (BRITISH, 1815-1905)The Fairy Wedding signed ‘Edward Corbould’ (lower right) oil on canvas 31 x 100cm (12 3/16 x 39 3/8in).(shaped frame)

£700 - 1,000

152ERNEST wALBOURN (BRITISH, 1872-1927)View from the cliffs studio stamp (lower left) oil on board 35 x 47.5cm (13 3/4 x 18 11/16in).

£250 - 350

153ATTRIBUTED TO gEORgE ADOLPHUS STOREy (BRITISH, 1834-1919)Children in a garden bears monogram and date ‘1859’ (lower right) oil on canvas 56 x 50.5cm (22 1/16 x 19 7/8in).

£500 - 700

154AR

ANDERS HOL (SwEDISH, 1867-1957)‘Höst’ - an autumn landscape, signed, inscribed and indistinctly dated ‘Anders Hol/Mora 1902(?)’ (lower right); signed and inscribed with title on label verso, oil on canvas, 68 x 107cm (26 3/4 x 42 in).

£300 - 500

151

153

32 | BONHAMS

155cIRcLE OF AgOSTINO BUONAMIcO, cALLED AgOSTINO TASSI (PERUgIA cIRcA 1579-1644 ROME)Two Capriccio views of a harbour (a pair) oil on panel, octagonal 26.5 x 37.8cm (10 7/16 x 14 7/8in). (2)

£800 - 1,200

156JOHN BRANDON SMITH (BRITISH, 1848-1884)Cattle watering on the Conway Llugwy, near Bettws-y-Coed signed ‘J B Smith/1860’ (lower left) oil on canvas 61 x 51cm (24 x 20 1/16in).

£500 - 700

157cONTINENTAL ScHOOL, LATE 19TH cENTURyStill life of flowers in an urn oil on panel 49 x 37cm (19 5/16 x 14 9/16in).

£300 - 500

158ENgLISH ScHOOL, MID 19TH cENTURy‘Abingdon 1848’ titled on frame oil on canvas 45 x 65cm (17 11/16 x 25 9/16in).

£100 - 150

159FREDERIck BUckSTONE (BRITISH, FL. 1857-1880)‘Clovelly, Devon’; ‘Mill Mouth, Clovelly’ (a pair) both signed and dated ‘J. Buckstone. 1882.’ (lower left) and both titled and signed (on the reverse) both oil on canvas each 25.5 x 35.5cm (10 1/16 x 14in).(2)

£300 - 500

160BRITISH ScHOOL, 19TH cENTURyPortrait of a sailing vessel ‘St Marys Bay’ oil on canvas, 59 x 98cm (23 1/4 x 38 9/16in).

£250 - 350

161wykE (SIR) BAyLISS (1835-1906)Westminster Abbey signed ‘Wyke Bayliss’ (lower left) watercolour 50 x 75cm (19 11/16 x 29 1/2in).

£500 - 700

This work is to be sold on behalf of the late Mayor of Lambeth, Councillor Mark Bennett, to raise funds for the restoration of works of art in the Town Hall and Lambeth’s War Memorials in preparation for the Centenary of the First World War.

155 155

159


162BRITISH NAIVE ScHOOL, cIRcA 1840A cat making good its escape oil on canvas 43 x 54cm (16 15/16 x 21 1/4in).

£500 - 700

163* AR

MARIO VARAgNOLO (ITALIAN, 1901-1971)Venezia - Vecchia Traghetto signed and dated ‘M Varagnolo 1968’ (lower left) oil on canvas 45 x 60cm (17 11/16 x 23 5/8in).

£500 - 700

164* AR

MARcO NOVATI (ITALIAN, 1895-1975)‘All’Osteria’ signed ‘MARCO NOVATI’ (lower right), signed again (on the reverse) and tilted (on the stretcher) oil on canvas 50.8 x 71cm (20 x 27 15/16in).

£800 - 1,200

Provenance with Galleria Tacchini, Venice

165c.E. gORDON STUART (BRITISH, 1850-1901)The stone in the shoe signed and dated ‘C.E.GORDON STUART. 1888’ (lower left) oil on canvas 61 x 45.7cm (24 x 18in).

£800 - 1,200

162 163

164

165

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166ATTRIBUTED TO wILLIAM HAVELL RwS (BRITISH, 1782-1857)View of Venice signed with monogram and dated ‘18 WH 31’ (lower left) oil on canvas 30 x 37cm (11 13/16 x 14 9/16in).

£500 - 700

167JAMES AITkEN (BRITISH, 1854-1935)Fishing fleet in the harbour, Port St Mary, Isle of Man, from across the bay signed ‘james Aitken/1899’ (lower right) oil on panel or board 20 x 45cm (7 7/8 x 17 11/16in).

£500 - 700

168AFTER JOHN gILES EccARDT, 18TH cENTURyPortrait of a Gentleman, said to be Charles Hanbury Williams, Ambassador of Dresden wearing Order of the Batt oil on canvas 42.4 x 34.3cm (16 11/16 x 13 1/2in).

£500 - 700

Provenance The Collection of Sir T Phillipps, Dunscombe Pyrke, Gloucestershire, 1871 (according to a label on the reverse) The present composition is after Eccardt’s original in the National Gallery, London.

169ENgLISH ScHOOL, 18TH cENTURyPortrait of a lady, said to be Bridget Ayscough oil on canvas, oval 44.3 x 35.4cm (17 7/16 x 13 15/16in).

£500 - 600

170HENRy TOwNELEy gREEN, R.I. (BRITISH, 1836-1899)‘A way they have in the army’ signed ‘Towneley Green’ (lower left) and signed and inscribed with the title (on an old label attached to the backboard) pencil and watercolour 48.5 x 68cm (19 1/8 x 26 3/4in).

£400 - 600

171cLAUDE cARDON (BRITISH, AcTIVE 1892-1915)Sheep in an orchard signed ‘Claude Cardon’ (lower left) oil on canvas 38 x 32cm (14 15/16 x 12 5/8in).

£500 - 700

166

170

171


172HENRI JOSEPH HARPIgNIES (FRENcH, 1819-1916)Paysage signed and dated ‘H’Harpignies/1910’ (lower left), signed and dated again, and indistinctly inscribed ‘a mon amie Schumacher/..Janvier 19.. Hjharpignies’ (on the reverse) watercolour 23 x 16.5cm (9 1/16 x 6 1/2in).

£500 - 700

173ENgLISH ScHOOL, LATE 19TH cENTURyDogs in 17th Century costume signed with monogram and dated ‘95 (lower right) pastel 49 x 49cm (19 5/16 x 19 5/16in).

£500 - 700

174FOLLOwER OF SIR LAwRENcE ALMA-TADEMA OM, RA (BRITISH, 1836-1912)Consoling Music bears signature (lower left), oil on canvas, 37 x 86.5cm (14 1/2 x 34 in).

£600 - 800

175wILLIAM OwEN HARLINg (BRITISH, AcTIVE 1849-1878)Conversing cavaliers signed ‘W.Harling’ (lower centre left), oil on canvas, 78.5 x 64cm (31 x 25 1/4in).

£700 - 1,000

176gEORgE BARRET JNR. (BRITISH, 1767-1842)Young woman reading love letters in a stately garden signed and dated ‘G.Barret 1831’ (lower right), watercolour, 25.5 x 21.5cm (10 x 8 7/16in).

£400 - 600

177ARTHUR HOPkINS, RwS, RBc (BRITISH, 1848-1930)Fisherfolk turning a winch signed ‘A.Hopkins’ (lower right), watercolour, 16 x 25cm (6 5/16 x 9 13/16in).

£500 - 700

178cAROLINE FANNy wILLIAMS (BRITISH, 1836-1921)Summer’s Evening inscribed on label verso ‘no 4. Summer’s Evening, Caroline F Williams, 4 Castleman Cottages, Barnes, Surrey’ oil on canvas 22 x 37cm (8 11/16 x 14 9/16in).

£600 - 800

179ANDREw NIcHOLL, RHA (BRITISH, 1804-1886)A pair of Irish views signed watercolour 25cm x 31cm. (2)

£500 - 700

172 175

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180THEODOR ALExANDER wEBER (gERMAN, 1838-1907), 19TH cENTURyFisherfolk Launching the Row Boat signed ‘Th Weber’ (lower left) watercolour 23 x 38.5cm (9 1/16 x 15 3/16in).

£200 - 300

181FREDERIck EDwARD JOSEPH gOFF (BRITISH, 1855-1931)‘Tower Bridge’; ‘Below London Bridge’, a pair both signed and titled ‘FRED.E.J.GOFF.’ (lower left) watercolour each 11.5 x 15cm (4 1/2 x 5 7/8in).(2)

£600 - 800

182HARRy FIDLER (BRITISH, 1856-1935)Farmer leading cart horses, and another of a cockling cart, both signed ‘H.FIDLER’ (lower left), oil on canvas, 26.5 x 36.5cm and 31.5 x 35.5 respectively.

£1,000 - 1,400

180

181

181

182

182


183ANgLO-FLEMISH ScHOOL, (19TH cENTURy)Still Life of Mixed Flowers in a Bowl on a Marble Ledge indistinctly signed (lower right) oil on canvas 76 x 64cm (29 15/16 x 25 3/16in).

£300 - 500

184* AR

FAIRLIE HARMAR (VIScOUNTESS HARBERTON) (BRITISH, 1876-1945)View of a harbour signed ‘Fairlie’ (lower right) oil on canvas 40.5 x 50.8cm (15 15/16 x 20in).

£700 - 900

185FREDERIc yATES (BRITISH, 1854-1919)Portrait of a young Japanese girl signed ‘Fred Yates’ and inscribed ‘Yokohama 1899’ (lower right) oil on board 32 x 22cm (12 5/8 x 8 11/16in).

£500 - 700

186cONTINENTAL ScHOOL, 19TH cENTURyLandscape at Berchtesgaden; a pair indistinctly inscribed to the stretcher, both signed and dated ‘Hahn ‘82’ (lower left) oil on canvas 42 x 66cm (16 9/16 x 26in). (2)

£500 - 700

187REgINALD ASPINwALL (BRITISH, 1858-1921)Morecombe Sands signed ‘Reginald Aspinwall’ and dated 1905 (lower right) oil on canvas 35 x 60cm (13 3/4 x 23 5/8in).

£500 - 700

188REgINALD ASPINwALL (BRITISH, 1858-1921)Harvest Time signed ‘Reginald Aspinwall’ and dated 1908 (lower left) oil on canvas 30 x 45cm (11 13/16 x 17 11/16in). and another oil on board by the same hand, sheep in a riverside meadow. (2)

£500 - 700

184

186

186

38 | BONHAMS

189HAROLD JOSEPH SwANwIck (BRITISH, 1866-1929)‘A Little Farm Well-Tilled’ signed ‘Harold Swanwick’ (lower left) watercolour 19.5 x 29cm (7 11/16 x 11 7/16in).

£500 - 700

190wILLIAM wOODHOUSE (BRITISH, 1857-1939)Circus elephants and ponies signed ‘W. Woodhouse’ (lower right) watercolour 24.5 x 36.5cm (9 5/8 x 14 3/8in).

£600 - 800

191SARAH LOUISE kILPAck (BRITISH, BORN cIRcA 1840-1909)Seaweed gathering on the Guernsey coast signed ‘S.L Kilpack’ (lower left) oil on board 22 x 30cm (8 11/16 x 11 13/16in).

£500 - 800

192J** c** (BRITISH, MID 19TH cENTURy)Horse feeding in a stable signed with initials and dated 1866 (lower centre) oil on canvas 52.5 x 42.5cm (20 11/16 x 16 3/4in).

£300 - 400

193ENgLISH ScHOOL, cIRcA 1840Portrait of an officer, standing, full length, wearing a sword signed indistinctly bronzed, cut-paper silhouette 23.5 x 15.5cm (9 1/4 x 6 1/8in). and a further seven silhouettes by various hands, and two twentieth century pastels (10)

£200 - 300

194ENgLISH ScHOOL, cIRcA 1840Portrait of a gentleman, half length, wearing a dark jacket and pale yellow waistcoat oil on canvas 62 x 51cm (24 7/16 x 20 1/16in).

£300 - 400

189 190

191


195ALFRED HOLST TOURRIER (BRITISH, 1836-1892)A Conspiracy signed ‘A.H. Tourrier’ (lower left) oil on canvas 60 x 101.5cm (23 5/8 x 39 15/16in).

£1,500 - 2,000

196JOHN BRANDON SMITH (BRITISH, 1848-1884)Old bridge on the Dulas, South Wales signed and dated ‘J B Smith/1880’ (lower left) oil on canvas 36 x 47cm (14 3/16 x 18 1/2in).

£800 - 1,200

Provenance Sale, Phillip’s London, 28 April 1992, lot 108

197JOHANNES cOENRAAD BEyER (DUTcH, 1786-1866)Dutch estuary with barges and other shipping by moonlight signed ‘J. C. Beyer’ (lower right), also bears old label verso oil on panel 24 x 30cm (9 7/16 x 11 13/16in).

£500 - 700

198cARLO RANDANINI (ITALIAN, ?-1884)Taking a stroll signed and dated ‘Randanini/Roma 1879’ (lower right) oil on canvas 50 x 62.5cm (19 11/16 x 24 5/8in).

£800 - 1,200

195

196

198

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199THOMAS THOMAS (BRITISH, AcTIVE 1854-1896)Drovers and cattle by a gate signed ‘T.Thomas’ (lower right) oil on canvas 61.5 x 91.5cm (24 3/16 x 36in).

£500 - 800

200JOSEPH kIRkPATRIck (BRITISH, 1872-1930)Strolling in the garden signed ‘JOSEPH KIRKPATRICK’ (lower right) watercolour 24 x 34cm (9 7/16 x 13 3/8in).

£500 - 700

201AR

HENRy JOHN SyLVESTER STANNARD, RBA (BRITISH, 1870-1951)A country cottage signed ‘HJ Sylvester Stannard’ (lower left) watercolour 25.5 x 35cm (10 1/16 x 13 3/4in).

£500 - 700

202AFTER gEORgE MORLANDA daughter’s progress, a set of six Regency style prints Domestic Happiness; The Elopement; The Virtuous Parent; Dressing for the Masquerade; The Tavern Door; The Fair Penitent mezzotints, engraved by E. Leslie Haynes, published 1908 by Henry Graves & Co.,each 35 x 27cm (13 3/4 x 10 5/8in). in verre eglomise mounts (6)

£600 - 800

203wALTER wALLOR cAFFyN (BRITISH, 1845-1898)River view with cattle and sheep signed and dated ‘Walter Caffyn 1875’ (lower left) oil on canvas 40.5 x 61cm (15 15/16 x 24in).

£500 - 700

204wALTER wALLOR cAFFyN (BRITISH, 1845-1898)River view with cottage signed ‘W.W.Caffyn’ (lower left) oil on canvas 41 x 61cm (16 1/8 x 24in).

£500 - 700

205cHINESE ScHOOL, LATE 19TH cENTURyFishing boats and other sailing vessels, seven watercolours on pith paper, together with five studies of butterflies and insects,21 x 28cm (8 1/4 x 11in). one unframed (12)

£500 - 700

200

202

204


206cIRcLE OF TELEMAcO SIgNORINI (ITALIAN, 1835-1899)Bois de Boulogne bears another signature and dated 1890 (lower left) oil on panel 8 x 15cm (3 1/8 x 5 7/8in).

£300 - 500

207AR

JEF LOUIS VAN LEEMPUTTEN (BELgIAN, 1865-1948)Hens and chicks in a field; ducks and hens by a pond; and another cockerel and two hens in a barn all signed ‘J L VAN LEEMPUTTEN/187(?)’ oil on panel 17.5 x 23cm (6 7/8 x 9 1/16in). (3)

£900 - 1,200

Paintings by Jef Louis van Leemputten dated in the 1870s frequently appear for sale, despite the anomaly with his published date of birth in 1865.

208AFTER cLARkSON STANFIELD (BRITISH, 1793-1867)Life raft in heavy seas oil on canvas 67 x 55cm (26 3/8 x 21 5/8in).

£300 - 500

209wILLIAM gALE (BRITISH, 1823-1909)‘Rosalind’ signed, titled and inscribed (on an a old label attached to the reverse) oil on panel 18 x 12.5cm (7 1/16 x 4 15/16in).

£500 - 700

Provenance Sale, Sotheby’s London, March 21 1990, Lot. 225

210EDMUND BRISTOw (BRITISH, 1787-1876)Farmyard scene with horses, pigs and chickens signed and dated ‘E.Bristow 1852’ (lower left), oil on panel, 22 x 29cm (8 11/16 x 11 7/16in).

£600 - 800

211EDUARD BOEHM (AUSTRIAN, 1830-1890)Figure beside a lake with distant mountains signed ‘E. Boehm’ (lower right) oil on panel 20.5 x 17.5cm (8 1/16 x 6 7/8in).

£500 - 700

212cIRcLE OF JOHN FREDERIck TENNANT (BRITISH, 1796-1872)The Miller’s Cottage bears signature ‘A Constable’ (lower right) oil on canvas 45 x 60.5cm (17 11/16 x 23 13/16in).

£500 - 700

213cIRcLE OF JAMES wEBB (BRITISH, 1825-1895)Sunset over the estuary bears signature (lower right) oil on board 20 x 46cm (7 7/8 x 18 1/8in).

£300 - 500

214PHILIP H. RIDEOUT (BRITISH, BORN cIRcA 1860-DIED cIRcA 1920)Coaching scenes signed and dated 1908 (lower right) oil on board (a pair) 19.5 x 39cm (7 11/16 x 15 3/8in). (2)

£250 - 300

215FOLLOwER OF JAMES BAkER PyNE (BRITISH, 1800-1870)Boats approaching a town harbour oil on canvas 44 x 50cm (17 5/16 x 19 11/16in). together with a work by another hand (2)

£400 - 600

211

42 | BONHAMS

216FOLLOwER OF RIcHARD PARkES BONINgTON (BRITISH, 1801-1828)Figures on a river bank oil on panel 20.2 x 18cm (7 15/16 x 7 1/16in).

£400 - 600

Provenance Thellusson family, Aldeburgh Frederika Charlotte Louisa Rooke (1861-1954; née Thellusson and Grand Daughter of Frederick Vernon Wentworth (b.1795) of Wentworth Castle) and Mortimer Rooke (1854-1942))of The Ivy, Chippenham Thence by family descent to the present owners

217FREDERIcA cHARLOTTE LOUISA THELLUSON (19TH /20TH cENTURyThe Folly at Wentworth Castle, with horses in the foreground oil on millboard 44.3 x 54.5cm (17 7/16 x 21 7/16in).

£400 - 600

Provenance Frederika Charlotte Louisa Rooke (1861-1954; née Thellusson and Grand Daughter of Frederick Vernon Wentworth (b.1795) of Wentworth Castle) and Mortimer Rooke (1854-1942) of The Ivy, Chippenham Thence by family descent to the present owners

218DANIEL HERMANN ANTON MELByE (DANISH, 1818-1875)Frigate approaching signed and dated 1849 watercolour 22 x 30cm (8 11/16 x 11 13/16in).

£300 - 500

219IRISH ScHOOL, 19TH cENTURyRiver landscape oil on canvas 59 x 90cm (23 1/4 x 35 7/16in).

£500 - 700

220cONTINENTAL ScHOOL, 19TH cENTURyChrist with a crown of thorns oil on canvas 52 x 41cm (20 1/2 x 16 1/8in).

£400 - 600

221AR

MAURIcE gRUN (FRENcH, 1869-1947)Half length portrat of a lady in black evening gown signed and dated ‘M Grun 1901’ (lower left), oil on canvas 115 x 88cm (45 1/4 x 34 5/8in).

£500 - 700

222FOLLOwER OF EDwIN HAyES, RHA, RI, ROI (BRITISH, 1819-1904)Ship in full sail bears signature and date ‘E.Hayes 1878’ (lower left) oil on canvas 57.5 x 93cm (22 5/8 x 36 5/8in).

£500 - 800

223FEDERIcO BARTOLINI (ITALIAN, AcTIVE 1880-1920)Four Studies of Figures in Traditional Costume each signed and inscribed ‘F Bartolini Roma’ (lower right) watercolour 53 x 36cm (20 7/8 x 14 3/16in).(the largest) (4)

£500 - 700

217

219


224ENgLISH ScHOOL, MID/LATE 19TH cENTURyThe outlaw oil on canvas 90 x 70cm (35 7/16 x 27 9/16in).

£500 - 700

225ALFRED A. PARTRIDgE (BRITISH)John Robert Harvey, 5th Lancers, of Thorpe, Norfolk, mounted on a chestnut horse signed ‘A.A. partridge Pinxt’ and dated ‘88 (lower left) oil on canvas 70 x 90cm (27 9/16 x 35 7/16in).

£600 - 800

226EDwARD wILkINS wAITE, RBA (BRITISH, 1854-1924)The rising moon signed ‘E. W. Waite’ (lower right) oil on canvas 43 x 59cm (16 7/8 x 23 3/16in).

£600 - 800

227SAMUEL PHILLIPS JAckSON (BRITISH, 1830-1904)Dunstanborough Castle at Dusk; Pulling in the Nets (a pair) both signed and dated ‘S.P.Phillips 1875’ (lower left) watercolour 35.5 x 58cm (14 x 22 13/16in).each

£800 - 1,200

228HERcULES BRABAzON BRABAzON (BRITISH, 1821-1906)Figures in landscape signed with initials ‘H B B’ (lower right) watercolour and bodycolour 14.5 x 31.5cm (5 11/16 x 12 3/8in).

£500 - 700

229RIcHARD HENRy NIBBS (BRITISH, 1816-1893)Figures in a market place signed ‘R H Nibbs’ (lower right) oil on canvas 91 x 70.5cm (35 13/16 x 27 3/4in).

£500 - 700

230ENgLISH ScHOOL, MID-LATE 19TH cENTURySailing boat coming into harbour from a stormy sea oil on canvas 71 x 123cm (27 15/16 x 48 7/16in).

£250 - 350

225 226

227

228

44 | BONHAMS

231OTTO EIcHINgER (AUSTRIAN, BORN 1895)Here’s to you; A good vintage (a pair) both signed ‘O.Eichinger’ (upper right and upper left respectively) oil on board each 25.5 x 19cm (10 1/16 x 7 1/2in). (2)

£500 - 700

Provenance with Stacey-Marks

232J. wILLIAMS (BRITISH, 19TH cENTURy)The Footpath from Halstead to Godfield signed with initials ‘J.W.’ (lower right), also signed, titled and inscribed ‘Essex’ (on a label attached to the reverse) oil on board 31 x 43cm (12 3/16 x 16 15/16in).

£300 - 500

233AMERIcAN ScHOOL (LATE 19TH/EARLy 20TH cENTURy)A view of the Hudson River signed ‘A. L. Schubert’ (lower right) watercolour 33.5 x 47cm (13 3/16 x 18 1/2in).

£500 - 700

234RIcHARD ELMORE (BRITISH, AcTIVE 1882-1886)‘Dawn, Royal Windsor’ signed and indistinctly dated ‘Richard Elmore 1806.7(?)’(lower left), inscribed with title verso oil on canvas 50 x 75cm (19 11/16 x 29 1/2in).

£400 - 600

235BENJAMIN EUgèNE FIcHEL (FRENcH, 1826-1895)The Guards’ Room signed and dated ‘E.Fichel 1887’ (lower left) oil on panel 37 x 55cm (14 9/16 x 21 5/8in).

£800 - 1,200

236cRESwIck BOyDELL R.c.A. (BRITISH, FL. 1889-1916)Village scene with figures conversing signed ‘CRESWICK BOYDELL.’ (lower left) watercolour 39 x 58cm (15 3/8 x 22 13/16in). and another by the same hand, Anglesey cottages 25 x 39cm (2).

£300 - 500

237THOMAS MILES RIcHARDSON JNR., R.w.S. (BRITISH, 1813-1890)A view of Whitby Abbey watercolour heightened with white 33 x 101cm (13 x 39 3/4in).

£500 - 700

238ARTHUR H. DAVIS (BRITISH, FL.1871-1894)Meal Time signed ‘Arthur H Davis’ (lower right) oil on canvas 36 x 46cm (14 3/16 x 18 1/8in).

£400 - 600

To be sold together with a tracing and photograph of the original inscriptions verso where the work can be seen to be signed again, titled and variously inscribed on original canvas. Provenance Acquired directly from the artist’s studio and thence by descent (artist’s studio label attached to frame verso) Private collection, UK

239gEORgE HENRy JENkINS (BRITISH, 1843-1914)‘The Bolt head’ - A three masted barque crossing the bar at Salcombe signed ‘G. H. Jenkins’ (lower left), inscribed as titled to stretcher, oil on canvas 59 x 93cm (23 1/4 x 36 5/8in).

£500 - 700

235

239


240JOHN wILLIAM HAyNES (AcTIVE 1852-1882)Woman and child sewing in a cottage interior signed and dated ‘74 (lower left) oil on canvas 29 x 35cm (11 7/16 x 13 3/4in).

£500 - 700

OLD MASTER PAINTINgS AND DRAwINgS

241gERMAN ScHOOL, cIRcA 1720The Battle of Oudenarde oil on canvas 73.6 x 100cm (29 x 39 3/8in).

£1,800 - 2,500

Provenance with The Parker Gallery, London A version, one of a pair, attributed to Jan van Huchtenburg (1647-1733) was offered for sale at the Hotel des Ventes, Nice, 20 March 2010

242NORTH gERMAN ScHOOLPortrait of a young man oil on canvas 39.5 x 30.5cm (15 9/16 x 12in).

£500 - 800

243gERMAN ScHOOL, 19TH cENTURyPortrait of a lady in profile pencil22 x 18cm (8 11/16 x 7 1/16in).

£300 - 500

244FLEMISH ScHOOL, 18TH cENTURyThe Fall of Troy with Aeneas carrying Anchises from the burning city oil on canvas 57.1 x 82.2cm (22 1/2 x 32 3/8in).

£800 - 1,200

245FLEMISH ScHOOL, 17TH/18TH cENTURyThe Crucifixion oil on metal 25.5 x 20cm (10 1/16 x 7 7/8in).

£500 - 700

241 242

244

46 | BONHAMS

246cIRcLE OF MIcHAEL DAHL THE yOUNgER (STOckHOLM cIRcA 1659-1743 LONDON)Portrait of a young lady, half length, wearing a white dress and red shawl oil on canvas 75 x 61cm (29 1/2 x 24in).

£600 - 800

According to a label verso, the sitter is said to be Ann Wells (1709-1741), daughter of John and Sarah Wells of Brasted, Kent

247ENgLISH PROVINcIAL ScHOOL, LATE 16TH cENTURyPortrait of John Clapham inscribed ‘cedendo silendo’ (upper left) and dated 1598 (upper right); oil on panel 54.5 x 43.5cm (21 7/16 x 17 1/8in). and companion portrait of his wife Ann, 56.5 x 44.5cm. (2)

£1,500 - 2,000

John Clapham was born in 1566, and by the 1590’s was employed as a clerk to Lord Burghley, eventually becoming one of the six Clerks of the Chancery. He was author of works including ‘History of England’, and ‘Certain Observations Concerning the Life and Reign of Queen Elizabeth’. He died in 1618.

248ENgLISH PROVINcIAL ScHOOL, 18TH cENTURyPortrait of a young girl, believed to be Ann Wells, standing with her pet dog oil on canvas 74 x 56cm (29 1/8 x 22 1/16in).

£1,000 - 1,500

An inscription to an old label on the back of this painting names the sitter as Ann Wells, daughter of John and Sarah Wells of Brasted Park, baptised in 1709.

249DUTcH ScHOOL, cIRcA 1780A Riverside town oil on canvas 35.5 x 42cm (14 x 16 9/16in).

£600 - 800

250DUTcH ScHOOL, 17TH cENTURyPortrait of a gentleman oil on canvas laid down on panel 20.2 x 18cm (7 15/16 x 7 1/16in).

£700 - 900


246 247 247

248

250


251MANNER OF DAVID TENIERS THE yOUNgERThe Village Doctor oil on canvas 60.9 x 74cm (24 x 29 1/8in).

£700 - 1,000

252cIRcLE OF JAkOB DE HEUScH (UTREcHT 1657-1701 AMSTERDAM)Christ healing the blind man of Bethsaida on the shores of Lake Galilee oil on canvas laid down on board 87 x 74cm (34 1/4 x 29 1/8in).

£700 - 1,000

The figures may be the work of another artist.

253cIRcLE OF ISAAc VOgELSANg (AMSTERDAM 1688-1753 LONDON)Drovers resting with their flocks in an Italianate landscape oil on canvas 40.2 x 48.5cm (15 13/16 x 19 1/8in).

£1,000 - 1,500

251 252

253

48 | BONHAMS

254FOLLOwER OF LUDOLF BAckHUySEN (EMDEN 1630-1708 AMSTERDAM)The Battle of Vigo Bay oil on canvas 51 x 68.5cm (20 1/16 x 26 15/16in).

£500 - 700

255FOLLOwER OF JAcOB ADRIAENSz. BELLEVOIS (ROTTERDAM 1621-1675)A naval engagement oil on canvas 80.5 x 120cm (31 11/16 x 47 1/4in).

£800 - 1,200

256cIRcLE OF ROBERT wALkER (? cIRcA 1607-cIRcA 1658 LONDON)Portrait of Oliver Cromwell, bust-length, in armour, within a painted oval oil on panel 33 x 27cm (13 x 10 5/8in).

£500 - 700

257gEORgE ROMNEy (BEckSIDE 1734-1802 kENDAL)Study of a figure tied to a tree pencil on laid paper 35.8 x 23cm (14 1/8 x 9 1/16in).

£500 - 700

We are grateful to Alex Kidson for confirming the attribution to George Romney upon firsthand inspection.

258FRANcIS MILNER NEwTON (LONDON 1720-1794 TAUNTON)Portrait of Johanna Warner, half-length, in a yellow dress and bonnet signed and dated ‘F.M.Newton.Pinx./1753’ (lower right) and inscribed ‘Johanna Warner uxor/Nata. 1706’ (lower left) oil on canvas 76.5 x 64.2cm (30 1/8 x 25 1/4in).

£1,500 - 2,000

254

255

256 257

258


259AUSTRIAN ScHOOL, LATE 18TH cENTURyPortrait of an officer, bust-length, in uniform oil on panel 16.8 x 13.2cm (6 5/8 x 5 3/16in).

£700 - 1,200

260FOLLOwER OF HENDRIk VAN BALEN THE ELDER (ANTwERP 1575-1632)The Rape of Europa oil on canvas 65 x 133cm (25 9/16 x 52 3/8in).

£1,000 - 2,000

261ATTRIBUTED TO TOMMASO MINARDI (ITALIAN, 1787-1871)Possibly Portrait of Singlio Tomba inscribed on the verso in pencil ‘Ritratto di Singlio Tomba fattoda Minardi’ , flase mount pasted on top of the paper Black chalk 32.3 x 27.1cm (12 11/16 x 10 11/16in). unframed

£400 - 600

262ENgLISH ScHOOL, MID 18TH cENTURyPortrait of a lady, bust length, wearing a dark-coloured dress oil on canvas laid onto board (oval) 50 x 39.5cm (19 11/16 x 15 9/16in).

£500 - 700

263FOLLOwER OF cHRISTIAN wILHELM ERNST DIETRIcH (wEIMAR 1712-1774 DRESDEN)Portrait of a gentleman oil on card 15.3 x 12.8cm (6 x 5 1/16in).

£500 - 700


264FOLLOwER OF HyAcINTHE RIgAUD (PERPIgNAN 1659-1743 PARIS)Portrait of a gentleman, three-quarter length, wearing armour, his left arm resting on a plinth oil on canvas 123 x 101cm (48 7/16 x 39 3/4in). in a carved giltwood frame

£1,500 - 2,000

265MID 18TH cENTURy PROVINcIAL ScHOOLFigures by a waterfall with ruins beyond oil canvas 63.5 x 66.5cm (25 x 26 3/16in).

£500 - 700

259

260

261

264

50 | BONHAMS

266PETRUS JOHANNES VAN REySScHOOT (gENT 1702-1772)A fête galante oil on canvas 114.5 x 88.5cm (45 1/16 x 34 13/16in).

£2,500 - 3,500

267FOLLOwER OF RIcHARD BRAckENBURg (HAARLEM 1650-1702)Peasants revelling (a pair) oil on canvas 32.5 x 27.4cm (12 13/16 x 10 13/16in). (2)

£1,000 - 1,500

266

267

267


268FOLLOwER OF ROBERT wALkER (? cIRcA 1607-cIRcA 1658 LONDON)Portrait of a young man, possibly Richard Cromwell, bust-length, in armour oil on panel 39 x 31cm (15 3/8 x 12 3/16in).

£500 - 700

PROVENANCE W.S. Taylor, Hathersage, Derbyshire, before 1984 Richard Cromwell (1626-1712) was the son of Oliver Cromwell. He served in the Parliamentary army during the Civil War and in 1654 was elected to the House of Commons.

269cIRcLE OF SAMUEL HIERONyMUS gRIMM (BURgDORF 1733-1794 LONDON)Studies of a dandy, trades people and mendicants, a group of seventeen pen, brown ink and watercolour on laid paper, each 14 x 19cm (5 1/2 x 7 1/2in). and smaller, in three frames (17).

£1,800 - 2,500

270cIRcLE OF JOHN RILEy (LONDON 1646-1691)Portrait of a lady, half length, wearing a lace head dress oil on canvas, oval 74 x 62cm (29 1/8 x 24 7/16in).

£500 - 800

271PETER DE wINT, OwS (BRITISH, 1784-1849)Study of game and earthenware vessels watercolour and bodycolour 35.5 x 27cm (14 x 10 5/8in).

£500 - 700

Exhibited London, Appleby Bros. Ltd, Spring Exhibition, 1962

268

269269

271

52 | BONHAMS

272ABRAHAM LOUIS RODOLPHE DUcROS (yVERDON 1748-1810 LAUSANNE), AND gIOVANNI VOLPATO (BASSANO DEL gRAPPA 1732-1803 ROME)The Arch of Constantine inscribed ‘Volpato et Ducros’ (lower left) and ‘vue de L’Arc de Constantin a Rome’ (lower centre) watercolour over etched outline on laid paper with original wash line mount 36.2 x 51.6cm (14 1/4 x 20 5/16in).

£800 - 1,200

273EUgENIO LUcAS VILLAMIL (MADRID 1858-1918)Figures in an interior signed ‘Lucas’ (lower right) oil on panel 18.5 x 14.2cm (7 5/16 x 5 9/16in).

£700 - 1,200

274ENgLISH ScHOOL, 18TH cENTURyPortrait of Edward VI oil on panel 52.2 x 42.6cm (20 9/16 x 16 3/4in).

£1,000 - 1,500

275JOHN RATHBONE (cHESTER cIRcA 1750-1807 LONDON)Figures in a river landscape, a farmhouse beyond oil on canvas 51.2 x 66.5cm (20 3/16 x 26 3/16in).

£700 - 1,000

Provenance with Sutch & Martin, London, where purchased by the present owner in 1968

272 273

274 275


276AFTER SIR DAVID wILkIE, RA, 19TH cENTURyThe Blind Fiddler oil on canvas 63 x 74cm (24 13/16 x 29 1/8in).

£400 - 600

The present composition is after Wilkie’s original, now in the Tate, London.

277cIRcLE OF ROBERT NANTEUIL (REIMS cIRcA 1623-cIRcA 1678 PARIS)A bust length portrait of a nobleman having long curling hair and wearing lace cravat, with coat of arms of a Continental Marquis oil on canvas 65 x 53cm (25 9/16 x 20 7/8in).

£1,500 - 2,000

Provenance Banningham House Sale, Bonhams Nofolk, 22 March 2004, Lot 346.

278cIRcLE OF gUIDO cAgNAccI (ITALIAN, 1601-1663)Judith and Holofernes oil on canvas 111.4 x 93.5cm (43 7/8 x 36 13/16in).

£1,500 - 2,000

279cIRcLE OF FRANcEScO gUARDI (VENIcE 1712-1793)Figures in a river landscape with a farmhouse in the distance oil on paper laid down on panel 7.2 x 13.2cm (2 13/16 x 5 3/16in). in a carved frame together with another by a later hand (2)

£500 - 700

277 278

279

54 | BONHAMS

280*

ITALIAN ScHOOL, 17TH cENTURyThe Penitent Magdalen oil on copper 25 x 21cm (9 13/16 x 8 1/4in). together with a work by another hand (2)

£300 - 500

281AFTER MARcANTONIO FRANcEScHINI, 19TH cENTURyOmnia Vincit Amor oil on canvas 68.5 x 54.9cm (26 15/16 x 21 5/8in).

£1,000 - 1,500

The present composition is after Franceschini’s original, now in Galleria Davia Bargellini, Bologna.

282BOLOgNESE ScHOOL, 17TH cENTURySaint Francis in the Wilderness with putti; and The Penitent Magdalen in the Wilderness with putti a pair, oil on copper 12.5 x 29.6cm (4 15/16 x 11 5/8in). (2)

£1,000 - 1,500

280 281

282

282


283W

FOLLOwER OF ALESSANDRO MAgNAScO, cALLED LISSANDRINO (gENOA 1667-1749)An extensive wooded landscape with a hermit, travellers and other figures by a river with a bridge oil on canvas 116 x 146cm (45 11/16 x 57 1/2in).

£2,000 - 3,000

PROVENANCE Sale, Christie’s, London, 8 July 1983, lot 22 (as Alessandro Magnasco) Sale, Christie’s, London, 2 November 2001, lot 89 Sale, Christie’s, London, 11 December 2005, lot 131

284AFTER ANTONIO MERcURIO AMOROSI, LATE 19TH cENTURyPortrait of a boy, holding a bowl of cherries oil on canvas 59 x 49.5cm (23 1/4 x 19 1/2in).

£250 - 300

285ATTRIBUTED TO gIOVANNI AgOSTINO cASSANA (VENIcE cIRcA 1658-1720 gENOA)Ducks in a river landscape with an owl in flight indistinctly signed ‘E*a***’ (lower left) oil on canvas 80.1 x 95.9cm (31 9/16 x 37 3/4in).

£1,000 - 2,000

283

285

56 | BONHAMS

286VENETIAN ScHOOL, 17TH cENTURyThe Supper at Emmaus oil on canvas 105 x 89.5cm (41 5/16 x 35 1/4in).

£1,000 - 2,000

287FLORENTINE ScHOOL, 17TH cENTURyPortrait of a lady, bust-length, in a lace-trimmed dress and pearl earrings and necklace, holding a mirror oil on canvas 64.3 x 52.6cm (25 5/16 x 20 11/16in).

£1,000 - 2,000

288AFTER TIzIANO VEcELLIO, cALLED TITIAN, 18TH cENTURyVenus oil on panel with extensions on all four sides 67.5 x 52.5cm (26 9/16 x 20 11/16in).

£800 - 1,200

The present composition is after a detail from Titian’s larger painting of Venus Blindfolding Cupid, now in the Galleria Borghese, Rome.

286287

288


289MANNER OF gIOVANNI ANTONIO cANALETTO, 20TH cENTURyElegant figures on steps in an Italian Courtyard with peasants chatting by a ruined Cupula oil on canvas 60 x 50cm (23 5/8 x 19 11/16in).

£600 - 800

290MANNER OF gIOVANNI ANTONIO cANALETTO, 20TH cENTURyFigures on the Grand Canal, Venice oil on canvas 34.9 x 44.9cm (13 3/4 x 17 11/16in).

£500 - 700

MINIATURES

291Y Ф

NATHANIEL PLIMER (BRITISH, 1751-1822)A portrait miniature of a Lady, wearing white dress, her brown hair curled and upswept. Watercolour on ivory, gold frame, the reverse glazed to reveal sprays of brown hair set with gilt-wire and split seed pearls surrounding an oval blue glass plaque set with the seed pearl monogram JWD on opalescent glass. Oval, 70mm (2 3/4in) high

£500 - 700

The present lot is an example of the artist working in his brother’s style and may even be a copy by Nathaniel after a portrait by Andrew.

292Y Ф

AFTER ANDREw PLIMER, EARLy 19TH cENTURyA portrait miniature of the Hon. Sarah Archer, Countess of Plymouth and later Countess Amherst of Arracan (1762-1838), resting on a lyre and wearing white dress and turban, blue sash to her waist and cream mantle draped over her right shoulder. Watercolour on ivory, gold frame, the reverse with small aperture glazed to reveal a lock of brown hair beneath a handwritten label detailing the sitter’s identity. Oval, 87mm (3 7/16in) high

£250 - 350

Sarah Archer was the daughter of Andrew Archer, 2nd Lord Archer, Baron of Umberslade and his wife, Sarah West. She married her first cousin, Other Hickman Windsor, 5th Earl of Plymouth FRS (1751-1799) on 20 May 1778 and the couple had three children: Other Archer, 6th Earl of Plymouth (1789-1833), Maria (1790-1855) and Harriet (1797-1869). After Lord Plymouth’s death, Sarah married William Pitt Amherst, 1st Earl Amherst of Arracan (1773-1857) and son of Lt.Gen. William Amherst and Elizabeth Paterson, on 24 July 1800 at St. George’s Church, Hanover Square in London. The couple had four children: Sarah Elizabeth (1801-1876), Jeffrey (1802-1826), William, 2nd Earl Amherst (1805-1886) and Frederick Campbell (1807-1829). Sarah died aged 75 at 66 Grosvenor Street, London and was buried on 5 June 1838 at Riverhead, Sevenoaks in Kent.

289

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293Y Ф

JOHN cOx DILLMAN ENgLEHEART (BRITISH, 1782-1862)A portrait miniature of a Lady, wearing white dress with frilled lace trim to her bust and sleeves and coral beaded necklace, her blonde hair curled and upswept. Watercolour on ivory, gold frame, the reverse with border of blue glass surrounding an oval gold-mounted aperture, glazed to reveal three locks of brown hair tied with gilt-wire on horizontal strands of lighter brown hair. Oval, 68mm (2 11/16in) high

£500 - 700

294Y Ф

cIRcLE OF NATHANIEL HONE (IRISH, 1718-1784)A portrait miniature of a Gentleman, wearing grey coat and embroidered waistcoat, white stock and lace cravat, his wig powdered. Watercolour on ivory, gold mount. Oval, 30mm (1 3/16in) high

£250 - 350

Provenance Sotheby’s, London, 11 December 1978, lot 69 (attributed to Nathaniel Hone)

295Y Ф

ANgLO-cHINESE ScHOOL, cIRcA 1810A portrait miniature of a Gentleman, wearing black coat, white waistcoat, chemise, stock and tied cravat. Watercolour on ivory, gold frame with pierced suspension loop, the reverse with oval aperture glazed to reveal brown felt. Oval, 72mm (2 13/16in) high

£300 - 400

296Y Ф

ENgLISH ScHOOL, cIRcA 1760A portrait miniature of an Officer, wearing scarlet coat with black collar, cream waistcoat and white frilled chemise, his black tricorn hat beneath his left arm and his powdered wig worn en queue. Watercolour on ivory, gilt-metal frame and fish skin travelling case. Oval, 36mm (1 7/16in) high

£300 - 400

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294

296


297Y Ф

FRANcES yOUNg (BRITISH, 1871-1938)Four miniatures portraying dogs named, Jaff, Pat, Taffy and Vic. Watercolour on ivory, the largest signed on the obverse F. E. Young and the others signed with the artist’s monogram FEY, gilt-metal frames bearing labels to the reverse identifying each sitter. Oval, the largest: 98mm (3 7/8in) wide (4)

£500 - 700

298Y Ф

ENgLISH ScHOOL, cIRcA 1800A portrait miniature of an Officer, wearing scarlet double-breasted coat with silver buttons and epaulettes, white standing collar and facings, white frilled chemise and black stock. Watercolour on ivory, gold frame, the reverse glazed to reveal two sprays of brown hair, gilt-wire, seed pearls and gilt-metal monogram HM. Oval, 58mm (2 5/16in) high

£250 - 350

299Y Ф

RIcHARD cOLLINS (BRITISH, 1755-1831)A portrait miniature of George III (1738-1820), King of Great Britain (1760-1820), wearing blue coat with red collar, white waistcoat, stock and cravat, blue sash and breast star of the Order of the Garter, his powdered wig worn en queue and tied with black ribbon. Watercolour on ivory, signed and inscribed on the reverse Rd Collins Pinxt/ [Prin]cipal [Painter]/ in En[amel] to/ the King by/ [Ro]y[al]/ appoint[ment], gilt-metal frame. Oval, 45mm (1 3/4in) high

£250 - 350

300Y Ф

FRENcH ScHOOL, cIRcA 1770A portrait miniature of a Gentleman, wearing pale blue coat with red collar embroidered with gold, white frilled chemise and stock, his powdered wig worn en queue and tied with black ribbon. Watercolour on ivory, signed on the obverse Bal***, gold frame with border of pearls to the obverse. Oval, 30mm (1 3/16in) high

£300 - 400

301Y Ф

RIcHARD cROSSE (BRITISH, 1742-1810)A portrait miniature of a Gentleman, wearing scarlet coat, white frilled chemise and stock, his powdered wig worn en queue and tied with grey ribbon. Watercolour on ivory, gold-frame. Oval, 37mm (1 7/16in) high

£400 - 600

302Y Ф

ATTRIBUTED TO THOMAS DAy (BRITISH, cIRcA 1732-cIRcA 1807)A portrait miniature of a Gentleman, wearing blue coat over white waistcoat, frilled chemise and stock, his powdered wig worn en queue . Watercolour on ivory, turned ivory frame. Oval, 42mm (1 5/8in) high

£300 - 400

299 301

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303Y Ф

ATTRIBUTED TO ANTON FRIEDRIcH köNIg (gERMAN, BORN AFTER 1756-DIED AFTER 1838)A portrait miniature of an Officer, wearing breastplate over red coat with gold embroidery to the sleeve, white chemise, stock and lace cravat, his blue cloak edged with gold and draped over his left shoulder, his powdered wig tied with black ribbon. Gilt-metal frame. Oval, 50mm (1 15/16in) high

£250 - 350

304HENRy SPIcER, FSA (BRITISH, 1743-1804)A portrait miniature of the Hon. Juliana Dawson, wearing white dress with pink sash to her waist, her white bonnet finished with matching pink ribbon. Enamel, gold bracelet clasp mount, the reverse engraved The Honble/ Juliana FA Dawson. Oval, 38mm (1 1/2in) high

£600 - 800

The Hon. Juliana Dawson was the daughter of Thomas Dawson, 1st Viscount Cremorne (1725-1813) by his second wife, Philadelphia Hannah Freame (1740-1826), daughter of Thomas Freame and Margaretta Penn. Juliana’s brother is portrayed in the preceeding lot.

305Y Ф

ENgLISH ScHOOL, cIRcA 1790A Gentleman, wearing scarlet coat with teal standing collar, white waistcoat, chemise, stock and tied cravat, his hair lightly powdered. Watercolour on ivory, signed on the obverse and dated A.F./ 17** (cut down), gilt-metal frame. Oval, 59mm (2 5/16in) high

£300 - 500

306Y Ф

FREDERIck BUck (IRISH, 1771-cIRcA 1840)A portrait miniature of Miss Cherry Pennefather, wearing white dress, her brown hair cropped short. Watercolour on ivory, gold chased frame with handwritten note regarding the identity of the sitter enclosed. Oval, 59mm (2 5/16in) high

£250 - 350

Provenance Sotheby’s, Chester, 10 October 1989, lot 605

303 304

306


307Y Ф

cIRcLE OF BERNARD LENS (BRITISH, 1682-1740)A portrait miniature of a Lady, previously identified as Mary, Queen of Scots (1542–1587), wearing black dress with white fur edging to her neck and sleeves, lace choker finished with pearls, her brown hair upswept beneath a black hood. Watercolour on ivory, gilt-metal frame. Oval, 5mm (3/16in) high

£400 - 600

The present sitter is very close to that seen in a number of portrait miniatures by Bernard Lens and she was traditionally identified as Mary, Queen of Scots. In Britain, this work became a famous image of the Queen and it was copied extensively by Lens and other artists as a result. However, the portrait bore little resemblance to Mary as she is seen in contemporary portraits. The costume worn by this unknown sitter bears close similarities with those seen in miniatures depicting female sitters by Levina Teerlinc (Flemish, c.1500-1576), who was employed at the courts of Edward VI, Mary I and Elizabeth I.

308Y Ф

wILLIAM EgLEy (BRITISH, 1798-1870)A portrait miniature of a young boy, wearing black jacket and white chemise with frilled edge to his collar, his short blond hair parted to one side. Watercolour on ivory, gilt-metal bracelet clasp mount with a strap of plaited hair. Rectangular, 48mm (1 7/8in) high

£500 - 700

309 Ф

ENgLISH ScHOOL, cIRcA 1840A portrait miniature of a Gentleman, seated before red drapery and a stone column, wearing dark blue coat with brass buttons, white chemise and waistcoat embroidered with gold, gold watch chain, black trousers, stock and cravat. Watercolour on ivory, gilt-mounted on rectangular ebonised wood frame. Heart-shaped, 46mm (1 13/16in) high

£300 - 400

307 308

309

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310Y Ф

ENgLISH ScHOOL, EARLy 19TH cENTURyA Lady, reclining beneath the canopy of her bed, wearing white dress falling from her shoulders revealing her right breast, her black hair underneath a white lace cap, falling in curls over her shoulders, a green and red tray lying on the bed. Watercolour on ivory, gilt-wood frame. Rectangular, 75mm (2 15/16in) wide

£300 - 400

The composition of the present lot is closely comparable with a portrait by Mrs Anne Mee (British, circa 1770-1851), in which a lady reclines beneath the canopy of her bed in a state of semi-undress - an unusual and daring composition for the artist (sold Bonhams, London on 21 November 2013, lot 76).

311Y Ф

cHARLES SHIRREFF (ScOTTISH, cIRcA 1750-cIRcA 1809)A portrait miniature of a Lady, wearing white dress and matching bandeau finished with pearls in her curled and powdered hair. Watercolour on ivory, gold frame, the reverse glazed to reveal loosely plaited hair. Oval, 74mm (2 15/16in) high

£400 - 600

312Y Ф

ENgLISH ScHOOL, cIRcA 1800A portrait miniature of Miss Mary K. Campbell (b.1797), holding a basket of apples and wearing white dress beneath a sky blue bodice. Watercolour on ivory, gilt-mounted on rectangular papier-mâché frame, the reverse bearing the remains of a handwritten inscription Mary K Campbell Born/ 12 July 1797 Obt Saturday 16th July. Oval, 72mm (2 13/16in) high

£300 - 400

313Y Ф

HENRy EDRIDgE (BRITISH, 1769-1821)A portrait miniature of George III (1738-1820), King of Great Britain and Ireland (1760-1801), King of the United Kingdom of Great Britain and Ireland (1801-1820), wearing Windsor uniform and breast star of the Order of the Garter, frilled chemise and stock, his close-fitting powdered wig tied with ribbon. Watercolour on ivory, painted en grisaille, gilt-mounted with crown cresting on an oval velvet mount. Oval, 73mm (2 7/8in) high

£500 - 700

Between 1802-1803, Henry Edridge spent time at Windsor Castle painting small full-length watercolour portraits of the Royal family. Those of George III and Queen Charlotte were exhibited at the Royal Academy in 1803. The present lot would appear to be a reduced version of the King’s full-length watercolour portrait which George IV purchased from Colnaghi on 5 September 1821 for £16 16s (Inv. No.RCIN 913864). A rectangular miniature in full colour on ivory, signed and dated 1803 is also held by the Royal Collection (see R. Walker, Miniatures in the Collection of Her Majesty the Queen: The Eighteenth and Early Nineteenth Centuries, 1992, ill.p.320, no.805).

310 311

313


314Y Ф

w. THIckE (BRITISH, AcTIVE 1787-1814)A portrait miniature of a Lady, wearing white dress with frilled lace trim, her natural hair worn à la conseilleur. Watercolour on ivory, gold frame, the reverse glazed to reveal brown plaited hair. Oval, 80mm (3 1/8in) high

£400 - 600

315HENRy SPIcER, FSA (BRITISH, 1743-1804)A portrait miniature of the Hon. Thomas Dawson (c.1771-1787), wearing plum jacket with pearl buttons, white waistcoat and chemise with frilled edge to his collar, his blond hair worn to his shoulders. Enamel, gold bracelet clasp mount, the reverse engraved The Honble/ Thomas Dawson. Oval, 38mm (1 1/2in) high

£600 - 800

The Hon. Thomas Dawson was the son of Thomas Dawson, 1st Viscount Cremorne (1725-1813) by his second wife, Philadelphia Hannah Freame (1740-1826), daughter of Thomas Freame and Margaretta Penn. Viscount Cremorne was previously married to Lady Anne Fermor who was Philadelphia’s aunt by marriage and the daughter of Thomas, 1st Earl of Pomfret and his wife, Henrietta Louisa. Thomas’ sister is portrayed in the subsequent lot.

EUROPEAN & ASIAN cERAMIcS & wORkS OF ART

316A PAIR OF LLANELLy cOckEREL PLATES, EARLy 20TH cENTURyPainted in naive style with a cockerel in profile beside a flowering plant, within a sponged blue border picked out in puce, 24.5cm diameter, (one cracked). (2)

£300 - 500

Sarah Roberts, or ‘Auntie Sal’ as she was known, is particularly associated with this pattern, although other artists may also have painted it.

317A DRESDEN PORcELAIN BOx AND cOVER AND TwO DERBy FIgURE gROUPS, 19TH cENTURyThe box of shaped rectangular outline painted with an artist painting a portrait of a lady, within raised gilded scrollwork borders, 20cm wide, the Derby figure groups of shoemakers, 18cm high, (restoration). (3)

£300 - 500

318A cOLLEcTION OF VARIOUS DRINkINg gLASSES,18th to 20th Century Including wine and jelly glasses, rummers and cordial glasses, (some damage) (qty)

£300 - 400

314

315

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319A MINTON VASE AND A SQUARE JARDINIEREThe vase of twin handled globular form, decorated with gilt foliage on a dark blue ground, 15.5cm high, the jardiniere painted with flower sprays on a black ground, 19cm high, (2)

£300 - 400

320A wEDgwOOD VASE By kEITH MURRAyOf tapered form, covered in a matt green glaze, 29cm high, printed marks.

£300 - 500

321A BURMNATOFTS POTTERy JARDINIERE, cIRcA 1890Relief moulded and decorated with Art Nouveau stylised foliage in shades of green, blue and yellow, 24cm high, impressed marks.

£300 - 500

322A cOLLEcTION OF ROyAL cOPENHAgEN MODELSIncluding a mermaid, model 4431, a polar bear, no.320, a puppy, no.1452/1204, a cockerel, no.1025, two lambs, no.2769, a sea lion, no.1441, two ducks, nos. 1468 and 3263, a kingfisher, no.2257, ten other small Royal Copenhagen models and three others various, (22)

£500 - 700

323A PAIR OF LATE 19TH cENTURy gERMAN PORcELAIN FIgURES OF A LADy AND A gALLANTWith floral patterned 18th century style costumes, 48cm high, and two Dresden figures, (4)

£400 - 600

324A PAIR OF cOALPORT VASES AND cOVERS, AND A DELFT PLATEThe vases of slender oviform, painted with views of Loch Earn and Loch Tay, by E.O.Ball, signed, reserved on a dark blue ground, 26cm high, the Delft plate painted in blue with figure and foliate panels, 23cm diameter, (5)

£500 - 700

325A PAIR OF 20TH cENTURy cHINESE BALUSTER VASES AND cOVERSPainted with dragons amidst clouds, Grecian key border, 49cm high

£300 - 500

326A wEDgwOOD LUSTRE ‘LAHORE’ PATTERN SMALL BOwLThe interior with a knight on horseback on yellow lustre ground, 12.5cm diameter.

£250 - 300

327A SET OF EIgHT cHINESE BLUE AND wHITE PLATES,Qianlong, painted to the centres with a tree and flowering plants, a koro and utensils on a table top, brown washed rims, 22.5cm diameter (8)

£250 - 300

328A PAIR OF cOPELAND TwIN-HANDLED VASES AND cOVERS, A PAIR OF DRESDEN VASES AND cOVERS AND TwO OTHER VASESThe Copeland vases decorated with green garlands amidst puce scrolls and pink ground borders, 27cm high, the Dresden vases of hexagonal form, decorated with alternate panels of figures and flower sprays, 33cm high, an English porcelain flower encrusted vase, 28cm, and a continental vase relief decorated with a heron on a pink ground, 36cm high, (6)

£300 - 500

319326


329A PAIR OF cHINESE VASESPainted in blue with birds amidst flowering sprays on a celadon ground, 61cm high, (both damaged) (2)

£300 - 400

330A LATE MEISSEN TwIN BRANcH cANDELABRA,Modelled as a woman in 18th Century dress seated between floral encrusted branches, 20cm high; together with a Karl Theme porcelain bottle vase encrusted flowers, 30cm high; and seven other figures and bird figures, (9)

£250 - 300

331FOUR DERBy FIgURESComprising a Bloor Derby figure of a musician with a drum, 19.5cm high, a Derby figure of a cherub, 18cm high, and a pair of Derby (King St) figures of a gallant and companion, 17cm high (4)

£400 - 600

332A DRESDEN cABINET PLATEPainted with two figures, within reticulated blue and gold border, titled on the back ‘In boudoir’, underglaze AR mark and retailers mark.

£250 - 300

333A gROUP OF DERBy IMARI PATTERN DRESSINg TABLE wARES, 19TH AND 20TH cENTURyComprising a pair of Royal Crown Derby candlesticks, 16.5cm, a tray, two boxes and covers and two scent bottles (one with stopper) (10)

£500 - 600

334EIgHT PARIAN FIgURES, 19TH cENTURyComprising a Copeland bust of Enid, 28cm high, a Copeland figure of a Sea Nymph, 14cm high, a Copeland figure of a River Allegory, 14cm high, and five other various figures. (8)

£300 - 500

335A VIcTORIAN MAJOLIcA JARDINIERE,Circa 1880, circular with scrolled, fluted and beaded side handles, the sides with bands of stylised leaves, beading, ribbed and fluted, shaded amber/green glazed, 57cm wide; and a Wedgwood cylindrical pedestal, with mottled glazes, beaded, stiff leaf and oak and acorn borders, circular top and spreading circular base, impressed marks 33cm diameter (2)

£250 - 350

336TwO PAIRS OF 19TH cENTURy LIDDED gLASS cOMPOTES AND cOVERSEach with square base, 29cm and 19.5cm high respectively; together with a pair of etched glass flasks and stoppers, (12)

£250 - 350

337A PAIR OF SEVRES STyLE PLATESPainted with figural subjects, after Watteau, within dark blue borders enclosing foliate panels, 23.5cm diameter. (2)

£250 - 350

338A gROUP OF VARIOUS cERAMIcSIncluding a cream glazed pottery figure of a standing warrior, 37cm high, a Fahua glazed pottery figure, 31cm, both with lamp bases, a small Pratt ware jug, a Derby scent bottle and various other pieces, (some damage). (qty)

£300 - 500

329

332

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339TwO VERy SIMILAR cHINESE HARDwOOD kANg TABLESEarly 20th Century, with pierced friezes, 97cm square (2).

£1,000 - 1,500

340A cHINESE HARDwOOD kANg TABLE20th Century, with angular pierced frieze, 98.5cm square

£800 - 1,200

341A cHINESE ELM ALTAR cABINET20th Century Fitted with three frieze drawers above a pair of central cupboard doors, flanked by carved fruiting vine ornament, 225cm wide

£800 - 1,200

342A cHINESE HARDwOOD PEDESTAL STANDWith inset marble top and scroll carved frieze above an undertier, on ball and claw feet, 107cm high x 44cm square

£700 - 1,000

339

340

341

342


343A MOTTLED gREEN JADE cARVED FIgUREOf a recumbent buddhistic goat, 15.5cm

£300 - 500

344A JAPANESE wOODBLOck PRINT OF A SUMO wRESTLER,by Ichiyusai Toyokuni, probably Toyokuni III, 36 x 26cm, and three further Japanese prints, an actor Nakamura Shikan, by Hokuei, 36 x 26cm, another depicting two actors, probably Utagawa or Osaka School, 37 x 25.5cm, and a Shiratama from Tamaya House attributed to Utamnaro I/II, 38 x 24cm, variously framed and glazed (4).

£500 - 700

345Y Ф

A 19TH cENTURy VIzAgAPATAM IVORy AND SANDALwOOD ‘BASkET’, With canted sides, the typically decorated in black with trailing foliage and flowers, the handle with flower head carved bases, on lobed feet, 26.5cm wide x 19cm deep x 14cm high,

£500 - 600

346TwO cANAkkALE POTTERy EwERS 19TH cENTURyEach with a dark glaze, twist handle, slender neck and bulbous base, applied with stylised flowerheads, approximately 42cm high.

£500 - 700

347A SPURRED cLUB, gATAwAkAFiji of small proportions, the bifurcated bowed head with textured striking panel beneath a spur, cylindrical shaft with disc terminal, 82cm long

£500 - 700

348A LIBERTy POLISHED PEwTER THREE-PIEcE TEA SET, A SIMILAR HOT wATER POT, A HAMMERED PEwTER TRAy AND A SET OF SIx HAMMERED PEwTER BOwLSDesigned by Archibald Knox, the three-piece set and hot water pot with stylised Art Nouveau motifs, teapot 25cm wide, hot water pot 17.5cm high, stamped marks (11)

£600 - 800

349TwO EARLy 19TH cENTURy FLINTLOck PISTOLSUnsigned or marked, with checkered mahogany grips, 27cm long; a 19th century powder flask and a brass example, 21.5cm long (4)

£200 - 300

350A VIcTORIAN NEEDLEwORk SAMPLER,worked with alphabets, numerals and a religious text, Sarah Tomlinson’s work A.D. 1840, 30 x 24.5cm, another similar sampler, Emma Jane Tomlinson’s work A.D. 1849, 36 x 30cm, both inscribed verso with family history, another worked by Mary Ann Amery 1827, 29 x 23cm, and another un-named, early 19th Century, worked with alphabets and numerals, 18 x 32cm. (4)

£250 - 300

351OF ROyAL INTEREST:HRH King George V & Queen Mary, a pair of black and white photographs, by W & D Downey, 61, Ebury St, S.W., mounted on card with embossed Royal Coat of Arms and each signed in ink and dated 1920, images each 14.5 x 10cm, 25 x 20cm overall, later framed and glazed (2)

£300 - 500

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352A PRESERVED PIkEIn fitted bowfronted case, caught by A E Webley in Blenheim Lake 24th January 1939, weight 31 3/4lbs, 138cm long x 60cm high

£1,000 - 1,500

353A PAIR OF 19TH cENTURy BRONzED METAL URNS AND cOVERS,Cast in relief with cherubs and fawns with floral garlands mask handles, and stiff leaf decoration, on turned slate bases, 52cm high (4)

£500 - 700

By family tradition these urns came from Hanslope Park.

354A SET OF THREE SILVER PLATED wALL APPLIQUES,In the Neo-Classical taste, stiff leaf sconces and arms on urn backplates; together with another in the Elizabethan taste, (4)

£400 - 500

355A LATE gEORgE III NAVETTE SHAPED BRASS BOUND BUckETProbably Irish, with swing handle, 35cm.

£500 - 800

356AN ISLAMIc METAL REcTANgULAR PANELWith octagonal recess, engraved and overlaid with copper roundals, traces of gilt, 19cm x 30cm

£500 - 700

357A gEORgE III REcTANgULAR, SATINwOOD AND MAHOgANy cROSSBANDED TEA cADDyThe lid enclosing two brass canisters and a larger central, domed container, 18.5cm wide, 11cm deep, 11.5cm high (7in wide, 4in deep, 4 1/2in high)

£500 - 600

358AFTER c. SMITA bronze portrait bust of a baby, inscribed to reverse, 17cm high.

£200 - 300

352

355


359AFTER PIERRE JULES MèNEA bronze figure of a Huntsman with retriever in attendance, on oval base, 34cm wide, 47cm high (13in wide, 18 1/2in high)

£2,000 - 3,000

360Y

A REgENcy REcTANgULAR, SATINwOOD AND ROSEwOOD cROSSBANDED TEA cADDyWith lions mask and ring handles and claw and ball feet, 28cm wide x 16cm deep x 16.5cm high, with an unusual William IV/early Victorian rosewood, sarcophagus form, tea caddy, the canted beaded top and front with foliate, silhouette form panels, above ring handles, 22cm wide, 12cm deep, 14.5cm high (8 1/2in wide, 4 1/2in deep, 5 1/2in high) (2)

£500 - 600

361AN EARLy VIcTORIAN MAHOgANy cELLARETTE ON STANDThe hinged lid enclosing twelve square divisions, raised on turned and semi lobed feet on tall brass castors 60cm wide, 46cm deep, 68cm high (23 1/2in wide, 18in deep, 26 1/2in high)

£300 - 500

362AN INDIAN ENAMELLED wHITE METAL MODEL OF AN ExOTIc BIRD RESTINg ON A PERcHColourfully decorated and inlaid with two garnets, 14.5cm high; and a blue ground enamelled goblet, 19cm high (2)

£500 - 700

363A VIcTORIAN SET OF BRASS, cOPPER AND cAST IRON BALANcE ScALESby W & T Avery, Birmingham pierced anthemion detail, central column, quatreform base, 102cm in height

£500 - 700

364c VALTONA bronze figure of a tethered pig On an oval base, inscribed 17cm wide x 9cm wide.

£300 - 500

365Y

AN INDIAN SANDALwOOD FOLD OVER DESk BLOTTER, cIRcA 1900Tortoiseshell veneered and bone overlaid with pierced and carved panels penwork decorated with figures and floral sprays, 30cm x 23cm

£200 - 300

359

364

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366Y

A VIcTORIAN TUNBRIDgE wARE ROSEwOOD TEA cADDy OF SARcOPHAgUS FORMThe canted lid with a central ‘tumbling block’ pattern panel with a geometric border, enclosing one canister and a glass bowl, on bun feet,23cm wide x 14cm deep x 15cm high; and a 19th Century Sorrento walnut veneered tea caddy, 19.5cm wide, 11.5cm deep, 13cm high (7 1/2in wide, 4 1/2in deep, 5in high) (2)

£500 - 600

367A PAIR OF wHITE PAINTED wROUgHT IRON TREE gUARDSA white painted two tier garden table and a Victorian post box, (4)

£250 - 350

368AN EARLy 20TH cENTURy LAcQUERED BRASS AND OAk cASED REcORDINg BAROgRAPH By NEgRETTI AND zAMBRA, LONDONWith applied brass manufacturers plate, the case with inset bevelled glass panels, the moulded base with sliding drawer to the base holding spare papers, on block feet, 21cm high, 41cm wide, 23cm deep

£500 - 700

369AN 18TH cENTURy RUSSIAN IcON AND TwO OTHERSOne depicting the Madonna and child, within a beaded frame, 16 x 10cm; a 19th Century mother-of-pearl shell icon, with a central relief moulded crucifixion scene, surrounded by 12 roundels; the third, 17th Century Italian School, depicting the Madonna and child, oil on copper, in a tabernacle frame, 6cm wide, 8.5cm high (2in wide, 3in high) (3)

£500 - 800

370A PAIR OF cHINESE BRONzE INcENSE BURNERS AND cOVERSearly 20th Century surmounted by kylins, twin phoenix handles, raised on tripod supports to plinth bases, 32cm in height (2)

£250 - 350

371A LATE 19TH OR EARLy 20TH cENTURy BRONzE SUNDIALThe sundial signed J P White & Sons Ltd, 123 New Bond St, London W, 28cm diameter, mounted on an octagonal sectional stone pedestal, 102cm high

£400 - 600

372A TOLE PEINTE PUB SIgNFor the ‘Eye Queen’s Head’, 107cm

£400 - 600

373A NEAR PAIR OF FRENcH gRAND PIANO FORM MUSIcAL TRINkET BOxESearly 20th Century with embossed tin mounted hinged lids and sides, Neo-Classical design, raised on gilt metal legs and stretchers, both a/f 32cm wide, 15cm high (12 1/2in wide, 5 1/2in high) (2)

£250 - 350

368

369

372


374AN OAk AND BRASS DINNER gONgWith barleytwist supports 55cm wide, together with a large circular alms dish with repousse decoration depicting Louis IIV (2)

£150 - 200

375Y Ф

AN EARLy VIcTORIAN TORTOISESHELL AND IVORy TEA cADDyOf sarcophagus form and inlaid with pewter stringing, with two internal compartments with tortoiseshell veneered lids with ivory handles, the waisted base with canted corners and ivory bun feet, the base stamped in three places ‘T.Tompson, Birmm’, 21.5cm wide, 13.5cm deep, 16cm high (8in wide, 5in deep, 6in high)

£500 - 800

376AN IRISH BRASS BOUND PEAT BUckETWith brass swing handle, 35cm diameter.

£500 - 700

377A cARVED gILTwOOD EAgLE cRESTINgThe bird with outstretched wings, 49cm wide

£500 - 600

378A PAIR OF 19TH cENTURy FRENcH THREE BRANcH wALL LIgHTSModelled in the form of a quiver of arrows with a ribbon pediment, 81cm high (2)

£300 - 400

379A BRASS AND cOPPER ADJUSTBLE STANDARD LAMPWith domed and studded base, 160cm and another brass and copper standard lamp. (2)

£250 - 350

380A PAIR OF MINIATURE OAk BOOkSHELVESBoth holding miniature volumes of Shakespeare, 23cm high (2)

£100 - 150

381A BRASS FENDERof ‘X’ frame design, each centred with an embossed paterae and incorporating a fire stool stand to each side, 128cm wide.

£200 - 300

382A 19TH cENTURy BLAck SHAgREEN kNIFEBOx, cONVERTED TO A STATIONERy BOxWith brass swing handles to either side, 27cm high, together with a mahogany 19th century candle box with single drawer, 31cm high. (2)

£300 - 500

383A LATE 19TH/EARLy 20TH cENTURy BRASS FIREScREENThe scroll pierced cresting with two dragons above triple mesh panel, on scroll feet and central paw support, 71cms wide; 81cm high.

£300 - 500

384A PAIR OF 19TH cENTURy THREE BRANcH BRASS TABLE LAMPSWith black metal and brass bound shades, 46cm high, together with a pair of 19th Century French three branch floral candlesticks, 33cm high. (4)

£300 - 400

385A 19TH cENTURy MAHOgANy AND SATINwOOD INLAID kNIFE BOxWith conch shell motif and serpentine front, hinged lid to reveal fitted interior, 38cm high

£400 - 500

375

383

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386A 19TH cENTURy STRAw wORk BOx DEcORATED wITH A cONTINENTAL TOwNWith single drawer and hinged cover to reveal fitted interior, 30cm wide

£200 - 300

387AN IMPRESSIVE MODERN FROSTED gLASS MODEL OF A BISONStanding four square with head lowered, 50cm long

£150 - 250

388AN ORIENTALIST PAINTED RESIN BUST OF A MOORWith beard and cloth headress, on an integral circular base, 29cm high

£200 - 300

389Y Ф

A 19TH cENTURy FRUITwOOD gAMES cHESTWith sloping top, fitted with four short drawers above a two drawer base, inlaid chequer board between, ivory turned handles, 39cm wide x 32cm high

£300 - 500

390No lot.

391Y Ф

A 19TH cENTURy MAHOgANy BOOk TRAy wITH TURNED SPINDLE gALLERyOn brass paw feet, 43cm wide, together with a similar rosewood example on ivory turned feet, 36cm wide. (2)

£300 - 500

392Y

A VIcTORIAN TORTOISESHELL AND BRUSSELS DUcHESSE LAcE FANWith shaped tortoiseshell guards and sticks, the ribs in pierced ebonised wood, 27cm long, with another sequin decorated gauze fan, the sticks with bone ribs, the guards incised with foliate scrolls and floral pendants, boxed, 20.5cm wide, (8in wide, (3)

£500 - 600

393A DEcORATIVE BIRD cAgEWith triple domed arched top in the palladian style, 74cm high x 70cm wide x 22cm deep

£150 - 250

386 391

393


394Y Ф

A 19TH cENTURy gENTLEMAN’S cALAMANDER FITTED VANITy cASEWith hinged lid, fitted with ivory mounted brushes, and silver topped paste bottles, maker ‘Lund, 57 Cornhill Street, London’, 26cm wide.

£300 - 400

395A 19TH cENTURy PAINTED MAHOgANy TEA cADDyOf sarcophagus form, together with a mahogany travelling box with inlaid conche shell motif. (2)

£200 - 300

396A PAIR OF DEcORATIVE cLOISONNE VASESOf inverted baluster form with a circular foot, typically decorated with intricate floral and geometric designs on a light blue ground, 22cm high (2)

£100 - 150

397A cOALBROOkDALE cAST IRON MODEL OF A HOUNDOn an oval plinth, 16cm wide x 15cm high, together with a bronze model of fox mask, 14cm high. (2)

£150 - 200

398PAIR OF BRASS cANDLESTIckSThe baluster stems with open scrolls on square bases with dragon feet, 31cm high. (2)

£100 - 150

399AFTER PIERRE JULES MèNEA bronze group of a standing fox and a recumbent fox, inscribed, 10cm high x 16cm wide.

£400 - 600

400A PAIR OF 19TH cENTURy gILT METAL MOUNTED gLASS SMALL HALL LANTERNSThe shades of hexagonal panelled form, having coronet shaped gilt metal mounts, 44cm high, (and an Empire style brass table lamp with reeded column and marble square base. (3)

£500 - 700

401A LATE gEORgE III IRISH BRASS BOUND BUckETOf navette shape, with swing handle, 38cm.

£500 - 800

402A 19TH cENTURy NAVAL OFFIcER’S DRESS SwORDWith shagreen handle, together with two other dress swords (3)

£300 - 400

403A cHINESE BLAck LAQUER TEA cADDyDecorated in gilt with scenes of figures and pavilions, having lidded removeable liner, 33.5cm wide.

£200 - 300

404AN EARLy 20TH cENTURy NIcOLE FRERES DISc “REgINA” MUSIcAL BOx AND 28cM DIScSof square form with carved decoration, double 12cm comb, winding handle, instructions and 22 discs cased, numbered 43367, 38cm wide, 34cm deep, 21.5cm high (14 1/2in wide, 13in deep, 8in high)

£650 - 750

405AN ISLAMIc BRASS VASE OF wAISTED FORM wITH APPLIED wHITE METAL AND cOPPER DEcORATION(drilled) 27cm high, a pierced brass balasture vase 21cm high and an engraved metal ware ewer 29cm high (3)

£500 - 700

399

401

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406Y Ф

A wILLIAM IV ROSEwOOD, SARcOPHAgUS FORM, TEA cADDyWith a kite shaped ivory escutcheon and lions paw feet, 20cm wide x 12cm deep x 15cm high, with a similar William IV burr walnut example, with brass backplates in the form of baskets of flowers and ring handles, on gilt gesso ball feet, (2)

£500 - 600

407A gEORgE LATE II/EARLy gEORgE III MAHOgANy, SARcOPHAgUS FORM, TEA cADDyThe scotia top with a brass swan-neck handle, enclosing three conforming canisters with chequered stringing and sliding lids, on a cyma recta shaped base, 27cm wide x 15cm deep x 15.5cm high, with a similar 19th century French, Louis XV style, gilt-metal mounted, mahogany tea caddy, with one key, 24.5cm wide, 15cm deep, 13cm high (9 1/2in wide, 5 1/2in deep, 5in high) (3)

£500 - 600

408Y Ф

A 19TH cENTURy cHINESE BRISEE FANThe guards carved on both sides with figures in landscapes, 15 sticks similarly carved on one side only, 18.5cm long, another 19th century Chinese bone and silk fan, the guards and sticks carved and pierced with circle motifs and pierced with holes, the embroidered silk decorated with figures in a garden on one side and flowers the other, with two white metal repairs, one engraved with monogram, 24.5cm long, a European ivory fan, with plain guards and outer sticks and 5 central sticks painted and gilded with a monogram within forget-me-nots, 24cm long, a late 19th century ivory parasol handle, a late 19th century Continental ivory handle, carved with a panel of a recumbent lion, later magnifying glass, and a Continental ivory aide memoire, with an ovel panel of carved flowers, 7cm wide, (2 1/2in wide, (7)

£500 - 600

409AN INDIAN SLATE OcTAgANAL PANEL INLAID wITH MOTHER OF PEARL AND MALAcHITE DEPIcTINg A ScENE OF THE TAJ MAHALand three Persian paper mache pen boxes typically decorated (4). panel 22.5cm x 33.5cm

£500 - 700

410A 19TH cENTURy cOUNTRy HOUSE OAk POST BOxwith hexagonal top,cylindrical body fitted with a small base drawer,19cm diam 35cm high 13 1/2in high)

£1,000 - 1,500

411Y Ф

AN EARLy VIcTORIAN TORTOISESHELL TEA cADDyInlaid with white metal stringing and the inside edges banded with ivory, the pagoda-shaped lid enclosing two lidded compartments, above a shaped front on ivory bun feet, 14.5cm wide, 9.5cm deep, 12cm high (5 1/2in wide, 3 1/2in deep, 4 1/2in high)

£500 - 600

412RAFFAELLO ROMANELLI (ITALIAN, 1856-1928)A standing bronze figure of a putto, his hands held aloft in glee, signed on the base, verdigris patinated bronze, 59cm high 23in high)

£800 - 1,200

410

411

412


413Y Ф

A gEORgE III IVORy VENEERED TEA cADDyOf octagonal form, with vacant silver cartouche, 12cm high.

£600 - 800

414A gEORgE III MAHOgANy AND INLAID LOzENgE SHAPED TEA cADDyThe interior with two compartments, 13cm high.

£200 - 300

415A SHELL cARRIER LIDThe underside painted with the Royal Arms, a Victorian leather fire bucket, and a brass bucket (3)

£300 - 400

416A PAIR OF 19TH cENTURy STEEL BOOT PULLSIn fitted mahogany case; and another containing one boot pull. (2)

£200 - 250

417Y Ф

A PAIR OF VIcTORIAN PAPIER MAcHE LETTER RAckSPainted with hounds in landscapes,also a pair of cylindrical papier mache spill holders handpainted with terriers 15cm high and three papier mache plates painted with spaniel heads 19cm high.[7] 22cm wide, (and an ivory framed circular wax frofile of a lady, 8cm diameter. (3)

£250 - 300

418A wORcESTER FIRST PERIOD DISH AND DRAINERBoth printed with the “pinecone” pattern, the dish with lobed cavetto and rim, the drainer with waved rim; 20 & 23cm diameter,crescent marks(2)

£200 - 250

419A SET OF LATE 19TH/EARLy 20TH cENTURy ART NOUVEAU BRASS FIRE TOOLSComprising a poker, a pair of tongs and a shovel, with matching stylized stand, 58cm high

£400 - 600

cLOckS & BAROMETERS

420AN 18TH cENTURy MAHOgANy LONgcASE cLOckJ. Wignall, Ormskirk square brass dial, Arabic and Roman chapter ring, foliate spandrels, 8 day striking movement, the hood with broken swan neck pediment, column supports and quarter canted column trunk, with two weights and pendulum, 232cm in height

£300 - 500

421A gEORgE III OAk LONgcASE cLOckJosh. Crosskill, North Walsham the arched brass dial with silvered chapter ring, subsidiary strike/silent dial, seconds dial and date aperture, foliate scroll spandrels, 8 day striking movement, the moulded arched hood with three brass ball finials, column supports, 220cm in height

£600 - 800

422A FRENcH BRASS cARRIAgE cLOckThe un-named movement with lever escapement and push repeat, in a one-piece case; 15cm high, lacks bell; in leather travelling case.

£200 - 250

423A FRENcH BOULLEwORk MANTEL cLOcklate 19th Century with Arabic and Roman dial, gilt foliate scroll mounts, 8 day twin train striking movement, 42cm in height

£300 - 500

424A LATE 19TH cENTURy FRENcH BRASS cARRIAgE cLOckThe clock dial with Roman numerals, a plain upright rectangular case, within a burgundy traveling caseclock excluding handle 11cm high

£100 - 150

413

422

76 | BONHAMS

425A LATE 19TH cENTURy FRENcH gREEN MARBLE AND gILT METAL MOUNTED cLOck gARNITURE,the 10cm enamel dial with Roman chapter, 8 day barrel movement, with anchor escapement and sunburst pendulum, four pillar case surmounted by a prowling cat, 39cm, together with a pair matching vases, 23cm. (3)

£500 - 600

426AN EARLy VIcTORIAN MARBLE cASED TIMEPIEcE,The fleur de peche case of tapering rectangular section, with stepped entablature and plinth, the un-named fusee movement with engine turned brass dial; 28cm high

£600 - 700

427A 19TH cENTURy FRENcH gILT BRASS MANTEL cLOckset with a seated artist with his books and pallet, above a floral painted panels and scrolling feet, with an 8cm circular Roman dial and fitted with a single train striking movement, complete with a pendulum and winding key, the movement stamped ‘G.V’, ‘9884’, 40cm wide

£250 - 350

428AN EARLy 20TH cENTURy MINIATURE cARRIAgE TIMEPIEcEThe foliate moulded double ‘S’ scroll handle above a foliate relief moulded case with a female term on each corner, the 1.4” dial painted with figures in a landscape and with Roman numerals and minute markers, the side panels printed with fete gallante scenes, with key, 8.5cm high (2)

£500 - 600

429A 19TH cENTURy BRASS DESk cLOck/BAROMETER cOMPENDIUMWith twin circular dials, themometer to reverse of barometer

£150 - 200

430A 19TH cENTURy MAHOgANy LONgcASE cLOckThe painted arched dial signed Warren, Ixworth, having seconds and calendar apertures and 8 day movement, the case with arched door, 215cm high.

£300 - 500

431A gORgE cASED, LAcQUERED BRASS, cARRIAgE cLOck, cIRcA 1900With a 2.5” enamelled dial with Roman numerals and minute markers above a subsidiary alarm dial, the 8 day movement with compensated balance wheel, striking on a bell, with push repeat, with key, 13.5cm high (2)

£500 - 600

432A gEORgE III MAHOgANy LONgcASE cLOckBarraud, london, The hood with a scrolling crest above freestanding stoppped fluted doric columns, enclosing a 12” signed, silvered dial with a strike/silent subsidiary dial in the arch, Roman numerals and Arabic 5 minute markers enclosing date and seconds subsidiary dials and decorated with garrya pendants and swags, above an arched, flame figured door and a base with a razor blade panel with inlaid 1/4 sunburst spandrels, on a shaped plinth, the 8 day, 4 pillar movement with anchor escapemant, striking on a bell, with winder, key and pendulum, 225cm high (6)

£1,000 - 1,500

433A VIENNA STyLE wALL cLOcklate 19th Century Roman dial, 8 day twin train movement, heavily carved and turned detail, with two weights, pendulum and winder, 125cm in height

£250 - 350

434A LATE 19TH cENTURy EBONISED BRAckET cLOckThe gilt arched dial with silvered chapter ring and chime/silent and Cambridge/8 bells subsidiary dials, the movement bearing ‘Ellicott, London’ inscription, striking on bells and a gong, the case with brass carrying handles and bracket feet, 46.5cm high.

£1,200 - 1,800

434


435A LATE 19TH cENTURy MARBLE & gILT METAL MANTEL cLOckThe 3.75” enamelled dial flanked on the left by an anvil, set square and book and on the right by a seated classical figure, emblematic of industry and labour, with a sledge hammer in her left hand and books at her feet, on a gilt metal mounted, stepped marble base, on toupie feet, with an 8 day French drum movement, striking on a bell, with pendulum and winder, 54cm x 20cm deep x 45cm high (3)

£700 - 1,000

436A JAPANESE wALL cLOck, “SHAkU DOkEI”The hardwood case with sliding, glazed hood and base key drawer,the movement with verge escapement and balance wheel and with a shaped, scroll and flower-engraved dial incorporating arabic numerals at “8 o’clock & noon”; 40cm high; the trunk lacking its panel of sliding hour markers

£300 - 500

437A REgENcy MAHOgANy AND BRASS INLAID LANcET SHAPED BRAckET cLOckBy French, London, the circular enamel dial with strike/silent aperture, the engraved movement inscribed ‘French, Royal Exchange, London’, striking on a bell, the case with twin brass lion’s mask ring handles, and raised upon ball feet, 43cm high.

£800 - 1,200

438A SEcTIcON cLOck,after a design by Angelo Mangiarotti in black case with gilt brushed dial, 25cm.

£250 - 350

439A MAHOgANy cIRcULAR wALL cLOckWith painted dial, 34cm diameter

£300 - 400

440A gEORgE III MAHOgANy, PAD-TOP, BRAckET cLOckJohn Scott, London, The arched top with a brass carrying handle above a 6” silvered dial, signed ‘John Scott, London’, with Roman numerals and minute markers, the sides with arched, pierced brass fish scale panels, on brass ogee bracket feet, the backplate engraved with an Adam style classical urn, garrya pendants and swags, the 8 day, 5 pillar movement with anchor escapemant and single fusee, with key and pendulum, 36cm high, (3)

£500 - 800

Possibly the John Scott (Clockmakers Company) recorded as working at 40 Gloucester St, Red Lion Square, from 1770-1794. A bracket clock made by Scott in circa 1775 is in the Wetherfield collection. (Baillie, Ilbert and Clutton, Britten’s Old Clocks and Watches, Bloomsbury Books, 1989, page 596).

441A wALNUT cASED EIgHT DAy MANTEL cLOckWith arched top, circular enamel dial with roman numerals, 24cm high

£200 - 300

442AN EARLy 18TH cENTURy wALNUT LONgcASE cLOck,Jams Snelling, London, with alterations, the arched moulded hood with cylindrical tapering pillars, the trunk enclosed by a long crossbanded and moulded door, on a stepped moulded base, reduced in height, the signed 12” brass dial with silvered chapter ring, strike/silent in the arch, subsidiary seconds, date aperture and ringed winding holes, the twin train movement striking on a bell, 198cm.

£500 - 700

443AN OAk cASED EIgHT DAy LONgcASE cLOckBy George Parker Tadcaster, Yorkshire, 1822-1826 The swan necked pediment above free standing ring turned hood columns, a short shaped trunk door, flanked with canted sides and raised on a panelled base with bracket feet, fitted with a 36cm painted arched Arabic dial, with subsidiary seconds dial and date aperture, set with a twin train striking movement, 220cm high.

£300 - 500

437

78 | BONHAMS

444A BRASS LANTERN cLOckThe foliate engraved dial inscribed ‘W. Almond, Londini’, the movement stamped ‘Jno Walker, 250 Regent St/77 Cornhill, London, no. 25951’, 41.5cm high.

£250 - 300

445AN 18TH cENTURy OAk LONgcASE cLOckFinney, Liverpool square brass dial, Roman and Arabic chapter ring, foliate scoll spandresl, 8 day striking movement, hood with broken swan neck pediment, column supports, trunk with canted corners, with two weights and pendulum, 215cm in height

£300 - 500

446A gEORgE III MAHOgANy LONgcASE cLOckAbel Panchaud The hood with stopped fluted doric columns, with brass reeding, a 12” arched silvered dial, with strike/silent in the arch, seconds subsidiary dial and date aperture, Roman numerals, Arabic 5 minute markers, engraved ‘Abel Panchaud, Oxford Street’, the trunk with a flame figured trunk door, flanked on each side by a 1/4, stopped fluted doric column, on a base with a raised, razor blade shaped beaded panel and a scrolling plinth, the 8 day movement with anchor escapement, striking on a bell, with 2 weights, 2 winders, pendulum, key and three brass reeds, 234cm high (12)

£1,200 - 1,800

Abel Panchaud is listed as working in London circa 1764-84.

447AN 18TH cENTURy PAINTED PINE LONgcASE cLOckThe hood with an arched, cavetto cornice, enclosing an associated 9.25” brass dial with a figural automaton ‘Tempus Fugit’ in the arch, cherubim spandrels, date subsidiary aperture, Roman numerals and a central alarm dial, the long trunk door above a plain base, the sides with cut-out sections for the pendulum, the 8 day movement with anchor escapement, striking on a bell, with weight and pendulum, excluding finial 223cm high, (3)

£300 - 400

448AN EARLy 20TH cENTURy MAHOgANy wALL TIMEPIEcEthe painted Roman dial set within a glazed brass bezel and mounted surround, the brass four pillar single fusee movement with pendulum and key, 40cm diameter

£500 - 700

cARPETS & RUgS

449A SAMAkAND cARPETThe blue/grey field with stylised roundels and motifs in a double border, 291cm x 136cm

£400 - 600

450A SAMARkAND RUgThe field with two main stylized roundels and other motifs, in a double border, 274cm x 152cm

£400 - 600

444

448


451A kASHAN cARPETCentral Persia, 370cm x 270cm

£400 - 600

452A MAHAL cARPETWest Persia, 530cm x 325cm

£300 - 400

453AN ISFAHAN RUg,1.62 x 1.12cm, another Isfahan rug, 1.63 x 1.10m, and an Indian rug, 1.54 x 95cm (3)

£500 - 700

454A kIRMAN RUg,2.02 x 1.39m

£300 - 400

455A NORTH wEST PERSIAN RUNNER,2.78 x 1.11m, a Khotan rug, 1.87 x 1.22m and an East Caucasian rug, 1.9 x 1.38m (3)

£300 - 500

456A TABRIz cARPETNorth West Persia, 400cm x 304cm

£400 - 600

457A wILLIAM MORRIS DESIgN TAPESTRyprobably England, 358cm x 153cm

£300 - 500

458A TABRIz RUgNorth West Persia With pole medallion on a buff/ivory diaper ground, 214cm x 137cm

£400 - 600

451 456

457

80 | BONHAMS

459A kIRMAN cARPET,South East Persia, 424cm x 331cm

£400 - 600

FURNITURE

460A PAIR OF VIcTORIAN MAHOgANy FLUTED cyLINDRIcAL POT cUPBOARDSWith circular inset marble tops and enclosed by a door, 38cm diameter (2)

£300 - 500

461A LARgE PEwTER ‘SHOEMAkER’S gUILD’ FLAgON, DATED 1683German The tapering body with single mid-fillet, the dome-lid with lion knop supporting a shield engraved with a boot and the date 16 83, a further shield below engraved The recognized Masters of the Shoemakers Handicraft in the market town of Schnaittach - A. 1683 / George Weber and Sebastian Froschel, also Hans Adam Mendel, Sebestian Zitman, Wilhelm Mayher, former cistern mask mount to the front of the base, raised on three lion cast feet, one foot detached, hallmark to handle, 59.5cm high

£300 - 500

Provenance: Purchased from Hermann Baer, Davies Street, London, November 1963, (£270). Sold with a copy of the original receipt.

462A PINE cOFFER BAcH18th Century and later The panelled front fitted with two short drawers, on stile feet, 64cm wide

£200 - 300

463A LATE 19TH cENTURy MAHOgANy cENTRE TABLE, wITH PIERcED gILT BRASS gALLERyThe square top with moulded serpentine edges, mounted with a pierced gilt brass gallery. Raised on four columns comprising two tapering legs with single stretchers and pierced spade feet. 89cm wide x 89cm deep x 84cm high, (35in wide x 35in deep x 33in high)

£600 - 800

459461

463


464A VIcTORIAN MAHOgANy FLOOR STANDINg SPEcIMEN cHESTThe top with rear gallery and moulded border, above 12 fitted drawers with turned ebonised knob handles, canted corners with conforming moulding, raised on a rectangular plinth (later casters below.) 61cm wide x 48cm deep x 90cm high, (24in wide x 18 1/2in deep x 35in high)

£600 - 800

465A 19TH cENTURy EBONISED AND INLAID BREAkFRONT cREDENzAthe top with moulded edge above an inlaid frieze, central panelled door inlaid with neo-classical marquetry decoration, raised on a rectangular plinth supported on turned bottle feet. The whole with scrolling foliate ormolu mounts. 167cm wide x 34cm deep x 106cm high, (65 1/2in wide x 13in deep x 41 1/2in high)

£800 - 1,200

466A SET OF SIx 19TH cENTURy MAHOgANy DININg cHAIRSthe shield shaped backs centred by a pierced vase splat carved with nave bell and wheatsheaf, the blue groud drop in seats with serpentine shaped fronts, raised on square tapering legs linked by h-frame stretchers.

£300 - 500

467A gEORgE III MAHOgANy, SERPENTINE-FRONTED cOMMODEThe cyma reversa moulded top above a brushing slide, over 4 graduated and cockbeaded drawers, with figured mahogany veneered and mahogany carcase wood fronts and oval, moulded backplates and handles, on bracket feet, 102cm wide x 58cm deep x 91cm high, (40in wide x 22 1/2in deep x 35 1/2in high)

£3,000 - 4,000

468A SyRIAN OcTAgONAL TABLE, cIRcA 1900Inlaid with mother-of-pearl and contrasting woods, decorated with stars, triangles and foliate panels, the top with a central panel inlaid in calligraphy with the prophet’s name Mohammed, another similar inlaid with bone and mother-of-pearl and a smaller example with sides carved with verses from the koran, reduced, largest 41cm wide x 41cm deep x 53cm high, (16in wide x 16in deep x 20 1/2in high) (3)

£500 - 600

464

465

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469A VIcTORIAN MAHOgANy LADIES wRITINg TABLE, wITH ASSOcIATED SUPERSTRUcTUREThe top with an arched and galleried cornice with urn and carved floral surmount above pigeon holes and two banks of two drawers flanked by glazed panel doors; the base with a serpentine form moulded edge front above a long frieze drawer flanked by two banks of short drawers; raiised on carved cabriol legs. 127cm wide x 68cm deep x 167cm high, (50in wide x 26 1/2in deep x 65 1/2in high)

£500 - 800

470A gEORgE IV MAHOgANy SOFA TABLEThe rectangular reeded top crossbanded and with rounded corners, on trestle supports, united by a ring-turned stretcher, on downswept legs with brass caps and castors, 91cm wide x 68cm deep x 71cm high, (35 1/2in wide x 26 1/2in deep x 27 1/2in high)

£500 - 600

471A gEORgE III MAHOgANy wINg ARMcHAIRCovered in a rose pink dralon, the curved back above ‘C’ scroll fronted overscroll arms, on shaped square legs, terminating in original brass caps and treen castors,

£500 - 600

472A gOOD gEORgE II MAHOgANy, INVERTED BREAkFRONT, gATELEg cARD TABLEThe fold-over top opening to reveal countersunk sections for candlesticks and gaming chips, the lower hinged surface enclosing storage space, the 4 cabriole legs all well carved with acanthus leaves and flower heads on the knees and claw and ball feet, 91cm wide x 45cm deep x 71cm high, (35 1/2in wide x 17 1/2in deep x 27 1/2in high)

£1,500 - 2,000

473A gOOD PAIR OF gEORgE II STyLE, STAINED wALNUT wINg ARMcHAIRS, cIRcA 1920Covered in ‘antique’ velvet and with cut ruche trim, the straight top rails with concave sides above ‘C’ scroll shaped over-scroll arms and overstuffed seats, above shell carved aprons and dwarf cabriole legs boldly carved with foliage and scrolls, on claw and ball feet, one back leg stamped ‘7183’, (2)

£1,000 - 1,500

474AN 17TH cENTURy STyLE OAk DRAw-LEAF TABLEEarly - mid 20th Century The cleated three-plank top on strapwork-type carved supports with ionic style capitals, on trestle supports, with a set of 6 17th century style, stained oak chairs with hide backs and seats, studded, the table extended 84cm wide x 273cm deep x 78.5cm high, (33in wide x 107in deep x 30 1/2in high) (7)

£500 - 600

475A gEORgE III MAHOgANy ExTENDINg DININg TABLEWith D-ends, one with a double gateleg action and fold-over top, and a central, extending, gateleg section, each with a serpentine-shaped frieze, on square tapering legs, with 4 clips, 124.5cm wide x 286cm deep x 72cm high, (49in wide x 112 1/2in deep x 28in high) (7)

£1,000 - 1,500

476A REgENcy MAHOgANy SIDEBOARDCrossbanded and decorated with boxwood stringing, the inverted breakfront top above two central interlocking, reeded frieze drawers, flanked on each side by an oval panelled door, enclosing 4 drawers, with gilded lions’ mask and ring handles, on bracket feet, with key, 170cm wide x 67cm deep x 88cm high, (66 1/2in wide x 26in deep x 34 1/2in high) (2)

£500 - 600

477Y

A gEORgE III SATINwOOD AND ROSEwOOD cROSSBANDED wORk TABLEInlaid with boxwood and ebony stringing, the octagonal hinged top with a frieze drawer below over a sliding ‘bag’, on tapering, collared, square legs united by an ‘X’ stetcher, 47cm wide x 34.5cm deep x 75.5cm high, (18 1/2in wide x 13 1/2in deep x 29 1/2in high)

£500 - 700

469


478A gEORgE III HExAgONAL MAHOgANy, BRASS cOOPERED, wINE cOOLERWith a lead-lined interior, lions’ mask and ring handles and the original moulded stand with square tapering legs, terminating in brass caps, 45cm wide x 45cm deep x 58cm high, (17 1/2in wide x 17 1/2in deep x 22 1/2in high)

£1,200 - 1,800

479AN EARLy 20TH cENTURy MAHOgANy PEDESTALOf tapering square form, the column with inset rectangular panels bordered by a blind fretwork, chain pattern, border, on a stepped square base, 30cm wide x 30cm deep x 117cm high, (11 1/2in wide x 11 1/2in deep x 46in high)

£200 - 300

480AN EARLy 19TH cENTURy, HEPPLEwHITE ‘FRENcH’ STyLE, MAHOgANy wINDOw SEATOf attenuated serpentine outline, covered in a floral fabric with moire silk ends, matching the duchesse brisee daybed, the scroll ends above an overstuffed seat with a convex mahogany moulding on the base of the seat rail and cabriole legs headed by carved double scrolls and terminating in foliate carved bases, on peg feet, 101cm wide x 48cm deep x 66cm high, (39 1/2in wide x 18 1/2in deep x 25 1/2in high)

£600 - 1,000

481A LATE 19TH cENTURy FRENcH, LOUIS xVI STyLE, FUSED DUcHESSE BRISEE FORM DAyBEDCovered in a floral fabric, the painted gesso frame decorated with ribbon and foliate mouldings, the concave back and base on stopped fluted, tapering circular legs, 203cm wide x 71cm deep x 100cm high, (79 1/2in wide x 27 1/2in deep x 39in high)

£500 - 600

482AN EARLy 19TH cENTURy MAHOgANy kNEE-HOLE DESkThe top with moulded edge, above a long cockbeaded drawer, shaped front frieze drawer above a recessed shaped panel door revealing a fitted shelf, flanked by 6six short cockbeaded drawers, the whole raised on ogee bracket feet. 84cm wide x 49cm deep x 84cm high, (33in wide x 19in deep x 33in high)

£300 - 500

483A SMALL REgENcy MAHOgANy BOw-FRONTED cHEST OF DRAwERSThe top with satinwood lined mahogany edge banding, above a brushing slide with reeded moulding, three long graduated and cockbeaded drawers, all with ebony coloured turned knob handles, raised on ogee bracket feet. 92cm wide x 57cm deep x 85cm high, (36in wide x 22in deep x 33in high)

£300 - 500

484A gEORgIAN MAHOgANy SERPENTINE FRONTED cHEST OF DRAwERSThe figured top with inlaid oval panel and applied moulded edge, above four long graduated cockbeaded drawers with (later) oval brass plate handles, raised on shaped and splayed feet. 10cm wide x 50cm deep x 80cm high, (3 1/2in wide x 19 1/2in deep x 31in high)

£400 - 600

485A PAIR OF gEORgE III MAHOgANy cHAIRS wITH ‘cOckPEN’ BAckThe each with pierced trellis splat with deep framed surround, above drop in seats and plain supports with h-frame stretchers, 56cm wide x 44cm deep x 94cm high, (22in wide x 17in deep x 37in high) (2)

£300 - 500

486A MID 19TH cENTURy MAHOgANy BOw FRONTED cHEST OF DRAwERSWith two short and three long graduated drawers, raised on splayed bracket feet with shaped apron, the top with deep crossbanding and boxwood inlay, 102cm wide x 50cm deep x 104cm high, (40in wide x 19 1/2in deep x 40 1/2in high)

£200 - 300

487A LATE VIcTORIAN/EDwARDIAN gILT REcTANgULAR MARgINAL MIRRORWith laurel moulded frame, 74cm x 139cm

£300 - 500

488A 19TH cENTURy MAHOgANy OFFIcE/STUDy cABINETThe moulded rectangular top above two panelled doors, enclosing 4 long, baize lined ‘tray’ drawers, with copper handles and name frames, flanked on the left by two small ‘shoe’ drawers above three further drawers, all with semi-circular name frames, on a shaped plinth,, 73cm wide, 38cm deep, 60cm in diameter, (28 1/2in wide, 14 1/2in deep, (23 1/2in in diameter,

£500 - 600

484

84 | BONHAMS

489AN 18TH cENTURy MAHOgANy LINEN PRESSThe flat topped moulded cornice above a pair of line inlaid figured mahogany panelled doors, revealing fitted slides. The base with two short and three long cockbeaded drawers raised on a shaped skirt with outswept feet. 128cm wide x 57cm deep x 203cm high, (50in wide x 22in deep x 79 1/2in high)

£500 - 800

490A wROUgHT IRON AND TEAk TENNIS gARDEN BENcH SEAT,‘The Triumph’ trade label for ‘H Castle & Sons Millbank S.W’, 184cm long

£150 - 250

491A BRASS cLUB FENDERWith green buttoned leather seat, 175cm wide.

£200 - 300

492AN EARLy 18TH cENTURy OAk cOFFERThe four panelled front carved with stylized foliage, 128cm.

£400 - 600

493A 19TH cENTURy MAHOgANy SINgLE PEDESTAL DININg TABLEwith fluted baluster pillar four arched legs with carved acanthus knees,claw and ball feet,four additional leaves 139cm diam,366cm extended.

£1,500 - 2,000

494No lot.

495A MID-VIcTORIAN gILT OVERMANTEL MIRRORThe frame ornately decorated with oak leaves and acorns, 125cm wide.

£600 - 800

496A MATcHED SET OF FOUR 19TH cENTURy yEw wOOD AND ELM wINDSOR cHAIRSWith solid seats, and curved arm supports, on turned legs with crinoline stretchers.

£300 - 500

497A gEORgE III MAHOgANy D END DININg TABLEsatinwood paterae, single leaf square tapered supports to castors, with clips, 206cm long, 71cm high

£500 - 700

498A gEORgIAN STyLE wINg ARMcHAIRWith curved back and hide upholstery, on cabriole legs and pad feet.

£300 - 500

493

496

495


499AN OAk gEOMETRIc cHESTOf three long drawers, with some antique timbers, having acorn drop handles, 98cm wide

£300 - 500

500A VIcTORIAN EBONISED REcTANgULAR STOOLWith button upholstered hinged seat, on shaped supports and turned stretcher, 92cm.

£200 - 300

501No lot.

502A VIcTORIAN EBONISED DOUBLE cONVERSATION SEATWith fret pierced decoration, and button upholstered backs and seats, on turned legs and castors, 117cm.

£250 - 350

503A BRASS cLUB FENDERWith green buttoned leather seat, 175cm.

£300 - 500

504A 19TH cENTURy gILT REcTANgULAR wALL MIRRORWith bevelled mirror inset cushion frieze, the frame with ribbon cresting and egg and dart borders, 115 x 80cm.

£500 - 700

505A 19TH cENTURy gILT wALL MIRROROf shaped outline, the frame carved with figureheads and stylised scrolling foliage, 190 x 110cm.

£700 - 900

502

503

504

505

86 | BONHAMS

506A LATE 17TH/EARLy 18TH cENTURy OAk SIDE TABLEWith single frieze drawer, on turned legs united by stretchers, 89cm, (and another oak side table, on bobbin turned supports. (2)

£200 - 300

507AN OAk REFEcTORy TABLEThe plank top on bulbous turned legs united by stretchers, 224cm long

£600 - 800

508A SET OF FOUR 18TH cENTURy OAk SIDE cHAIRSWith upholstered backs and seats, on turned legs with stretchers. (4)

£250 - 350

509A 19TH cENTURy MAHOgANy LINEN PRESSWith a pair of panelled doors now enclosing hanging space, above two short and three long drawers, 190cm.

£300 - 400

510AN OAk PLANk cOFFERWith lunette carved frieze, 92cm.

£250 - 350

511A 19TH cENTURy THREE FOLD LEATHER ScREENPainted with landscape panels, 188cm high.

£500 - 700

512A gEORgE III OAk STANDINg cORNER cUPBOARDWith astragal glazed doors 95cm wide

£300 - 400

513A gEORgE III ELM cHEST ON cHESTWith Greek key cornice, the upper part with reeded canted angles, having three short and six long drawers, and a brushing slide, on bracket feet, 110cm.

£600 - 800

507

513


514A gILT SHAPED wALL MIRRORWith sectional plate, the frame of scrolling foliate outline, 107 x 125cm.

£200 - 300

515Y

A 19TH cENTURy FRENcH ORMOLU MOUNTED ROSEwOOD AND wALNUT VITRINE82 x 98cm high

£1,000 - 1,500

516A 19TH cENTURy OVAL wALL MIRRORThe gilt and ebonised frame moulded with flowers and foliage, 105 x 93cm.

£250 - 300

517A 19TH cENTURy MAHOgANy SMALL cELLARETTEOf octagonally chamfered form, on bun feet, 30.5cm

£150 - 200

518A REgENcy yEw wOOD SOFA TABLEWith two real and two opposing dummy drawers, on end supports with curved stretchers, splay legs and castors, 113cm

£800 - 1,200

519A VIcTORIAN wALNUT AND LATER cANTERBURy wHATNOTwith gilt metal gallery, pierced end supports and base drawer on turned feet and ceramic casters 70cm wide

£500 - 700

520No lot

514

516

518

519

88 | BONHAMS

521A gILTwOOD REcTANgULAR wALL MIRRORWith carved foliate cresting and similar carving to the base, 99cm high

£500 - 700

522A LATE gEORgE III MAHOgANy PEMBROkE TABLEThe oval crossbanded and ebony strung top over a frieze drawer flanked by fan paterae inlay, on tapered legs and castors, 88cm wide

£500 - 700

523AN OAk SPIcE cABINET wITH LANcET TyPE PEDIMENTFitted with various drawers and cupboards, 60cm wide x 100cm high

£400 - 500

524No lot.

525A 19TH cENTURy MAHOgANy NARROw READINg TABLEWith central adjustable book slope, on slender turned legs and splay feet, 94cm wide

£200 - 250

526A MID 19TH cENTURy BOw FRONTED cHEST OF DRAwERSHaving two short and three long drawers, and brass ring handles, 103cm wide

£300 - 400

527A gEORgE II MAHOgANy cHEST ON cHESTWith two short and four long cockbeaded drawers, having original brass handles, on bracket feet, 117cm wide.

£800 - 1,200

522

523

527


528A MID 19TH cENTURy gILT wOOD OVERMANTEL MIRRORWith carved figurative pediment, 125cm high x 83cm wide

£300 - 400

529EARLy 19TH cENTURy DUTcH MARQUETRy REcTANgULAR wALL MIRRORWith bevelled plate, 97 x 77cm

£400 - 500

530A MID VIcTORIAN MAHOgANy DRESSINg STOOLWith floral gros point upholstery, on shaped X frame supports, 58cm wide.

£200 - 300

531A cONTINENTAL 19TH cENTURy EBONISED REcTANgULAR wALL MIRRORWith moulded corners, and bevelled plates, 70 x 58cm.

£300 - 400

532A gEORgE III MAHOgANy OccASIONAL TABLEThe octagonal top on turned column and downswept legs, 40cm wide

£150 - 250

528 529

531

90 | BONHAMS

533A REgENcy MAHOgANy AND EBONy STRUNg BOwFRONT cHIFFONIERThe three-quarter galleried top over a pair of brass grille doors enclosing shelves, raised on bracket feet, 105cm wide

£400 - 600

534A TOLE PEINTRE TwO-HANDLED JARDINIEREChinoiserie decorated and gilt heightened, 25cm wide

£150 - 250

535A PAIR OF gEORgE III MAHOgANy SMALL OVAL PEMBROkE TABLES19th Century and later The drop flap tops over a frieze drawer, on tapered supports united by X-stretchers, 66cm wide (2)

£500 - 700

536A SET OF FOUR gEORgE III IRISH MAHOgANy AND SATINwOOD INLAID SIDE cHAIRSThe arched toprails over vase and fan paterae inlaid splats, the stuff-over seats on tapered legs, (4)

£300 - 500

537No lot.

538A 17TH cENTURy AND LATER 0Ak LOw DRESSERmoulded top over 3 frieze drawers, moulded geometric panels, brass swan neck handles, raised on later turned legs, 210cm wide80cm high, (82 1/2in wide31in high)

£500 - 700

539AN 18TH cENTURy OAk BUREAUWith sloping fall above three long drawers, on bracket feet, 83cm wide

£350 - 450

540A BLAck LAcQUERED cHINOSIERIE DEcORATED cABINETOn a carved pine and silvered gesso Italianate stand, 80cm wide

£500 - 700

533

535

540


541A gEORgE III yEw wOOD wORk TABLEwith pleated silk pouch drawer on square tapering legs 48cm wide

£200 - 300

542A LATE VIcTORIAN wALNUT ExTENDINg DININg TABLE,the rectangular moulded edge top with an extra leaf, on turned and fluted legs and castors, with winding handle, 173 x 104cm.

£250 - 350

543A 19TH cENTURy HARDwOOD cIRcULAR SMALL DRUM TABLEFitted with frieze and dummy drawers, on turned column and tripod base, 52cm diameter.

£200 - 300

544A SMALL gILTwOOD AND VERRE EgLOMISE MIRROR The plate between fluted half columns, 63cm x 40cm

£200 - 300

545A PAIR OF gEORgE II ‘RED wALNUT’ DININg cHAIRSEach with arched back with solid vase shaped splat and slip in seat on cabriole legs united by an H-shaped stretcher, together with another similar. (3)

£500 - 700

546A 19TH cENTURy gILT gESSO wALL MIRRORThe frame with ornate leaf and scroll cresting, having oval plate and carved oak leaf decoration to the side, 134cm high.

£600 - 900

547A BRASS LAMP STANDARDthe square onyx topped base with four supports and swag decoration and a brass and copper lamp standard. (2)

£200 - 300

548A MID-VIcTORIAN MAHOgANy FRAMED LARgE STOOLWith floral gros-point applied upholstered top, on carved cabriole legs and castors, 133cm.

£500 - 700

549A 19TH cENTURy DUTcH MARQUETRy SIDE cABINET,the upper part with a pair of glazed doors, a shelf and four small drawers, above a projecting frieze drawer, the side fitted with cupboardws on shaped platform base, 94cm.

£700 - 900

546

548

549

92 | BONHAMS

550A LATE gEORgE III INLAID MAHOgANy SIDEBOARDOf serpentine outline, the central frieze drawer with a another frieze drawer and deep drawer to each side, one fitted as a cellarette, on square tapered legs, 178cm wide x 75cm deep x 95cm high, (70in wide x 29 1/2in deep x 37in high)

£400 - 500

551A cONTINENTAL LARgE gILT MIRROR INcORPORATINg A cONSOLE TABLE, IN THE ROcOcO MANNERWith painted scrolling frame and having a walnut veneered ledge with drawer, on shaped supports,190cm x 146cm

£500 - 700

552A MATcHED SET OF EIgHT 19TH cENTURy yEw AND ELM wINDSOR cHAIRSThe backs with pierced splats, having solid seats, on turned legs with crinoline stretchers. (8)

£600 - 800

553A MID-19TH cENTURy OAk FRAMED ScROLL END SETTEEWith shaped back on turned legs and castors, 200cm

£250 - 350

554A 19TH cENTURy cAT OR BOwL STANDOf turned mahogany design.

£100 - 150

555A gEORgE III OAk cORNER cUPBOARDintegral cornice over panelled doors, shaped shelved interior 80cm wide104cm high, (31in wide40 1/2in high)

£250 - 350

556AN 18TH cENTURy STyLE SMALL cHEST ON STANDThe upper part with two short and three long drawers, the stand fitted a drawer, 66cm wide.

£700 - 1,000

550

552

556


557A gEORgE II OAk SIDE TABLEWith single mahogany banded drawer, 63.5cm wide.

£150 - 200

558AN EARLy 20TH cENTURy MAHOgANy cREDENzA OF LARgE PROPORTIONS,the moulded top above five central glazed doors, adjustable shelved interior, flanked by bowed glazed panels, plinth base, in two main sections, 385cm long, 120cm high

£800 - 1,200

Reported to have originally resided in Mappin & Webb London premises

559A VIcTORIAN MAHOgANy BREAkFAST TABLEthe round tilt-top raised on tapered faceted column to trefoil base, 125cm diameter,

£250 - 350

560A SET OF SIx VIcTORIAN MAHOgANy BALLOON BAck cHAIRS,carved detail, overstuffed seats, fluted front legs (6)

£250 - 350

561No lot.

562AN 18TH cENTURy ELM PLANkED cOFFEROn end supports, 123cm wide

£250 - 350

563TwO SIMILAR FRENcH OAk cHAIRS, cIRcA 1700On turned legs. (2)

£100 - 150

564A gEORgE III MAHOgANy cHEST-ON-cHESTwith two short drawers over six long drawers, on bracket feet, 117cm wide x 59cm deep x 170cm high, (46in wide x 23in deep x 66 1/2in high)

£500 - 700

565A SET OF EIgHT RUSH SEATED ELM LADDERBAck cHAIRSOn turned legs. (8)

£300 - 500

563

564

94 | BONHAMS

566A 17TH cENTURy AND LATER OAk LIVERy cUPBOARDWith spindle filled doors, carved with foliage and flowerheads 99cm wide

£500 - 800

567A 17TH cENTURy AND LATER LOw DRESSERWith two geometrical panelled drawers 133cm

£200 - 300

568A 17TH cENTURy AND LATER OAk gATELEg TABLEOn barley twist legs 133cm wide

£400 - 600

569A gEORgE III MAHOgANy SEcRETAIRE BOOkcASEThe pair of reeded astragal glazed panelled doors enclosing two adjustable shelves, above a secretaire drawer enclosing seven drawers, six pigeon holes and a central door, over three long graduating drawers, on bracket feet, the top and base possibly associated, 97cm wide x 54cm deep x 212cm high, (38in wide x 21in deep x 83in high)

£800 - 1,000

570AN 18TH cENTURy AND LATER gILTwOOD TORcHEREItalian, with mirror inclusions, scroll sectioned, three paw feet, 133cm high

£400 - 600

571A gEORgE III gILTwOOD cHAIR IN THE FRENcH TASTEthe moulded oak frame with low upholstered back, stuff-over seat and scroll legs (cf Macquoid: The Ages of English Furniture, vol IV page 215, where a similar example is referred to as a musician’s chair.)

£600 - 800

566

571

570


572A LATE 19TH cENTURy ARTS AND cRAFTS STyLE wALNUT OPEN BOOkcASEWith reeded supports, 376cm wide x 262cm high

£1,000 - 1,500

573A wALNUT VENEERED cABINET ON STANDIn the 17th Century styleWith cushion moulded frieze drawer above a pair of cross banded and line inlaid doors, three drawers, on barley twist legs tied by stretchers and terminating on bun feet118cm wide

£700 - 1,000

574A VIcTORIAN MAHOgANy PEDESTAL DESkthe rectangular leather inset moulded top over an arrangement of nine drawers, on plinth base 122cm wide

£500 - 600

575A SET OF SIx EBONISED AND PARcEL gILT cHAIRS IN THE MANNER OF PUgINOn chamfered square section x frame supports with exposed tenon joints, 19th Century with later decoration, one chair with a replaced back, upholstery distressed.(6)

£300 - 400

576A PAIR OF EARLy 20TH cENTURy DUTcH MAHOgANy AND MARQUETRy SIDE cABINETSThe tops, sides and doors typically inlaid with urns of flowers on cabriole legs (2)113cm wide

£1,500 - 2,000

577A SET OF EIgHT VIcTORIAN MAHOgANy DININg cHAIRS,the balloon backs on upholstered seats and turned and reeded front legs

£500 - 700

578A MAHOgANy TwIN PEDESTAL DININg TABLEThe early-19th century top with two additional leaves, on plain columns and reeded, downswept legs with brass paw cappings; 272cm extended, 135cm wide

£500 - 700

573

576

96 | BONHAMS

579AN ART DEcO STyLE EBONISED AND LIME wASHED DININg SUITEComprising a sideboard, table and six chairs on tubular chrome supports (8) table 183cm x 91cm

£1,000 - 1,500

580AN EARLy 18TH cENTURy AND LATER cOURT cUPBOARDdated 1697, upper section with carved frieze, upper section doors lower two 160cm wide

£400 - 600

581A gEORgE II/III OAk SETTLEWith five panelled back, on cabriole legs, 184cm wide

£300 - 400

582A SET OF EIgHT OAk DININg cHAIRS,late 19th Century, with foliate, ‘C’ scroll and cartouche carved high backs, stuff over seats, on turned and fluted and square section legs united by stretchers, to include a pair of elbow chairs.

£300 - 500

583A REPRODUcTION OAk LOw DRESSER,in mid 18th Century style, of panelled construction, the moulded rectangular top above three frieze drawers with cupboard below enclosed by raised and fielded panel doors, 154cm.

£250 - 350

579

580

582


584AN EARLy 19TH cENTURy MAHOgANy BOxwOOD AND EBONy STRUNg SATINwOOD cROSSBANDED cENTRE TABLE,altered, the octagonal tilt-top on a birdcage and baluster turned pillar and square platform on splayed quadripartite base, 107cm.

£250 - 350

585A gILT PAINTED OVERMANTEL MIRRORIn the 19th Century style The triple plates below a classical bas relief frieze, between reeded columns, 95cm x 140cm

£400 - 600

586AN 18TH cENTURy STyLE MAHOgANy cABINET ON cHESTWith arched broken swan neck pediment above a pair of arched fielded panelled doors and four long base drawers on ogee bracket feet94cm wide

£700 - 1,000

584

585

586

98 | BONHAMS

587A VENETIAN POLycHROME DEcORATED BUREAU cABINETWith grilled mesh panelled doors above four drawers, on cabriole legs112cm wide

£700 - 1,000

588A gEORgE III OAk BUREAU cABINETThe upper part with architectural cornice and blind lattice frieze, enclosed by a pair of panelled doors, the lower part with sloping fall enclosing a fitted interior, above two short and three long drawers on bracket feet, 239cm high x 111cm wide

£800 - 1,200

589A REgENcy MAHOgANy AND EBONy BANDED DRESSINg TABLE,The reeded edge rectangular top above three drawers around an arched apron, on ring turned legs and castors, 95cm wide

£250 - 300

590A gEORgE III MAHOgANy EBONy STRUNg AND BANDED cHEST,the rectangular top above two short and three long drawers, the top long drawer with fitted interior and baize lined sliding writing surface, on bracket feet, 109cm.

£300 - 400

591A LATE 19TH cENTURy MAHOgANy VITRINEthe shaped top over glazed door, shelved interior, gilt mounts, cabriole legs 68cm wide141cm high, (26 1/2in wide55 1/2in high)

£500 - 700

592A PAIR OF gILTwOOD LAMP BASESIn the 18th Century Italian manner, with carved foliate columns on tripod bases 102cm (2)

£500 - 700

593Y

A MID 19TH cENTURy ROSEwOOD VENEERED PEDESTAL DESkwith ripple moulded edge above severn drawers on reeded tapering legs and brass casters 103cm wide

£400 - 500

594A 19TH cENTURy yEw wOOD wINDSOR cHAIRWith pierced splat, and elm seat, on turned legs.

£100 - 150

587

592


595AN EARLy 18TH cENTURy cHESTOf two short and three long drawers on stand, on turned feet, 96cm

£500 - 700

596A HARLEQUIN SET OF EIgHT cHIPPENDALE STyLE MAHOgANy DININg cHAIRS19th Century and later Comprising a set of six and two others, all with pierced splats and drop in seats, raised on square legs and stretchers, (8)

£300 - 500

597A 17TH cENTURy BOARDED cHESTWith later top and lunette carved frieze, 130cm.

£100 - 150

598Y

A REgENcy ROSEwOOD AND BRASS STRUNg OccASIONAL TABLEThe rectangular top with canted angles, having one frieze drawer, on ring turned legs with X stretcher, 51cm wide.

£200 - 300

599A HARLEQUIN SET OF SIx OAk SPINDLE BAck DININg cHAIRS19th Century and later Comprising a set of four and two others with minor variations, all with rush seats on turned supports joined by stretchers.

£300 - 500

600A 19TH cENTURy OAk HIgH DRESSERThe boarded rack with metal hooks and two shelves, the lower section fitted with three frieze drawers, on turned legs joined by a pot-board, with bracket feet, 188cm wide.

£600 - 800

601AN 18TH cENTURy OAk cOFFERWith rectangular hinged top and four fielded panels to the front, on stile feet, 135cm wide.

£300 - 400

602A gEORgE III TALL MAHOgANy BOwFRONT cHEST,fitted with two short and four long drawers, on shaped apron stand, 108cm.

£250 - 350

595

599

600

100 | BONHAMS

603A LARgE 18TH cENTURy OAk HANgINg LIVERy cUPBOARDWith three panelled doors above three drawers, 205cm wide.

£400 - 600

604A gEORgE III MAHOgANy EBONy BANDED SwINg TOILET MIRROR,With three drawer bowfront box plateau base, 52cm; another similar with two drawer box plateau base, 46.5cm; and a late Regency mahogany swing toilet mirror with ring turned columns, the shaped box plateau base with three drawers, gadroon edge, 64cm wide (3)

£250 - 350

605Y

A gEORgE IV MAHOgANy REcTANgULAR OccASIONAL TABLEWith rosewood banded top, having single frieze drawer, on turned and spirally lobed legs and brass castors, 50cm wide.

£250 - 350

606A gEORgE III MAHOgANy cHESTThe moulded rectangular top above two short and three long drawers between quarter round pilasters, on ogee feet, 101cm wide

£250 - 350

607A MAHOgANy cASED SPINETSigned Johannes Morley Londini, on turned tapering legs, 188cm.

£250 - 350

Purchased new from Morley in 1974 at a cost of £682.00.

608A VIcTORIAN TEAk cAMPAIgN cHESTIn two parts, with two short and three long drawers, having sunk brass handles and corners, on turned feet, 99cm wide

£800 - 1,000

Labelled in two drawers ‘W Day Manufacturer to their Majesties, 353 Strand, London’

609A gEORgE III MAHOgANy TALLBOy cHESTWith a dentil and blind cut card moulded cornice, the upper part fitted with two short and three long drawers, the lower with a hinged fall front dummy drawer between fluted quarter pilasters, the projecting base with three long drawers, on ogee feet, 123cm wide

£800 - 1,000

610A JAcOBEAN STyLE OAk DRESSER BASEmoulded top over two drawers, geometric panels, shaped apron, turned supports 137cm wide84cm high, (53 1/2in wide33in high)

£200 - 300

611A gEORgE II OAk cHEST OF DRAwERS, FORMERLy ON A STANDWith two short and three long drawers, 97cm wide.

£300 - 500

612A SET OF SIx cAROLEAN STyLE OAk DININg cHAIRScarved figural, foliate and barleytwist detail, caned back and seats, including two carvers (6)

£300 - 500

613A VIcTORIAN cARVED OAk ELBOw cHAIRWith pierced splat back, needle work upholstered seat on turned legs tied by ‘X’ platform stretcher

£150 - 200

614A MID 19TH cENTURy MAHOgANy ROLL TOP DESk,the niely fitted interior with gilt tooled burgundy leather reserves and rising easle fitment, three drawers to each pedestal, 122cm wide x 51cm deep x 95cm high, (48in wide x 20in deep x 37in high)

£300 - 500

615THREE gEORgIAN ARMcHAIRS,One of high back bergere design; another country Chippendale in walnut with drop-in leaf damask seat; the third in the Adam style painted ivory with shield back, (3)

£200 - 300

616A gEORgE III MAHOgANy cARD TABLE,probably Scottish, the oblong top with rounded re-entrant corners on tapered square legs, boxwood lines throughout, 91cm wide(35 1/2in wide

£200 - 300

608


617A gEORgE III MAHOgANy SETTEE,moulded tapered square front legs and pale gold flower figural damask cover, 170cm wide75cm high, (66 1/2in wide29 1/2in high)

£300 - 500

618A 19TH cENTURy MAHOgANy AND INLAID SETTEEwith angular back and arms, on square taper legs, inlaid with oval floral paterae, 150cm.

£300 - 500

619A FRENcH MARBLE TOPPED kINgwOOD AND MARQUETRy SEMANIERWith gilt metal mounts, 130cm high.

£300 - 500

620A gEORgE IV MAHOgANy DROP-LEAF TABLEOn central turned column and swept quadruped base, 86cm wide

£250 - 300

621A REgENcy MAHOgANy SIDE cABINETThe later top over two frieze drawers and two panelled cupboard doors, on plinth base, 114cm wide

£300 - 500

622A 19TH cENTURy MAHOgANy SIDE cABINETThe rectangular top over a sphere appplied frieze, the two panelled doors enclosing ajustable shelves, on plinth base, 140cm wide

£250 - 300

623A 19TH cENTURy MAHOgANy DROP FLAP wORk TABLEFitted with two short drawers on tripod base, 31 x 26cm

£300 - 400

619

620

622

102 | BONHAMS

624Y

A LATE VIcTORIAN ROSEwOOD REcTANgULAR LARgE STOOLWith floral gros-point top, on turned and lappet carved legs, 113cm.

£300 - 500

625A PAIR OF EARLy 19TH cENTURy MAHOgANy SIDE cHAIRSWith reeded toprails and stuff-over seats, on reeded legs. (2)

£150 - 250

626A LATE VIcTORIAN MAHOgANy PEDESTAL DESkThe leather inset top over a standard arrangement of nine drawers, 121cm wide

£500 - 700

627A REgENcy MAHOgANy BOwFRONT cHESTWith two short and three long drawers, on bracket feet, 107cm wide

£300 - 500

628A MAHOgANy TRAy TOP TABLEThe 19th Century tray with twin handles, raised on a later base, 75cm wide (2)

£150 - 250

629A REgENcy MAHOgANy AND cROSSBANDED BOwFRONT cHESTWith four graduated drawers on bracket feet, 100cm wide

£300 - 500

630A SET OF EIgHT cHIPPENDALE STyLE MAHOgANy DININg cHAIRSWith pierced vase splats, on cabriole legs with carved acanthus knees and claw and ball feet, including two elbow chairs, (6 + 2)

£500 - 800

631Y

A gEORgE III AMBOyNA AND ROSEwOOD cROSSBANDED SMALL PEMBROkE TABLEThe rectangular top having rounded corners, fitted with a frieze drawer and raised on slender tapered legs, 104cm wide

£600 - 800

632A gEORgE III MAHOgANy AND BOxwOOD STRUNg PEMBROkE TABLEThe oval top over a frieze drawer raised on square section tapered legs headed by fan paterae inlay, on spade feet, 79cm wide

£200 - 300

624

630

631


633A gEORgE III SIDE cHAIRThe shaped carved toprail over a pierced and carved splat, drop-in seat and moulded legs joined by an H-stretcher.

£250 - 350

634A 19TH cENTURy MAHOgANy DININg ROOM PEDESTALWith zinc lined cupboard enclosed by a door on plinth base, 45cm wide

£300 - 500

635A gEORgE III MAHOgANy SMALL cHESTOf four long graduated drawers, on bracket feet, 75cm.

£250 - 300

636A gEORgE III MAHOgANy BUREAUThe fall front enclosing fitted interior above four long graduated drawers, on ogee bracket feet, 92cm.

£300 - 400

637A VIcTORIAN MAHOgANy DRESSINg STOOLWith upholstered rectangular seat, on shaped and scroll carved X frame end supports and turned stretcher, 85cm.

£250 - 350

638AN ELM PLANkED cOFFER,late 17th / early 18th Century, alterations, with moulded hinged top, ‘V’ cut end boards, a drawer below, 117cm.

£250 - 350

639A VIcTORIAN UPHOLSTERED cONVERSATION SEAT,on turned ebonised legs and castors, 127cm.

£300 - 500

640A LATE REgENcy MAHOgANy FRAME REcTANgULAR STOOL,the upholstered stuff over seat, on scroll carved ‘X’ end standards and castors united by dual turned stretchers, 66 x 56cm.

£250 - 350

641Y

A wILLIAM IV ROSEwOOD LIBRARy TABLE,the rectangular top with rounded corners above two frieze drawers with opposing dummy drawers, on panelled end standards and platform bases, carved with volute scrolls and rosettes, on carved bun feet with concealed castors, 137 x 73cm.

£400 - 600

642A 19TH cENTURy MAHOgANy SMALL SIDE cUPBOARDWith two tier open shelved top above a pair of panelled doors and a drawer, on turned legs, 46cm.

£250 - 350

639

641

104 | BONHAMS

643A 19TH cENTURy DUTcH MAHOgANy AND MARQUETRy DRESSINg TABLEWith a rectangular mirror on column supports, the chest fitted with four long drawers on a plinth base, 105cm wide

£700 - 900

644A 19TH cENTURy OAk TURNERS cHAIRthe carved top rail above turned side supports and raised on three turned legs, united with stretchers and fitted with a paneled seat, 65cm wide

£250 - 350

645A MAHOgANy gAINSBOROUgH TyPE OPEN ARMcHAIRWith red upholstery, on chamfered square legs.

£250 - 350

646A SET OF TwELVE wILLIAM IV MAHOgANy DININg cHAIRSThe moulded frames having bar toprails with shallow sunburst crestings and with drop-in seats, on reeded, tapering legs. to include a pair of elbow chairs with scroll arms. (10+2)

£2,500 - 3,000

647A LATE-gEORgIAN PAINTED SETTEEThe rectangular frame simulated to resemble satinwood with ebony banding, on six tapering legs with castors; 152cm wide

£300 - 500

648A gEORgE IV MAHOgANy FIREScREENwith rising panel and pull-out wings, on reeded end supports

649AN ANTIQUE cOUNTRy-MADE OAk cLERk’S BUREAUthe sloping front enclosing small drawers and a well, the frieze with three drawers, on turned, tapering legs with pad feet,and a Cape colonial hardwood elbow chair with bar toprail, leather webbed (“riepie”)seat and turned legs (2) 93cm wide

£150 - 200

643

646


650A LATE 19TH cENTURy EgyPTIAN THREE-FOLD, MASHRABIyyA-wORk HARDwOOD ScREENOne end section with two hinged, arched ‘windows’ flanking a central rectangular panel, the other end section with one arched, hinged window, flanked by a rectangular panel on each side, the central section with a large projecting, hinged ‘window’, all on extended stiles, each section 80cm wide183cm high, (31in wide72in high)

£1,200 - 1,800

651AN 18TH cENTURy OAk SINgLE DROP-FLAP SIDE TABLEWith two frieze drawers, on turned legs with stretchers, 94cm.

£150 - 200

652A gEORgE III SATINwOOD AND cROSSBANDED PEMBROkE TABLEWith rounded rectangular top over a frieze drawer, on tapered legs and brass castors 77cm wide

£500 - 600

END OF SALE

652

DISTINGUISHED DESIGNS AND POST-WAR SILVERWednesday 19 November 2014Knightsbridge, London

ENQUIRIES+44 (0) 20 7393 3973 ellis.fi [email protected]

Closing date for entriesMonday 6 October 2014

A RARE SILVER, SILVER-GILT AND PATINATED CHARGER Stuart Devlin, London 1974 Sold for £11,180

bonhams.com/silverPrices shown include buyer’s premium. Details can be found at bonhams.com

entries now invited

contact+44 (0) 207 468 [email protected]

bonhams.com/printsPrices shown include buyer’s premium. Details can be found at bonhams.com

Prints and MultiPles Tuesday 9 December 2014New Bond Street, London

Paula rego (British, Born 1935)Nursery RhymesThe complete set, 1989, comprising 25 etchings with aquatint, from the edition of 50, 520 x 380mm (SH)Sold for £25,800

DISTINGUISHED DESIGNS AND POST-WAR SILVERWednesday 19 November 2014Knightsbridge, London

ENQUIRIES+44 (0) 20 7393 3973 ellis.fi [email protected]

Closing date for entriesMonday 6 October 2014

A RARE SILVER, SILVER-GILT AND PATINATED CHARGER Stuart Devlin, London 1974 Sold for £11,180

bonhams.com/silverPrices shown include buyer’s premium. Details can be found at bonhams.com

NTB/MAIN/03.14/V2

Bidding in personYou should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone (only available on lots with a low estimate greater than £400)If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or faxAbsentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internetPlease visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agentBids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• ZeroratedforVAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Sterling travellers cheques: you may pay for Lots purchased by you at this Sale with travellers cheques, provided the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000. We will need to see your passport if you wish to pay using travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;

NTB/MAIN/03.14/V2

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a LotThe Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

EstimatesIn most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition ReportsIn respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to youThe Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to youYou have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

AlterationsDescriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

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19. JEWELLERY

˜ Ruby and JadeiteRuby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

GemstonesHistorically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated WeightsIf a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by KutchinskyWhen the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by KutchinskyHas been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “BillBrandt”:inouropinionaworkbytheartist.• “AttributedtoBillBrandt”:inouropinionprobablyawork

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signedand/ortitledand/ordatedand/orinscribed”:inour opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signedand/ortitledand/ordatedand/orinscribedinanother hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• Thedategivenisthatoftheimage(negative).Wherenofurther date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unlessotherwisespecified,dimensionsgivenarethoseofthe piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• AllphotographsaresoldunframedunlessstatedintheLot Description.

21. PICTURES

Explanation of Catalogue TermsThe following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “JacopoBassano”:inouropinionaworkbytheartist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “AttributedtoJacopoBassano”:inouropinionprobablya work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/WorkshopofJacopoBassano”:inouropinionawork by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “CircleofJacopoBassano”:inouropinionaworkbya hand closely associated with a named artist but not necessarily his pupil;

• “FollowerofJacopoBassano”:inouropinionaworkbyapainter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “MannerofJacopoBassano”:inouropinionaworkinthestyle of the artist and of a later date;

• “AfterJacopoBassano”:inouropinion,acopyofaknownwork of the artist;

• “Signedand/ordatedand/orinscribed”:inouropinionthesignature and/or date and/or inscription are from the hand of the artist;

• “Bearsasignatureand/ordateand/orinscription”:inouropinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and RestorationFor your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the winesIt is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and UllagesUllage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcelsA parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in BondWines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case TermsThe following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton

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Union Pay cards: these are now accepted at our Knightsbridge and New Bond Street offices, when presented in person by the card holder. These cards are subject to a 2% surcharge.

Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor1,Zone17,TempleQuayHouse2TheSquare,TempleQuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or

any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of FirearmsThe term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as PartsBarrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of FirearmsComment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a

modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from GunmakersThe Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amendedBonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related ItemsAs a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered FurnitureWhilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

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8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

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SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory the United States Government has banned the import of any ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

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7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;

7.1.2 to retain possession of the Lot;

7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.

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APPENDIX 2

BUYER’S AGREEMENT

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.

4 COLLECTION OF THE LOT

4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.

4.7 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

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“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

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10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.

12.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1273 220 000

Representative:KentGeorge Dawes+44 1483 504 030

West SussexJeff Burfield+44 1243 787 548

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester New House150 Christleton RoadChester, CheshireCH3 5TD+44 1244 313 936+44 1244 340 028 fax

Carlisle48 Cecil StreetCarlisle, CumbriaCA1 1NT+44 1228 542 422+44 1228 590 106 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

Jersey39 Don StreetSt.HelierJE2 4TR+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUrOpE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 0990+353 (0)1 4004 140 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 (0)2 4953 9020+39 (0)2 4953 9021 [email protected]

Italy - romeVia Sicilia 5000187 Rome+39 (0)6 48 5900+39 (0)6 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 76 379 [email protected]

Representatives: DenmarkHenning Thomsen+45 4178 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

portugalFilipa Rebelo de Andrade+351 91 921 [email protected]

russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

russia - St petersburgMarina Jacobson+7 921 555 [email protected]

MIDDLE EAST

IsraelJoslynne Halibard+972 (0)54 553 [email protected]

NOrTH AMErICA

USA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

District of Columbia/Mid-AtlanticMartin Gammon+1 (202) 333 1696

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

Florida+1 (305) 228 6600

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMErICA

ArgentinaDaniel Claramunt+54 11 479 37600

BrazilThomaz Oscar Saavedra+55 11 3031 4444+55 11 3031 4444 fax

ASIA

Hong Kong • Suite 2001One Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 0922+86(0) 10 6528 0933 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

SingaporeBernadette Rankine11th Floor, Wisma Atria435 Orchard RoadSingapore 238877+65 (0) 6701 8038+65 (0) 6701 8001 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTrALIA

Sydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseCnr Williams Road& Lechlade AvenueSouth Yarra VIC 3141

AFrICA

NigeriaNeil Coventry+234 (0)7065 888 [email protected]

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET/5/14

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKGareth Williams+44 20 7468 5879U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUKStephanie Connell+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKDeborah Allan+44 20 7468 8276U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtAlice Bailey+44 20 7468 8268

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesJennifer Tonkin+44 20 7393 3986

PrintsUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUKPaul Maudsley+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD07/05/14

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/05/14

Please tick if you have registered with us before

By providing your email address above, you authorise Bonhams to send you marketing material and news concerning Bonhams and partner organisations. Bonhams does not sell or trade email addresses.

Oxford Fine Sale Wednesday 10 September 2014

21834 Oxford

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BonhamsBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH +44 (0) 1865 853 640 +44 (0) 1865 372 722 (fax)

International Auctioneers and Valuers – bonhams.com

fine art and antiques...signed ‘w.greaves’ (lower right) pen and ink 21 x 32.5cm (8 1/4 x 12...

Documents