final views on news 07 december 2014

DECEMBER 07, 2014 `100VIEWS ON NEWSTHE CRITICAL EYE

Social Media Aur Facebook

Kya Zindagi Itani Khoobsoorat hai?

HINDI SECTION

www.viewsonnewsonline.com

Meet God’s Own Child

Kerala Tourism discovers a child prodigy and uses social media to

globally promote the little angel who left behind 25,000 paintings

before he died at age 6

Manu Joseph looks back in anger 28 Hansal Mehta’s

bold statements 32

PEOPLEBEN BRADLEE

end of an era 24

TRIBUTEHow PV Arun

almost got away with a monumental news hoax, thanks

to lazy editors 20

SPECIAL

10

I&B CHIEF: WHY MODI CHOSE JAITLEY AS HIS SUPER EDITOR 17

NDIA EGAL L STORIES THAT COUNT

October 31, 2014

`100www.indialegalonline.com

I

Supreme Court refuses to stay a court

ruling that the barbaric ritual of animal

sacrifice has nothing to do with

religious freedom

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Continuing fallout

from Modi’s US visit

Bhopal victims’

legal agony

www.indialewwwww

Vishal Bhardwaj’s

craftsmanship

‘‘Live And

Let Live...’’CYBER SECURITY:

License to invade

LAW GRADS:

Confusing future

ISI MANEUVERS:Why Indo-Pak

border is lighting up

ALSO46

74

38

How oil companies

are rigging wages GLOBAL

5024

78

Double

Trouble

For Power

Couple?The CBI appears to be turning the heat on

P Chidambaram and wife Nalini—both top lawyers

64

3

20

NDIA EGAL LSTORIES THAT COUNT

November 15, 2014

`100

www.indialegalonline.com

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Shantanu Guha Ray analyzes whether the Modi

government’s cow policy is a gimmick or a new milk

revolution in the offing

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STUDENT PROTESTSDo they change the laws? MINORITY STATUS Will Jamia lose its lustre? JUSTICE MANJUNATH

Victim of vendetta?

ALSO

74

4612

Perilous Future

36

Editor and parliamentarian HK DUA

warns about the erosion of India’s three

pillars of democracy, while veteran

journalist FARZAND AHMED sees a dark

future for the Right to Information 18

MOO FOR ME

INDIA’S INSTITUTIONS

BIKRAM VOHRA on Indian racism

RASHME SEHGAL on rising suicides

30

68

PLUS

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lllippaaaarararrlrliliattt tttthththhhehe

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OOOOOOOOO

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IIInInInnndnddinnn rrrrisn is

NDIA EGAL L STORIES THAT COUNT

November 30, 2014 `100


IAfter taking a potshot at the press, Gandhi son-in-law Robert Vadra is back under the spotlight for murky business dealings. A peep into the future 14

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STOR

SPECIAL PROFILEModi’s Man Friday Manohar Parrikar48 32 28

IS HE NUTS?

Bhavdeep Kang diagnoses the death wish

SPECIAL

42

CONGRESS PARTY

PUCKER POWER Smooch for freedom

PLUS

LEILA SETHA Suitable Judge

NITHARI MURDERS Exclusive interview with the condemned man

62

20

6

CATHOLIC CHURCH Divorce, remarriage, gay marriage, live-ins take the stage

EVERY FORTNIGHT INDIA LEGAL WILL BRING YOU NEWS, ANALYSES ANDOPINION FROM THE SHARPEST INVESTIGATIVE REPORTERS AND MOST

INCISIVE LEGAL MINDS IN THE NATION ON MATTERS THAT MATTER TO YOU

ENC

ONLY THE STORIESTHAT COUNT

WORK ON A fortnightly magazine is so fast-paced

and breakneck—you’re already planning the next

two issues before laying the final touches to the cur-

rent one, thanks to deadline pressures and postal

mailing dates—that the editorial team does not give

stories any quality numerical ratings. Once they have

been approved by the edit conference, based on

timelines, focus, relevance, exclusivity, etcetera,

they become part of the editorial baggage which has

to be loaded into the product that the printing ma-

chines are waiting to churn out.

But, rare though they are, there are many occa-

sions when a story touches the hearts of all the staff,

forcing even the most battle-hardened hack to han-

dle it with tender loving care. We have one for you

this time. It’s on the cover. In fact, the subject and

its hero are so compelling that the story

was judged instant cover story material

even before the rest of the news menu—

including a topical, exclusive analysis of

Arun Jaitley as I&B minister—was in.

For people who believe in miracles,

well, here’s one for you on our cover de-

signed lovingly by Art Director Anthony

Lawrence. I am a rationalist. I believe in

science and the laws of motion and evo-

lutionary biology and all that. Maybe the

little angel on the cover can be explained

by empirical analysis of precocious cog-

nitive capabilities and all that. But in this

case, I would rather talk miracles.

So why is Views On News, with its

focus on commentary and analysis of

trends and developments in the media,

putting a “miracle” on the cover? Pre-

cisely because it’s perfect subject matter for our

magazine! This miracle may never have come to

light had it not been for the advent and power of the

social media which, in this case, beat the mainline

press—as it has done in so many other cases—in

getting and viral-ing this story.

The world discovered our subject, Prince Clint

(Clint was his name, “prince” is a title we have given

him, and you will see why) thanks to a new cam-

paign, writes Deputy Managing Editor Shobha John,

started by Kerala Tourism, which was spawned by

through FB, WhatsApp, Viber and WeChat. Adds

Shobha, who discovered Clint as our cover story for

this issue: “His cherubic face and saucer-like eyes

hold your gaze as you watch a film on him on

Facebook.”

The mite with a rather heavy name, as Shobha

puts it, is Edmund Thomas Clint. He is no more but

his name lives on. He died in Kochi on April 14,

1983, at age six. “But in the few years that he tran-

sited through this world, Clint was a prodigious tal-

ent who churned out more than 25,000 drawings

and paintings,” writes Shobha. But that was years

ago when social media was non-existent.

Clint’s God-given talent has hit an all-time high.

Based on this phenomenal child, Kerala Tourism has

launched an unprecedented online global painting

competition for children and received about 10,000

entries from 36 countries. Read the story starting

on page 10 to learn more about how online media

helped to rivet world attention on God’s Own Child,

from God’s Own Country.

SOCIAL MEDIA AND THE ANGEL

EDIT

OR

’S N

OTE

3VIEWS ON NEWS December 7, 2014

C O N Editor-in-Chief

Rajshri RaiManaging EditorRamesh Menon

Deputy Managing EditorShobha John

Consulting EditorRaj Kishore

Senior EditorVishwas Kumar

Contributing EditorGirish Nikam

Associate EditorMeha Mathur

Deputy EditorPrabir Biswas

Assistant EditorSomi Das

Hindi DeskDivya, PriyaArt Director

Anthony LawrenceSenior Visualizer

Amitava SenGraphic Designer

Lalit KhitoliyaPhotographer

Anil ShakyaNews Coordinator/Photo Researcher

Kh Manglembi DeviProduction

Pawan Kumar

Director (Marketing) Raju Sarin

GM (Sales & Marketing)Naveen Tandon-09717121002DGM (Sales & Marketing)Feroz Akhtar-09650052100

Marketing AssociateGgarima Rai

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VOLUME. VIII ISSUE. 05

Published by Raju Sarin on behalf of E N Communications Pvt Ltd and printed atCIRRUS GRAPHICS Pvt Ltd., B-61, Sector-67, Noida. (UP)- 201 301 (India)

All rights reserved. Reproduction or translation in any language in whole or in part without permission is prohibited. Requests for permission should be directed to

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Chief Editorial AdvisorInderjit Badhwar

CFOAnand Raj Singh

VP (HR & General Administration)Lokesh C Sharma

LEDE

GOVERNANCE

SPOTLIGHT

Little Big Man

Media’s lazy goof-upVISVAK SEN describes how a gullible media was duped by a

young engineering student claiming to have NASA and MIT offers

20

10Kerala Tourism turns to social media to draw the world’s

attention to a child prodigy who died at age 6.

SHOBHA JOHN writes about the life and legacy of artist

Edmund Thomas Clint.

Modi’s chief editor 17The PM has entrusted Arun Jaitley with the additional

charge of the I&B ministry not for nothing. His friendship

with journalists and control over the national kitty makes

him the perfect conduit between the government and the

media, writes VISHWAS KUMAR

4 VIEWS ON NEWS December 7 , 2014

T E N T S

INTERVIEW

Director’s cut

FEATURING

Writer extraordinaire!

32

Manu Joseph speaks to

PRITHVI YADAMA about

his books and the curious case

of the social evolution of men

28INTERVIEW

Fearless & just RAJSHRI RAI speaks to Justice

TNK Singh, under whose leadership

Meghalaya has been selected the

best legal service authority

36

OBITUARY

Ben there, done that 24 19 Pages of Hindi Section

R E G U L A R SEdit......................................................03Media-go-round..................................06As the world turns...............................07Quotes................................................08Web crawler........................................09Breaking news....................................42

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Cover design: Anthony Lawrence

FILMS

Cinema as conscience keeper SOMI DAS reflects on films with the

underlying theme of people’s protest,

screened at the recently concluded

Dharamshala International Film Festival.

39

Some professions define good

men, some men redefine

professions. Ben Bradlee’s

endeavors shaped modern

independent journalism, writes

MR DUA

Retirement in Raisina hills? Have you ever wondered why all of a

sudden the ever-vocal and politically

charged LK Advani has stopped

interacting with the media or even

writing blogs? It’s not as if after being

made the member of the Marg-

darshak Committee, often dubbed as

an old age home for the 75+ BJP

leadership, he has renounced an

active political career. A missive

about being awarded the post of

president has been sent to Advani by

senior government officials. But for

that he needs to stay away from all

intellectual discussions and

debates or making any political

comments. This is a small price to

pay considering the big reward.

RAMNEEK SINGH gets

Hansal Mehta to talk

about his style of

film-making and his

political views


EDIA-GO-ROUNDM

Akhilesh Yadav praises media

THE TIMES OF INDIA published a story about itself a couple of days. The reason behind thissudden focus on itself was a story by its Aligarh correspondent, Eram Agha, about controversial comments made by the vice-chancellor (VC) of Aligarh Muslim University, Zameeruddin Shah, on why women students were denied access to the university’s central library. The VC said theywere not allowed as they would attract moremales. This sparked off a national debate andshowed the much-respected organisation asbeing gender insensitive.

However, AMU students and authorities did

not take TOI’s report kindly. They called for a banon the newspaper. TOI has been campaigningagainst the ban and writing regular reports onthe issue on its front page. The paper claims thatAgha has been asked by anonymous well-wish-ers to stay away from Aligarh for a few days asthere was anger against her. TOI also reported:“The Editors Guild of India and Indian News-paper Society have slammed the Aligarh MuslimUniversity’s move to ban TOI on campus, describing it as ‘intolerant and undemocratic’.”Both the bodies have also called for an immedi-ate review of the ban. Later, the VC clarified thathe made the remark in jest.

TOI-AMU face-off

JOURNALISTS WERE in for a tough time as they stood outside SSKIM hospital,Kolkata, where Trinamool Rajya Sabha MP and accused in the Saradha chit fund

case, Kunal Ghosh, was brought after he attemptedsuicide. Journalists were lathicharged as they tried tospeak to the MP, who had taken dozens of sleepingpills in his jail cell. Coming back from an ECG, Ghoshwas stuck in an ambulance for 30 minutes and laterescorted with his face covered with a police cap.Ghosh, who was the chief of the Saradha Group’smedia operations, has named top Trinamool leadersas beneficiaries of the chit fund group but has beendiscredited by his party. He had even threatened thecourt that he would take his life if the “real beneficiar-ies” of the scam were not arrested.

THE VERBAL sparring between Finance Minister Arun Jaitley and his predeces-sor P Chidambaram livened the launch of Rajdeep Sardesai’s book, The Election

that Changed India. They almost forgot the book as the discussions revolvedaround economic reforms, retrospective taxes, Gujarat riots and the 2G scam.Both of them and Sardesai had a discussion on his book that was moderated byKaran Thapar but it was obvious the discussion was going out of hand. Sardesaikept asking the two if Prime Minister Narendra Modi should thank Rahul Gandhifor helping him win with a huge mandate.

UTTAR PRADESH Chief Minister Akhilesh Yadavis known to be often cross with the media. Hehas several times openly criticized it for hypingissues. However, in a change of heart, hepraised the media recently for acting as a bridgebetween the government and people. He said:“Sometimes, government and administration getsuch information through media which is notavailable with us and prompt action is requiredto provide help to the affected people.” Hestressed the importance of information transferwhich “help state and country to march ahead”.Addressing delegates from India and abroad,Yadav called the media the Fourth Pillar ofdemocracy and said that if democracy has to bestrengthened, freedom of media mustbe maintained.

Media lathicharged,prevented from talking toSaradha accused

Rajdeep’s book launch turned into ground battle


INDIAN SHUTTLERS, Kidami Srikanthand Saina Nehwal, did their countryproud when they won the Chinese OpenSuper Series singles titles. The Chinesemedia, however, downplayed the event,with China’s prominent English dailiesGlobal Times and China Daily hardly giving any space to the prestigiouscompetition. The Chinese official newsagency Xinhua ran just a small briefabout Srikanth’s victory. While the eventwas telecast live on CCTV sports channels, media coverage went lukewarm after the whitewash.

Indian shuttlersignored

How the world saw it

Super Reporter!

THESE ARE TOUGH times to work for the print mediaand journalists are being made to put in more hoursfor less remuneration. But the staff at Orange County

Register, a California based newspaper, has beenasked to do something unheard of. The managementhas asked the staff to deliver the Sunday edition of thenewspaper, as the distributor has left some routes uncovered. As an incentive,the management is offering $150 worth of gift cards for a full route whichmeans distributing 600 papers, and $100 for a smaller route.

Scribes turn newspaper boys

WHILE PRIME MINISTER NarendraModi was trying to pull off anotherMadison Square Garden at Allophones Arena in Sydney, the international media was busy coveringvarious developments at the G-20Summit hosted by Australia.The New York Times ran anarticle on Obama’s speech,calling for global collabora-tion in curbing carbon emis-sions. The Wall Street

Journal, on the other hand reported on the tensions between western leaders andPutin over Ukraine. And theultra-nationalist Russiannews website Pravada ran a

column by Timothy Bancroft-Hinchey,who lambasted David Cameron andTony Abott for their “hypocritical, dishonest and groundless” campaignagainst Russia and called US PresidentBarack Obama their master.

BRITISH TELEVISION REPORTER Ade Adepitan brings fresh energy and spunk tothe informative yet—dare we say—slightlyboring programs the BBC telecasts. What isso special, you may well ask. The Nigerian-born reporter was struck by Polio at ayoung age, due to which he cannot use hisleft leg. But this has not deterred Ade. He isseen on a wheelchair, interviewing peopleand even trying his hand at playing an instrument or two with African musicians. A big pat on the back for good old BBC forunleashing this young reporter’s potential.

S THE WORLD TURNSA

The Guardian won two awards at theAmnesty International Media awardsheld in London. The newspaper won theNational Newspaper Award for Pete Pattisson’s article “Revealed: Qatar’sWorld Cup Slaves”, which highlightedthe pathetic and dire work conditions ofimmigrant workers in Qatar. The DigitalInnovation Award went to one of theirteams for “The Shirt on your Back”, aninteractive documentary on how the garments Western people donned weremore often than not made in congestedfactories in Dhaka with no safetychecks. In one incident, it informed,more than 1,130 people were killed.

Humane journalismawarded

Compiled by Prithvi Yadama


U O T E SQ Swapan Dasgupta, Senior journalist If Karan Thapar wants 2 call me “BJP-supporting Journo”, he should have described Mushirul Hasan & GopalGandhi “Congress-endorsed” notables.

Madhavan Narayanan,columnistRaghuram Rajan keeps promise,speaks in Hindi at RBI function. Just exactly how many languages in whichcan he say: “Won't cut rates”?

Rajdeep Sardesai, consulting editor, TV TodayMurky times for cricket! Who are the 5‘big’ names still not named in theMudgal report by the Supreme Court?

Seema Goswami, columnist, HindustanTimes It used to be said that journalism wasthe first draft of history. Now it looks asif gossip is the first draft of journalism!

Anubha Bhonsle, executive editor, CNN-IBNSo much smooching in our papers,someone should try Kiss of Love in ourcolonies as well and see how similarreactions are to the RSS fellas.

Jawhar Sircar, CEO,Prasar Bharati As I&B Minister Arun Jaitley wants tobring back the glorious days of Doordarshan.

Sunetra Choudhury,anchor, NDTVSo is it really true that @AmitShahOf-fice is taking Bengali lessons as thediary item suggests?

Nero was adopted into the family of EmperorClaudius, Modi parachuted in after theRashtriya SwayamsevakSangh family was fed upof the Bharatiya JanataParty’s doings. I am fondof both men, of course.— Aakar Patel, columnist, on the similarities between the lives of Romanking Nero and Indian Prime Minister Narendra Modi, in Mint

Important question is that as a boy raised in asmall town in Nehru’s new Indian republic, whatwould have become of Modi if he had not sought

refuge in politics? Exactly what became of almost anyone of his generation who was not

rich, connected, proficient in English or highly educated.

— Manu Joseph, journalist and author, on how Narendra Modi isa product of Nehruvian policies, in Outlook

In India, cricket-writing is a bastion of journalistic mediocrity, which forces the literate Indian fan to survive on a diet of foreignwriting. — Tunku Varadarajan, columnist,praising Mumbai-based journalistDilip D’Souza’s book Final Test (about Sachin Tendulkar’s last Testmatch in November 2013), in Openmagazine

Maharashtra has always prided itself as “superiorin political culture” to, say, Bihar and Uttar

Pradesh. But now that the myth of Maharashtra’smoral high ground has been exploded, a new

Jungle Book is being written.—Kumar Ketkar, senior journalist, on post-alliance fiasco in

Maharashtra, on NDTV


EB CRAWLER WHAT WENT VIRAL

GERMAN MIDFIELDER Christoph Kramer is a very unfortunate foot-baller. After being a surprise inclusion in the World Cup final, the 23-year-old suffered a concussion midway through the match. Reducedto tears, he was forced to go off in the biggest game of his life. Just afew months later, Kramer’s bad luck was at it again. Playing a crucialmatch against rivals Borussia Dortmund, Kramer’s astounding backpass from 45 yards looped over his goalkeeper and bounced into thenet. That bizarre self-goal gave Dortmund a narrow 1-0 win and madeKramer the target of online trolls. The video of the shocking self-goalrecorded more than a million views in just four days.

World Cup winner’s shame

THE SUDDEN outbreak of Ebola has resulted in a tumultuous time for Africa.It’s clear that the continent could doanything to lift people’s spirits, and thatis exactly what African artists tried to doas they united to sing Africa Stop

Ebola.The reggae composition, which

talks about having faith in doctors, wassung by musicians from Mali, Guinea,Senegal and other nations.

It has been broadcast on WestAfrican airwaves since its launch onOctober 27, and has about 100,000YouTube views.

Singing in the shadows of Ebola

FANATICAL FOLLOWERS of the Star

Wars franchise were in for a surprisewhen Disney revealed the name of thelatest installment completely out of theblue on Twitter. Earlier titles had been preceded by prior announcement andmuch fanfare. Star Wars: The Force

Awakens is the seventh part of the movie

saga, which began way back in 1977.The last film in the series was released in2008. Reactions on Twitter ranged from“This is a weird Star Wars title” to “I justthought after the first 6 films the forcewould already be awake.” It is one of thefirst films to have its title announcedsolely on Twitter.

New Star Wars title revealed

ASK ADAM NOLAN of the UK how impor-tant social media is, and he’ll probably offeryou a gleaming smile. When his Border Col-lie, Jasper, vanished during a trek, Adamstarted a social media campaign using#FindJasper, as 6,000 people helped withthe search. Jasper was found three dayslater, thanks to the efforts of a rescue team,a helicopter and the community’s doglovers. Nolan took to Facebook to expresshis thanks: “I’m over the moon to announcethe return of my best friend Jasper.” He laterset up a page on JustGiving website, whichraised £51,000 from nearly 5,000 donationsfor the rescue team.

Viral campaignrescues dog

W

— Compiled by Shamir Reuben


The 25,000 paintings left behindby this child prodigy have beenused by Kerala Tourism to spawn amassive, online global paintingcompetition. But who was Clint andwhat was his legacy?BY SHOBHA JOHN

Meet God’s OWN CHILD

Lede Kerala Tourism driveEdmund Clint’s paintings


NE such “prince” was Clint. His cherubic

face and saucer-like eyes hold your gaze

as you watch a film on him on Facebook.

The mite with a rather heavy name, Ed-

mund Thomas Clint, is no more, but his

name lives on. In fact, he passed away in

Kochi, way back on April 14, 1983, at the ten-

der age of six. But in the few years that he transited through

this world, Clint was a prodigious talent who churned out

more than 25,000 drawings and paintings, winning many

awards in his state, Kerala, and elsewhere. However, that was

years ago when social media was non-existent.

Thanks to a new campaign started by Kerala Tourism,

which was spawned through FB, WhatsApp, Viber and

WeChat, the reach of Clint’s God-given talent has hit an all-

time high globally. Kerala Tourism also received limited rights

to use 30 of Clint’s paintings from his parents, MT Joseph and

Chinnamma Joseph.

MASSIVE CAMPAIGN

In fact, after discovering Clint, Kerala Tourism launched this

massive, innovative, online global painting competition – Clint

Memorial International Children’s Painting Competition – for

those between 4-15 years, which began on January 15 this year

and closed on May 31. It was designed to encourage kids to use

their creativity with crayons, color pencils or paints to make

pictures of Kerala. The tourism department provided two e-

books— one on the life of Clint and the other on Kerala—to

all participants.

“Kerala Tourism received close to 10,000 entries from as

many as 36 countries, with Vietnam topping the list from

abroad with 95 entries,” says Suman Billa, Kerala’s tourism sec-

retary. The results, declared in October, saw Anujath Sindhu

O


LASTING IMPRINTThis signature of Clint’s drawn at theage of four has been engraved on hisgrave and his house in Kochi

When beggars die, there are no comets seen;

The heavens themselves blaze forth the death of princes.

—Julius Caesar

Vinaylal of Thrissur winning the first prize, followed

by Irtiza Anika Haqe Probonti of Bangladesh, while

the third prize was shared by Viara Pencheva of

Bulgaria, Meenakshi Nair J from Kottayam, Kerala,

and Meghna Unnikrishnan from Chennai. There

were 20 consolation prizes.

The competition was judged by the chairman of

Kerala Lalit Kala Academy, KA Francis, art critic-

writer-curator ML Johny, painter-writer Mimi

Radhakrishnan, artist Anandamoy Banerjee and

sculptor George Martin. Incidentally, two air tickets

to Kerala and a tour package for six nights in the

state were offered to the first five winners and two

volunteers who persuaded the maximum number

of kids to join the contest. What an innovative way

to showcase tourism. But then, Kerala Tourism has

been way ahead of other state tourisms and is best

known for its “God’s Own Country” branding.

Kerala Tourism also made two short films on

Clint’s life, which received a whopping one million

views on YouTube and other online platforms

within four months of their launch. One of them

was called “God’s Own Child in God’s Own Coun-

try”. Seven books, including A Brief Hour of Beauty:

A Tribute to Edmund Thomas Clint, the Master Who

Died Young by Ammu Nair, were also written on

him. In addition, documentary film-maker Sivaku-

mar’s film Clint won awards at various international

film festivals.

HAND OF GOD

But how did Kerala Tourism discover Clint 30 years

after his death? Billa, who started the Clint

Soon, Clint’s rampaging imagination tookover and he would lay his hands on anymedium—chalk, crayons, oil paints or watercolors—to capture the myriad hues of the vibrant world around him.

CREATIVE JOURNEY CUT SHORT(Facing page, extreme left) Clint at the painting competition wherehe won the gold medal (left) Receiving a prize for his brilliant work(right) Clint with his parents when he was two years old

campaign, says that while he had heard about Clint,

he seriously looked at him after reading Ammu

Nair’s book on him. “I discovered the hand of God

in this little boy’s paintings,” says Billa. “I was

stunned by his use of colors which seemed like Vin-

cent van Gogh’s and felt that the miracle of his cre-

ativity needed to be told. There is an element of

wonder and astonishment in the way Clint drew.”

But who was Edmund Thomas Clint, the lit-

tle Picasso India nurtured for such a short

while? He was the only son of his

parents. As his father was a

huge fan of cowboy

movies, he named


him after his favorite movie star, Clint Eastwood.

VON spoke to his father, MT Joseph, a septua-

genarian in Kochi, to get glimpses of Clint’s genius,

which he noticed when he was still a baby. “Clint’s

talent was God-given, as no one in the family

had any creative background. While I was an audi-

tor with the Indian Council of Agricultural Re-

search, I was also a wrestler and my wife was a

basketball player.” At six months, he noticed Clint

with a pebble in his hand, trying to draw something

on the floor. “I gave him a chalk and soon, saw him

lying on his little belly and using his body as a ful-

crum to draw a big circle,” said Joseph.

A GENIUS IS BORN

Soon, his rampaging imagination took over and he

would lay his hands on any

medium—chalk, crayons, oil

paints or water colors—to capture the

myriad hues of the vibrant world around him.

So be it coconut trees, boat races, elephant proces-

sions, the brilliant setting sun or Ravana, all were

inspirations for Clint. Joseph claims that he even

drew the outline of Maruti’s Ritz, which came out in

2009, when he was four.

He was also a voracious reader and had read

Christian parables, Aesop’s Fables, Robinson Crusoe,

Mahabharata and Ramayana among other books.

His favorite was Moby Dick and The Hunchback of

Notre Dame. “At one year and two months, he wrote

Malayalam alphabets and at two years, he could

read, write and speak Malayalam. At four years, he

could read, write and speak English,” says Joseph.

He would also watch artist Mohanan drawing, mes-

merized, when he dropped into Joseph’s house.

His talent further flowered as Chinnamma,

Clint’s mother, would take him on long walks, where

the observant boy would notice birds, flowers, fish

and even the local butcher, all of which were

immortalized on paper. He even got his father to

buy him binoculars to watch the objects of his

affection. Soon, he started winning prizes in paint-

ing competitions. The most prized was a gold medal

at a prestigious painting competition organized by



Universal Arts at Kozhikode in February 1983,

where some 10,000 children took part.

But even as his creativity soared, his tired body

was breaking down. He suffered from prolonged

bouts of illness and finally, two months after

receiving the gold medal and a month before his

seventh birthday, Clint died of kidney malfunction.

For Joseph, the memory of his son will live on for-

ever. “My family is now like a three-legged stool

which has lost one leg. I feel his presence constantly.

Even after 30 years, I can’t sleep peacefully thinking

of him,” says the father emotionally.

THE MEMORY LIVES ON

Joseph has already got 6,500 of his paintings

scanned, which will be exhibited in art galleries.

There are plans to start a Clint Art Gallery in Kochi

to exhibit his paintings. Joseph says that if he has to

display all of Clint’s works, he would need 400 walls.

Ammu Nair sums up Clint’s prodigious talent in

her book, A Brief Hour of Beauty: “Once in a while,

nature changes its normal course while moulding a

few chosen lives. And a Mozart who wrote his first

symphony at age eight and a Pablo Picasso who

created one of his celebrated works,

The Picador, at age seven and a Clint

are born.”

While the painting competition has

made Clint’s name famous, Kerala

Tourism has a larger game plan, says

Billa. To begin with, the competition

would go well with the Kochi-Muziris Bi-

ennale, an international exhibition of con-

temporary art, which would be held in the port

city from December 12, 2014, till March 29,

2015. The first successful edition was held on

December 12, 2012, and hosted 80 artists globally.

The biennale has Indian and international artists

exhibiting work across a variety of mediums—film,

installation, painting, sculpture, new media and per-

formance art. It also has workshops and seminars

to further the cause of art. “We want to make Kochi

to be the art gallery of India. Kerala, with its natural

beauty, is an apt place for it. Clint’s exhibition would

further that cause,” says Billa.

Secondly, Clint’s story will inspire other children

and allow them to paint Kerala in all its rawness.

“We want tourists to see Kerala with the same


child-like perspective,” says Billa.

ML Johny, one of the judges, says most of the

participants drew typical Kerala imagery such as

boat races, Kathakali, elephants, King Mahabali, vil-

lage scenery, etc. “It was obvious that many were

brought up in an image-saturated world where a

train would be a bullet train, not a simple passenger

one. This visual bombardment divested some of the

children of their creative faculties,” says Johny.

However, paintings of children who competed

from Russia, East European countries and Africa

showed freshness. “Their green was different from

Kerala’s green, their Ganeshas were surreal and their

elephants had huge ears like African ones,” he says.

Even spatial representation was good, as some had

a bird’s eye-view of things, quite like Mughal minia-

tures. However, Clint was far ahead of his contem-

poraries, attests Johny. Even Joseph says: “The

competition was good, but it didn’t come up to

Clint’s standard.” In Clint’s paintings, there was the-

matic and stylistic innovation which was untouched

by Western ideas of art, explains Johny.

Had he been alive, he would have been 38 years

and one of the foremost visual artists of the world.

“But it was obvious that his little frame couldn’t con-

tain this explosion of creative energy and that he

was like a caged bird. He achieved artistic excellence

at a young age, quite like the Romantic poets, John

Keats and Lord Byron, but like them, Clint’s destiny

was short-lived,” says Johny.

And the world has become poorer for it.



RIME Minister Narendra

Modi’s recent cabinet resh-

uffle has no big surprises,

except finance minister

Arun Jaitley, who has been

given additional charge of

the information and broadcasting (I&B) ministry.

The change has been a well-thought-out move, with

MODI’S SUPER EDITORTAKES OVER

Smooth-talking, suave Arun Jaitley is expected to beModi’s voice when it comes to dealing with the media,

with which he enjoys an enviable rapport BY VISHWAS KUMAR

a view to making the government’s communication

outreach more effective. It is also meant to formu-

late policies on “sensitive” issues like raising foreign

direct investment in print media, allowing news on

private radio channels, cross-media holdings,

guidelines for news channels, TV licensing, etc.

However, the most important task assigned to

Jaitley by the PM is to “revive” the moribund

P

GovernmentI&B ministry


GovernanceI&B ministry

now top editors. His legal acumen, an in-house

team of experts of freelance journalists, which

tracks every important news, and his good news

sense have earned him the reputation of “super

editor” and “bureau chief”.

Several reasons prompted Modi to make the

change. One was the feeling that the government

had started to lose speed in reaching media outlets

in an era of “instant” communication. This, it was

felt, was because of ministers being overloaded with

work due to multiple responsibilities. The delay in

release of information often led to speculations and

miscommunications, which badly damaged the

government’s image. One was the black money

fiasco, when the government failed to immediately

communicate the complex issues surrounding it,,

leading to a hue and cry that it was going back on

its promises of bringing back this black money to

India. It forced the PM to do damage control by

taking up the issue during his Mann ki Baat talk

sessions on radio.

Ever since the government was formed in May,

Modi has shouldered the major burden of commu-

nication with the media. Earlier, it was in the form

of “tweets” on his social media handle. But that was

not enough to satisfy the “thirst” of 24x7 television

channels. There was a need for someone to

national broadcaster, Doordarshan News (DD

News). According to sources, the Modi government

is keen to “revamp” DD News and extend its reach

abroad in a bid to reach the large Indian diaspora.

But good television needs huge funds and many

professionals. At present, DD has neither.

DOUBLE GAIN

So there was a need to first get a minister in the I&B

ministry who understood both finance and media.

With the experience Jaitley has had as I&B minister

in Atal Bihari Vajpayee’s government in 1999, he

seemed the perfect choice. He controls the national

budget and has a rich experience of media. He has

always been the BJP’s media face in the capital.

He had lived all his life in Delhi and cultivated

friendships with journalists since his student union

days at Delhi University. He worked with several

journalists during the Emergency and many are

Jaitley controls the national budget andhas a rich experience of media. He has

always been the BJP’s media face in thecapital. He had lived all his life in Delhi

and cultivated friendships with journalists.

BROADCASTING THERIGHT MESSAGE

I&B Minister Arun Jaitleywith outgoing ministerPrakash Javadekar and

Minister of State for I&BRajyavardhan Rathore,

on the occasion of takingcharge of the ministry

PIB


WATCH OUT! Tweets and comments on Jaitley as I&B ministerParsa V Rao Jr@ParsaJr Nov 10I&B minister Arun Jaitley a testfor media. It has to resist theaffable, persuasive leader tohold its independent line.

Ratnakar Sadasyula@ScorpiusMaximus Nov 10Congrats @arunjaitley sir onbeing I&B minister, now willyou please cut down on yourmeetings with @ndtv, won'tlook too good.

Debashis Basu@Moneylifers Nov 10With Arun Jaitley as Ministerfor Finance, Corp Affairs andI&B, NDTV will have no problems, maybe

incident involving Tarun Tejpal and a young jour-

nalist is in a different league altogether. The victim’s

complaint makes out a clear case of rape. The def-

inition of rape was amended by the parliament

subsequent to the Justice Verma Committees

recommendations…”

After highlighting the legal aspects of the case,

he concluded: “Manish Tewari (former I&B min-

ister) was in Goa recently. He discovered Hitler

there. What a pity that he could not discover a se-

rial rapist in Goa. Additionally we will all await if

the outrage in the media is proportionate to the

offence. Or will journalistic pressures be brought

on the young journalist to conceal the truth. May

be secular philandering is to be dealt with a differ-

ent standard. We all wait to see if the young lady

testifies to the truth or not.”

It’s obvious that media perceived to be close to

the previous Congress regime will now have to be

careful.

MONEY BAGFinance Minister ArunJaitley arrives in parliament to presentthe budget on July 10

directly engage with them, either through press

conferences or “off the record” briefings on key

government policies, engagements and positions.

RAPPORT WITH MEDIA

In such a situation, the government felt it was im-

portant to put a person in-charge of “communica-

tion” who enjoyed the PM’s full trust and also had

“credibility” and “rapport” with mainstream media.

Sources say that another important factor that was

kept in mind was the realignment of opposition

parties. Political forces in country had got aligned

between pro- and anti-Modi camps from the ear-

lier era of pro- and anti-Congress ones. The same

divide is likely to reflect inside parliament, which

needs to function smoothly to carry out key legis-

lations. In such circumstances, there was an urgent

need to have an “effective” mechanism to counter

opposition onslaught, both inside and outside par-

liament. With parliament debates expected to wit-

ness more rancor, much of it would also be played

out in TV studios. And someone of Jaitley’s stature

would lead from the front.

Modi and Jaitley also share a similar public

antipathy for “Congress-linked” media or media

houses, whom they often refer to as “secular

media”. Mostly restrained and articulate in his

comments, Jaitley seized the opportunity of taking

out his “frustration” over mainstream media when

news broke out of former Tehelka editor Tarun

Tejpal—considered close to the then Congress

regime—being involved in a sexual assault case

with a junior colleague.

In a Facebook post of November 21, 2013,

Jaitley wrote: “The Indian Media is on trial. A

young intern alleged that a retired Judge had made

an improper advance towards her. The media

reported it extensively. The Chief Justice of India

appointed a three Judge inquiry to examine the

issue and report its finding. A section of the media

is outraged that the police in Gujarat was protect-

ing or allegedly keeping an eye on a young lady

even with her and her family’s consent. The Goa

Anil Shakya


RUN P VIJAYKUMAR was, like

many engineering graduates in this

country, ambitious to a fault. He

graduated from IHRD College of

Engineering near his native town of

Manimala in Kerala with an excel-

lent academic record and seemed to

have exciting prospects ahead of him. From there though,

comparisons with his peers abruptly end.

In September 2012, Arun, who was doing his MTech

from Maulana Azad National Institute of Technology in

Bhopal (MANIT), was offered an opportunity to become a

research scholar at the famed Massachusetts Institute of

Spotlight Media laziness

It was one of the biggest con jobs in India and themedia fell for it hook, line and sinker. How did an MTech student manage to do this? BY VISVAK SEN

AWHEN THE

MEDIAGOT

DUPED

PV Arun controversy


Technology (MIT), while simultaneously working

as a scientist on NASA’s extraterrestrial research

program. So it was claimed.

HUNGRY FOR NEWS

As this seemed quite a coup for a student, reputed

media outlets, including The Hindu and The New

Indian Express, in their hunger and hurry to get a

good news story, picked it up. It was quickly

mashed into the standard format of “a small-town

boy made good”.

“Arun sees this journey as an opportunity to

‘gain as much knowledge and experience as possi-

ble’ and plans to return home and work for the

ISRO,” proclaimed The Hindu story, headlined, “In

search of extraterrestrial life”. The New Indian Ex-

press, in its piece titled, “His dreams make a ‘con-

tact’ with ETs”, reported that “lucrative job offers

from three MNCs did not lure Arun as the advice

of his teachers was ringing in his mind to scale new

heights in research”. It went on to say that Arun had

rejected research invitations from Stanford and

Cornell in favor of MIT and a chance to work with

NASA. Both stories were filed on the same day—

September 19, 2012—and stemmed from an event

organized by his former college, IHRD College of

Engineering, to felicitate him.

Over the next two years, Arun became a minor

celebrity. News channels followed him on a pil-

grimage to Sabarimala, his old school and college

hosted functions celebrating his achievements and

a Facebook page created by an admirer gathered a

fan following.

In 2014, Arun resurfaced in a Telegraph piece

with a nationalistic tinge. Titled “Patriot NASA boy

turns hero”, the article detailed how NASA had

relaxed its citizenship requirements for Arun, who

had insisted on retaining his Indian passport.

“It could not be confirmed whether NASA had

made a similar concession for anyone else before,”

the article said, implying that confirmation had

been sought.

The Telegraph article also claimed: “Arun

received an invite to the prime minister’s home

after Narendra Modi learnt how the 26-year-old

from Kottayam had declined to give up his Indian

citizenship when NASA offered him a job.” This

made Arun an instant hit with right-wing social

media outlets. The story quickly went viral.

FABRICATIONS GALORE

And this is where it started to unravel. A Google+

post by Patric Edward, an NRI accountant, about

the story became a topic for discussion. Proof

quickly piled up that Arun had fabricated every-

thing. Contributors of a Google+ group attempted

to verify whether his name was on MIT’s rolls, or

any NASA registry, and looked up his research

publications. Sadly, this should have been done by

journalists, but all them had forgotten the basic

tenets of their profession, which is cross-checking.

The trail led to the Royal University of Bhutan,

where Arun was employed as an assistant professor.

A few days later, Deccan Chronicle broke the

story of the fraud and the expose showed the

alarming tendency of publications to jump on to

the nearest bandwagon. Deccan Chronicle and, sub-

sequently, other publications, credited Jayanath

Jayanthan, SP, telecommunications, Kerala

Police, and his “Netizen Police” Facebook initia-

TEMPORARY GLORYArun celebrating with his undergraduate classmates when thenews of MIT offer broke out


tive for busting Arun’s claims. While Jayanthan did

the legwork of tracking down Arun and question-

ing him, the real credit for unraveling his deception

should go to Edward and his virtual friends.

Rohit Raj, the Deccan Chronicle correspondent

who broke the story, spoke to VON about his con-

versation with Arun (see box) and said he got his

contact details with the help of Jayanthan and

directly called him up. “At first, he refused to accept

that he was not a NASA person. But when I asked

him whether he had got the job at Bhutan Univer-

sity based on the articles on him, he started to untie

the bundle of lies. He told me he had not visited

America for a NASA project. He accepted that he

was working at Royal University of Bhutan and had

never been to MIT. He hasn’t met renowned com-

puter scientist Dr Barbara Leskov as claimed. Arun

confessed everything but claimed that he was not

doing any fraud or making money from his claims.

He added that he was working on a new model

which would enable him to meet Dr Leskov and

work in NASA. ”

TOO REMOTE TO CHECK?

Raj says the reason why Arun was able to dupe the

media was that he lived in the remote village 20 km

from Kottayam where

national media often

cannot reach. How-

How did you crack the story? I got a tip-off from the police on October 23 thisyear that Arun was actually a fraudster and hadn'teven visited the US. Over the next two days, I sentemails to NASA and did research to find out if ayoungster could really fool everyone and claim hehad met the Indian prime minister. The next day,Jayanath Jayanthan, an SP, forwarded me an emailof Tshten Dorji, head the department of informa-tion and technology, Royal University of Bhutan,which said that he worked there between July2013 and July 2014. On the evening of October 26 ,I got reliable information that Arun had never traveled to the US. With the strength of that tip-off,I decided to go ahead and file the story.

Did you speak to Arun for a confirmation? On October 27 , I called him and asked him to handover a photograph of his meeting with Modi. Hedodged my questions and maintained that he was

Deccan Chronicle’s Rohit Raj, who first reported the story about Arun’s fraud, speaks to Somi Das

a NASA guy. He promised to send a photograph, buthe didn’t. I called him once more. He again refusedto accept that he was not a NASA person. But whenI asked him whether he had got a job at BhutanUniversity based on the articles published by themedia, he confessed to all his lies.

What did he tell you? He said he had not visited the US for a NASA project,had never been to MIT and was working at theRoyal University of Bhutan. Before filing the story, Iasked Arun to hand over documents, if any, to provehis point. After the story appeared in Deccan Chronicle, Arun's former teachers, media and thepolice visited his house.

How was Arun able to pull off this trick on themedia? Most of news published about him was written bystringers of vernacular Malayalam dailies from

Manimala (Kottayam districtof Kerala), a ruralarea. They didn'tcross-check or even ask for documentary proof fromhim to buttress his claims. Other (national) mediablindly followed up the story. Mathrubhumi carriedthe story on Page 1.

Why did the police go to his home asking forhis passport? After the news broke out, Arun switched off hisphone and newspapers and several channelsstarted calling the local police station. DSP of Kanjirappilly, Suresh Kumar, asked the police toconduct a search as Arun was a prominent figure inthe area due to his NASA claims. The police seizedvarious documents that proved that his claims werewrong. Two days later, Arun’s parents also confessedabout their son's lies.

“I NAILED ARUN’S LIES ON A TIP-OFF”

Spotlight Media lazinessPV Arun controversy


ever, he says, it was PTI which first reported

Arun’s incredulous story. “While he was studying

in MANIT in 2012, his professor, Dr SK Katiyar

of the civil engineering department, spoke to PTI

and the agency filed a story stating that Arun had

got an offer from US MIT-Lincoln Lab,” says Raj.

This lack of investigation by the media

showed a mixture of naiveté and laziness on the

part of journalists, says Paranjoy Guha Thakurta,

eminent journalist and media critic. “Journalists

are supposed to be curious and exercise a certain

degree of due diligence. It is important for them

to have a healthy amount of skepticism and dou-

ble-check all their facts. Clearly, that was not

done in this case,” says Thakurta.

He says the desk (of a media company) must

share the responsibility for this lack of due dili-

gence. “Publications like The New Yorker and The

New York Times have fact-checkers whose job is

to verify everything. In our country though, as

media finances have been squeezed, this aspect

of journalism hasn’t been given the importance

it deserves,” he says.

Worse, most of the newspapers that carried the

initial reports, have not issued retractions or writ-

ten follow-up stories. Their reporters have

neither responded to VON’s email questions, nor

have been available for comment. This is not the

story of Arun. It is the story of a gullible and lack-

adaisical media that swallows anything that is

wrapped in “newsworthy” gloss and refuses to ac-

knowledge its errors.

Of course, the media industry as a whole is op-

erating under a dark cloud of late, as readers have

become more aware of the influence of corporate

houses on editorial decisions. The errors commit-

ted in this case are far less nefarious. It is hard to

decide which is worse—a paid media or a lazy

media. But in times of limited public trust, these

mistakes are eminently avoidable.

As Arun’s lies did not cause harm to anyone, the

police have preferred not to file charges. However,

the whole saga has caused serious damage to the

reputation of several major newspapers and left

readers wondering how many tall tales they have

read so far.

AIMING FOR THE SKYThere was nothingwrong in Arun’s ambitionto join MIT (facing page)and NASA, but the problem lay in choosingthe wrong trajectory to fame


ObituaryBenjamin Crowninshield Bradlee

He forced President Richard Nixon to quit in the wake of theWatergate scandal. And as editor of The Washington Post, Ben

was a man much feared and feted BY MR DUA FROM MASSACHUSETTS

THE LION-KINGEDITOR


newspaper and made it the best among American

dailies. For, “by virtue of his job, charisma and elan,

Ben was perhaps the most powerful man in Wash-

ington”. He was also branded as “the last of the lion-

king newspaper editors…who could be classy or

profane, an energetic figure.”

Let’s recall what made Ben such a top-notch ed-

itor. Read what he writes in his 1995 memoir, A

Good Life: Newspapering and Other Adventures,

about his early days as editor when he started build-

ing his editorial team at the Post. “A Washington

Post reporter would be the best in town on every

beat…we had a long way to go.” Again, he

described a reporter as “the best lie detector”, and

E was an icon for

journalists not only

in the United States

(US), but across the

globe. He was a news-

paper titan and dabbled

with all aspects of journalism—reporting, editing,

ideating, managing and supporting investigative

stories, soft writing…. You name it, Ben Bradlee

had mastered it. Though his full name was Ben-

jamin Crowninshield Bradlee, he was affection-

ately called Ben or Benny, but rarely his full name.

Ben was born on August 26, 1921, in Boston—

the second son of Frederick Joseph Bradlee Jr and

Josephine de Gersdorff Bradlee—in a house lo-

cated in the same neighborhood as US President

John F Kennedy, who was also Ben’s childhood

buddy. Polio struck when he was ready to join

Harvard. He became temporarily paralyzed from

waist down, but with his father’s efforts he recov-

ered fast and graduated from Harvard in 1942 as

a Greek-English major. After a quick wedding, he

joined the US Navy on the same day.

GLORIOUS YEARS

In 1948, Ben was on his way to attend a call from

The Baltimore Sun, but decided to miss the inter-

view. Instead, he was hired at The Washington

Post. In 1954, Ben married second time, and in

1957, he joined Newsweek, but returned to the Post

in 1961. Thereafter, it was no looking back. Ben

spent the next 26 years at the Post in several posi-

tions and became the greatest journalist of his

time. He remained so until the last day of his life.

When Ben passed away this October at the

ripe age of 93, mediapersons across the world

mourned the loss. In the words of one of Post’s

senior writers, the death of its legendary editor

“marked the end of an era in Washington journal-

ism”. But almost anybody who was somebody cel-

ebrated the occasion, because Ben had lived a full

life. During his editorship of the Post, Ben

planned, executed and shaped the contents of the

DIGGING UPTHE TRUTHThe then US presidentRichard Nixon leavingWhite House. He hadto resign after he was exposed in the Watergate scandal,courtesy storiespublished in TheWashington Post. Aseditor, Ben Bradlee(facing page) ensuredthat Nixon’s involvement came to light


ever, an American president had to resign while in

office. Ben was outraged at Nixon’s behavior… for

“Nixon had lied over and over again with intent to

deceive the American public and save his ass from

the consequences of his crimes,” Ben wrote in his

memoirs. The Post wrote on his death: “The lesson

for journalists was in Ben’s fusion of doggedness,

fearlessness and professionalism.”

The Watergate scandal’s comprehensive re-

portage had “consolidated the Post’s reputation as

a crusading newspaper… that uncovered a political

scandal involving secret funds, espionage, dirty

tricks, and illegal wiretapping.” All at the behest of

Ben. This built the Post’s professional status and

led to its market stock touching new heights: its

circulation almost doubled and its ad revenue

swelled. This unexceptionable political event also

lead to the appearance of several books and box-

office movies.

While the Watergate events set new landmarks

in public life and critiqued the American presi-

dent’s conduct, the exploits of the two young re-

porters inspired many students to rush to

American schools of journalism. The “business of

“nothing mattered more to him than exposing the

truth even if it took a long time.”

Like a true journalist, Ben felt bad when profes-

sionally beaten by a rival, The New York Times,

which got a scoop in publishing the Pentagon Pa-

pers. That upset Ben profusely. But after a local court

restrained NYT’s further publication, the Post’s re-

porter also secured a copy of the Pentagon Papers

and started publishing it. Meanwhile, the Supreme

Court allowed the publication to both. With that

story, the Post was able to uphold its reputation

somewhat. That incident however, alerted Ben and

his reporters to be constantly on the prowl in the

capital for bigger exclusives and scoops.

MEGA STORY

As luck would have it, Post reporters soon succeeded

in bagging a mega story: “The Watergate Hotel

break-in scandal”. As soon as Ben realized this had

the potential to be a big political scandal, he com-

missioned two young reporters, Carl Bernstein and

Bob Woodward, to aggressively chase the story,

which disgraced President Richard Nixon by linking

him with a burglary for re-election. For the first time

DOGGED PROBE(Above left) Journalists

Bob Woodward (left)and Carl Bernstein’s

brave reporting on the Watergate scandal

won a Pulitzer Prize for The

Washington Post

(Above right) In 1978,Ben marries for thethird time, with hisjunior colleague, at

The Washington Post,Sally Quinn

ProfileBenjamin Crowninshield Bradlee


The Washington Post into one of the country’s finest

newspapers, the standard he set...for honest, objec-

tive, meticulous reporting.”

Donald Graham, who succeeded Katharine as

Post’s president, said: “The values Ben instilled in

our newsroom—independence and fairness, ag-

gressive reporting, compelling writing and individ-

ual initiative—will long outlive him.”

He further added: “Thank God, the person

making the decisions in the last 26 years as to how

to do it, with verve and guts and zest for the big

story, and for the little story…the day he walked in

here, of getting the best staff of reporters and edi-

tors and photographers in the US to join him in

putting out a great newspaper. It is Bradlee’s paper,

that’s what anybody would say about us today, and

hopefully, Benjy, they’re going to say it for a long

time to come.”

One of Bradlee’s great friends, former ambassa-

dor to India, and senator, the late Daniel Patrick

Moniyhan, said on Ben’s retirement from the Post:

“O, rare Ben Bradlee

His reign has ceased

But his nation stands

Its strength increased.”

journalism changed” for years to come.

Feeling amply satisfied and content about his

journalistic forays, Ben started taking life easy. In

1978, he married a third time, this time with his

junior colleague at the Post, Sally Quinn, 20 years

younger. Sally survives him along with their son,

Quinn Bradlee. Ben also has three children from

his previous marriages, ten grandchildren and a

great grandchild.

AWESOME REPUTATION

During his editorship, the Post won 18 Pulitzer

awards. Unfortunately, its unblemished record got

tainted when a fabricated story about an eight-year-

old drug addict was awarded a Pulitzer. It was writ-

ten by a Post reporter, Janet Cooke, who was a Black.

Though the award was returned, Ben felt embar-

rassed and wanted to resign as it was he who had

recruited Janet in order to encourage Blacks to join

the editorial staff. However, Post’s president Kath-

arine Graham did not let him go.

During his funeral, Sally, described her husband:

“After Watergate, Ben went out in the woods with

his son, Quinn, he was the ‘killer’ Watergate editor,

‘the giant slayer’, one who did not suffer fools, the

one who would kick anybody over the edge of the

cliff for a story, the most powerful, and the most

feared.” A close admirer of Ben said there were “sto-

ries of women throwing themselves on him in

dimly lit arcades of Paris at his description of Wa-

tergate and the Pentagon Papers.”

Time magazine described Ben thus: “He seized

people up in an instant….What made Ben a great

newspaperman was that he had exactly the right

blend of intelligence and patience, plus an infectious

hunger to be in the know. His reporters vied relent-

lessly to find stories sexy and important enough to

catch and hold his restless interest.”

US President Barack Obama, who awarded him

America’s Medal of Freedom in November last year,

said: “For Ben Bradlee, journalism was more than

a profession, it was a public good, vital to our

democracy…a true newspaperman, he transformed

HAPPY FAMILYBen and Sally withtheir son QuinnBradlee


This high-profile journalist and acclaimedwriter lives life on hisown terms. He predictsthat in the next 20-30years, men won’t be ableto sustain the current domestication as it is unnatural and they wouldbreak free. MANU JOSEPH ina candid interview

Featuring Manu Joseph

“DO YOU WANT TO BE AGOOD PERSON OR BEYOURSELF?”

We see writers, intellectuals andretired bureaucrats tweetinggyaan and promoting themselves.Why have you kept away from it? I just cannot handle another window to the

world. There are enough. Also, I find Twit-

ter restrictive compared to Facebook, which

is a larger room. More important, I have

very little to say.

Another new development in

this Twitter age is “microfiction”,quick tales for an impatient

generation. Where do you see this going?Nowhere. But “tweets” as a form of story-

telling are enduring and in the hands of a

good writer, can be very entertaining.

Recently, New Yorker magazine had pub-

lished a beautiful short fiction by Jennifer

Egan, told entirely in tweets. That short

story inadvertently exposed many secrets of

writing a good short story—how great

nuggets and moments and observations

merge with practical information.

You spoke of Kashmir and the maturity of the Indian state in allowing the release of Haider. But

the same government doesn’topenly condemn love jehad proponents or right-wing

outfits promoting moral policing.

Is there a dichotomy here?The state has many tentacles—note that

both evil and good can have tentacles. I feel

that some faculties of the state are growing

a bit mature now. Modi himself appears to

have matured, at least in choosing what he

wants to say.

In a recent article—“Why Do They

Say That Modi Hates Nehru?” —you said that “hate needs deep

MANU JOSEPH, former editor of Open magazine and now columnist for

The New York Times, has won much acclaim for his two books—Serious

Men and The Illicit Happiness of Others. He was awarded The Hindu

literature prize in 2010, and the PEN Open Book award in 2011. The Pen

jury described him as being “that rare bird who can wildly entertain the

reader as forcefully as he moves them.” VON caught up with Manu Joseph

at Writers etc, a monthly literary platform organized by the French

Embassy and Alliance Française in New Delhi, where he was in

conversation with writer Akash Kapur. Speaking to PRITHVI YADAMA

he said that some faculties of the state are growing mature and Modi

himself appears to have matured.


ers on, say Twitter, by people who have the trap-

pings of respectability, something else is going

on—not just ideological rage. Petty professional

jealousies, imagined and real slights, and even

rivalries in love matters drive most of this hate that

is couched in ideological outrage.

If only people knew the reasons that make

Delhi’s eggheads seethe on social media, they will

never take them seriously.

You once wrote that we maintain

etiquette while travelling in Delhi’sMetro. Why can’t this happen in other

things we do?What I had said was that India is filthy while Delhi

Metro is clean, and the reason is that Delhi Metro

impresses, provides and threatens with conse-

quences if it is dirtied and carries out the threat.

You said in a video at Passa Porta in

Brussels that “a lot has to happen before the mechanical part of writing

personal reasons. Even when it iscouched in ideological outrage, hate is fundamentally personal.” Isn’t

ideological difference the biggest

reason to hate someone?

This is interesting. Yes, ideology produces a lot of

venom but when you look at the defamation of writ-

“Petty professional jealousies drive most ofthis hate that is couched in ideological

outrage. If only people knew the reasons thatmake Delhi’s eggheads seethe on social

media, they will never take them seriously.”

“Manu is one of the finest humor writers; I have ever read. I very much enjoy read-ing his column on The New York Times”

—Akash Kapur, author of India Becoming

“We are very glad to have Manu and very glad to have these interactions betweenthe French and Indian cultures”

—Francois Vandeville, director, counselor for culture and cooperation, InstitutFrancais

Featuring Manu Joseph

Photos: Anil Shakya


PEN FRIENDS(Left) ManuJoseph’s acclaimed works

(Below) Joseph(right) with William Dalrymple (center),author of The LastMughal and WhiteMughals

(Facing page) Joseph talking towriter Akash Kapurat the Writers etcevent

talks place”. Could you elaborate? In

journalism with harsh deadlines, how

can one smoothen the process?Most people may not realize what a terrifying space

the time before a novel begins is. The story does not

exist, there is just a whiff of its spirit. You have to

figure out many things before you set out to write—

why are you writing this, what are the characters

and how do you wish to tell the story. It is then that

you can come close to starting. But then, something

else happens, and you end up writing a very differ-

ent novel from the one that urged you to create it.

In The Illicit Happiness of Others, Oesup Chacko, a journalist, gets horribly drunk every night and smokestwo cigarettes at a time, yet manages toget his work going. Is this how you perceive Indian journalists?The world has changed, there is no place for people

like them anymore. They were great journalists be-

cause that’s the only thing they did. They were very

bad fathers and bad husbands. In those days, men

could get away with it. I would define that as the

golden age of men. Men could do what they

wanted. I believe in the next 20- 30 years, men will

go back to that. They won’t be able to sustain the

current domestication; it is very unnatural. They

are already expressing it by not getting married. I

feel that sooner or later, a lot of things are going to

happen with men in the way they want to live.

Has it got something to do with the

decline of masculinity in general?It is not as much about masculinity as it is about

different things they want from women. The pres-

sure is that to be a good person, one has to align

with what women want. So, now the choice has to

be made by men. Do you want to be a good person

or do you want to be yourself? And I think men

will make that choice. It is about whether you have

the power to be solitary. The pressure that men are

going through is about being decent, and the

question which is going to be answered is whether

decency is the fundamental quality of men. I like to

wait and watch. There is a lot of farce that is going

around (laughs).

Your books Serious Men and The IllicitHappiness of Other People have got you a

lot of acclaim. Are you planning to getinto political non-fiction? Non-fiction, yes. And I believe any serious work is

by nature “political”. Now that I have extricated

myself from a salaried job, I can find the time to re-

search for a new book.


WITHOUT A GOOD FIGHT” This bold statement can onlycome from a man who has foughtand won. Director HANSALMEHTA is one of them.

Interview Hansal Mehta

“NO POINT LIVING

He died in 2010. I read about his death in the news-

papers. In his story, I saw the opportunity of

expressing the concerns I had. My own political

and social concerns. I had stopped reflecting them

in my films. The story, the world around him,

intrigued me. The world of power thrives on

segregating people. It’s based on caste, color,

You first film Jayate didn’t get a release,you second film Dil Pe Mat Le Yaar leftyou with a bitter experience. And thencoming back with a bang with Shahidafter a span of 13 years. What exactlyhappened in between? I made a lot of indifferent films. I made Chhal, Yeh

Kya Ho Raha Hai, Woodstock Villa and Dus Ka-

haniyaan. I was doing television also. I got disillu-

sioned after making Woodstock Villa. I thought I

was not making films for the right reasons. The rea-

son I was in films was because I wanted to tell sto-

ries that were close to my heart. But that was not

happening. I was wasting opportunities and my

craft, telling very inconsequential stories.

Why did that happen?

I was trying to find commercial success and

thought it would ensure that I could make the kind

of films that I wanted to make. But that never hap-

pened. You can only make your kind of films. But

I am happy that I chose this path and I failed. And

failure is very important.

When did Shahid Kazmi’s story startdisturbing you?

HANSAL MEHTA, the director of the critically acclaimed Shahid (2013) and the commercially successful

CityLights (2014), is one of the few voices in Bollywood who has the courage to openly criticize extremist pol-

itics in India. His films too are charged with his political point of view. But it is not for nothing that Mehta

has become such a formidable voice against communal and majoritarian politics. He has been the victim of

moral policing by the Shiv Sena early in his career. He was subjected to humiliation by Raj

Thackeray after the release of his second film, Dil Pe Mat Le Yaar in 2000 because one dialogue in it

allegedly hurt the sentiments of Koli fishermen in the state. His office was vandalized, his faced blackened

and he was made to touch the feet of a Koli woman in front of a crowd of 20,000 people. The shadows of the

horror made him braver and more vocal. When Thackeray made Karan Johar apologize for referring to

Mumbai as Bombay in his film Wake up Sid, Mehta called the MNS chief a “master rapist”. With the

back-to-back success of Shahid and CityLights, Hansal has proved his mettle as a film-maker who can

make issue-based films commercially viable. On his blog, he describes himself as “a foodie, traveller,

whisky and wine lover, humanist, stupid romantic, politically incorrect, socially inept, largely cynical”.

RAMNEEK SINGH talks to this fearless director about what drives him and his films.

THE LONE VOICEOF DISSENTMehta’s Shahid daredto take a stand on majorityism


you to come up with Shahid. Did you

apprehend a backlash from the right-

wing parties? I thought about it. But then, what’s the point of

living if you don’t give a good fight.

Shahid released at a time when the

Modi wave was at its crescendo and the

Congress was losing ground. Interest-

ingly, just a week before the release of

the film, then home minister Sushil-kumar Shinde had warned state govern-ments against harassing Muslim youthand arresting them for suspected terror-ist activities without evidence. (Interrupts) It was a pre-electoral speech. The

Congress was trying to woo the Muslim vote.

Shahid, which deals with the same subject, came out within days of thatstatement. Many would have thoughtthat there was a political agenda to it. There cannot be any. I am by nature anti-govern-

ment. I think authority abuses us, the working

class. We are used for their ulterior means. When

they need you, they come to you. Governments

and political parties are for the haves. Not for the

have nots.

What was the process of securing funds

for a film like Shahid?I was coming into Bollywood after a gap and my

films had not done well, so I had to raise money

from family and friends. The producer of Shahid,

Sunil Bohra, was a friend. So I got him to believe

in my story. But I had to promise an impossible

budget. Because there is no other way to make it. I

made it in `85 lakh. And that was the only way.

Your films have always been issue-based, be it medical malpractices in

Jayate or the issue of rural migrants inCityLights.

religion. People come to power because they are sep-

aratists. The Congress practiced minorityism when

it suited them and they stopped practicing it when

it did not suit them. And the BJP gives a damn about

the minority anyway.

You always had strong political opinions.I always did. My film Jayate, Dil pe, had very left-

wing touches. But then slowly, I started distancing

my work from my political leanings.

Was it because of the experience you had

with Dil pe?Yes, of course.

But despite all this, it was very brave of

THE DARK SIDE CityLights brought into

focus the travails ofthe poor migrating

from villages

“People come to power because they are separatists. Congress practiced

minoritism when it suited them and theystopped practicing it when it didn’t suitthem. And the BJP gives a damn about

the minority anyway.”

Interview Hansal Mehta


IN QUEST OFSTORY-TELLING Mehta at the recentfilm festival inDharamshala

Yes, these are recurring themes. They reflect the

stories of the marginalized class that we do not care

about. These are people who do not matter in our

world of greed and ambition.

Do your films have biographical influ-

ences?I live in a city which has a population of nearly 30

million. Each one of those 30 million people has a

story to tell. You go in a train, you see stories. Every

face tells you a story.

CityLights followed very soon afterShahid. Both were successful. How didthe opportunity come to you? It was an opportunity that came early because Ma-

hesh Bhatt saw Shahid. He liked my work. He felt it

reflected the concerns that he raised in Zakhm. He

was looking at doing some soul-searching and

wanted to make such a film. This film is an adap-

tation of Metro Manila, a British film. Mahesh and

his company had already acquired the rights and

made the script. I just interpreted it the way I saw

it. It was an opportunity to work on rural-urban

migration. And that’s how I decided to take it on.

You have worked in television as welland also with Ekta Kapoor.I worked with her for 15 days and she sacked me. I

deserved to be sacked. I didn’t follow her orders.

How did television help you in begin-

ning a career in Bollywood? Khana Khazaana and Sanjeev Kapoor are my

biggest blockbuster till date. TV has given me the

skills I have, especially the ability to work with low

budget. Television has given me the actors I work

with. Manoj Bajpai, Saurabh Shukla, Ashish Vid-

yarthi, Irfan Khan and Nawazuddin Siddiqui

worked with me in TV. The medium has been our

survival and learning ground.

Do you watch television shows?

Absolutely not. I know it’s bad. Why should I subject

myself to it? And it’s just not about fiction; even the

quality of news is bad. There are too many things

happening on the screen. I get news from newspa-

pers, internet and Twitter. You follow the right peo-

ple and you get the news you need in 140 characters.

Recently you wrote an open letter toVishal Bhardwaj on Haider? What do youhave to say about the controversy aroundthe film? It’s a very brave film. Remember one thing, he has

adapted Hamlet and he has created a world for

Haider, his character. Why are you looking for

things that are beyond a story? It’s a brilliant adap-

tation. And it’s an individual interpretation. I saw it

as a cinematic experience. As for the political aspect,

each of us has different beliefs, different ideologies.

We can debate about it. But you cannot debate its

cinematic quality—the cinematic genius of Vishal

Bhardwaj.

What are the other films you havewatched recently apart from Haider?I saw Killa (a Marathi film) recently, absolutely

brilliant. Stunning debut for Avinash Arun. Marathi

films are spectacular. Vihir is another good film.


Congratulations on the award. What were the challenges

you face in your work?Thank you. Meghalaya High Court is a very young high court. It was es-

tablished in March 2013. Meghalaya is covered by the Sixth Schedule.

We may think that administration under this schedule is simple, but it

is complicated.

There are so many restrictions under which we work in administering

justice. Paralegal volunteers are the bridge between MLAs and villagers,

and in 2013-14, our effort will be on legal carriage support centers. The

paralegal volunteer will act as a missionary and be dedicated. This is hard

work as we have to give legal assistance to the needy.

It is a proud moment for Meghalaya as the state has been se-lected as the best legal service authority under the leadershipof JUSTICE TNK SINGH, executive chairman of the MeghalayaState Legal Services Authority. The state was selected by the National Legal Service Authority instituted by the Supreme

Court of India. A paralegal volunteer of Meghalaya, Ksanbok-lang Kharshing, was also given the best paralegal volunteer

award. Soon after this achievement, Justice TNK Singh speaks toRAJSHRI RAI. Excerpts:

“WORK HONESTLY,FEARLESSLY

& EFFECTIVELY”

InterviewJustice TNK Singh


“The judiciary should have the right inclination to hasten cases. Justice shouldbe delivered fast, not after 20 years as hashappened in certain cases in the AllahabadHigh Court.”

As you are from Meghalaya, do you feelthe North-east is getting as much atten-tion as it deserves?The North-east region is very volatile and I feel the

judiciary needs to pay more attention. The govern-

ment at the center too should not neglect this re-

gion and ensure it gets its quota in everything. The

government should look into these lacunae.

The government has decided to abolish

certain archaic laws. What are your viewson it? Law is never static, it is dynamic. As society evolves,

law too has to be amended.

There are many controversies around thejudiciary today. How can we make it less

controversial?The system functions quite well. In any case, one

has to decide a case either in favor or against it. If a

judgment is against someone, he will naturally say

it is controversial. This is part of life. What we have

to do is work honestly, fearlessly and effectively.

What do you think about media trials?

We cannot restrict the media. They have to restrict

themselves. However, we are very thankful to the

media for many things. In a modern society, we

cannot survive without it. Though there are posi-

tive and negative things in the media, putting it to

trial is not good.


What are your views about the collegium

system in judiciary?It is good, but I am not competent to comment on

it. While the system itself is good, the question is

how it will be implemented.

Do you think the judicial system shouldbe more tech savvy?

This is something technical experts should con-

sider. We also need comments from the public. We

are moving towards paperless offices and some

high courts have already implemented it.

The rate of cyber crime is very high in India. Is

the judiciary ready to face these challenges?

No. But the system is already taking up the chal-

lenge of cyber crime and Chief Justice of India HL

Dattu and Justice Thakur have already set up a

consultative committee to see how to prevent it.

What are the challenges the judiciary isfacing now?The main issue is the right inclination to hasten

cases. Justice should be delivered fast, not after 20

years as has happened in certain cases in the Alla-

habad High Court.

How do you spend your free time?

The lives of judges are restricted. We cannot meet

everybody informally. I read books whenever I am

free. I listen to music when I am tired or feel

stressed out.

You were an advocate before you becamejudge. How is life different now? There is a huge difference. Though both judges and

advocates are two faces of the same coin and work

in tandem, advocates can meet people freely.

Do you watch films?Yes, I watch English films occasionally. I like Eng-

lish channels, such as AXN and WB.

I do not watch Hindi films, though I like to lis-

ten to old Hindi numbers, especially those ren-

dered by Lata Mangeshkar, Mukesh and Moham-

med Rafi. I have a collection of more than 1,000

Hindi songs.

Where do you go for your holidays?

I love to go to greener areas or rural places which

are calm and serene. I don’t like concrete jungles.

“We cannot restrict the media. They haveto restrict themselves. However, we are

very thankful to the media for manythings... We cannot survive without it.

Putting it to trial is not good.”

InterviewJustice TNK Singh


The third edition of thisfestival shows how filmscan be a lethal weapon to propagate a culture

of protests and rebellion globally

BY SOMI DAS from Dharamshala

HIS scenic hill station is

home to the government-in-

exile of Tibetans, who have

often used protests to raise

their voice against China. It is,

therefore, in the fitness of things

that the Tibetan Institute of Performing Arts here

was the modest venue for the third edition of the

Dharamshala International Film Festival (DIFF)

in November. And the main theme running

through it was protests, a phenomenon that can

bring down the mightiest of dictators.

With many Buddhist monks, pro-freedom

THE POWER OFPROTESTS

FilmsDharamshala Fest


FilmsDharamshala Fest

ing of the film were direct, scathing and hard-hit-

ting. “Bengal was known for the spirit of protest.

But in the last 30 years, the Rabindra Sangeet-lov-

ing Bengali bhadralok has forgotten the art of

protest. They are doing nothing. Not even having

sex.” This theme resonates with anyone who has

followed Bengal politics closely. The recent Ja-

davpur University protests sparked after a girl stu-

dent was molested in the campus were, perhaps,

just an aberration, but even that failed to move a

stubborn TMC government.

Q expresses anger against the vapid Bengali

middle class through the life of Nabarun, whose lit-

erary work also deals with the filth of low life led

by the working class and is often expressed through

the use of cuss words. Q graphically recreates

Nabarun’s mind and thought process, leading to a

different cinematic experience, where the line be-

tween fiction and non-fiction is blurred.

Another protest-driven film was Cambodian

Son, a documentary by Masahiro Sugano, which is

based on the life of rebel poet, Kosal Kiev, born as

SHOWCASING TALENT(Right) Directors of DIFF Ritu Sarin (extreme left) andTenzing Sonam (extremeright) with filmmakerKhyentse Norbu, also knownas the third incarnation ofthe founder of the Khyentse lineage of Buddhism

Indo-Tibetan forums and Ti-

betan activists present at the

event, one was transported to a

land of silent protests. Rebel

poet Tenzin Tsundue, who has

pulled off many daredevil pro-

tests against China singlehand-

edly, was one of the high-profile

Tibetan activists present.

While many regular

films, such as

Court, Killa and

Ankhon Dekhi, were shown

here, a majority had the recurring theme of protests

and the ability of the downtrodden to fight back.

Along with several big ticket feature films, docu-

mentaries too were screened, and this took every-

one by surprise.

Ritu Sarin and Tenzing Sonam, the organizers

of the festival said they were instinctively drawn to

films that reflected the state of the world today,

showed political conflicts and marginalized com-

munities, and had questions of identity.

There was an unconventional film on fiery Ben-

gali author, Nabarun Bhattacharya, called Nabarun

made by the equally eccentric Q.

Q’s anti-bhadralok rants just before the screen-

“Bengal was known for the spirit of protest.But in the last 30 years, the RabindraSangeet-loving Bengali bhadralok has

forgotten the art of protest. They are doingnothing. Not even having sex.”

—Q, director of Nabarun, a film shown at DIFF


want is to build a “nation of

conscience”, where religious

and ideological differences

wouldn’t divide the citizen.

In several interviews to

the media, director Noujaim

has said that the idea behind

The Square was to make

everyone a part of the revolu-

tion. “We hope that our audi-

ences will feel that they have

been in Tahrir Square, that

they have experienced the

revolution.”

And those who took part

in various protests in India,

be it at Delhi’s Ramlila Maidan or Jantar Mantar or

Mumbai’s Azad Maidan during the 2011 anti-cor-

ruption movement, must be admiring the re-

silience of these Egyptian protesters. The ultimate

message from the film is that it is only by cultivat-

ing a culture of protests that one can build a “na-

tion of conscience”.

And therein lies the importance of these

film festivals.

a Cambodian refugee in California, USA. The film

is a poignant tale of identity crisis that refugees

often face. Kiev surpasses self-questioning and em-

barks on a path of rebellion and fights the system

through his poetry.

The film captures Kiev’s journey from the time

he is deported back to Cambodia after a long stint

in a prison in United States till he represents Cam-

bodia—a country he is reluctant to call his own—

at the London 2012 Cultural Olympiad.

The same identity crisis and nostalgia for

one’s homeland can be seen in The Bee-

keeper. It is a tragic story of an ageing Kur-

dish apiarist, Ibrahim Gezen, who has been

uprooted from his homeland, Turkey, because of

the decade-long conflict there between an anti-

Kurdish regime and the Kurdistan Workers’ Party.

Gezen and his young son become part of the

movement. He is arrested and tortured and sepa-

rated from his family for a long time. But the spirit

of protest and the wish to return to his homeland

never dies.

However, the film that truly celebrates mass

protest is The Square. Directed by Jehane Noujaim,

this 95-minute gripping tale follows a group of

Egyptian activists as they keep coming back to

Tahrir Square in Cairo after the fall of every regi-

me. They overthrow President Hosni Mubarak,

remove Mohammed Morsi, Egypt’s first democrat-

ically elected president and force the downfall of

the Muslim Brotherhood, an Islamist religious, po-

litical and social movement. They fearlessly face

the Egyptian army’s bullet. Unfortunately, they are

misunderstood as being pathological protesters

who love being out on the streets. What they really

REBELLIOUS STREAKMasahiro Sugano’s Cambodian Son(right) and Q’s Nabarun (below right) are stories of individual uprisings againstthe tyranny of society


NEWSDATE NEWS CHANNEL TIME

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Punjab observes bandh as a mark ofprotest against 1984 riots; sikh protesters stall train movements, 22 trainsbetween Punjab and Gujarat affected.

Fadnavis cabinet’s first meeting today; todiscuss impending confidence vote.

BJP spokesperson Shahnawaz Hussaingets threat calls from Dubai for speaking in favor of PM Modi.

Sonia Gandhi meets son-in-law RobertVadra after his scuffle with a reporter. Hehad thrown away the mic of a reporter; hisbodyguards threatened to delete footage.

Actor Sadashiv Amrapurkar dies oflung infection.

Suicide attack kills 65, injures 200 nearWagah border in Pakistan.

Baba Ramdev reaches prime minister’sresidence to meet Narendra Modi.

3:01PM 3:01PM

4/11/14 BCCI postpones selection of team forthe Australia tour. Was to announce theteam for the four-Test tour.

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Here are some of the major news items aired on television channels, recorded by our unique 24x7 dedicated media monitoring unit that scrutinizes more than 130 TV channels in different Indian languages and looks at who breaks the news first.

DATE NEWS CHANNEL TIME

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AAP criticizes Modi government; targets BJP’s tenure at municipal corporations in Delhi.

Bihar Chief Minister Jeetan Ram Manjhi’sson-in-law resigns as PA to the CM.

Modi meets President Pranab Mukherjeeto discuss cabinet reshuffle.

New Goa CM to be announced tomorrow;Manohar Parrikar to become defense minister in Modi cabinet.

“Varanasi has made me one of its own, I willserve Varanasi with my heart and soul,” saysPM Modi on his two-day visit to the city.

Modi nominates nine members to take forward his Swachh Bharat Abhiyan, on hisVaranasi tour; they include Akhilesh Yadav,Manoj Tiwari, Suresh Raina, among others.

Manohar Parrikar resigns as Goa chiefminister; Laxmikant Parsekar takes oathas the new incumbent.

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5/11/14Lovely, Haroon Yusuf, Tytler included inRahul Gandhi’s eight-member team forDelhi assembly elections; Delhi Congress sidelines Sheila Dikshit. 11:33 AM 11:50 AM 11:59 AM 12:30PM


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Modi to expand his cabinet today for thefirst time after becoming PM; all ministers reach 7 Race Course Road.

21 ministers sworn in. Among them arethree with independent charge, fourcabinet rank and 14 ministers of state.

Finance Minister Arun Jaitley takes additional charge of information andbroadcasting ministry.

Newly-elected legislators to take oath inthe Maharashtra assembly. Shiv SenaMLAs to sit in opposition benches.

AMU VC courts controversy; says therewill be “four times more boys” if girlswere allowed in Maulana Azad library

Shiv Sena’s Vijay Avati, Congress’ VarshaGaikwad and BJP’s Haribhau Bagade filenominations for post of speaker in theMaharashtra assembly.

Eight women die at a sterilisation camp atBilaspur, 54 hospitalized from the camp;Chhattisgarh CM Raman Singh orders judicial probe.

Myanmar-India relations crucial, says PMModi at the ASEAN Summit in Myanmar.

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NEWS

Congress, Shiv Sena legislators stop Maharashtra Governor C Vidyasagar Rao’scar from entering Vidhan Bhavan; protestagainst trust vote in the assembly.

The doctor responsible for conducting sterilizations at Bilaspur Camp arrested;negligence led to deaths; toll rises to 13.

One colonel and seven jawans sentenced tolife imprisonment in the 2010 fake encounter case in Jammu and Kashmir.

Suspended TMC MP and prime accused inthe Sharada case, Kunal Ghosh, attemptssuicide in jail in Kolkata by consumingsleeping pills.

Bombay High Court stays 16 percentreservations for Marathas in jobs and education; disallows five percent quota inpublic jobs to 50 subcastes in Muslims.

PM Modi arrives in Brisbane for the G-20summit; Australian Premier Tony Abbott welcomes visiting leaders from participating countries.

Rahul Gandhi arrives in Bilaspur to meetvictims of sterilization drive. Fake medicines have destroyed families, saysCongress vice-president.

Clash between mediapersons and police inKolkata; journalists wanted to talk to KunalGhosh accused in the Saradha Chit fund case.

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TAVLEEN SINGHWOMAN FOR ALL SEASONS 24

MODIMANIATHE SELFIES HAVE IT 18

OPTIMIZING SEARCHESGOOGLE’S NEW HUMMINGBIRD TAKES WING 42

NOVEMBER 22, 2014 `100VIEWS ON NEWSTHE CRITICAL EYE

Media, Rajniti aur Corporate

Jagat

HINDI SECTION

Children are increasingly victims of abuse. The press should be careful not to traumatize them when covering their stories 10

Baat pate ki


Interviewing the child

SPECIALS

How should editors balance freedom against growing corporate control? 21

Where the Love Jehad story went horribly wrong 14

Is the communication tsunami good or bad? 32

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Views On News (VON) is India’s premier fortnightly magazine that covers the wide spectrum of modern communication loosely known as “the media”. Its racy, news and analysis oriented story-telling encompasses current global and Indian developments, trends, future projections encompassing policy and business drifts, the latest from inside the print and electronic newsrooms, the exciting developments in ever-expanding digital space, trending matters in the social media, advertising, entertainment and books.

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NO HOLDS

BARRED

NDIA EGAL EEELSTORIES THAT COUNT

November 15, 2014 `100

www.indialegalonline.comNI

Shantanu Guha Ray analyzes whether the Modi government’s cow policy is a gimmick or a new milk

revolution in the offing

RN

I No.

UPE

NG

/200

7/25

763

Post

al R

egd.

No.

UP/

GB

D-1

97/2

014-

16

STUDENT PROTESTSDo they change the laws?MINORITY STATUS Will Jamia lose its lustre?

JUSTICE MANJUNATH Victim of vendetta?

ALSO

7446

12

Perilous Future

36

Editor and parliamentarian HK DUA warns about the erosion of India’s three pillars of democracy, while veteran journalist FARZAND AHMED sees a dark future for the Right to Information 18

MOO FOR ME

INDIA’S INSTITUTIONS

BIKRAM VOHRA on Indian racismRASHME SEHGAL on rising suicides 30

68

PLUS

NDIA EGAL EEEL STORIES THAT COUNT

October 31, 2014 `100


NI

Supreme Court refuses to stay a court

ruling that the barbaric ritual of animal

sacrifice has nothing to do with

religious freedom

RNI N

o. U

PEN

G/2

007/

2576

3Po

stal

Reg

d. N

o. U

P/G

BD-1

97/2

014-

16

Continuing fallout

from Modi’s US visit

Bhopal victims’

legal agony www indialewww

Vishal Bhardwaj’s

craftsmanship

‘‘Live And Let Live...’’

CYBER SECURITY:

License to invade

LAW GRADS:

Confusing future

ISI MANEUVERS:Why Indo-Pak

border is lighting up

ALSO46

74

38

How oil companies

are rigging wages GLOBAL

5024

78

Double Trouble

For Power Couple?The CBI appears to be turning the heat on

P Chidambaram and wife Nalini—both top lawyers

64

3

20

NDIA EGAL EEL STORIES THAT COUNT

November 30, 2014 `100


NIAfter taking a potshot at the press, Gandhi son-in-law Robert Vadra is back under the spotlight for murky business dealings. A peep into the future 14

RN

I No.

UP

EN

G/2

007/

2576

3Po

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Reg

d. N

o. U

P/G

BD

-197

/201

4-16

STOR

SPECIAL PROFILEModi’s Man Friday Manohar Parrikar48 32 28

IS HE NUTS?

Bhavdeep Kang diagnoses the death wish

SPECIAL

42

CONGRESS PARTY

PUCKER POWER Smooch for freedom

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LEILA SETHA Suitable Judge

NITHARI MURDERS Exclusive interview with the condemned man

62

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CATHOLIC CHURCH Divorce, remarriage, gay marriage, live-ins take the stage

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Views On News (VON) is India’s premier fortnightly magazine that covers the wide spectrum of modern communication loosely known as “the media”. Its racy, news and analysis oriented story-telling encompasses current global and Indian developments, trends, future projections encompassing policy and business drifts, the latest from inside the print and electronic newsrooms, the exciting developments in ever-expanding digital space, trending matters in the social media, advertising, entertainment and books.

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TAVLEEN SINGH

WOMAN FOR ALL

SEASONS 24

MODIMANIATHE SELFIES

HAVE IT 18

OPTIMIZING SEARCHES

GOOGLE’S NEW HUMMINGBIRD

TAKES WING 42

NOVEMBER 22, 2014 `100VIEWS ON NEWSTHE CRITICAL EYE

Media, Rajniti

aur Corporate

Jagat

HINDI SECTION

Children are

increasingly

victims of abuse.

The press should

be careful not to

traumatize them

when covering

their stories 10

Baat pate ki


Interviewing the child

SPECIALS

How should editors balance freedom against

growing corporate control? 21

Where the Love Jehad story went horribly wrong 14

Is the communication tsunami good or bad? 32

.

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final views on news 07 december 2014

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